Songs like Bradenburg Concerto n° 1 In F by Massimo Faraò
Based on a tempo of (+/- 10%) and a similar genre
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Mareike Wiening
Future Memories
103 bpm • F Maj • 06:04 • -12.29db
46% Popularity • 54% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
46% Popularity • 54% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Massimo Faraò
Alice's Adventures In Wonderland
103 bpm • G Maj • 05:52 • -23.84db
3% Popularity • 53% Danceability • 7% Energy • 7% Liveness
53% Instrumentalness • 19% Positiveness
3% Popularity • 53% Danceability • 7% Energy • 7% Liveness
53% Instrumentalness • 19% Positiveness
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Brad Hatfield
Slinky Swing
103 bpm • C min • 02:12 • -20.53db
43% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
43% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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James Jackson Jazz Trio
On 14th Street
103 bpm • C min • 02:56 • -14.69db
47% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
47% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
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David Robinson Trio
What Is This Thing Called Love
103 bpm • G# Maj • 03:18 • -13.65db
25% Popularity • 56% Danceability • 40% Energy • 19% Liveness
86% Instrumentalness • 55% Positiveness
25% Popularity • 56% Danceability • 40% Energy • 19% Liveness
86% Instrumentalness • 55% Positiveness
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Holborns
Walking on Clouds
102 bpm • F Maj • 02:02 • -14.75db
47% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
47% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Three Four Trio
Slippers and Cocoa
104 bpm • G# Maj • 03:27 • -17.38db
40% Popularity • 41% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 41% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Hara Noda
Field
102 bpm • G min • 02:17 • -8.18db
45% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
45% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
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Portraits in Jazz
Largo
104 bpm • G min • 04:22 • -16.72db
45% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
45% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
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Rachel Silver
Shiny Stockings
102 bpm • G Maj • 04:17 • -13.75db
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
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Gathering in Jazz
Blue Sunday
104 bpm • D min • 04:27 • -19.51db
39% Popularity • 62% Danceability • 9% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
39% Popularity • 62% Danceability • 9% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
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Aaron Goldberg
Perhaps
102 bpm • C Maj • 05:17 • -18.07db
37% Popularity • 49% Danceability • 34% Energy • 12% Liveness
77% Instrumentalness • 48% Positiveness
37% Popularity • 49% Danceability • 34% Energy • 12% Liveness
77% Instrumentalness • 48% Positiveness
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Long Island Quartet
Alfie
102 bpm • G Maj • 03:37 • -16.5db
31% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
31% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
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Grove Street Quartet
April In Paris
102 bpm • C Maj • 03:59 • -21.06db
34% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
34% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Red Rose Jazz Trio
Polka Dots and Moonbeams
104 bpm • F Maj • 05:03 • -15.7db
35% Popularity • 44% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
35% Popularity • 44% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Eve
Countryside
104 bpm • G Maj • 03:52 • -14.35db
37% Popularity • 33% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
37% Popularity • 33% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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John Engels
The Peacocks - Single Edit
102 bpm • A# min • 03:09 • -16.72db
44% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Moretti Trio
You Go To My Head
102 bpm • D# Maj • 03:55 • -19.92db
39% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
39% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
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Eli Starr Trio
I Mean You
105 bpm • C Maj • 03:29 • -16.12db
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
43% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
43% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Karl-Martin Almqvist
OD
105 bpm • C# Maj • 06:58 • -11.51db
40% Popularity • 52% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
40% Popularity • 52% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Filip Jers
For my lady
101 bpm • A min • 03:23 • -10.29db
25% Popularity • 59% Danceability • 23% Energy • 6% Liveness
66% Instrumentalness • 31% Positiveness
25% Popularity • 59% Danceability • 23% Energy • 6% Liveness
66% Instrumentalness • 31% Positiveness
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Vernon Sanders
Everytime around
105 bpm • F min • 05:25 • -19.39db
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
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Massimo Faraò
Bringa nunca mais
101 bpm • C Maj • 04:03 • -13.41db
5% Popularity • 55% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 55% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
