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Brass in Action
Songs like
Brass in Action
by
Keith Mansfield
Based on a tempo of (+/- 10%) and a similar genre
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David Lindup
Enfant Terrible
164 bpm • E min • 00:47 • -13.35db
18% Popularity • 32% Danceability • 56% Energy • 21% Liveness
95% Instrumentalness • 73% Positiveness
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Dick Hyman
Moon Gas
166 bpm • E min • 02:19 • -13.95db
14% Popularity • 44% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Alan Tew
The Rub
164 bpm • G min • 02:27 • -19.1db
30% Popularity • 68% Danceability • 27% Energy • 10% Liveness
67% Instrumentalness • 48% Positiveness
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Romolo Grano
Nairobi
167 bpm • D Maj • 03:56 • -14.43db
9% Popularity • 47% Danceability • 66% Energy • 15% Liveness
53% Instrumentalness • 78% Positiveness
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Alberto Baldan Bembo
Oblo'
167 bpm • A# Maj • 05:16 • -9.65db
28% Popularity • 20% Danceability • 57% Energy • 25% Liveness
86% Instrumentalness • 34% Positiveness
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Herbie Hancock
Death Wish (Main Title)
163 bpm • E min • 06:11 • -14.76db
16% Popularity • 28% Danceability • 57% Energy • 20% Liveness
47% Instrumentalness • 47% Positiveness
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Ramsey Lewis
Les Fleur
167 bpm • G# Maj • 04:38 • -16.18db
27% Popularity • 41% Danceability • 28% Energy • 19% Liveness
5% Instrumentalness • 58% Positiveness
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I Marc 4
Candy
168 bpm • F Maj • 03:06 • -14.65db
22% Popularity • 55% Danceability • 32% Energy • 34% Liveness
90% Instrumentalness • 78% Positiveness
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Keith Mansfield
Roller Coaster
168 bpm • F Maj • 02:40 • -12.96db
9% Popularity • 44% Danceability • 46% Energy • 38% Liveness
96% Instrumentalness • 92% Positiveness
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Oscar Rocchi
Tattile
162 bpm • F Maj • 02:41 • -15.45db
23% Popularity • 51% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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The Mohawks
Roving Reporter (Dr. Jekyll & Hyde Park)
168 bpm • F# Maj • 01:42 • -4.39db
17% Popularity • 63% Danceability • 92% Energy • 15% Liveness
12% Instrumentalness • 66% Positiveness
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Alan Tew
The Fence (A)
168 bpm • E min • 01:41 • -19.09db
44% Popularity • 59% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 81% Positiveness
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Claudio Tallino
Smoke Gets in Your Head
168 bpm • A# min • 03:13 • -8db
19% Popularity • 54% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 61% Positiveness
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Rubba
So Softly
162 bpm • G Maj • 02:42 • -16.51db
21% Popularity • 50% Danceability • 46% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
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John Shakespeare
Against the Clock
162 bpm • A min • 01:30 • -6db
10% Popularity • 47% Danceability • 96% Energy • 9% Liveness
96% Instrumentalness • 55% Positiveness
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Quincy Jones
Snow Creatures
161 bpm • E Maj • 03:16 • -10.44db
10% Popularity • 47% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 18% Positiveness
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Sestetto Dino Piana & Oscar Valdambrini
Omaca
169 bpm • D# min • 02:47 • -7db
35% Popularity • 61% Danceability • 72% Energy • 16% Liveness
84% Instrumentalness • 96% Positiveness
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David Matthews
Sandworms
169 bpm • C Maj • 04:58 • -12db
32% Popularity • 63% Danceability • 41% Energy • 15% Liveness
74% Instrumentalness • 87% Positiveness
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Alan Tew
Master Plan
169 bpm • D Maj • 03:27 • -17.7db
17% Popularity • 59% Danceability • 28% Energy • 12% Liveness
42% Instrumentalness • 39% Positiveness
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Johnny Harris
Paint It Black
161 bpm • F min • 03:55 • -10.81db
