Songs like Brazil by Django Reinhardt
Based on a tempo of (+/- 10%) and a similar genre
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Mildred Bailey
You Leave Me Breathless
109 bpm • D Maj • 02:50 • -14.62db
23% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Diknu Schneeberger
Lulu's Swing
109 bpm • A Maj • 03:09 • -11.49db
28% Popularity • 75% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 75% Positiveness
28% Popularity • 75% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 75% Positiveness
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Art Tatum
I Cover The Waterfront
109 bpm • G Maj • 02:32 • -22.61db
35% Popularity • 50% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
35% Popularity • 50% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Django Reinhardt
Daphne (2000 - Remaster)
109 bpm • D Maj • 02:57 • -9.11db
12% Popularity • 67% Danceability • 44% Energy • 15% Liveness
82% Instrumentalness • 85% Positiveness
12% Popularity • 67% Danceability • 44% Energy • 15% Liveness
82% Instrumentalness • 85% Positiveness
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Kenny Burrell
If I Had You
109 bpm • C Maj • 02:41 • -19.51db
38% Popularity • 72% Danceability • 17% Energy • 13% Liveness
30% Instrumentalness • 35% Positiveness
38% Popularity • 72% Danceability • 17% Energy • 13% Liveness
30% Instrumentalness • 35% Positiveness
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Patrick Saussois
La foule
109 bpm • E min • 02:33 • -8.03db
34% Popularity • 61% Danceability • 74% Energy • 5% Liveness
85% Instrumentalness • 86% Positiveness
34% Popularity • 61% Danceability • 74% Energy • 5% Liveness
85% Instrumentalness • 86% Positiveness
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Miles Davis
Florence sur les Champs-Élysées - Band...
109 bpm • D min • 02:52 • -10.92db
45% Popularity • 49% Danceability • 13% Energy • 20% Liveness
80% Instrumentalness • 37% Positiveness
45% Popularity • 49% Danceability • 13% Energy • 20% Liveness
80% Instrumentalness • 37% Positiveness
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Billy May & His Orchestra
The Odd Couple
109 bpm • E Maj • 02:17 • -17db
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
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Jelly Roll Morton
Wolverine Blues
110 bpm • D# Maj • 03:25 • -13.01db
20% Popularity • 57% Danceability • 51% Energy • 14% Liveness
91% Instrumentalness • 91% Positiveness
20% Popularity • 57% Danceability • 51% Energy • 14% Liveness
91% Instrumentalness • 91% Positiveness
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Django Reinhardt
Brazil
109 bpm • C Maj • 02:47 • -16db
36% Popularity • 77% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
36% Popularity • 77% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Quintette du Hot Club de France
Nuages
110 bpm • G Maj • 03:04 • -20db
15% Popularity • 53% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 62% Positiveness
15% Popularity • 53% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 62% Positiveness
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Dicky Doo & The Don'ts
Vive L'amour
110 bpm • D min • 02:44 • -15.74db
3% Popularity • 53% Danceability • 38% Energy • 5% Liveness
14% Instrumentalness • 76% Positiveness
3% Popularity • 53% Danceability • 38% Energy • 5% Liveness
14% Instrumentalness • 76% Positiveness
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Tchan-Tchou Vidal
Stranger in the Night
108 bpm • G# Maj • 02:38 • -8.98db
29% Popularity • 63% Danceability • 74% Energy • 16% Liveness
85% Instrumentalness • 79% Positiveness
29% Popularity • 63% Danceability • 74% Energy • 16% Liveness
85% Instrumentalness • 79% Positiveness
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Ahmad Jamal
Billy Boy
108 bpm • C Maj • 02:38 • -16db
28% Popularity • 66% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
28% Popularity • 66% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Romane
Passion
110 bpm • A min • 02:20 • -9.61db
46% Popularity • 70% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
46% Popularity • 70% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Django Reinhardt
Brazil
110 bpm • G Maj • 02:26 • -16.26db
20% Popularity • 51% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 63% Positiveness
20% Popularity • 51% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 63% Positiveness
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Babik Reinhardt
Swing 42
108 bpm • D Maj • 03:05 • -11db
36% Popularity • 53% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 53% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Barney Bigard
Alabamy Home
110 bpm • F min • 03:02 • -12.26db
22% Popularity • 83% Danceability • 42% Energy • 9% Liveness
82% Instrumentalness • 72% Positiveness
22% Popularity • 83% Danceability • 42% Energy • 9% Liveness
82% Instrumentalness • 72% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Tchan-Tchou Vidal
La gitane
110 bpm • D Maj • 02:40 • -11.3db
33% Popularity • 56% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 88% Positiveness
