Songs like Boys Better by The Dandy Warhols
Based on a tempo of (+/- 10%) and a similar genre
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The Dandy Warhols
Boys Better
119 bpm • A Maj • 04:31 • -8.37db
37% Popularity • 33% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 33% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Metric
Help I'm Alive
118 bpm • F min • 04:46 • -4.55db
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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The Jesus and Mary Chain
April Skies
119 bpm • D# Maj • 03:59 • -7db
49% Popularity • 55% Danceability • 72% Energy • 14% Liveness
41% Instrumentalness • 59% Positiveness
49% Popularity • 55% Danceability • 72% Energy • 14% Liveness
41% Instrumentalness • 59% Positiveness
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Jack White
Lazaretto
118 bpm • F# min • 03:39 • -6.56db
54% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Kills
Baby Says
120 bpm • C Maj • 04:28 • -5db
42% Popularity • 70% Danceability • 84% Energy • 23% Liveness
51% Instrumentalness • 52% Positiveness
42% Popularity • 70% Danceability • 84% Energy • 23% Liveness
51% Instrumentalness • 52% Positiveness
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Eagles Of Death Metal
Now I'm a Fool
120 bpm • G Maj • 03:41 • -4.5db
35% Popularity • 72% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
35% Popularity • 72% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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TV On The Radio
Staring at the Sun
120 bpm • F min • 03:26 • -9.01db
39% Popularity • 35% Danceability • 59% Energy • 10% Liveness
29% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 59% Energy • 10% Liveness
29% Instrumentalness • 17% Positiveness
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White Lies
Farewell To The Fairground
118 bpm • A Maj • 04:16 • -5.34db
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Dandy Warhols
Catcher in the Rye
120 bpm • A min • 03:02 • -11.11db
17% Popularity • 73% Danceability • 48% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
17% Popularity • 73% Danceability • 48% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
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CAKE
Short Skirt / Long Jacket
120 bpm • D Maj • 03:24 • -6.55db
66% Popularity • 78% Danceability • 90% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
66% Popularity • 78% Danceability • 90% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
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Eagles Of Death Metal
I Love You All The Time
120 bpm • C Maj • 03:09 • -5.93db
40% Popularity • 62% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 62% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Santigold
L.E.S. Artistes
118 bpm • E Maj • 03:24 • -2db
57% Popularity • 87% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 87% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Hot Chip
Over And Over
120 bpm • F min • 05:47 • -4.45db
57% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Manic Street Preachers
You Stole the Sun from My Heart
118 bpm • A Maj • 04:20 • -8.02db
49% Popularity • 62% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 62% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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The Dandy Warhols
Every Day Should Be A Holiday
118 bpm • E Maj • 04:01 • -7.56db
42% Popularity • 51% Danceability • 89% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
42% Popularity • 51% Danceability • 89% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Blur
Girls & Boys
120 bpm • G min • 04:19 • -8.35db
71% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Kula Shaker
Hey Dude
118 bpm • F Maj • 04:10 • -7.63db
45% Popularity • 48% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 48% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
65% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
65% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Happy Mondays
Kinky Afro
118 bpm • F Maj • 03:59 • -12.55db
51% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Black Rebel Motorcycle Club
Love Burns
118 bpm • A Maj • 04:05 • -5.1db
40% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
40% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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The Dandy Warhols
Horse Pills
120 bpm • A Maj • 03:24 • -4.19db
29% Popularity • 62% Danceability • 98% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
29% Popularity • 62% Danceability • 98% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
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Blur
Girls & Boys - 2012 Remaster
120 bpm • G min • 04:51 • -6.66db
51% Popularity • 69% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 69% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Badly Drawn Boy
Something to Talk About
120 bpm • C Maj • 03:40 • -10db
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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Kula Shaker
Hush
118 bpm • G# Maj • 02:54 • -6.9db
53% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Eagles Of Death Metal
Save A Prayer
121 bpm • C Maj • 04:40 • -5.65db
47% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Stereophonics
Have A Nice Day
121 bpm • C# min • 03:25 • -4.09db
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Dandy Warhols
Rock Bottom
118 bpm • D Maj • 02:53 • -4.66db
22% Popularity • 65% Danceability • 78% Energy • 6% Liveness
76% Instrumentalness • 52% Positiveness
22% Popularity • 65% Danceability • 78% Energy • 6% Liveness
76% Instrumentalness • 52% Positiveness
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Feeder
Buck Rogers
121 bpm • F Maj • 03:13 • -4.35db
57% Popularity • 48% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 48% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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The Kills
Impossible Tracks
121 bpm • C# min • 03:41 • -7db
41% Popularity • 69% Danceability • 86% Energy • 37% Liveness
38% Instrumentalness • 48% Positiveness
41% Popularity • 69% Danceability • 86% Energy • 37% Liveness
38% Instrumentalness • 48% Positiveness
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Queens of the Stone Age
I Sat by the Ocean
117 bpm • G# min • 03:55 • -4db
65% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Blur
Charmless Man - 2012 Remaster
117 bpm • A Maj • 03:33 • -6.52db
55% Popularity • 54% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
55% Popularity • 54% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Elastica
Connection
121 bpm • D# Maj • 02:20 • -5.78db
58% Popularity • 68% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 88% Positiveness
58% Popularity • 68% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 88% Positiveness
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The Dandy Warhols
Every Day Should Be A Holiday - Tony Las...
