Songs like Bramarambika Ashtakam by B. Padma
Based on a tempo of (+/- 10%) and a similar genre
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Vivek Naik
Nana Parimal Durva
100 bpm • D# Maj • 01:36 • -6.24db
24% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Female Chorus
Shree Yamunashtakam - Traditional Raag
100 bpm • C# Maj • 07:55 • -10.37db
30% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ketan Patwardhan
Vitthal Naam Smaran
100 bpm • D Maj • 04:50 • -9.58db
14% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Trupti Tanna
Shree Suktam-Lakshmi Suktam
100 bpm • G Maj • 07:54 • -9db
13% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ajit Kadkade
Sukhakarta Dukhaharta
100 bpm • C# Maj • 01:26 • -5.45db
14% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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B. Padma
Bramarambika Ashtakam
100 bpm • G Maj • 03:40 • -11.29db
0% Popularity • 63% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 63% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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T. S. Ranganathan
Lakshmi Ashtotrashata Namavali - 108 Nam...
100 bpm • F Maj • 04:55 • -15.45db
15% Popularity • 46% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 46% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Bangalore Sisters
Hutaka Pooja Shlokam
100 bpm • E Maj • 00:58 • -7.85db
30% Popularity • 45% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 45% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Grihsam
Vatta
101 bpm • C# Maj • 02:01 • -20.77db
29% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ocean Media
คำให้ศีล
99 bpm • D Maj • 04:27 • -7.57db
9% Popularity • 58% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 58% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Ashit Desai
Shri Devi Stuti
99 bpm • G min • 02:35 • -6.58db
20% Popularity • 55% Danceability • 34% Energy • 52% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 55% Danceability • 34% Energy • 52% Liveness
0% Instrumentalness • 37% Positiveness
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Sri Sathya Sai Official
Gayatri Mantram
101 bpm • G min • 01:12 • -8.57db
29% Popularity • 59% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 59% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jaishree Aravind
Ashtalakshmi Stotra
101 bpm • C Maj • 06:14 • -11.74db
8% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Bangalore Sisters
Sri Lakshmi Ayagreeva Sthothra
99 bpm • C Maj • 01:54 • -13.03db
23% Popularity • 67% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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S. P. Balasubrahmanyam
Pathitha Paavana Naama
101 bpm • F# Maj • 05:34 • -13.66db
2% Popularity • 60% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 60% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Priya Singh
Powerful hanuman mantra to remove all ne...
101 bpm • A# Maj • 06:12 • -13.88db
9% Popularity • 88% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 88% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Nithya Santhoshini
Sri Manideepeswari Ashtothara Sha
101 bpm • G# Maj • 12:02 • -8.17db
8% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lalitha Sagari
Shiva Mruthyunjaya Mantram 1
99 bpm • A# Maj • 06:34 • -8.07db
7% Popularity • 53% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 53% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Shastry Brothers
Sri Sudarshanaastaka
102 bpm • B Maj • 04:28 • -13.25db
9% Popularity • 57% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 57% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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B. Padma
Thulasi Stotram
102 bpm • C# Maj • 02:51 • -8.99db
0% Popularity • 59% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 59% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Ravindra Sathe
Ghalin Llotangan
98 bpm • F Maj • 01:34 • -8.24db
8% Popularity • 57% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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Anuradha Paudwal
Ghalin Lotagan
102 bpm • G# Maj • 01:07 • -9.5db
10% Popularity • 61% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 61% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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T. S. Ranganathan
Praarthana
102 bpm • F Maj • 01:09 • -5.49db
31% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Sachin Limaye
Mandir Taru Vishva Rupalu
102 bpm • A min • 05:36 • -6.75db
11% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Prana Kishore
Annaporne: Mantra Before Meals to Thank ...
98 bpm • G Maj • 01:26 • -8.38db
29% Popularity • 64% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Ved Vrind
Usha Sukta, Pt. 3
97 bpm • C Maj • 01:27 • -8.14db
33% Popularity • 55% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 55% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Ravindra Sathe
Durgr Durghat Bhari Devichi Aarti
102 bpm • C# Maj • 01:12 • -5.73db
26% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Mahesh Hiremath
Shree Guru Padukaastakam
97 bpm • A# Maj • 04:00 • -9.07db
11% Popularity • 52% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 52% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Alka Yagnik
Kayen Vacha
103 bpm • G# min • 03:25 • -7.8db
13% Popularity • 50% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 50% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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kartik ojha
Mrit sanjivan kavcham
103 bpm • A# Maj • 04:40 • -5.48db
8% Popularity • 69% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 69% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Anuradha Paudwal
Aarti Shri Swami Samarthachi
103 bpm • D# Maj • 03:09 • -13.55db
10% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ved Vrind
Rigveda: Hiranyagarbha Sukta - A Famous ...
