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Songs like
Bottom Of Priority
by
BR549
Based on a tempo of (+/- 10%) and a similar genre
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Southern Pacific
Pink Cadillac
127 bpm • A Maj • 04:58 • -6.03db
20% Popularity • 80% Danceability • 86% Energy • 6% Liveness
42% Instrumentalness • 97% Positiveness
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The Tractors
Fallin' Apart
127 bpm • D Maj • 03:47 • -6db
20% Popularity • 83% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Merle Haggard & The Strangers
I'm A Lonesome Fugitive - Remastered
127 bpm • F# Maj • 02:56 • -10.52db
39% Popularity • 82% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Texas Tornados
Little Bit Is Better Than Nada
127 bpm • G Maj • 03:33 • -7db
38% Popularity • 75% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Foster And Lloyd
Is It Love?
127 bpm • D Maj • 02:41 • -11.53db
12% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Louvin
See The Big Man Cry
127 bpm • C# Maj • 02:25 • -10db
38% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Doug Sahm
I Can't Go Back To Austin
128 bpm • E Maj • 03:38 • -10db
17% Popularity • 54% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Rusty Wier
Don't It Make You Wanna Dance
126 bpm • A Maj • 03:45 • -7.64db
33% Popularity • 72% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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BR549
I Ain't Never
126 bpm • A Maj • 02:11 • -8db
22% Popularity • 65% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Flaco Jimenez
Alright, I'm Wrong
126 bpm • A Maj • 04:16 • -5db
28% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Rabbitt
Drinkin' My Baby (Off My Mind) - 2009 Re...
128 bpm • E min • 02:25 • -7db
45% Popularity • 61% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Heather Myles
Playin' Every Honky Tonk In Town
128 bpm • D Maj • 02:39 • -5.06db
31% Popularity • 62% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Robbie Fulks
Every Kind Of Music But Country
128 bpm • B min • 02:18 • -7.95db
30% Popularity • 85% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Pirates Of The Mississippi
Rollin' Home
128 bpm • A Maj • 03:13 • -9db
29% Popularity • 68% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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George Ducas
In No Time At All
128 bpm • A# Maj • 03:08 • -6.85db
26% Popularity • 54% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Webb Pierce
Honky Tonk Song
128 bpm • F Maj • 02:05 • -8.26db
21% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Mel McDaniel
The Way You Do The Things You Do
126 bpm • A Maj • 02:41 • -6.43db
20% Popularity • 73% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Tractors
Get Out on the Floor
126 bpm • F Maj • 04:03 • -5.63db
23% Popularity • 81% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 98% Positiveness
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Tanya Tucker
The Jamestown Ferry
126 bpm • A# Maj • 02:53 • -13db
29% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Doug Sahm
Faded Love
128 bpm • D Maj • 03:56 • -12db
16% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Eleven Hundred Springs
Why You Been Gone so Long
128 bpm • E Maj • 04:23 • -8.81db
34% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Stonewall Jackson
Me and You and a Dog Named Boo
126 bpm • F# Maj • 02:42 • -7.9db
32% Popularity • 65% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Jason James
Fancy Limousine
128 bpm • A Maj • 03:31 • -6.54db
8% Popularity • 62% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Tractors
Babalou
128 bpm • G Maj • 04:37 • -4.66db
17% Popularity • 74% Danceability • 86% Energy • 19% Liveness
21% Instrumentalness • 97% Positiveness
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Bob Wills & His Texas Playboys
Big Ball's In Cowtown
126 bpm • G Maj • 02:43 • -10.12db
29% Popularity • 72% Danceability • 61% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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Foster And Lloyd
Crazy Over You
128 bpm • B min • 04:31 • -14db
31% Popularity • 68% Danceability • 53% Energy • 13% Liveness
3% Instrumentalness • 92% Positiveness
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Doug Sahm
Hey, Good Lookin'
128 bpm • A Maj • 03:21 • -12.95db
9% Popularity • 73% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Old Dogs
Still Gonna Die - Live
125 bpm • D Maj • 03:43 • -7.73db
16% Popularity • 57% Danceability • 87% Energy • 99% Liveness
0% Instrumentalness • 69% Positiveness
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Pirates Of The Mississippi
Speak Of The Devil
125 bpm • D Maj • 03:06 • -10db
29% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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BR549
Goodbye, Maria
125 bpm • G Maj • 03:45 • -8.64db
8% Popularity • 44% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Jerry Jaye
Two More Bottles Of Wine
129 bpm • A Maj • 03:02 • -6db
10% Popularity • 66% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Tractors
Pick Me Up on Your Way Down
125 bpm • F Maj • 04:03 • -6db
31% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Texas Tornados
