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Boys Will Be Bugs
Songs like
Boys Will Be Bugs
by
Cavetown
Based on a tempo of (+/- 10%) and a similar genre
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Cavetown
Boys Will Be Bugs
179 bpm • C# Maj • 05:29 • -11.72db
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Surf Curse
Freaks
180 bpm • A Maj • 02:27 • -9.92db
84% Popularity • 34% Danceability • 94% Energy • 5% Liveness
63% Instrumentalness • 41% Positiveness
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McCafferty
Beachboy
180 bpm • E Maj • 03:19 • -7.22db
63% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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girl in red
midnight love
180 bpm • D min • 03:13 • -9.89db
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Mother Mother
Hayloft II
178 bpm • A min • 03:35 • -4.54db
75% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Ricky Montgomery
Talk to You
180 bpm • D Maj • 03:34 • -7.05db
59% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Cavetown
We’re Alive
180 bpm • F Maj • 03:20 • -10.31db
47% Popularity • 32% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Gang of Youths
Achilles Come Down
180 bpm • C min • 07:02 • -9.28db
68% Popularity • 22% Danceability • 52% Energy • 22% Liveness
28% Instrumentalness • 15% Positiveness
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Modern Baseball
Tears Over Beers
180 bpm • C# Maj • 02:48 • -7.05db
67% Popularity • 29% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Peter McPoland
Digital Silence
180 bpm • A# min • 03:18 • -1.43db
63% Popularity • 39% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Weathers
I'm Not Ok
178 bpm • A Maj • 03:01 • -3.39db
53% Popularity • 40% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
New Invention
180 bpm • C Maj • 03:11 • -3.03db
58% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cavetown
Everything Is Temporary (Sticks and Ston...
180 bpm • C Maj • 03:04 • -11.2db
45% Popularity • 44% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Lincoln
Smokey Eyes
177 bpm • F# Maj • 03:15 • -4.2db
52% Popularity • 16% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Lovejoy
Concrete
177 bpm • C# Maj • 03:16 • -7.35db
55% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Jagwar Twin
Happy Face
178 bpm • A Maj • 02:49 • -6.49db
72% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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The Living Tombstone
My Ordinary Life
176 bpm • A min • 03:50 • -4.93db
69% Popularity • 64% Danceability • 80% Energy • 20% Liveness
42% Instrumentalness • 60% Positiveness
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Tally Hall
The Bidding
175 bpm • A min • 02:40 • -5.26db
72% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cavetown
888
176 bpm • D# Maj • 03:35 • -12.25db
46% Popularity • 38% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Lonely God
Marlboro Nights
176 bpm • D Maj • 01:08 • -6.63db
47% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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leo.
despair
174 bpm • C Maj • 02:55 • -6.7db
57% Popularity • 41% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Stauber's Micropop
Just Take My Wallet
184 bpm • C Maj • 01:19 • -16.87db
69% Popularity • 57% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
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Eyedress
Romantic Lover
184 bpm • A min • 01:26 • -9.3db
83% Popularity • 66% Danceability • 45% Energy • 20% Liveness
92% Instrumentalness • 54% Positiveness
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Lyn Lapid
Producer Man
174 bpm • A# min • 02:21 • -5.36db
56% Popularity • 66% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Leanna Firestone
Strawberry Mentos
186 bpm • A Maj • 03:15 • -11.8db
46% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Beach Bunny
Sports
186 bpm • A Maj • 02:44 • -5.28db
74% Popularity • 23% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
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Steve Lacy
Dark Red
172 bpm • F# Maj • 02:53 • -4.02db
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Roar
I Can't Handle Change
186 bpm • F Maj • 03:18 • -8.48db
75% Popularity • 25% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Will Wood
I / Me / Myself
172 bpm • B min • 04:51 • -5.27db
64% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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Mitski
Me and My Husband
172 bpm • C# Maj • 02:17 • -5.31db
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Lemon Demon
Cabinet Man
172 bpm • A# Maj • 04:22 • -7.93db
61% Popularity • 72% Danceability • 50% Energy • 14% Liveness
2% Instrumentalness • 95% Positiveness
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Lovejoy
Taunt
187 bpm • G Maj • 02:13 • -9.31db
59% Popularity • 48% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Wilbur Soot
Soft Boy
171 bpm • A Maj • 02:17 • -12.47db
53% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Roar
Poor Grammar
172 bpm • D min • 02:36 • -6.3db
59% Popularity • 47% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Cavetown
Meteor Shower
170 bpm • F Maj • 04:25 • -10.31db
66% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Miracle Musical
Dream Sweet in Sea Major
170 bpm • C Maj • 07:00 • -11.19db
67% Popularity • 34% Danceability • 43% Energy • 11% Liveness
7% Instrumentalness • 19% Positiveness
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Tally Hall
Turn the Lights Off
189 bpm • F# Maj • 02:56 • -6.51db
66% Popularity • 39% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Brobecks
Better Than Me
170 bpm • G Maj • 04:27 • -7.39db
65% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Mother Mother
Little Pistol
170 bpm • G Maj • 04:28 • -7.84db
54% Popularity • 30% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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girl in red
4am
169 bpm • A Maj • 01:50 • -13.77db
64% Popularity • 42% Danceability • 39% Energy • 20% Liveness
34% Instrumentalness • 30% Positiveness
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Ricky Montgomery
Line Without a Hook
190 bpm • G# Maj • 04:09 • -4.97db
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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carpetgarden
Can Ghosts Be Gay?