96 bpm • C# Maj • 02:42 • -8.67db
28% Popularity • 59% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 59% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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B. R. Chaya
Mahalakshmi Prarthanaa
96 bpm • G# Maj • 05:03 • -4.95db
11% Popularity • 79% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 79% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Anup Jalota
Hanuman Ashtak
104 bpm • D# Maj • 08:04 • -12db
28% Popularity • 56% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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M. M. Keeravani
Aarathi
96 bpm • G# Maj • 04:04 • -8.35db
41% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Vishal Khera
Navgrah Beej Mantra
96 bpm • F# Maj • 01:56 • -8.04db
36% Popularity • 49% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 49% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Daasoham
Shanaishchara krita Narasimha stuti
96 bpm • A# Maj • 05:02 • -10.27db
10% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Priya
Bilvaashtakam
105 bpm • A Maj • 02:30 • -15.69db
13% Popularity • 55% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 55% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Kedar Pandit
Ashtho Siddhi Daasi
105 bpm • F Maj • 01:20 • -8.44db
8% Popularity • 69% Danceability • 58% Energy • 62% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 69% Danceability • 58% Energy • 62% Liveness
0% Instrumentalness • 86% Positiveness
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Anup Jalota
Purush Sooktam
105 bpm • E Maj • 02:56 • -9.32db
13% Popularity • 85% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 85% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Hemant Chauhan
Bagdanana Bavliyani Jay Jay Ho
105 bpm • G# Maj • 03:09 • -13.28db
16% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Aparna Ramesh
Sri Sai Ashtothram
105 bpm • E min • 07:44 • -5.82db
11% Popularity • 55% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 55% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Sri Ganapathy Sachchidananda Swamiji
Dola
105 bpm • F Maj • 05:45 • -22.55db
13% Popularity • 61% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 61% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Mangesh Borgaonkar
Jay Dev Sai Avadhoota - Sai Baba Aarti
95 bpm • C# Maj • 02:14 • -12.75db
13% Popularity • 79% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 79% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Kedar Pandit
Shendoor Laal Chadhayo
105 bpm • F Maj • 01:20 • -8.38db
9% Popularity • 65% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 65% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
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Unnikrishnan
Bhaja Govindam - Language: Tamil; Genre:...
95 bpm • D Maj • 06:36 • -8.75db
18% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Shubhangi Singh
Kanakdhara Stotram
105 bpm • D Maj • 08:43 • -12.45db
11% Popularity • 55% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 55% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Grihsam
Shuunyam
95 bpm • D# min • 02:01 • -22.38db
27% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sujatha Dutt
Budha Gayatri Mantra
105 bpm • E Maj • 01:06 • -6.06db
11% Popularity • 50% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 50% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Ritesh Mishra
Ram Gayatri - 432 Hz
95 bpm • C# Maj • 04:53 • -15.09db
11% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Ganapathi Manthiram 4
108 Vinayagar Pottri
95 bpm • A# Maj • 08:37 • -10db
34% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Sakthiraj
Sathyam Om Sai
95 bpm • F# min • 04:28 • -8.12db
20% Popularity • 68% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Vishwajeet Borwankar
Shani Dev Aarti
95 bpm • C# Maj • 02:22 • -11db
45% Popularity • 55% Danceability • 46% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 55% Danceability • 46% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
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Susmirata Dawalkar
Shendur Laal Chadhayo - Ganesh Aarti
95 bpm • F# Maj • 01:48 • -9.23db
39% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Ketan Patwardhan
Khandoba Aarti - Panchanan Hayvahan
95 bpm • C Maj • 01:47 • -11.64db
12% Popularity • 64% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 64% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Anita Kulkarni
Sidha Kunjika Stotra
95 bpm • F Maj • 05:51 • -11db
18% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Soniyaa Bhattacharya
Kali Song
95 bpm • C Maj • 03:09 • -7.54db
17% Popularity • 26% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 26% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Gopika Poornima, Krishna Raju, Ramu, Usha Raj, J. Purushotama Sai
Hanuman Gayatri
106 bpm • A# Maj • 03:27 • -17db
17% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sri Sathya Sai Official
Ganapati Prarthana Gananam Twa Ganapatig...
