Songs like Boys Like You - Acoustic by Anna Clendening
Based on a tempo of (+/- 10%) and a similar genre
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Anna Clendening
Boys Like You - Acoustic
89 bpm • D Maj • 03:58 • -14.57db
55% Popularity • 48% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 48% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Maisie Peters
Best I'll Ever Sing
89 bpm • E Maj • 03:19 • -8db
44% Popularity • 34% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 34% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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gnash
feelings fade
89 bpm • D min • 04:00 • -11.29db
47% Popularity • 65% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
47% Popularity • 65% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Tedy
Can I
89 bpm • A# min • 03:07 • -7db
41% Popularity • 34% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 34% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Caroline Manning
Dear Boys
89 bpm • F# min • 03:28 • -16db
25% Popularity • 45% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 45% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Anna Clendening
bad again - Acoustic
89 bpm • D Maj • 02:23 • -7.5db
22% Popularity • 54% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 54% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Clara McHugh
You + I
89 bpm • F# Maj • 03:17 • -17.75db
23% Popularity • 47% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ed Sheeran
Supermarket Flowers
90 bpm • F# Maj • 03:41 • -10.52db
74% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
74% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Danielle Bradbery
Potential
88 bpm • G min • 03:37 • -6db
37% Popularity • 53% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 53% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Connie Talbot
Never Give Up on Us
90 bpm • E Maj • 03:48 • -5.11db
39% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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AJ Mitchell
All My Friends
90 bpm • E Maj • 02:52 • -5.29db
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Lauv
I Like Me Better - Recorded at Spotify S...
90 bpm • A Maj • 03:22 • -13.44db
55% Popularity • 45% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 45% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Alex & Sierra
You're The One That I Want
87 bpm • F min • 03:09 • -7.6db
41% Popularity • 36% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 36% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Ed Sheeran
Happier
90 bpm • C Maj • 03:27 • -7.36db
76% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
76% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Chord Overstreet
Tortured Soul
87 bpm • E Maj • 04:06 • -10db
46% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Patrik Jean
Lean on Me
91 bpm • A Maj • 02:37 • -8db
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Julia Brennan
Inner Demons
87 bpm • A Maj • 03:40 • -8.82db
42% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Anna Clendening
Love Song
91 bpm • C Maj • 02:35 • -10.85db
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Smith
Burning
87 bpm • F# Maj • 03:23 • -9.38db
56% Popularity • 63% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 63% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Maria Lynn
Summer's Gone
87 bpm • A# Maj • 03:24 • -10.98db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Ashley Kutcher
If I Could
87 bpm • C# Maj • 03:07 • -9.57db
41% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Arlissa
Hearts Ain't Gonna Lie - Acoustic
86 bpm • A Maj • 03:18 • -5.5db
38% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Bethany Cruz
Try / Pretty Hurts / Just the Way You Ar...
86 bpm • C# Maj • 04:12 • -5db
28% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:08 • -6.44db
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Smith
Too Good At Goodbyes - Acoustic
87 bpm • F Maj • 03:40 • -9.27db
62% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Tate McRae
tear myself apart
86 bpm • A min • 02:45 • -6.9db
56% Popularity • 49% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 49% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Clendening
To My Parents
86 bpm • C# Maj • 04:02 • -5.09db
51% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Meghan Trainor
After You
86 bpm • C# min • 03:26 • -7db
41% Popularity • 50% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 50% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Alex & Sierra
Gravity
86 bpm • C Maj • 03:50 • -9db
39% Popularity • 35% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 35% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Justin Jesso
If You're Meant To Come Back
93 bpm • E Maj • 02:59 • -9.85db
38% Popularity • 54% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 54% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Smith
Too Good At Goodbyes
92 bpm • F Maj • 03:21 • -8.24db
84% Popularity • 68% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
84% Popularity • 68% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ashley Kutcher
Love You More
85 bpm • D# Maj • 02:49 • -10.01db
52% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Anna Clendening
Girls Like You - Casey MQ Remix
93 bpm • E Maj • 04:18 • -3.82db
4% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Lost Kings
Too Far Gone
93 bpm • G Maj • 03:16 • -4.94db
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Smith
How Will I Know
85 bpm • C Maj • 03:52 • -12.29db
59% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Lewis Capaldi
Forever
85 bpm • C# Maj • 03:30 • -7.12db
74% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Greyson Chance
Good As Gold
85 bpm • D Maj • 03:25 • -5db
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Alex & Sierra
I Love You
85 bpm • C Maj • 03:49 • -7db
47% Popularity • 52% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 52% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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gnash
dear insecurity
84 bpm • F Maj • 03:38 • -8.23db
40% Popularity • 66% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 66% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Camila Cabello
Consequences
84 bpm • C Maj • 02:58 • -6.79db
62% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ali Gatie
What If I Told You That I Love You
84 bpm • G Maj • 03:13 • -11.14db
62% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Joel Adams
Please Don't Go
84 bpm • E min • 03:30 • -4.87db
67% Popularity • 51% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 51% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Khalid
Coaster
94 bpm • G# Maj • 03:19 • -14.59db
67% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Rhys Lewis
What If
84 bpm • C# min • 03:12 • -7.29db
35% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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nilu
Are You With Me
84 bpm • A Maj • 04:09 • -8.67db
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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BLÜ EYES
stuck in my head
84 bpm • C# Maj • 02:32 • -10db
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Faith Marie
Little Girl
84 bpm • A Maj • 02:45 • -10.24db
44% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fanny Isabella
We Don’t Have To Take Our Clothes Off
95 bpm • C min • 02:46 • -11.24db
26% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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James Smith
Hollow
83 bpm • B Maj • 03:27 • -8.25db
41% Popularity • 40% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 40% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
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Camila Cabello
All These Years
95 bpm • C# min • 02:44 • -7.41db
53% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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val
Be Here
95 bpm • G min • 03:22 • -6.3db
27% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ella Eyre
We Don't Have To Take Our Clothes Off - ...
