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BOYFRIEND
Songs like
BOYFRIEND
by
HARDY
Based on a tempo of (+/- 10%) and a similar genre
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Wallen
I Wrote The Book
144 bpm • D Maj • 03:01 • -3.76db
71% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
52% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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HARDY
BOYFRIEND
144 bpm • D Maj • 03:39 • -4.69db
50% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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HIXTAPE
One Of Y’all
144 bpm • A Maj • 03:05 • -2.68db
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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HARDY
drink one for me
145 bpm • D Maj • 03:31 • -5.55db
48% Popularity • 47% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Stapleton
White Horse
145 bpm • C# min • 04:27 • -11.07db
75% Popularity • 35% Danceability • 77% Energy • 11% Liveness
60% Instrumentalness • 22% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
63% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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HARDY
SOLD OUT
145 bpm • A Maj • 03:22 • -5db
64% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Jelly Roll
She
146 bpm • F# Maj • 02:54 • -5.39db
63% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Parker McCollum
To Be Loved By You
146 bpm • A# Maj • 03:19 • -4.46db
62% Popularity • 48% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Hayden Coffman
Better Off
142 bpm • C Maj • 03:18 • -4.91db
64% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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HIXTAPE
To Hank
142 bpm • A Maj • 03:17 • -3.83db
47% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Meloy
Porch Light
142 bpm • F# Maj • 03:04 • -8.26db
80% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Colt Ford
Slow Ride
142 bpm • B min • 02:54 • -4.73db
59% Popularity • 67% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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HIXTAPE
Boy From The South (HARDY Cole Swindell,...
146 bpm • D Maj • 03:05 • -4.7db
53% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Austin Williams
Wanna Be Saved
142 bpm • C min • 03:08 • -6.93db
51% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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HARDY
.30-06
142 bpm • D Maj • 02:20 • -3.55db
61% Popularity • 52% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
60% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Morgan Wallen
One Thing At A Time
142 bpm • G Maj • 03:26 • -5.15db
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 02:56 • -6db
69% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Cody Johnson
Dear Rodeo
146 bpm • A# Maj • 04:14 • -5.27db
61% Popularity • 48% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Koe Wetzel
Fuss and Fight
141 bpm • D min • 04:00 • -5.59db
61% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Treaty Oak Revival
In Between
147 bpm • D# Maj • 03:40 • -3.56db
73% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
59% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
65% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Brantley Gilbert
The Worst Country Song Of All Time
147 bpm • G Maj • 03:19 • -5db
49% Popularity • 51% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Riley Green
Way Out Here
148 bpm • C Maj • 03:41 • -5.58db
63% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Dylan Scott
Boys Back Home
140 bpm • A# Maj • 02:45 • -2.01db
58% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ole 60
smoke & a light
140 bpm • G Maj • 03:09 • -8.48db
79% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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HARDY
RADIO SONG
148 bpm • D Maj • 03:07 • -4.77db
54% Popularity • 48% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Wallen
Man Made A Bar
148 bpm • E Maj • 03:11 • -5.01db
81% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Koe Wetzel
Ragweed
148 bpm • G# Maj • 04:12 • -7.31db
59% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
72% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Robert Counts
What Do I Know
140 bpm • C Maj • 03:28 • -6db
46% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
72% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Scott
Livin' My Best Life
140 bpm • G Maj • 03:22 • -3.68db
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Warren Zeiders
Heartbreaker
148 bpm • F Maj • 03:42 • -5.33db
62% Popularity • 49% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
63% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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HIXTAPE
Hometown Boys
140 bpm • C Maj • 03:44 • -3.78db
39% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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HARDY
THIS OLE BOY
140 bpm • G# Maj • 03:16 • -4.37db
50% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Cody Johnson
Ain't Nothin' to It
140 bpm • A# Maj • 03:22 • -5.67db
62% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Morgan Wallen
Thinkin’ Bout Me
140 bpm • D# min • 02:57 • -5.78db
86% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Muscadine Bloodline
Can't Tell You No
140 bpm • F# Maj • 03:11 • -7.79db
63% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Warren Zeiders
Pain Killer
140 bpm • G min • 02:47 • -4.23db
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
57% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cole Swindell
Down to the Bar
140 bpm • G# Maj • 03:15 • -3.28db
45% Popularity • 42% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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HIXTAPE
Life Had Plans For Me
140 bpm • C# Maj • 03:45 • -4.83db
53% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Warren Zeiders
Heavy Pour
139 bpm • G# Maj • 02:27 • -6.04db
54% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Brantley Gilbert
Son Of The Dirty South
139 bpm • B Maj • 02:59 • -3.51db
66% Popularity • 58% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
70% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Cody Johnson
Wild as You
150 bpm • B Maj • 03:06 • -5db
71% Popularity • 46% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Treaty Oak Revival
Stop & Stare
150 bpm • D Maj • 03:32 • -3.49db
71% Popularity • 46% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
77% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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BOYFRIEND