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Bottle It Up
Songs like
Bottle It Up
by
Riley Pearce
Based on a tempo of (+/- 10%) and a similar genre
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Riley Pearce
Bottle It Up
119 bpm • E Maj • 03:05 • -9.55db
47% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Moving Stills
Nineteen
119 bpm • C# Maj • 02:56 • -4.45db
31% Popularity • 62% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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The Dreggs
Feel Alive
119 bpm • C# Maj • 03:27 • -7.06db
46% Popularity • 74% Danceability • 51% Energy • 25% Liveness
3% Instrumentalness • 37% Positiveness
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Alivan Blu
Wild Eyes
119 bpm • G Maj • 04:46 • -12.08db
43% Popularity • 65% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Babitha
Get Away
118 bpm • G# min • 03:57 • -10.73db
31% Popularity • 58% Danceability • 63% Energy • 10% Liveness
13% Instrumentalness • 63% Positiveness
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Daily J
Left Me Like Summer
118 bpm • C Maj • 04:45 • -5.28db
58% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Riley Pearce
Kindling
119 bpm • F Maj • 01:45 • -20.27db
18% Popularity • 82% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Make The Moon
Living In The Moment
118 bpm • A Maj • 03:25 • -13.58db
13% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hein Cooper
Maze
120 bpm • D Maj • 03:29 • -10.22db
16% Popularity • 50% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
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Alice Skye
Grand Ideas
118 bpm • C Maj • 03:10 • -7.25db
18% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Ocean Alley
Knees
120 bpm • C Maj • 04:46 • -9.36db
62% Popularity • 55% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Pacific Avenue
Sally
120 bpm • E Maj • 04:37 • -4db
33% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Dreggs
Gold
120 bpm • G Maj • 04:08 • -9db
48% Popularity • 62% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Ball Park Music
Stars In My Eyes
120 bpm • G Maj • 03:47 • -5.79db
40% Popularity • 57% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Jack Davies and The Bush Chooks
Morning Coffee
118 bpm • C# Maj • 03:03 • -8.71db
37% Popularity • 69% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Sons Of The East
Fool Me
118 bpm • C# Maj • 03:52 • -8db
44% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Riley Pearce
Glass Vase
120 bpm • C# min • 03:52 • -11.86db
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Hein Cooper
Rusty
120 bpm • F# Maj • 03:18 • -8db
46% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Lime Cordiale
Facts of Life
118 bpm • B Maj • 04:08 • -9db
43% Popularity • 67% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Aodhan
When Your Eyes Speak
120 bpm • A min • 04:33 • -13.46db
21% Popularity • 64% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Thelma Plum
The Bat Song
120 bpm • A# min • 02:41 • -10.71db
24% Popularity • 86% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Daily J
Stay
118 bpm • C Maj • 03:19 • -6.47db
47% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Riley Pearce
Nostalgia
120 bpm • D Maj • 04:01 • -14.3db
39% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Gaudion
Feel Like Clarity
120 bpm • B Maj • 03:08 • -7.97db
37% Popularity • 86% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Lime Cordiale
Waking Up Easy
120 bpm • B Maj • 03:56 • -5.5db
55% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Angus & Julia Stone
Heavy Gets Light
120 bpm • F Maj • 03:34 • -10.28db
32% Popularity • 69% Danceability • 55% Energy • 10% Liveness
22% Instrumentalness • 68% Positiveness
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Ryan Harris
My Mind
118 bpm • B Maj • 03:22 • -12.37db
55% Popularity • 70% Danceability • 41% Energy • 11% Liveness
23% Instrumentalness • 39% Positiveness
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Dustin Tebbutt
Changeophelia
120 bpm • C Maj • 04:06 • -12db
48% Popularity • 54% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Wild Rivers
Stubborn Heart
118 bpm • A# Maj • 02:39 • -6db
52% Popularity • 76% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Salt Tree
Warm Ocean
120 bpm • G Maj • 03:21 • -8db
41% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Nick Cunningham
Dancing With the Moon
120 bpm • C Maj • 04:00 • -9.52db
30% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Aodhan
Always
120 bpm • F# Maj • 03:50 • -13.05db
19% Popularity • 67% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Harris
Sundays
120 bpm • B min • 03:13 • -12.24db
48% Popularity • 87% Danceability • 47% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Mimi Gilbert
Society's a Mansion
117 bpm • C Maj • 04:44 • -13.58db
34% Popularity • 69% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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MADDY MAY
Waves
118 bpm • E Maj • 03:23 • -10.59db
18% Popularity • 60% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Didirri
Blind You
117 bpm • D Maj • 02:54 • -12.83db
35% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Emily Wurramara
Black Smoke
121 bpm • G Maj • 04:38 • -9.96db
35% Popularity • 65% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Riley Pearce
Ceramic Real Estate
120 bpm • D Maj • 03:08 • -6.77db
22% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Grogans
How Would You Know
117 bpm • C Maj • 03:03 • -6.63db
49% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Asha Jefferies
Crybaby
121 bpm • B Maj • 03:32 • -9.58db
24% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Nick Cunningham
Make Me Feel
117 bpm • A min • 04:09 • -9.72db
24% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Garrett Kato
Holding on to You
121 bpm • C# Maj • 03:33 • -9.91db
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Alivan Blu
Changes
117 bpm • C Maj • 03:57 • -9.62db
33% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Pearce
Only You
121 bpm • F Maj • 03:06 • -8.23db
43% Popularity • 65% Danceability • 58% Energy • 14% Liveness
6% Instrumentalness • 56% Positiveness
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Tia Gostelow
Spring to Life
121 bpm • D Maj • 02:38 • -7.25db
38% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Lawson Hull
Mexico
121 bpm • G Maj • 04:06 • -7.68db
23% Popularity • 64% Danceability • 58% Energy • 13% Liveness
2% Instrumentalness • 69% Positiveness
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Death by Denim
Take Me Far Away Sometime
117 bpm • G Maj • 03:43 • -12.43db
29% Popularity • 73% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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MADDY MAY