95 bpm • C min • 03:56 • -9.32db
66% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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FLETCHER
Undrunk
83 bpm • F Maj • 03:03 • -6.48db
59% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Zara Larsson
She's Not Me, Pt. 1 & 2
95 bpm • B Maj • 05:33 • -10.83db
38% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Eylie
Singing Without You
83 bpm • C# Maj • 03:02 • -6db
34% Popularity • 56% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 56% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Cailee Rae
Anchor
83 bpm • G Maj • 03:18 • -5.68db
40% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Chloe Adams
The Doctor Said
83 bpm • A Maj • 03:31 • -7.36db
45% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Aidan Martin
Punchline (Acoustic)
96 bpm • C# Maj • 04:02 • -6db
35% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Isaiah Firebrace
It's Gotta Be You
95 bpm • G# Maj • 03:13 • -4.63db
53% Popularity • 42% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 42% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bea Miller
i can't breathe
83 bpm • B Maj • 03:33 • -11.15db
52% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Billie Eilish
when the party's over
83 bpm • E Maj • 03:16 • -14.08db
84% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
84% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Clendening
Drowning
96 bpm • G# Maj • 03:06 • -6.21db
23% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
76% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tate McRae
stupid
96 bpm • C min • 02:53 • -6.03db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Fancy Cars
I'll Follow - Acoustic Version
96 bpm • A# Maj • 03:18 • -4.08db
44% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Lennon Stella
Like Everybody Else - Acoustic
96 bpm • A# min • 03:14 • -15.23db
45% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ruth B.
In My Dreams
82 bpm • E Maj • 04:09 • -8.16db
40% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jay Sean
Emergency
82 bpm • C# Maj • 03:28 • -7.62db
37% Popularity • 41% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 41% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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JUNG
Let Him Go
97 bpm • F# Maj • 03:35 • -7.86db
39% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sleeping At Last
Touch
82 bpm • C Maj • 04:16 • -11.83db
67% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Anna Clendening
Get Me
82 bpm • B Maj • 02:45 • -7.95db
41% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Rita Ora
Only Want You
82 bpm • F# min • 03:00 • -6.22db
50% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ron Pope
A Drop in the Ocean
82 bpm • F Maj • 03:59 • -4.38db
39% Popularity • 43% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 43% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Tom Walker
Now You're Gone - Acoustic
97 bpm • A min • 03:01 • -11.26db
37% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Ruel
Hard Sometimes
82 bpm • A# Maj • 04:29 • -7.9db
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Aidan Martin
Punchline
82 bpm • D Maj • 03:51 • -7.34db
44% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Anna Clendening
Get Me - Demo
82 bpm • B Maj • 02:33 • -9db
12% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Anson Seabra
Walked Through Hell
82 bpm • A# Maj • 03:36 • -11.09db
63% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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ZAYN
Good Years
97 bpm • D Maj • 03:00 • -5.98db
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Lewis Capaldi
Maybe
97 bpm • E Maj • 03:30 • -5db
53% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Ed Sheeran
Best Part of Me
82 bpm • D Maj • 04:03 • -8.37db
60% Popularity • 56% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
60% Popularity • 56% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Clara Mae
I'm Not Her - Acoustic
81 bpm • D# Maj • 03:17 • -8.02db
28% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Clendening
Wrong
98 bpm • D# Maj • 03:14 • -7.7db
23% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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MAX
Lights Down Low
81 bpm • F min • 03:43 • -7.73db
59% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Elina
Wild Enough
81 bpm • B Maj • 03:06 • -8.08db
50% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Shaw
With You
98 bpm • D Maj • 03:20 • -6.21db
49% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