13% Popularity • 30% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 65% Positiveness
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Galt MacDermot
Cathedral
161 bpm • A min • 02:14 • -13.55db
41% Popularity • 58% Danceability • 42% Energy • 14% Liveness
46% Instrumentalness • 90% Positiveness
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V. Geminiani
Ophis Le Serpentaire
161 bpm • D min • 02:38 • -7.89db
9% Popularity • 44% Danceability • 65% Energy • 7% Liveness
83% Instrumentalness • 52% Positiveness
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Murry Wilson
Islands In The Sky
170 bpm • G min • 02:56 • -16db
34% Popularity • 50% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 70% Positiveness
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Gene Harris
Summer (The First Time)
161 bpm • C# min • 03:20 • -14.86db
36% Popularity • 50% Danceability • 39% Energy • 21% Liveness
94% Instrumentalness • 42% Positiveness
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The Mohawks
Landscape
170 bpm • G# Maj • 02:25 • -8db
16% Popularity • 57% Danceability • 57% Energy • 13% Liveness
22% Instrumentalness • 59% Positiveness
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Skeewiff
Pink Tuxedo
170 bpm • A# Maj • 03:19 • -6.69db
3% Popularity • 60% Danceability • 87% Energy • 24% Liveness
38% Instrumentalness • 71% Positiveness
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Curtis Schwartz
Endurance
160 bpm • A# Maj • 04:15 • -15db
6% Popularity • 53% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Alan Tew
Money Runner
170 bpm • G Maj • 02:14 • -18.53db
29% Popularity • 48% Danceability • 37% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
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Keith Mansfield
Good Vibrations
171 bpm • G# Maj • 04:40 • -12.68db
8% Popularity • 51% Danceability • 49% Energy • 6% Liveness
83% Instrumentalness • 90% Positiveness
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David Lindup
Mystique Beauty
173 bpm • F Maj • 02:55 • -15.79db
8% Popularity • 36% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Johnny Pearson
Product Efficiency
171 bpm • F min • 03:35 • -12.01db
9% Popularity • 59% Danceability • 56% Energy • 9% Liveness
74% Instrumentalness • 95% Positiveness
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Mort Stevens And His Orchestra
The Long Wait
173 bpm • G Maj • 02:21 • -21.94db
10% Popularity • 28% Danceability • 30% Energy • 32% Liveness
92% Instrumentalness • 7% Positiveness
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Syd Dale
Bill Sykes
158 bpm • D min • 02:23 • -5.11db
9% Popularity • 31% Danceability • 83% Energy • 21% Liveness
97% Instrumentalness • 79% Positiveness
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Galt MacDermot
Woe Is Me
173 bpm • A min • 01:38 • -6.96db
44% Popularity • 44% Danceability • 50% Energy • 20% Liveness
76% Instrumentalness • 75% Positiveness
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Keith Mansfield
Teenage Travelogue
173 bpm • C Maj • 02:46 • -10.28db
18% Popularity • 52% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 64% Positiveness
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Alan Hawkshaw
The Brisk Scene
157 bpm • G min • 01:11 • -13db
5% Popularity • 50% Danceability • 40% Energy • 13% Liveness
16% Instrumentalness • 40% Positiveness
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Johnny Harris
Light My Fire
174 bpm • D min • 04:48 • -11db
12% Popularity • 36% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 56% Positiveness
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I Marc 4
Compression
175 bpm • D Maj • 02:37 • -14.68db
23% Popularity • 58% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 82% Positiveness
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Syd Dale
Through the Looking Glass
174 bpm • C Maj • 03:36 • -7.52db
8% Popularity • 25% Danceability • 40% Energy • 7% Liveness
4% Instrumentalness • 35% Positiveness
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Esquivel!
Surfboard
155 bpm • F min • 02:56 • -14.66db
30% Popularity • 45% Danceability • 25% Energy • 9% Liveness
81% Instrumentalness • 25% Positiveness
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Gene Harris
Feeling You, Feeling Me Too!
