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Brass Bed
Songs like
Brass Bed
by
Josh Gracin
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Farr
Hot Mess
176 bpm • C Maj • 03:16 • -4db
33% Popularity • 52% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Gracin
Brass Bed
176 bpm • C# Maj • 04:15 • -5.85db
34% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Dallas Smith
Autograph
174 bpm • G Maj • 02:55 • -6.26db
33% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Diamond Rio
Beautiful Mess
177 bpm • C# Maj • 03:48 • -7db
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jo Dee Messina
Burn
174 bpm • G Maj • 04:41 • -7db
36% Popularity • 43% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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David Nail
That's How I'll Remember You
172 bpm • C# Maj • 04:58 • -6.23db
5% Popularity • 35% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Luke Bryan
We Run This Town
172 bpm • E Maj • 03:13 • -4.36db
41% Popularity • 43% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Gracin
Favorite State Of Mind
178 bpm • A# Maj • 03:18 • -3db
22% Popularity • 50% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Sarah Darling
Home To Me
172 bpm • B Maj • 03:20 • -4.94db
25% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Swon Brothers
Later On
180 bpm • D Maj • 03:37 • -3db
33% Popularity • 41% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Brett Young
Beautiful Believer
172 bpm • C# Maj • 03:32 • -6.03db
37% Popularity • 48% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Keith Anderson
Adaliene
172 bpm • A# Maj • 03:45 • -4.39db
2% Popularity • 44% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Runaway June
Lipstick
171 bpm • D Maj • 03:00 • -3.76db
37% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Lane
Let Me Love You
182 bpm • F# min • 04:20 • -4db
37% Popularity • 44% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Michael Carroll
Let Me Go
170 bpm • C Maj • 04:00 • -4.8db
19% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jessie James Decker
Lights Down Low
170 bpm • E Maj • 03:23 • -5db
29% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Josh Gracin
Cover Girl
170 bpm • D# Maj • 03:19 • -3.1db
4% Popularity • 31% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Kinder
Kiss Me When I'm Down
170 bpm • C# Maj • 04:26 • -7.79db
20% Popularity • 50% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Andy Griggs
You Won't Ever Be Lonely
182 bpm • G# Maj • 03:30 • -8.39db
52% Popularity • 47% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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SHeDAISY
Come Home Soon
183 bpm • A# Maj • 04:02 • -7db
31% Popularity • 28% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jo Dee Messina
That's The Way
184 bpm • D Maj • 03:22 • -4db
39% Popularity • 49% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Montgomery Gentry
Some People Change
168 bpm • D Maj • 03:21 • -6db
35% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Gracin
I Want To Make You Cry
169 bpm • F# Maj • 04:23 • -4.9db
5% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jamie O'Neal
Trying To Find Atlantis
168 bpm • E Maj • 03:28 • -4.36db
29% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Andy Griggs
This I Gotta See
168 bpm • F# Maj • 03:46 • -6.44db
19% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
50% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Ray
Get to You
168 bpm • D# Maj • 03:11 • -5.66db
51% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Phil Vassar
American Child
168 bpm • D Maj • 03:13 • -9.14db
22% Popularity • 40% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Gracin
Catastrophe
168 bpm • G min • 05:24 • -6.06db
4% Popularity • 48% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jamie O'Neal
There Is No Arizona
168 bpm • G# min • 03:56 • -6db
45% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Julianne Hough
That Song In My Head
186 bpm • C Maj • 03:13 • -2.53db
32% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Jana Kramer
Why Ya Wanna
167 bpm • E Maj • 03:41 • -3db
48% Popularity • 30% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cole Swindell
Should've Ran After You
166 bpm • B min • 03:31 • -3.58db
40% Popularity • 25% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Craig Wayne Boyd
My Baby’s Got A Smile On Her Face
166 bpm • F Maj • 03:17 • -3.59db
14% Popularity • 42% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Gracin
Bye Felicia
168 bpm • D# Maj • 02:38 • -3.71db
6% Popularity • 41% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Kip Moore
Young Love
166 bpm • C Maj • 04:41 • -5.62db
40% Popularity • 42% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Miranda Lambert
Girls
187 bpm • B Maj • 03:35 • -6.17db
33% Popularity • 38% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Collin Raye
I Can Still Feel You
188 bpm • E Maj • 03:39 • -9db
39% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Clare Dunn
Cowboy Side Of You
166 bpm • G Maj • 03:35 • -3db
22% Popularity • 47% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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David Nail
Looking For A Good Time
165 bpm • F# min • 05:12 • -4.34db
16% Popularity • 32% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Gracin
I'm Still There
186 bpm • D Maj • 04:19 • -3.78db
22% Popularity • 37% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Jamie O'Neal
Somebody's Hero
164 bpm • C# Maj • 03:41 • -6db
40% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Big & Rich
Look at You
164 bpm • B Maj • 03:43 • -5db
43% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Cagle
Look What I Found
164 bpm • G Maj • 04:07 • -6.82db
24% Popularity • 45% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Florida Georgia Line
Angel
162 bpm • E min • 03:30 • -3.74db
36% Popularity • 41% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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David Nail
Red Light
164 bpm • A Maj • 04:06 • -3db
48% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Jana Kramer
Circles
162 bpm • F# Maj • 03:59 • -5db
36% Popularity • 52% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Gracin
Different Kind Of Crazy
186 bpm • C# Maj • 03:37 • -3.44db
6% Popularity • 36% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Michael Carroll
Numbers
162 bpm • F# Maj • 03:29 • -3.02db
23% Popularity • 42% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Darryl Worley
Have You Forgotten?