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Joey Alexander
Hesitation
105 bpm • A# Maj • 02:20 • -22.11db
39% Popularity • 41% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
39% Popularity • 41% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Henrik Gunde
Blame It on My Youth
106 bpm • F min • 08:06 • -22db
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
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Long Island Quartet
Here´s That Rainy Day
101 bpm • F min • 03:54 • -16.78db
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
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Niclas Knudsen Trio
I Fall in Love Too Easily
106 bpm • C min • 06:21 • -20.78db
38% Popularity • 50% Danceability • 6% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
38% Popularity • 50% Danceability • 6% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
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Gabriel Latchin Trio
Arthur Go
106 bpm • F min • 04:27 • -13.75db
32% Popularity • 56% Danceability • 38% Energy • 27% Liveness
55% Instrumentalness • 66% Positiveness
32% Popularity • 56% Danceability • 38% Energy • 27% Liveness
55% Instrumentalness • 66% Positiveness
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Peter Sandberg
My Heart Is For You
106 bpm • C# Maj • 05:34 • -19.83db
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
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Copenhagen Jazzexperience
Never Let Me Go
100 bpm • F min • 05:23 • -18.82db
52% Popularity • 45% Danceability • 8% Energy • 22% Liveness
61% Instrumentalness • 19% Positiveness
52% Popularity • 45% Danceability • 8% Energy • 22% Liveness
61% Instrumentalness • 19% Positiveness
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Hank Mobley
I Should Care
106 bpm • F min • 07:42 • -12.89db
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
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Old Town Trio
Day by Day
106 bpm • E min • 03:50 • -18.44db
33% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
33% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
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High North Trio
At Last
106 bpm • G# Maj • 04:53 • -17.57db
47% Popularity • 51% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
47% Popularity • 51% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Brandon's Three
the point above
100 bpm • D min • 02:48 • -22.48db
43% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
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Jerry Bergonzi
I Will Never Stop Loving You
100 bpm • A# Maj • 02:53 • -12.19db
35% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
35% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
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Massimo Faraò
Takudo
100 bpm • C min • 03:53 • -19.06db
1% Popularity • 46% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
1% Popularity • 46% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Erik von Spreckelsen
In the Wee Small Hours of the Morning
100 bpm • C Maj • 04:41 • -16.32db
45% Popularity • 45% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
45% Popularity • 45% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Silvia Donati
Dindi
106 bpm • G# Maj • 03:52 • -17.77db
2% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Hudson Harris & Haim
Who Is It?
100 bpm • D min • 03:04 • -23.18db
24% Popularity • 51% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 51% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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John Lee
Fabienne
100 bpm • D# Maj • 06:03 • -14.51db
11% Popularity • 53% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
11% Popularity • 53% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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The Jazz Cultivators
I Fall In Love Too Easily
100 bpm • C min • 03:58 • -19.22db
35% Popularity • 37% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
35% Popularity • 37% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Enj Society
Lakeside
106 bpm • A# Maj • 06:08 • -18db
47% Popularity • 52% Danceability • 6% Energy • 28% Liveness
81% Instrumentalness • 16% Positiveness
47% Popularity • 52% Danceability • 6% Energy • 28% Liveness
81% Instrumentalness • 16% Positiveness
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Faraò/Durham/Zunino
A Summer Place
106 bpm • G min • 04:59 • -20.03db
19% Popularity • 71% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
19% Popularity • 71% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
44% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
44% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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6th Street Jazz
Just A Piece of My Heart
99 bpm • G Maj • 02:53 • -17.96db
46% Popularity • 48% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Marek Konarski
Soultrane
107 bpm • F min • 06:29 • -14db
41% Popularity • 59% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
41% Popularity • 59% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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Mitchell Jackson Quartet
Alfie
107 bpm • C Maj • 03:21 • -15.87db
31% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Kuipers & Winter
Maybe We'll Meet Again
107 bpm • F Maj • 03:37 • -11.48db
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
31% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Tom Lewis Band
Dream A Little Dream
107 bpm • G Maj • 03:44 • -14.2db
34% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
34% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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The Jazz Seekers
In a Sentimental Mood
107 bpm • C Maj • 06:23 • -21.38db
42% Popularity • 58% Danceability • 4% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
42% Popularity • 58% Danceability • 4% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Lia Riggs Trio
Some Other Time
99 bpm • C Maj • 03:11 • -23db
43% Popularity • 56% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
43% Popularity • 56% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Carl Bagge
Love Theme From Chinatown
107 bpm • A min • 05:40 • -18.11db
51% Popularity • 51% Danceability • 14% Energy • 8% Liveness
24% Instrumentalness • 16% Positiveness
51% Popularity • 51% Danceability • 14% Energy • 8% Liveness
24% Instrumentalness • 16% Positiveness
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Ben Besiakov
Emily
108 bpm • C Maj • 05:19 • -14.96db
36% Popularity • 48% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Armel Dupas Trio
Follow the Light
107 bpm • D Maj • 05:03 • -20.25db
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Massimo Faraò
Tu sei l'unica donna per me
108 bpm • C Maj • 02:39 • -13.59db
0% Popularity • 48% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
0% Popularity • 48% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
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Brooklyn Smith
Beautiful Love
108 bpm • D min • 02:36 • -16.92db
38% Popularity • 54% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
38% Popularity • 54% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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Sonny Knight
Just Friends
108 bpm • G# Maj • 03:43 • -20db
30% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
30% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Steve Kuhn
I Loves You Porgy
108 bpm • E Maj • 06:45 • -20db
8% Popularity • 47% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 47% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Brad Hatfield
Elegant Dining
98 bpm • C Maj • 02:13 • -25db
38% Popularity • 55% Danceability • 8% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
38% Popularity • 55% Danceability • 8% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
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Magpie Jazz Trio
Blue Moon
108 bpm • F min • 04:54 • -19db
41% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
41% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Massimo Faraò
Raccontami di te
99 bpm • C Maj • 03:10 • -15.51db
0% Popularity • 44% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
0% Popularity • 44% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Marcus Bartelt
In The End
108 bpm • B Maj • 07:34 • -19.2db
36% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Richard Baratta
Alfie
108 bpm • A# Maj • 06:37 • -17db
21% Popularity • 50% Danceability • 11% Energy • 8% Liveness
6% Instrumentalness • 19% Positiveness
21% Popularity • 50% Danceability • 11% Energy • 8% Liveness
6% Instrumentalness • 19% Positiveness
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Connie Han
Captain’s Song
108 bpm • G# min • 05:22 • -15.77db
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Brandon Sanders
Body and Soul
98 bpm • A# min • 04:54 • -16.83db
55% Popularity • 42% Danceability • 10% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
55% Popularity • 42% Danceability • 10% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
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Spiral TRIO
Once upon a Summertime
98 bpm • G Maj • 10:21 • -22db
37% Popularity • 41% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
37% Popularity • 41% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
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Massimo Faraò
What Can I Say Dear?
108 bpm • A# Maj • 07:39 • -19.02db
3% Popularity • 52% Danceability • 32% Energy • 7% Liveness
56% Instrumentalness • 77% Positiveness
3% Popularity • 52% Danceability • 32% Energy • 7% Liveness
56% Instrumentalness • 77% Positiveness
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Fredrik Kronkvist
Theme For Leon
108 bpm • F min • 06:08 • -13.44db
26% Popularity • 45% Danceability • 28% Energy • 5% Liveness
3% Instrumentalness • 19% Positiveness
26% Popularity • 45% Danceability • 28% Energy • 5% Liveness
3% Instrumentalness • 19% Positiveness
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Hank Mobley
Deep In A Dream
98 bpm • A# Maj • 05:58 • -16.71db
35% Popularity • 44% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 41% Positiveness
35% Popularity • 44% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 41% Positiveness
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James Jackson Jazz Trio
On a Clear Day (You Can See Forever)
109 bpm • G Maj • 03:25 • -15.68db
39% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
39% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Tate Jackson Trio
Like Someone in Love
109 bpm • G# Maj • 03:35 • -24db
34% Popularity • 48% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
34% Popularity • 48% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Matthias Bublath
What Are You Doing for the Rest of Your ...