33% Popularity • 56% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 88% Positiveness
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Miles Davis
I Fall In Love Too Easily
108 bpm • F min • 06:43 • -15db
44% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Django Reinhardt
Blues clair
108 bpm • C Maj • 03:03 • -9.57db
18% Popularity • 79% Danceability • 49% Energy • 6% Liveness
86% Instrumentalness • 86% Positiveness
18% Popularity • 79% Danceability • 49% Energy • 6% Liveness
86% Instrumentalness • 86% Positiveness
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Stéphane Grappelli
I Saw Stars
108 bpm • G Maj • 02:29 • -20.63db
35% Popularity • 84% Danceability • 14% Energy • 26% Liveness
82% Instrumentalness • 64% Positiveness
35% Popularity • 84% Danceability • 14% Energy • 26% Liveness
82% Instrumentalness • 64% Positiveness
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Babik Reinhardt
Swingtime in Springtime
108 bpm • G min • 02:55 • -12.28db
23% Popularity • 69% Danceability • 31% Energy • 14% Liveness
67% Instrumentalness • 76% Positiveness
23% Popularity • 69% Danceability • 31% Energy • 14% Liveness
67% Instrumentalness • 76% Positiveness
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Madeleine Peyroux
(Getting Some) Fun out of Life
111 bpm • E min • 03:12 • -9.62db
57% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Romane
Montagne Sainte-Geneviève
108 bpm • E min • 01:57 • -9.84db
29% Popularity • 67% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 80% Positiveness
29% Popularity • 67% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 80% Positiveness
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Miles Davis
Summertime
108 bpm • A# min • 03:17 • -20db
47% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Smith
I Got A Woman - Remastered
111 bpm • A# min • 03:57 • -17db
28% Popularity • 75% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 75% Positiveness
28% Popularity • 75% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 75% Positiveness
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Django Reinhardt
Brazil
111 bpm • C Maj • 02:48 • -14db
47% Popularity • 83% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 83% Positiveness
47% Popularity • 83% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 83% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Gypsy Jazz Caravan
Pour les Zazous
107 bpm • A min • 02:37 • -10.84db
21% Popularity • 73% Danceability • 43% Energy • 8% Liveness
36% Instrumentalness • 79% Positiveness
21% Popularity • 73% Danceability • 43% Energy • 8% Liveness
36% Instrumentalness • 79% Positiveness
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Sonny Rollins
St. Thomas
111 bpm • G Maj • 03:55 • -11db
32% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
32% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
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Tchavolo Schmitt
Billet doux
111 bpm • G Maj • 03:44 • -11.57db
30% Popularity • 76% Danceability • 47% Energy • 10% Liveness
80% Instrumentalness • 60% Positiveness
30% Popularity • 76% Danceability • 47% Energy • 10% Liveness
80% Instrumentalness • 60% Positiveness
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Alma Sinti
Extralucide
107 bpm • G min • 02:32 • -8.26db
22% Popularity • 71% Danceability • 53% Energy • 7% Liveness
24% Instrumentalness • 84% Positiveness
22% Popularity • 71% Danceability • 53% Energy • 7% Liveness
24% Instrumentalness • 84% Positiveness
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Fapy Lafertin
Wonderful You
107 bpm • G min • 03:58 • -9.6db
21% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Quintette du Hot Club de France
I Found a New Baby
107 bpm • A min • 03:06 • -14.49db
34% Popularity • 86% Danceability • 28% Energy • 15% Liveness
61% Instrumentalness • 65% Positiveness
34% Popularity • 86% Danceability • 28% Energy • 15% Liveness
61% Instrumentalness • 65% Positiveness
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Dexter Gordon
The Shadow of Your Smile
111 bpm • G min • 04:57 • -20.86db
49% Popularity • 56% Danceability • 4% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
49% Popularity • 56% Danceability • 4% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
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Vernon Duke
Taking A Chance On Love
111 bpm • G min • 04:47 • -14db
25% Popularity • 52% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
25% Popularity • 52% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Tom Sharpsteen and His Orlando
Salty Bubble
107 bpm • G min • 03:04 • -9db
9% Popularity • 72% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 95% Positiveness
9% Popularity • 72% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 95% Positiveness
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Alma Sinti
Avant de mourir
111 bpm • A# Maj • 03:03 • -10.27db
24% Popularity • 46% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
24% Popularity • 46% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
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Gato Barbieri
Last Tango in Paris - Ultimo Tango a Par...