More Than Friends
117 bpm • E Maj • 02:39 • -8.01db
25% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
47% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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Ball Park Music
Day & Age
122 bpm • A# Maj • 03:50 • -5.96db
35% Popularity • 51% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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George Alice
Alive - triple j Like A Version
122 bpm • G min • 03:32 • -9db
35% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Aodhan
Flies In My Room
122 bpm • G Maj • 04:40 • -9db
12% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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NO CIGAR
Valium
122 bpm • A Maj • 04:53 • -14db
34% Popularity • 40% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 21% Positiveness
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Maddy Jane
Island Time
122 bpm • B Maj • 04:03 • -7db
13% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dusty Boots
Dancing in the Sun
116 bpm • C# Maj • 03:16 • -8.57db
30% Popularity • 64% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
36% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Tay Oskee
The Pill
122 bpm • G min • 03:35 • -11db
31% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Greta Stanley
Drunk Dreams
116 bpm • D Maj • 03:49 • -12.3db
21% Popularity • 73% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 28% Positiveness
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Alivan Blu
Let Me Go
116 bpm • D# Maj • 03:25 • -6.62db
36% Popularity • 60% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Jem Cassar-Daley
Standing Still
116 bpm • C Maj • 04:57 • -8.94db
25% Popularity • 44% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lawson Hull
Wanna Be with You
116 bpm • A Maj • 03:11 • -8.06db
26% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Riley Pearce
Cloudships
116 bpm • G# Maj • 03:48 • -17.87db
13% Popularity • 77% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Dreggs
Hold Me Closer
116 bpm • G Maj • 03:24 • -7.39db
45% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Ruby Fields
Bruises
122 bpm • G Maj • 02:57 • -5.57db
31% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Dusty Boots
To the Sea
122 bpm • C# min • 03:23 • -10db
37% Popularity • 36% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Israel Cannan
Lost
116 bpm • C# Maj • 03:41 • -8.59db
30% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Grogans
Lemon To My Lime
123 bpm • D Maj • 04:29 • -5.21db
48% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Riley Pearce
Free Coffee
122 bpm • D# Maj • 03:39 • -10.04db
35% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hein Cooper
The Fear - triple j Like a Version
123 bpm • F Maj • 03:31 • -9.62db
29% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ruby Fields
Bottle'o
122 bpm • C Maj • 02:32 • -8db
30% Popularity • 63% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Tia Gostelow
We Are the People - triple j Like a Vers...
123 bpm • G# min • 04:40 • -12.4db
29% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Alexander Biggs
I've Been Holding Onto You For Way Too L...
115 bpm • C# Maj • 03:36 • -13.8db
17% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
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Riley Pearce
Brave
116 bpm • E min • 04:07 • -10.59db
55% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Mallrat
Charlie
115 bpm • G Maj • 03:10 • -6.8db
48% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Aquilo
You Make Me Mad
115 bpm • G Maj • 03:06 • -6db
40% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Middle Kids
R U 4 Me?
115 bpm • C Maj • 02:49 • -4.82db
39% Popularity • 58% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Aodhan
I'm Closed
115 bpm • A Maj • 02:56 • -6.8db
19% Popularity • 63% Danceability • 69% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
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Hope D
Hate Goodbyes
115 bpm • G# min • 03:42 • -5.89db
29% Popularity • 79% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Riley Pearce
Misplaced
115 bpm • F Maj • 04:53 • -9.94db
36% Popularity • 55% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Luke Morris
Love Shack
115 bpm • C Maj • 04:09 • -11db
33% Popularity • 78% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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Ryan Harris
Roam
115 bpm • D Maj • 03:05 • -9db
38% Popularity • 77% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Angus & Julia Stone
Oakwood
115 bpm • A min • 03:43 • -8.77db
45% Popularity • 74% Danceability • 69% Energy • 9% Liveness
37% Instrumentalness • 92% Positiveness
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The Rions
Anakin - Bathroom Sessions
124 bpm • A min • 04:53 • -9.33db
28% Popularity • 48% Danceability • 69% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
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Spacey Jane
The Only Exception - Spotify Single
124 bpm • D# Maj • 04:44 • -6.24db
40% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Riley Pearce
Furniture
115 bpm • E Maj • 03:14 • -12.9db
33% Popularity • 76% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Luke Sital-Singh
Summer Somewhere
124 bpm • B Maj • 03:03 • -8db
30% Popularity • 73% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Meg Mac
Only Love
124 bpm • B min • 03:05 • -8db
30% Popularity • 68% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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The Dreggs
Peeps with the Goods
124 bpm • B Maj • 02:42 • -11.13db
51% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Carla Geneve
The Right Reasons
124 bpm • D Maj • 03:33 • -10.75db
30% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Mitch Santiago
Out For You
124 bpm • A min • 04:02 • -4.63db
31% Popularity • 56% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Riley Pearce
Call It
115 bpm • C# Maj • 04:09 • -16.5db
9% Popularity • 57% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Aodhan
Twelve Again
124 bpm • F# Maj • 02:50 • -7db
21% Popularity • 56% Danceability • 71% Energy • 28% Liveness
4% Instrumentalness • 46% Positiveness
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Daily J
Skylah
124 bpm • B min • 03:20 • -4.86db
47% Popularity • 61% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Angus & Julia Stone
Nothing Else
124 bpm • C# min • 04:24 • -13.53db
48% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Hope D
Swim
124 bpm • E Maj • 04:48 • -7db
34% Popularity • 59% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Bottle It Up