120 bpm • E Maj • 03:52 • -2.65db
15% Popularity • 41% Danceability • 90% Energy • 31% Liveness
13% Instrumentalness • 20% Positiveness
15% Popularity • 41% Danceability • 90% Energy • 31% Liveness
13% Instrumentalness • 20% Positiveness
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Pixies
Monkey Gone to Heaven
117 bpm • F# min • 02:55 • -10.64db
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
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Eels
Flyswatter
122 bpm • D Maj • 03:16 • -8.53db
39% Popularity • 68% Danceability • 61% Energy • 16% Liveness
5% Instrumentalness • 36% Positiveness
39% Popularity • 68% Danceability • 61% Energy • 16% Liveness
5% Instrumentalness • 36% Positiveness
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The Jesus and Mary Chain
Sometimes Always
116 bpm • F# Maj • 02:31 • -9.91db
50% Popularity • 44% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
50% Popularity • 44% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Dandy Warhols
The Dandy Warhols Love Almost Everyone
120 bpm • E Maj • 01:54 • -3.9db
28% Popularity • 68% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 68% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Jake Bugg
Lightning Bolt
116 bpm • A Maj • 02:24 • -4.56db
64% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Eels
Bus Stop Boxer
116 bpm • C Maj • 03:42 • -8db
40% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
40% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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James
Laid
116 bpm • C Maj • 02:36 • -9.45db
69% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Kills
Tape Song
116 bpm • A Maj • 03:37 • -4db
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Django Django
Default
116 bpm • C# Maj • 03:05 • -6db
50% Popularity • 75% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 75% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Dandy Warhols
The Last High
121 bpm • B min • 04:46 • -6.74db
47% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
47% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
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Hole
Malibu
122 bpm • D Maj • 03:50 • -5.85db
64% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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The Fratellis
Henrietta
122 bpm • F# min • 03:32 • -3.14db
56% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Cornershop
Lessons Learned from Rocky I to Rocky II...
123 bpm • A Maj • 04:24 • -5.31db
27% Popularity • 57% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 57% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Pixies
Gigantic - 2007 Remaster
115 bpm • G Maj • 03:55 • -11.78db
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
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The Dandy Warhols
Not If You Were The Last Junkie On Earth
116 bpm • A Maj • 03:11 • -8.41db
49% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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James
Sometimes
123 bpm • A Maj • 04:36 • -3.18db
50% Popularity • 50% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 50% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
80% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
80% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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L7
Pretend We're Dead
115 bpm • E Maj • 03:55 • -8.56db
58% Popularity • 57% Danceability • 79% Energy • 8% Liveness
64% Instrumentalness • 91% Positiveness
58% Popularity • 57% Danceability • 79% Energy • 8% Liveness
64% Instrumentalness • 91% Positiveness
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Electric Six
Danger! High Voltage - Soulchild Radio M...
123 bpm • B min • 03:34 • -4.72db
56% Popularity • 66% Danceability • 70% Energy • 5% Liveness
17% Instrumentalness • 51% Positiveness
56% Popularity • 66% Danceability • 70% Energy • 5% Liveness
17% Instrumentalness • 51% Positiveness
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Editors
Smokers Outside The Hospital Doors
123 bpm • G Maj • 04:57 • -3.79db
51% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
51% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
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The Dandy Warhols
Shakin'
115 bpm • E Maj • 03:55 • -4.63db
28% Popularity • 55% Danceability • 93% Energy • 8% Liveness
62% Instrumentalness • 85% Positiveness
28% Popularity • 55% Danceability • 93% Energy • 8% Liveness
62% Instrumentalness • 85% Positiveness
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The Charlatans
Weirdo
123 bpm • B min • 03:38 • -11.6db
36% Popularity • 65% Danceability • 78% Energy • 52% Liveness
89% Instrumentalness • 93% Positiveness
36% Popularity • 65% Danceability • 78% Energy • 52% Liveness
89% Instrumentalness • 93% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
62% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Gomez
Whippin' Piccadilly
115 bpm • C# Maj • 03:12 • -10.36db
44% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Electric Six
Synthesizer
115 bpm • E min • 03:58 • -6.06db
41% Popularity • 64% Danceability • 67% Energy • 6% Liveness
28% Instrumentalness • 78% Positiveness
41% Popularity • 64% Danceability • 67% Energy • 6% Liveness
28% Instrumentalness • 78% Positiveness
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Beck
Devils Haircut
124 bpm • G Maj • 03:12 • -4.85db
50% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The White Stripes
Seven Nation Army
124 bpm • E min • 03:52 • -7.81db
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
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Django Django
Hail Bop
124 bpm • A# min • 04:03 • -7db
39% Popularity • 62% Danceability • 75% Energy • 24% Liveness
59% Instrumentalness • 53% Positiveness
39% Popularity • 62% Danceability • 75% Energy • 24% Liveness
59% Instrumentalness • 53% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Franz Ferdinand
The Dark Of The Matinée
114 bpm • F# min • 04:06 • -4.37db
58% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Lemonheads
Into Your Arms
124 bpm • D Maj • 02:44 • -9db
51% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Black Rebel Motorcycle Club
Stop
124 bpm • E min • 04:36 • -2.23db
37% Popularity • 42% Danceability • 98% Energy • 17% Liveness
45% Instrumentalness • 34% Positiveness
37% Popularity • 42% Danceability • 98% Energy • 17% Liveness
45% Instrumentalness • 34% Positiveness
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The Dandy Warhols
Cool Scene
124 bpm • A min • 04:07 • -5.61db
25% Popularity • 56% Danceability • 88% Energy • 38% Liveness
71% Instrumentalness • 52% Positiveness
25% Popularity • 56% Danceability • 88% Energy • 38% Liveness
71% Instrumentalness • 52% Positiveness
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Django Django
Wor
124 bpm • E min • 04:31 • -6.4db
33% Popularity • 62% Danceability • 94% Energy • 13% Liveness
34% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 94% Energy • 13% Liveness
34% Instrumentalness • 28% Positiveness
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Yeah Yeah Yeahs
Zero
124 bpm • B Maj • 04:25 • -4.11db
47% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
47% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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Eels
Mr. E's Beautiful Blues
114 bpm • D Maj • 04:18 • -6.63db
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Franz Ferdinand
Walk Away
124 bpm • D Maj • 03:40 • -4.49db
53% Popularity • 58% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 58% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Razorlight
In The Morning
124 bpm • E min • 03:42 • -3.5db
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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The Killers
Jenny Was A Friend Of Mine
114 bpm • B Maj • 04:03 • -5.61db
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Beck
Dreams
114 bpm • C# min • 05:14 • -5.73db
55% Popularity • 58% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
55% Popularity • 58% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Kaiser Chiefs
The Angry Mob
124 bpm • F# Maj • 04:46 • -2.92db
30% Popularity • 30% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 30% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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The Dandy Warhols
Smoke It
124 bpm • C Maj • 04:06 • -4.06db
21% Popularity • 45% Danceability • 94% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
21% Popularity • 45% Danceability • 94% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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R.E.M.
Shiny Happy People
125 bpm • A Maj • 03:45 • -3.98db
74% Popularity • 45% Danceability • 91% Energy • 23% Liveness
6% Instrumentalness • 80% Positiveness
74% Popularity • 45% Danceability • 91% Energy • 23% Liveness
6% Instrumentalness • 80% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Killers
Smile Like You Mean It
125 bpm • D# min • 03:54 • -4.26db
70% Popularity • 35% Danceability • 96% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
70% Popularity • 35% Danceability • 96% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
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Franz Ferdinand
The Fallen
113 bpm • C Maj • 03:42 • -2.37db
47% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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The Dandy Warhols
Down Like Disco
125 bpm • A Maj • 04:54 • -3.62db
16% Popularity • 44% Danceability • 96% Energy • 73% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 44% Danceability • 96% Energy • 73% Liveness
0% Instrumentalness • 29% Positiveness
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Supergrass
St. Petersburg
125 bpm • F# min • 03:09 • -8.57db
50% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
50% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
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PJ Harvey
Down By The Water
125 bpm • D Maj • 03:14 • -12.26db
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
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Babyshambles
Fuck Forever
113 bpm • B min • 04:37 • -3db
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Porno for Pyros
Pets
113 bpm • B Maj • 03:36 • -9.54db
54% Popularity • 58% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
54% Popularity • 58% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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The Dandy Warhols
The Dandy Warhols' T.V. Theme Song
114 bpm • E Maj • 02:50 • -6.43db
30% Popularity • 35% Danceability • 81% Energy • 81% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 35% Danceability • 81% Energy • 81% Liveness
0% Instrumentalness • 59% Positiveness
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Supergrass
Mary
113 bpm • C min • 03:59 • -6.79db
40% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Stone Roses
Fools Gold - Remastered 2009
113 bpm • G Maj • 09:54 • -6.39db
60% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
60% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
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Cornershop
Brimful of Asha - Norman Cook Remix Sing...
126 bpm • B Maj • 04:03 • -3.91db
63% Popularity • 68% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Breeders
Cannonball
112 bpm • D# Maj • 03:33 • -9.76db
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
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Manic Street Preachers
Motorcycle Emptiness
112 bpm • E Maj • 05:05 • -3.64db
55% Popularity • 52% Danceability • 80% Energy • 17% Liveness
7% Instrumentalness • 20% Positiveness
55% Popularity • 52% Danceability • 80% Energy • 17% Liveness
7% Instrumentalness • 20% Positiveness
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The Dandy Warhols
Good Morning
114 bpm • C Maj • 05:00 • -10.58db
37% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
37% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