Did I Tell You
129 bpm • E Maj • 03:46 • -6.89db
17% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Luke Bell
Sometimes
129 bpm • G Maj • 04:07 • -5.55db
35% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Pirates Of The Mississippi
What I Want And What I Get
125 bpm • F Maj • 03:29 • -10.8db
15% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Derailers
Bar Exam
125 bpm • D Maj • 03:28 • -6db
28% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Eddy Raven
In A Letter To You
129 bpm • C# Maj • 03:22 • -10db
36% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Doug Sahm
Cowboy Peyton Place
129 bpm • D Maj • 04:45 • -8db
13% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Rodriguez
Big Red Sun Blues
125 bpm • D Maj • 03:44 • -9.51db
11% Popularity • 80% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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The Beat Farmers
Blue Chevrolet
129 bpm • A Maj • 02:58 • -13.03db
15% Popularity • 65% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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BR549
You Are Never Nice to Me
129 bpm • F min • 02:45 • -9.32db
11% Popularity • 62% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Sweethearts of the Rodeo
Blue To The Bone
124 bpm • G Maj • 02:55 • -8.64db
28% Popularity • 70% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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The Tractors
Tryin' To Get To New Orleans
130 bpm • G Maj • 04:33 • -6.41db
22% Popularity • 69% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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Shaver
Leavin' Amarillo
130 bpm • D Maj • 03:37 • -3.89db
7% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Jason James
Here Comes The Heartache
124 bpm • A Maj • 03:29 • -5.99db
11% Popularity • 68% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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James Intveld
Modern Don Juan
130 bpm • A Maj • 02:54 • -8.03db
21% Popularity • 58% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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BR549
Honky Tonk Song
124 bpm • E Maj • 02:34 • -8.03db
24% Popularity • 72% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Heather Myles
Little Chapel
124 bpm • A Maj • 02:57 • -6.41db
29% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Tractors
The Little Man
130 bpm • G Maj • 05:44 • -7.69db
18% Popularity • 71% Danceability • 79% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
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Doug Sahm
(Is Anybody Going To) San Antone - Singl...
124 bpm • A Maj • 03:09 • -9db
31% Popularity • 68% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Bruce Robison
Rock and Roll Honky Tonk Ramblin' Man
130 bpm • E Maj • 02:41 • -7db
34% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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The Notorious Cherry Bombs
Let It Roll, Let It Ride
130 bpm • F Maj • 03:52 • -6.27db
24% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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BR549
Poison
124 bpm • D Maj • 03:56 • -9.79db
11% Popularity • 80% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Rosanne Cash
My Baby Thinks He's A Train
124 bpm • C Maj • 03:13 • -8.23db
13% Popularity • 68% Danceability • 84% Energy • 16% Liveness
4% Instrumentalness • 72% Positiveness
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Mark Collie
Keep It Up
130 bpm • C# min • 02:53 • -10.58db
11% Popularity • 71% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Danni Leigh
Chain Gang
123 bpm • F Maj • 02:36 • -4.53db
16% Popularity • 62% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Lefty Frizzell
Cigarettes and Coffee Blues
131 bpm • D Maj • 02:33 • -14.01db
35% Popularity • 68% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 97% Positiveness
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Marty Stuart And His Fabulous Superlatives
Talking to the Wall
131 bpm • A# Maj • 02:27 • -5.71db
11% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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BR549
Crazy Arms
130 bpm • E Maj • 02:49 • -7.62db
23% Popularity • 61% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Eleven Hundred Springs
Texas Afternoon
131 bpm • E Maj • 03:30 • -4.8db
19% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Rosie Flores
Honky Tonk Moon
131 bpm • D Maj • 03:31 • -7.82db
15% Popularity • 70% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Robbie Fulks
I Told Her Lies
132 bpm • C# Maj • 02:50 • -10.21db
23% Popularity • 69% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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The Flatlanders
Wavin' My Heart Goodbye
132 bpm • C Maj • 02:38 • -6.65db
12% Popularity • 64% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Marty Stuart And His Fabulous Superlatives
Geraldine
123 bpm • A# Maj • 02:39 • -6db
9% Popularity • 58% Danceability • 87% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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BR549
Tell Me Mama - Live in the USA - Summer ...