109 bpm • A min • 06:09 • -20.84db
37% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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CMC 3
Star Eyes
109 bpm • C Maj • 05:18 • -15db
22% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
22% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
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David Ake
But Beautiful
98 bpm • G Maj • 05:17 • -18.45db
49% Popularity • 38% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
49% Popularity • 38% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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The Red Robin Quartet
Come Rain or Come Shine
97 bpm • A min • 04:17 • -18.44db
35% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Steve Kuhn
Romance
97 bpm • E Maj • 04:27 • -25.96db
26% Popularity • 39% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
26% Popularity • 39% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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The Central Park North
All the Time
97 bpm • G Maj • 02:55 • -22.71db
35% Popularity • 51% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
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Martin Landström
Spring Is in the Air
109 bpm • A min • 04:48 • -18db
43% Popularity • 46% Danceability • 21% Energy • 27% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 46% Danceability • 21% Energy • 27% Liveness
86% Instrumentalness • 8% Positiveness
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Massimo Faraò
Quanno chiove
109 bpm • C Maj • 04:44 • -18.15db
5% Popularity • 69% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 58% Positiveness
5% Popularity • 69% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 58% Positiveness
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Central Park Quartet
Sad December
109 bpm • D min • 03:56 • -12.93db
46% Popularity • 49% Danceability • 19% Energy • 17% Liveness
16% Instrumentalness • 18% Positiveness
46% Popularity • 49% Danceability • 19% Energy • 17% Liveness
16% Instrumentalness • 18% Positiveness
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Michel Bisceglia
Secondo
97 bpm • A min • 06:09 • -22.38db
13% Popularity • 60% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
13% Popularity • 60% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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David Halliday
Dreamsville
109 bpm • C Maj • 07:57 • -20.48db
31% Popularity • 46% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
31% Popularity • 46% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Joonas Tuuri Quartet
November
109 bpm • C Maj • 04:29 • -16.65db
44% Popularity • 49% Danceability • 21% Energy • 29% Liveness
14% Instrumentalness • 9% Positiveness
44% Popularity • 49% Danceability • 21% Energy • 29% Liveness
14% Instrumentalness • 9% Positiveness
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Thomas Agergaard
The Great Belonging
97 bpm • C# Maj • 06:11 • -16db
45% Popularity • 36% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 17% Positiveness
45% Popularity • 36% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 17% Positiveness
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Massimo Faraò
The Lamp Is Low - Live
109 bpm • A# Maj • 05:28 • -9.9db
4% Popularity • 32% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 32% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 46% Positiveness
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Copenhagen Jazzexperience
We'll Be Together Again
110 bpm • G# Maj • 05:08 • -13.56db
49% Popularity • 60% Danceability • 14% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
49% Popularity • 60% Danceability • 14% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Benjamin Harrison
After Dark
110 bpm • C min • 03:54 • -20.19db
30% Popularity • 52% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
30% Popularity • 52% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Tiny Stills Quartet
St. Thomas
110 bpm • C Maj • 02:10 • -12.61db
32% Popularity • 68% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 79% Positiveness
32% Popularity • 68% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 79% Positiveness
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Joachim Kühn
Love and Peace
110 bpm • G# Maj • 01:59 • -14.71db
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Tom Bates
Yet another dream
110 bpm • G# Maj • 04:46 • -18.83db
36% Popularity • 44% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 13% Positiveness
36% Popularity • 44% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 13% Positiveness
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Massimo Faraò
Alleria
109 bpm • F Maj • 03:11 • -19.88db
1% Popularity • 56% Danceability • 9% Energy • 9% Liveness
33% Instrumentalness • 17% Positiveness
1% Popularity • 56% Danceability • 9% Energy • 9% Liveness
33% Instrumentalness • 17% Positiveness
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Carl Bagge Trio
Con Alma
96 bpm • F# Maj • 05:30 • -18.5db
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
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Hans Ulrik
In a Sentimental Mood
110 bpm • F Maj • 05:40 • -13.61db
35% Popularity • 46% Danceability • 10% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
35% Popularity • 46% Danceability • 10% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
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Carsten Dahl
Somewhere over the Rainbow
96 bpm • G# Maj • 04:36 • -16.83db
43% Popularity • 49% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 36% Positiveness
43% Popularity • 49% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 36% Positiveness