107 bpm • C min • 03:24 • -8.51db
35% Popularity • 24% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 50% Positiveness
35% Popularity • 24% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 50% Positiveness
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Quintette du Hot Club de France
Sweet Georgia Brown
107 bpm • B min • 03:09 • -14.57db
23% Popularity • 83% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
23% Popularity • 83% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
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Django Reinhardt
I've Found A New Baby
106 bpm • A min • 03:04 • -13.27db
12% Popularity • 85% Danceability • 33% Energy • 6% Liveness
83% Instrumentalness • 76% Positiveness
12% Popularity • 85% Danceability • 33% Energy • 6% Liveness
83% Instrumentalness • 76% Positiveness
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Patrick Saussois
Lunatic valse
106 bpm • C min • 03:01 • -10.47db
21% Popularity • 61% Danceability • 41% Energy • 19% Liveness
1% Instrumentalness • 86% Positiveness
21% Popularity • 61% Danceability • 41% Energy • 19% Liveness
1% Instrumentalness • 86% Positiveness
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Tchan-Tchou Vidal
Bye Bye Blue
106 bpm • G Maj • 02:33 • -9.47db
32% Popularity • 61% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 86% Positiveness
32% Popularity • 61% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 86% Positiveness
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Charles Trenet
Que reste-t-il de nos amours ?
112 bpm • C Maj • 03:12 • -16.97db
44% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Wes Montgomery
I Wish I Knew
112 bpm • G# Maj • 05:27 • -30.85db
37% Popularity • 38% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
37% Popularity • 38% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Gerry Mulligan
Bweebida Bobbida
106 bpm • G min • 03:04 • -12.14db
7% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Patrick Saussois
Swing Puces
106 bpm • F Maj • 02:25 • -9.82db
29% Popularity • 56% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
29% Popularity • 56% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Django Reinhardt
Sweet Georgia Brown
106 bpm • B min • 03:07 • -16.83db
32% Popularity • 82% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
32% Popularity • 82% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
46% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
46% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Jay Israelson
Conrad's Theme (Quartet)
106 bpm • C Maj • 02:33 • -18.72db
31% Popularity • 72% Danceability • 16% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
31% Popularity • 72% Danceability • 16% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
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Louis Armstrong & His Hot Five
Basin Sreet Blues - Remastered
106 bpm • A# Maj • 03:14 • -10db
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
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Hot Club Sandwich
Gaucho
106 bpm • E min • 02:56 • -11.47db
12% Popularity • 78% Danceability • 42% Energy • 16% Liveness
12% Instrumentalness • 88% Positiveness
12% Popularity • 78% Danceability • 42% Energy • 16% Liveness
12% Instrumentalness • 88% Positiveness
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Patrick Saussois
Degringolade
112 bpm • E Maj • 02:40 • -5.1db
27% Popularity • 61% Danceability • 78% Energy • 22% Liveness
53% Instrumentalness • 91% Positiveness
27% Popularity • 61% Danceability • 78% Energy • 22% Liveness
53% Instrumentalness • 91% Positiveness
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Django Reinhardt
Sweet Georgia Brown
106 bpm • B min • 03:11 • -17.88db
13% Popularity • 81% Danceability • 30% Energy • 13% Liveness
91% Instrumentalness • 94% Positiveness
13% Popularity • 81% Danceability • 30% Energy • 13% Liveness
91% Instrumentalness • 94% Positiveness
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Django Reinhardt Trio
Hot Lips
106 bpm • F Maj • 03:02 • -9.9db
16% Popularity • 78% Danceability • 48% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
16% Popularity • 78% Danceability • 48% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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Sweet Emma Barrett
A Good Man Is Hard To Find
106 bpm • D min • 03:55 • -18.24db
23% Popularity • 70% Danceability • 18% Energy • 64% Liveness
27% Instrumentalness • 78% Positiveness
23% Popularity • 70% Danceability • 18% Energy • 64% Liveness
27% Instrumentalness • 78% Positiveness
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Jay Israelson
The Longest Week (Django)
106 bpm • G Maj • 02:31 • -18db
38% Popularity • 67% Danceability • 18% Energy • 15% Liveness
67% Instrumentalness • 31% Positiveness
38% Popularity • 67% Danceability • 18% Energy • 15% Liveness
67% Instrumentalness • 31% Positiveness
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Barney Kessel