94 bpm • F Maj • 00:57 • -11.4db
29% Popularity • 63% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 63% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Chandan Nallal
Sri Sooktam
95 bpm • C# Maj • 03:57 • -5.57db
9% Popularity • 57% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 57% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Sujatha Dutt
Guru Gayatri Mantra
106 bpm • D Maj • 01:10 • -4.22db
15% Popularity • 42% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 42% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Bindhumalini
Bengaluru's Suprabhata
94 bpm • G Maj • 02:44 • -12.24db
9% Popularity • 60% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 60% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Pandit Jasraj
Shiv Raksha Stotra
94 bpm • C# Maj • 07:41 • -9.25db
27% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Grihsam
Cheda
94 bpm • D# min • 02:25 • -21.3db
28% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sri Hari Atchutha Rama Sastry
Rudra Chamakam
94 bpm • E Maj • 01:28 • -9.28db
30% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Rattan Mohan Sharma
Shantakaram Bhujagashayanam
107 bpm • C# Maj • 01:14 • -11.67db
12% Popularity • 39% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 39% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Bangalore Sisters
Dhyana Santushta Subrahmanya Dhyanam
107 bpm • D Maj • 00:58 • -7.28db
21% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sivasri Skandaprasad
Shyamala Dandakam
107 bpm • C# Maj • 10:55 • -11.13db
12% Popularity • 89% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 89% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Ramnath Narayanan
Lokaveeram Mahapoojyam
107 bpm • C Maj • 02:59 • -13.66db
13% Popularity • 51% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 51% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Prabhanjan Marathe
Shree Sadguru Babasai
107 bpm • C min • 02:11 • -8.79db
3% Popularity • 69% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 69% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Vidyabhushana
Dhyanam
107 bpm • F# min • 01:25 • -7db
30% Popularity • 63% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 63% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Sujata Patva
Ganpati Astakam
93 bpm • G Maj • 03:16 • -5.38db
18% Popularity • 51% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 51% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Ved Vrind
Rigveda: Varun Sukta - One of the Earlie...
93 bpm • C Maj • 04:18 • -8.34db
16% Popularity • 57% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 57% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Adamba
Pratyabhi
107 bpm • D# min • 02:25 • -20.32db
30% Popularity • 63% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 63% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dr. Dipali Bhatt
Siddhant Rahasyamayi
107 bpm • A# Maj • 02:41 • -10.72db
9% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bangalore Sisters
Vasavi
107 bpm • G Maj • 01:01 • -3.64db
27% Popularity • 56% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 56% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Meeta Ravindra
Vibhuti Mantra
107 bpm • G# Maj • 01:42 • -15.6db
14% Popularity • 31% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 31% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Roli Prakash
Santoshi Mata Ki Aarti
93 bpm • D# Maj • 06:26 • -8.43db
18% Popularity • 71% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 71% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Baba Maharaj Satarkar
Ka Ga Kevilvana
93 bpm • A# Maj • 04:16 • -8.55db
12% Popularity • 33% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 33% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Prabhanjan Marathe
Shirdi Majhe Pandharpur
93 bpm • F Maj • 01:02 • -6.48db
11% Popularity • 70% Danceability • 56% Energy • 43% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 70% Danceability • 56% Energy • 43% Liveness
0% Instrumentalness • 89% Positiveness
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Uma Mohan
Viswanathastakam
108 bpm • F# Maj • 04:50 • -11.9db
19% Popularity • 70% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 70% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Bangalore Sisters
Namanthram
108 bpm • E Maj • 07:53 • -6db
7% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Seven
Vishwanathashtakam
108 bpm • F# Maj • 04:52 • -11.52db
19% Popularity • 70% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 70% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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Suresam
Keshihaa
93 bpm • C# Maj • 02:12 • -20.31db
27% Popularity • 70% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 70% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Sujatha Dutt
Guru Kavacha Stotram
93 bpm • D Maj • 01:18 • -2.96db
9% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sunil Dhyani
108 Names of Lord Shiva
108 bpm • F Maj • 06:03 • -9.89db
17% Popularity • 50% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 50% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Shubhangi Joshi
Bhagavati Stotram
108 bpm • C# Maj • 02:27 • -9.81db
14% Popularity • 36% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 36% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Ravindra Sathe
Hanumad Vadvanal Stotram
108 bpm • E Maj • 04:32 • -17.21db
20% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ranjani-Gayatri
Sri Rama Raksha Stotram
92 bpm • A Maj • 09:51 • -9.05db
29% Popularity • 57% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 57% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Ashit Desai
Devi Suktam
92 bpm • A# Maj • 09:11 • -7.9db
22% Popularity • 64% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 64% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Ved Vrind
Purush Sukta - a Famous Rigvedic Passage...
92 bpm • C# Maj • 03:25 • -8.28db
29% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Narsimha Nayak
Ganesha Dwadasha Nama
92 bpm • C# min • 01:34 • -4.29db
29% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ajit Kadkade
Shri Swami Samarth Jai Jai Swami
92 bpm • F min • 06:44 • -8.18db
39% Popularity • 73% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 73% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Seven
Mantra Pushpam
92 bpm • G Maj • 04:21 • -8.98db
40% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Shastri Shree Ashokbhai Dave
Chandi Path - Chandi Path Shree Durga Sa...
92 bpm • C# Maj • 07:21 • -8.41db
14% Popularity • 55% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 55% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Dr. Shri Balaji Tambe
Prathana Mantra
92 bpm • C Maj • 02:12 • -13.87db
5% Popularity • 42% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
5% Popularity • 42% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Ocean Media
นะโมการะอัฏฐะ�...
109 bpm • E Maj • 01:05 • -5.28db
25% Popularity • 65% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 65% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Ved Vrind
Saudnyaan Sukta - a Hymn on Global Harmo...
109 bpm • D# min • 01:00 • -10db
45% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