122 bpm • A Maj • 03:41 • -6.06db
8% Popularity • 67% Danceability • 82% Energy • 96% Liveness
0% Instrumentalness • 72% Positiveness
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James Intveld
Love Calls
122 bpm • A Maj • 04:26 • -9.54db
23% Popularity • 68% Danceability • 55% Energy • 12% Liveness
5% Instrumentalness • 82% Positiveness
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The Tractors
Up Jumped the Boogie
132 bpm • G Maj • 03:34 • -5.91db
25% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Bill Phillips
Coca-Cola Cowboy
122 bpm • F Maj • 03:22 • -12.83db
25% Popularity • 62% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Texas Tornados
My Sugar Blue
122 bpm • C Maj • 03:01 • -11.34db
29% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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JP Harris
Badly Bent
122 bpm • C Maj • 04:47 • -8.83db
14% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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BR549
No Train To Memphis
124 bpm • G Maj • 03:14 • -6.76db
11% Popularity • 67% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
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Doug Sahm
Oh No! Not Another One
133 bpm • A Maj • 02:54 • -9.26db
12% Popularity • 50% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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George Ducas
Teardrops
133 bpm • E Maj • 03:03 • -9db
17% Popularity • 60% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Tom T. Hall
The Year That Clayton Delaney Died
133 bpm • C# Maj • 02:44 • -11db
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Texas Tornados
Just Can't Fake It
133 bpm • A# Maj • 02:48 • -4.76db
14% Popularity • 56% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Southern Culture on the Skids
Drunk And Lonesome (Again)
121 bpm • G Maj • 02:53 • -5.48db
25% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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BR549
I'm Alright
131 bpm • G Maj • 02:39 • -5.4db
18% Popularity • 63% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Brother Phelps
Down into Muddy Water
121 bpm • A Maj • 03:47 • -5.52db
10% Popularity • 66% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 85% Positiveness
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Merle Haggard & The Strangers
Swinging Doors
121 bpm • G Maj • 02:51 • -14.4db
33% Popularity • 73% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Pirates Of The Mississippi
Save The Wild Life
134 bpm • G Maj • 02:33 • -10.2db
13% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Emmylou Harris
Two More Bottles of Wine - 2003 Remaster
134 bpm • D# Maj • 03:06 • -7.57db
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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BR549
There Goes My Love
121 bpm • A# Maj • 02:09 • -8.96db
19% Popularity • 68% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Marty Stuart And His Fabulous Superlatives
Rough Around the Edges
120 bpm • G Maj • 03:06 • -6.76db
11% Popularity • 50% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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James Intveld
Let's Talk It Out
120 bpm • G Maj • 03:36 • -4db
14% Popularity • 67% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Pirates Of The Mississippi
People My Age
134 bpm • C# Maj • 02:46 • -9.99db
15% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Ricky Lynn Gregg
Three Nickels And A Dime
134 bpm • F# min • 02:31 • -9db
26% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Kieran Kane
This Dirty Little Town
135 bpm • E Maj • 02:56 • -12.01db
19% Popularity • 66% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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BR549
Georgia on a Fast Train
133 bpm • G Maj • 03:03 • -9.5db
10% Popularity • 52% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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The Tractors
The Tulsa Shuffle
120 bpm • D Maj • 03:53 • -7.1db
28% Popularity • 70% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Hank Williams
Lost Highway
135 bpm • D Maj • 02:08 • -8.7db
20% Popularity • 66% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Bush
Whiskey River
135 bpm • E Maj • 02:31 • -5.32db
22% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Webb Wilder
Streets of Laredo (The Cowboy's Lament)
135 bpm • C Maj • 03:38 • -12.57db
4% Popularity • 60% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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James Hand
Mighty Lonesome Man
120 bpm • A Maj • 02:31 • -5.9db
16% Popularity • 57% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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BR549
18 Wheels and a Crowbar
134 bpm • A min • 05:01 • -11.8db
16% Popularity • 82% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Bastard Sons of Johnny Cash
The Road To Bakersfield
135 bpm • G Maj • 04:06 • -5.7db
12% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Texas Tornados
They Don't Make 'em Like I Like
135 bpm • E Maj • 02:20 • -11.08db
24% Popularity • 73% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Dawn Sears
Close Up the Honky Tonks
135 bpm • F Maj • 02:45 • -8.73db
35% Popularity • 64% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Joshua Hedley
Mr. Jukebox
136 bpm • A Maj • 03:16 • -5.26db
31% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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James Intveld
All The Way From Memphis
136 bpm • G Maj • 04:22 • -7db
21% Popularity • 59% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Bottom Of Priority