175 bpm • C Maj • 01:58 • -11db
39% Popularity • 48% Danceability • 73% Energy • 10% Liveness
83% Instrumentalness • 65% Positiveness
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Keith Mansfield
Industrial Power
175 bpm • C# Maj • 02:36 • -16.17db
2% Popularity • 35% Danceability • 38% Energy • 20% Liveness
70% Instrumentalness • 35% Positiveness
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Trevor Bastow
Videodisc
155 bpm • F Maj • 02:37 • -7.11db
29% Popularity • 64% Danceability • 75% Energy • 15% Liveness
86% Instrumentalness • 58% Positiveness
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Johnny Harris
Footprints on the Moon
176 bpm • F min • 03:11 • -12db
27% Popularity • 19% Danceability • 48% Energy • 59% Liveness
40% Instrumentalness • 40% Positiveness
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Alan Parker
Frozen Steam
176 bpm • A Maj • 03:39 • -16.59db
10% Popularity • 56% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
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Art Farmer
Crawl Space
176 bpm • F min • 08:51 • -12db
27% Popularity • 56% Danceability • 59% Energy • 8% Liveness
85% Instrumentalness • 92% Positiveness
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I Marc 4
Max
155 bpm • C Maj • 01:21 • -8.48db
22% Popularity • 61% Danceability • 65% Energy • 17% Liveness
98% Instrumentalness • 89% Positiveness
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Jonny Teupen Group
Tropical Scene
177 bpm • C Maj • 04:08 • -20.48db
12% Popularity • 58% Danceability • 34% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
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James Clarke
Girl of My Dreams
178 bpm • B min • 04:19 • -11.34db
15% Popularity • 25% Danceability • 33% Energy • 27% Liveness
8% Instrumentalness • 32% Positiveness
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Alan Moorhouse
Kick Down
178 bpm • A# Maj • 02:39 • -9db
10% Popularity • 34% Danceability • 66% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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John Cameron
Heat Haze
176 bpm • C Maj • 02:53 • -15.33db
15% Popularity • 44% Danceability • 26% Energy • 10% Liveness
65% Instrumentalness • 10% Positiveness
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Syd Dale
The Hell Raisers
153 bpm • A# min • 02:21 • -5.69db
19% Popularity • 54% Danceability • 91% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
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I Marc 4
Catherine
154 bpm • F min • 03:28 • -12db
25% Popularity • 50% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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David Axelrod
Holy Thursday
179 bpm • D min • 05:31 • -14db
36% Popularity • 36% Danceability • 36% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Alan Parker
Speed Speed Speed
152 bpm • E Maj • 01:17 • -12db
15% Popularity • 44% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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David McCallum
House Of Mirrors - Remastered
179 bpm • C min • 02:21 • -9db
32% Popularity • 32% Danceability • 69% Energy • 66% Liveness
8% Instrumentalness • 86% Positiveness
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Mack Browne & The Brothers
Cafe Regio's
152 bpm • F# min • 03:45 • -20.6db
14% Popularity • 68% Danceability • 30% Energy • 23% Liveness
42% Instrumentalness • 94% Positiveness
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Syd Dale
The Mad Hatter's Ball
181 bpm • C Maj • 02:32 • -2.81db
15% Popularity • 33% Danceability • 85% Energy • 46% Liveness
67% Instrumentalness • 90% Positiveness
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Al Hirt
Harlem Hendoo
182 bpm • E min • 02:39 • -10.17db
34% Popularity • 49% Danceability • 36% Energy • 13% Liveness
62% Instrumentalness • 41% Positiveness
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David Axelrod
Everything Counts
152 bpm • F Maj • 06:54 • -13.22db
20% Popularity • 45% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 83% Positiveness
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Roger Webb
Au Pair Girls 11
149 bpm • G# Maj • 01:55 • -22.86db
22% Popularity • 57% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 58% Positiveness
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Simon Haseley
Hammerhead
149 bpm • F Maj • 04:33 • -13.53db
15% Popularity • 39% Danceability • 49% Energy • 39% Liveness
5% Instrumentalness • 64% Positiveness
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Gert Wilden & Orchestra
Ecstasy Blues (Schulmädchenreport 5)
183 bpm • F Maj • 02:27 • -11.78db
12% Popularity • 45% Danceability • 29% Energy • 32% Liveness
85% Instrumentalness • 46% Positiveness
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Richard "Groove" Holmes
Red Onion
148 bpm • G# Maj • 03:41 • -9db
32% Popularity • 77% Danceability • 45% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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James Clarke
The Free Life
147 bpm • A# Maj • 03:00 • -14db
17% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
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Alberto Baldan Bembo
Tropical Club
147 bpm • E min • 03:15 • -11db
33% Popularity • 70% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 92% Positiveness
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Sandro Brugnolini
Roxy
147 bpm • F Maj • 03:32 • -9db
15% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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David McCallum
Uptight (Everything's Alright)
147 bpm • F# Maj • 02:44 • -6.69db
23% Popularity • 61% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 74% Positiveness
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Alain Goraguer
Sour Soul
146 bpm • A min • 03:19 • -12.59db
25% Popularity • 53% Danceability • 60% Energy • 11% Liveness
16% Instrumentalness • 8% Positiveness
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Keith Mansfield
Teenage Chase
145 bpm • C Maj • 02:26 • -13db