I Got Rhythm
112 bpm • G# Maj • 03:17 • -15db
24% Popularity • 62% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 58% Positiveness
24% Popularity • 62% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 58% Positiveness
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Patrick Saussois
Delicado
112 bpm • D Maj • 02:47 • -9.16db
28% Popularity • 63% Danceability • 68% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
28% Popularity • 63% Danceability • 68% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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George Wein
You Ought to Be in Pictures
106 bpm • G min • 02:30 • -12.57db
10% Popularity • 64% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 64% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Bix Beiderbecke
There'll Come A Time
106 bpm • F Maj • 02:57 • -14db
41% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
41% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Django Reinhardt Trio
I'll See You In My Dreams
113 bpm • D min • 02:32 • -12.55db
25% Popularity • 76% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
25% Popularity • 76% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
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Django Reinhardt
I'll See You in My Dreams
113 bpm • F Maj • 02:33 • -12db
48% Popularity • 76% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
48% Popularity • 76% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
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Stéphane Grappelli
I'm Confessin' (That I Love You)
113 bpm • D Maj • 02:53 • -19.89db
29% Popularity • 76% Danceability • 17% Energy • 9% Liveness
25% Instrumentalness • 64% Positiveness
29% Popularity • 76% Danceability • 17% Energy • 9% Liveness
25% Instrumentalness • 64% Positiveness
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Tchan-Tchou Vidal
Mack the Knife
113 bpm • D Maj • 03:00 • -11.18db
35% Popularity • 64% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 86% Positiveness
35% Popularity • 64% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 86% Positiveness
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Tchavolo Schmitt
L'indien
113 bpm • F Maj • 03:42 • -8.34db
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
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Buddy Rich
Nice Work If You Can Get It
113 bpm • G# Maj • 04:04 • -18.39db
29% Popularity • 80% Danceability • 23% Energy • 20% Liveness
28% Instrumentalness • 80% Positiveness
29% Popularity • 80% Danceability • 23% Energy • 20% Liveness
28% Instrumentalness • 80% Positiveness
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Madeleine Peyroux
California Rain
113 bpm • A Maj • 02:56 • -15.47db
38% Popularity • 71% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 47% Positiveness
38% Popularity • 71% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 47% Positiveness
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Django Reinhardt
Django's Tiger
113 bpm • A Maj • 02:38 • -9.42db
39% Popularity • 74% Danceability • 57% Energy • 11% Liveness
71% Instrumentalness • 96% Positiveness
39% Popularity • 74% Danceability • 57% Energy • 11% Liveness
71% Instrumentalness • 96% Positiveness
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Wes Montgomery
Four On Six
105 bpm • G min • 06:14 • -15.16db
35% Popularity • 48% Danceability • 35% Energy • 12% Liveness
21% Instrumentalness • 63% Positiveness
35% Popularity • 48% Danceability • 35% Energy • 12% Liveness
21% Instrumentalness • 63% Positiveness
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Tchan-Tchou Vidal
Premier rendez-vous
113 bpm • G Maj • 02:39 • -15.51db
36% Popularity • 59% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
36% Popularity • 59% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
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Nino Rota
Gary Cooper
105 bpm • F Maj • 01:23 • -13db
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Patrick Saussois
Venez donc chez moi
114 bpm • G Maj • 02:35 • -11.75db
37% Popularity • 74% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 62% Positiveness
37% Popularity • 74% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 62% Positiveness
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Stéphane Grappelli
Smoke Rings
105 bpm • D Maj • 02:50 • -21.93db
31% Popularity • 45% Danceability • 9% Energy • 19% Liveness
92% Instrumentalness • 54% Positiveness
31% Popularity • 45% Danceability • 9% Energy • 19% Liveness
92% Instrumentalness • 54% Positiveness
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Django Reinhardt
Tea for Two
113 bpm • G Maj • 02:48 • -10.23db
14% Popularity • 66% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Thelonious Monk
I'm Confessin' (That I Love You)
104 bpm • C# Maj • 02:37 • -9.46db
51% Popularity • 62% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