169 bpm • A Maj • 03:21 • -13.33db
49% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Set It Off
Partners in Crime
190 bpm • C# Maj • 03:31 • -3.44db
69% Popularity • 38% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Crane Wives
Curses
191 bpm • B min • 03:48 • -6.82db
63% Popularity • 36% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 58% Positiveness
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Dr. Dog
Where'd All the Time Go?
166 bpm • D Maj • 03:54 • -4.19db
78% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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James Marriott
Sleeping On Trains
166 bpm • F min • 03:04 • -6.81db
50% Popularity • 48% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Wilbur Soot
Losing Face
166 bpm • D# Maj • 04:00 • -15.4db
50% Popularity • 38% Danceability • 49% Energy • 11% Liveness
59% Instrumentalness • 61% Positiveness
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Current Joys
New Flesh
166 bpm • A Maj • 02:47 • -16.07db
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
68% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Sushi Soucy
Average
165 bpm • C Maj • 02:00 • -13.1db
53% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Strokes
The Adults Are Talking
165 bpm • F Maj • 05:09 • -5.67db
81% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
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Rex Orange County
Television / So Far So Good
165 bpm • F Maj • 04:22 • -7.75db
73% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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Lovejoy
You'll Understand When You're Older
164 bpm • G# Maj • 03:52 • -9db
51% Popularity • 53% Danceability • 73% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
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GRLwood
I Hate My Mom
163 bpm • A Maj • 02:33 • -8db
59% Popularity • 37% Danceability • 86% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
73% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Lemon Demon
Touch-Tone Telephone
160 bpm • C min • 04:42 • -8.58db
63% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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dodie
Would You Be So Kind
160 bpm • E Maj • 03:00 • -9.62db
57% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Lovejoy
Model Buses
162 bpm • B min • 02:50 • -7.82db
53% Popularity • 57% Danceability • 78% Energy • 15% Liveness
13% Instrumentalness • 31% Positiveness
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Mother Mother
Back In School
160 bpm • C# min • 03:13 • -4.88db
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Wilbur Soot
Internet Ruined Me
160 bpm • A Maj • 04:15 • -14.01db
52% Popularity • 73% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Bo Burnham
Look Who’s Inside Again
160 bpm • D Maj • 01:23 • -9.24db
69% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Mindless Self Indulgence
Molly
160 bpm • F min • 01:44 • -5.17db
67% Popularity • 68% Danceability • 81% Energy • 33% Liveness
2% Instrumentalness • 81% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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James Marriott
Him
160 bpm • F min • 03:09 • -4.3db
50% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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Jack Stauber's Micropop
There's Something Happening
159 bpm • F# Maj • 03:05 • -6.15db
59% Popularity • 65% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Brye
LEMONS
159 bpm • E min • 03:52 • -10.82db
59% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Andrew Underberg
Stayed Gone
202 bpm • A min • 03:00 • -5.66db
81% Popularity • 38% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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girl in red
i'll die anyway.
158 bpm • C Maj • 03:12 • -6.89db
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
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Beach Bunny
6 Weeks
157 bpm • A# Maj • 04:01 • -6.66db
46% Popularity • 33% Danceability • 86% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
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Bo Burnham
1985
156 bpm • E min • 02:26 • -7.47db
68% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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mxmtoon
seasonal depression
156 bpm • A# Maj • 02:36 • -5.41db
45% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Sir Chloe
Walk You Home
155 bpm • C min • 02:48 • -5.27db
58% Popularity • 37% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Clairo
Bubble Gum
208 bpm • A Maj • 02:55 • -24.64db
77% Popularity • 51% Danceability • 2% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
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khai dreams
Sunkissed
154 bpm • F# Maj • 02:06 • -9.49db
65% Popularity • 77% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Lovejoy
Call Me What You Like
152 bpm • C min • 03:46 • -6.75db
62% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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Cavetown
frog
153 bpm • F Maj • 03:26 • -9.47db
42% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Boys Will Be Bugs