22% Popularity • 73% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Johnny Pate
Headman - Soundtrack
147 bpm • E min • 02:15 • -12.01db
25% Popularity • 64% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 84% Positiveness
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John Cameron
Afro Waltz
188 bpm • B min • 02:41 • -13.46db
13% Popularity • 57% Danceability • 62% Energy • 12% Liveness
88% Instrumentalness • 60% Positiveness
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Sandro Brugnolini
Lovable
145 bpm • C Maj • 03:37 • -16.81db
22% Popularity • 56% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Johnny Harris
Stepping Stones - Remastered
145 bpm • F min • 05:21 • -11.75db
31% Popularity • 58% Danceability • 82% Energy • 47% Liveness
88% Instrumentalness • 78% Positiveness
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Janko Nilovic
Lettre De Mer
144 bpm • D Maj • 02:19 • -6.57db
18% Popularity • 28% Danceability • 51% Energy • 9% Liveness
82% Instrumentalness • 32% Positiveness
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Keith Mansfield
Play the Game
144 bpm • C# min • 02:32 • -12.14db
8% Popularity • 60% Danceability • 53% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
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David McCallum
A Taste Of Honey
144 bpm • G min • 02:56 • -10.82db
25% Popularity • 47% Danceability • 38% Energy • 48% Liveness
69% Instrumentalness • 42% Positiveness
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Alan Hawkshaw
The Action Scene
144 bpm • F min • 00:43 • -7.64db
8% Popularity • 71% Danceability • 80% Energy • 10% Liveness
77% Instrumentalness • 98% Positiveness
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Sandro Brugnolini
Stenella dubia
144 bpm • C Maj • 03:39 • -15db
35% Popularity • 56% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Alan Moorhouse
That's Nice
190 bpm • D Maj • 02:19 • -8.64db
17% Popularity • 41% Danceability • 81% Energy • 8% Liveness
85% Instrumentalness • 82% Positiveness
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Neil Richardson
Firebird
143 bpm • F min • 02:18 • -5.68db
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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Pierre Cavalli
Cachaça
143 bpm • C Maj • 03:41 • -11.52db
18% Popularity • 54% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
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Keith Mansfield
Teenage Ton Up
143 bpm • C Maj • 02:06 • -11.24db
10% Popularity • 66% Danceability • 63% Energy • 11% Liveness
77% Instrumentalness • 97% Positiveness
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Alan Hawkshaw
The Busy Scene
143 bpm • A min • 01:11 • -10.95db
5% Popularity • 66% Danceability • 82% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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John Shakespeare
Sandals in the Sand
143 bpm • C Maj • 03:00 • -16.96db
17% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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The Soul Searchers
Ashley's Roachclip
193 bpm • F min • 05:35 • -6.39db
35% Popularity • 47% Danceability • 86% Energy • 68% Liveness
3% Instrumentalness • 80% Positiveness
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Neil Richardson
Speed Merchant
143 bpm • F Maj • 01:21 • -11.45db
12% Popularity • 38% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Alan Moorhouse
Expo in Tokyo
193 bpm • G Maj • 02:22 • -7.73db
26% Popularity • 41% Danceability • 83% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
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Keith Mansfield
Gold Medal
144 bpm • C Maj • 00:55 • -3.56db
9% Popularity • 36% Danceability • 78% Energy • 34% Liveness
80% Instrumentalness • 77% Positiveness
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Puccio Roelens
Dorothy
141 bpm • G min • 01:57 • -5.3db
36% Popularity • 49% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
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Mulatu Astatke
Mascaram Setaba - Stereo Master
141 bpm • B min • 02:47 • -15.99db
51% Popularity • 50% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 85% Positiveness
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Johnny Pearson
Action in Memphis
194 bpm • F Maj • 02:15 • -10.74db
18% Popularity • 39% Danceability • 59% Energy • 4% Liveness
16% Instrumentalness • 93% Positiveness
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Alan Tew
The Detectives (Slow Version)
141 bpm • E min • 02:09 • -23.09db
22% Popularity • 39% Danceability • 26% Energy • 26% Liveness
86% Instrumentalness • 18% Positiveness
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Richard "Groove" Holmes
Six Million Dollar Man Theme
140 bpm • C# Maj • 06:05 • -13.77db
11% Popularity • 31% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 89% Positiveness
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Keith Mansfield
Loving Spoonful
142 bpm • F Maj • 02:38 • -20.18db
12% Popularity • 52% Danceability • 21% Energy • 14% Liveness
94% Instrumentalness • 48% Positiveness
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Cortex
Mary et Jeff
140 bpm • A min • 02:45 • -9.91db
43% Popularity • 59% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Chris Rae
Night Groove
194 bpm • G min • 02:34 • -8.65db
10% Popularity • 43% Danceability • 67% Energy • 32% Liveness
33% Instrumentalness • 88% Positiveness
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Neil Richardson
High Flyer
203 bpm • G Maj • 02:07 • -9.06db
15% Popularity • 29% Danceability • 80% Energy • 10% Liveness
58% Instrumentalness • 91% Positiveness
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Sven Libaek
Bush Fire
200 bpm • A min • 00:58 • -17.71db
43% Popularity • 22% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 68% Positiveness
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Keith Mansfield
The Mexican D.J.
141 bpm • C Maj • 02:15 • -6.97db
12% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
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Brass in Action