51% Popularity • 62% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Rose Murphy
Sympathetic Little Star
114 bpm • G min • 03:37 • -18.76db
15% Popularity • 70% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 70% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Romane
Monticello
114 bpm • E min • 05:00 • -16.91db
17% Popularity • 68% Danceability • 19% Energy • 11% Liveness
32% Instrumentalness • 26% Positiveness
17% Popularity • 68% Danceability • 19% Energy • 11% Liveness
32% Instrumentalness • 26% Positiveness
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Gypsy Jazz Caravan
I Love Paris
114 bpm • C Maj • 03:35 • -14.19db
44% Popularity • 79% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
44% Popularity • 79% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Patti Page
Old Cape Cod
104 bpm • C min • 03:07 • -15.85db
35% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Django Reinhardt
Swing 39
114 bpm • A# Maj • 02:37 • -11.35db
30% Popularity • 64% Danceability • 51% Energy • 11% Liveness
69% Instrumentalness • 82% Positiveness
30% Popularity • 64% Danceability • 51% Energy • 11% Liveness
69% Instrumentalness • 82% Positiveness
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Dorothy Donegan
You Are The Sunshine Of My Life
104 bpm • C Maj • 02:52 • -18.3db
23% Popularity • 57% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
23% Popularity • 57% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
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Fapy Lafertin Quintet
I Never Mention Your Name
104 bpm • F Maj • 05:25 • -12db
16% Popularity • 62% Danceability • 34% Energy • 7% Liveness
63% Instrumentalness • 68% Positiveness
16% Popularity • 62% Danceability • 34% Energy • 7% Liveness
63% Instrumentalness • 68% Positiveness
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Joscho Stephan
Ballade Pour Django
104 bpm • G Maj • 03:16 • -12.13db
22% Popularity • 67% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
22% Popularity • 67% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Allen Toussaint
Confessin' (That I Love You)
114 bpm • G# Maj • 02:50 • -17.63db
26% Popularity • 66% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
26% Popularity • 66% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Babik Reinhardt
Djangologie
114 bpm • D Maj • 02:36 • -11.94db
44% Popularity • 66% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
44% Popularity • 66% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
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Django Reinhardt
Tears
114 bpm • F min • 02:37 • -14.47db
27% Popularity • 83% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
27% Popularity • 83% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Tchan-Tchou Vidal
Tant pis ou tant mieux
103 bpm • E min • 02:36 • -8.88db
29% Popularity • 60% Danceability • 71% Energy • 8% Liveness
41% Instrumentalness • 70% Positiveness
29% Popularity • 60% Danceability • 71% Energy • 8% Liveness
41% Instrumentalness • 70% Positiveness
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Dorado Schmitt
David's Swing
115 bpm • A min • 04:19 • -5.49db
15% Popularity • 77% Danceability • 66% Energy • 19% Liveness
66% Instrumentalness • 61% Positiveness
15% Popularity • 77% Danceability • 66% Energy • 19% Liveness
66% Instrumentalness • 61% Positiveness
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Chet Atkins
Someday Sweetheart
103 bpm • C Maj • 03:20 • -14.38db
19% Popularity • 68% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
19% Popularity • 68% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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John Pizzarelli
When I'm 64
103 bpm • F min • 02:45 • -12.15db
25% Popularity • 57% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 57% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Joe "Fingers" Carr
Under Paris Skies/La La Collette
103 bpm • F# Maj • 04:06 • -12.35db
13% Popularity • 59% Danceability • 29% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
13% Popularity • 59% Danceability • 29% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
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Django Reinhardt
Minor Swing
104 bpm • F Maj • 02:48 • -9.25db
21% Popularity • 66% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 66% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Gypsy Swing Allstars
St Ouen
103 bpm • A Maj • 02:45 • -8db
22% Popularity • 91% Danceability • 42% Energy • 16% Liveness
23% Instrumentalness • 76% Positiveness
22% Popularity • 91% Danceability • 42% Energy • 16% Liveness
23% Instrumentalness • 76% Positiveness
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Quintette du Hot Club de France
Limehouse Blues
103 bpm • B min • 03:14 • -13.76db
20% Popularity • 75% Danceability • 21% Energy • 10% Liveness
71% Instrumentalness • 85% Positiveness
20% Popularity • 75% Danceability • 21% Energy • 10% Liveness
71% Instrumentalness • 85% Positiveness