160 bpm • G Maj • 04:02 • -5.98db
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Cagle
Laredo
160 bpm • A# min • 03:50 • -6db
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Jamie O'Neal
When I Think About Angels
194 bpm • B Maj • 03:02 • -3.42db
40% Popularity • 51% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Gracin
We Weren't Crazy
164 bpm • C Maj • 03:47 • -3db
27% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Kip Moore
Up All Night
194 bpm • F# Maj • 04:27 • -6.1db
34% Popularity • 34% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Parmalee
Carolina
160 bpm • A# Maj • 03:21 • -3.53db
53% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Cagle
Dance Baby Dance
160 bpm • C# Maj • 03:28 • -7db
25% Popularity • 54% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Chuck Wicks
Always
159 bpm • F# Maj • 03:27 • -7.82db
14% Popularity • 47% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Gracin
I Want To Live
160 bpm • F# Maj • 03:58 • -4db
26% Popularity • 49% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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A Thousand Horses
(This Ain’t No) Drunk Dial
158 bpm • E Maj • 03:29 • -4.8db
26% Popularity • 40% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Are You Leaving With Him
158 bpm • D Maj • 03:23 • -5db
37% Popularity • 51% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Brett Eldredge
Lose It All
158 bpm • C Maj • 03:40 • -7db
26% Popularity • 50% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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SHeDAISY
This Woman Needs
196 bpm • G Maj • 03:20 • -8db
33% Popularity • 21% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Josh Gracin
Love You Right
160 bpm • A# Maj • 04:12 • -4.28db
5% Popularity • 29% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Due West
When the Smoke Clears
197 bpm • F# min • 03:45 • -4.69db
9% Popularity • 21% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Walker McGuire
Til Tomorrow
157 bpm • C Maj • 04:09 • -4.03db
39% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
49% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Parmalee
Think You Oughta Know That
198 bpm • C# Maj • 03:03 • -3.42db
20% Popularity • 35% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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David Nail
Countin' Cars
198 bpm • E Maj • 02:51 • -5.69db
25% Popularity • 40% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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SHeDAISY
Passenger Seat
156 bpm • A Maj • 03:25 • -3.23db
31% Popularity • 46% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Bryan
Been There, Done That
156 bpm • C Maj • 04:29 • -4.11db
41% Popularity • 53% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Kelley
Gone Like That
156 bpm • G Maj • 03:58 • -4.8db
11% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Keith Anderson
I Still Miss You
156 bpm • D# Maj • 03:55 • -5.39db
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kip Moore
Running For You
156 bpm • D Maj • 03:32 • -5.92db
44% Popularity • 67% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Jana Kramer
Dance in the Rain
156 bpm • B Maj • 03:25 • -6.1db
26% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Cagle
Just Love Me
156 bpm • F# Maj • 05:08 • -7db
30% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Bryan
I Know You're Gonna Be There
156 bpm • G# Maj • 03:36 • -4.45db
41% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Frankie Ballard
Tell Me You Get Lonely
200 bpm • B Maj • 03:08 • -6db
32% Popularity • 43% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Ashton Shepherd
Sounds So Good
154 bpm • E Maj • 03:27 • -4db
35% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Gracin
I Still Love You
154 bpm • C# Maj • 03:58 • -4.51db
17% Popularity • 38% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Rhett
Like It's The Last Time
154 bpm • E Maj • 03:09 • -4.94db
38% Popularity • 55% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Jason Michael Carroll
Urgency
154 bpm • B min • 03:24 • -5.92db
32% Popularity • 42% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Craig Morgan
Love Remembers
154 bpm • C Maj • 03:55 • -3.45db
29% Popularity • 39% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Cole Swindell
Making My Way to You
154 bpm • D Maj • 03:27 • -4db
41% Popularity • 41% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Gloriana
Best Night Ever
153 bpm • C# Maj • 03:38 • -6db
23% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Cagle
I'd Find You
153 bpm • A Maj • 03:31 • -7db
30% Popularity • 51% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Jana Kramer
Good as You Were Bad
203 bpm • B Maj • 03:37 • -7db
24% Popularity • 32% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Old Dominion
Shut Me Up
152 bpm • G Maj • 02:51 • -4db
40% Popularity • 55% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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The Swon Brothers
Songs That Said It All
152 bpm • B Maj • 03:17 • -3.71db
8% Popularity • 51% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
51% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Kellie Pickler
Tough
204 bpm • C Maj • 02:48 • -4db
34% Popularity • 46% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
45% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
JT Hodges
Goodbyes Made You Mine
206 bpm • D Maj • 02:51 • -5db
24% Popularity • 43% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Josh Abbott Band
Amnesia
150 bpm • C Maj • 03:33 • -5db
34% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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James Otto
The Man That I Am
150 bpm • F# min • 03:58 • -5.82db
15% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Josh Gracin
I Don't Want To Live
150 bpm • C# Maj • 03:35 • -4.18db
8% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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David Nail
Catch You While I Can
208 bpm • C Maj • 04:23 • -6db
4% Popularity • 30% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Brass Bed