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Break
Songs like
Break
by
Jack Larsen
Based on a tempo of (+/- 10%) and a similar genre
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Porches
I Wanna Ride
122 bpm • C# min • 02:47 • -8.11db
23% Popularity • 75% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 26% Positiveness
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Daulton Hopkins
I'm Okay and So Are You
122 bpm • A Maj • 04:15 • -7.46db
35% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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M. T. Hadley
Private Eye
122 bpm • E Maj • 03:17 • -5.86db
16% Popularity • 72% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Jack Larsen
Break
122 bpm • D Maj • 04:37 • -6.99db
22% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Claud
Just to Forget
122 bpm • A Maj • 03:52 • -4.55db
17% Popularity • 65% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 27% Positiveness
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wens
giant bat
122 bpm • B Maj • 02:34 • -12.84db
8% Popularity • 70% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Kacy Hill
Unkind
122 bpm • E Maj • 03:18 • -7.18db
26% Popularity • 89% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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Refs
Stories
122 bpm • G# min • 03:39 • -7.97db
37% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sorry Girls
Waking Up
123 bpm • E Maj • 02:54 • -5.79db
28% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Frances Cone
Wide Awake
121 bpm • G Maj • 03:37 • -8.57db
30% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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girlhouse
pretty girl in la
123 bpm • D Maj • 03:34 • -9.17db
24% Popularity • 57% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Glassio
Are You Having Fun Without Me?
121 bpm • C# Maj • 03:44 • -7.84db
28% Popularity • 64% Danceability • 68% Energy • 13% Liveness
54% Instrumentalness • 47% Positiveness
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Sjowgren
Beginners
121 bpm • F# min • 05:16 • -6.07db
29% Popularity • 71% Danceability • 75% Energy • 8% Liveness
17% Instrumentalness • 70% Positiveness
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Black Grapefruit
0122
124 bpm • C Maj • 03:50 • -5.57db
27% Popularity • 47% Danceability • 58% Energy • 62% Liveness
0% Instrumentalness • 20% Positiveness
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Sophie Cates
lost cause
121 bpm • C Maj • 03:07 • -8.67db
22% Popularity • 50% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jack Larsen
Flower
120 bpm • F Maj • 03:45 • -8.6db
3% Popularity • 51% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Night Beds
Lover's Ledge (Who Have I But You)
124 bpm • E Maj • 05:37 • -12.6db
22% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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COIN
Make It Stop
124 bpm • D Maj • 03:38 • -8db
26% Popularity • 61% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Goth Babe
The River
120 bpm • A Maj • 03:52 • -8.33db
42% Popularity • 42% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Speers
Happy Birthday You're Alone
124 bpm • C# Maj • 03:10 • -9.65db
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Honeybutter
When I Grow Up
120 bpm • G Maj • 03:31 • -19.3db
18% Popularity • 68% Danceability • 17% Energy • 37% Liveness
1% Instrumentalness • 9% Positiveness
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Nick Leng
Ticking
124 bpm • F min • 04:26 • -7.54db
30% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Claud
Giving In
120 bpm • B min • 04:20 • -10.6db
16% Popularity • 55% Danceability • 58% Energy • 12% Liveness
33% Instrumentalness • 13% Positiveness
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Aunty Social
Cortex
120 bpm • C Maj • 03:49 • -6.86db
8% Popularity • 57% Danceability • 74% Energy • 21% Liveness
76% Instrumentalness • 14% Positiveness
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Indica
West Mansion
120 bpm • A# min • 03:12 • -9.79db
3% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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PRONOUN
everybody knows
120 bpm • A Maj • 04:02 • -14.22db
11% Popularity • 59% Danceability • 73% Energy • 9% Liveness
49% Instrumentalness • 34% Positiveness
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Quarter-Life Crisis
You & Me
120 bpm • E Maj • 02:50 • -11.69db
13% Popularity • 62% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Foxhall
New Tonight
120 bpm • C# Maj • 04:10 • -7db
15% Popularity • 52% Danceability • 71% Energy • 32% Liveness
3% Instrumentalness • 43% Positiveness
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Olivver the Kid
Vegas, Baby.
120 bpm • A Maj • 03:41 • -8.19db
35% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Superheart
2001
120 bpm • C Maj • 03:56 • -11.91db
14% Popularity • 63% Danceability • 53% Energy • 10% Liveness
75% Instrumentalness • 10% Positiveness
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j ember
Bargain Flights
120 bpm • C Maj • 03:55 • -7.47db
21% Popularity • 69% Danceability • 85% Energy • 11% Liveness
4% Instrumentalness • 75% Positiveness
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Bjéar
Going to the Sun
120 bpm • D Maj • 03:44 • -11db
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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LAVE
Freezing Blue
120 bpm • C Maj • 03:20 • -11db
23% Popularity • 57% Danceability • 36% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
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Glowbug
Lucky Me
120 bpm • F# Maj • 04:21 • -5.74db
15% Popularity • 48% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Fickle Friends
Finish Line
120 bpm • B min • 03:10 • -11db
17% Popularity • 65% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Elah Hale
Posters
120 bpm • F# Maj • 03:21 • -6db
17% Popularity • 75% Danceability • 74% Energy • 11% Liveness
4% Instrumentalness • 83% Positiveness
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That Is Good
Make It Work
120 bpm • A Maj • 04:18 • -7.66db
11% Popularity • 66% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Breakup
Miss Me
120 bpm • A# min • 03:38 • -7db
18% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Maude Latour
Superfruit
120 bpm • D Maj • 02:18 • -3db
38% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Jimi Somewhere
Backseat
120 bpm • B Maj • 03:03 • -7.38db
12% Popularity • 71% Danceability • 54% Energy • 74% Liveness
0% Instrumentalness • 41% Positiveness
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Babygirl
Soft
120 bpm • D Maj • 03:52 • -8db
40% Popularity • 76% Danceability • 59% Energy • 12% Liveness
56% Instrumentalness • 54% Positiveness
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Sophie Cates
i'll go goth
120 bpm • C Maj • 03:46 • -4.96db
15% Popularity • 35% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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teddy<3
Life Goes On
120 bpm • G Maj • 03:38 • -11.86db
17% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Breakup
Feels Good
120 bpm • D Maj • 03:08 • -8.29db
27% Popularity • 65% Danceability • 62% Energy • 14% Liveness
47% Instrumentalness • 57% Positiveness
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Gus Dapperton
Post Humorous
120 bpm • D Maj • 04:39 • -4.83db
52% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Perlo
Call Me a Fool
120 bpm • F min • 03:24 • -5db
35% Popularity • 57% Danceability • 67% Energy • 11% Liveness
45% Instrumentalness • 38% Positiveness
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courtship.
Prom
120 bpm • A# Maj • 04:09 • -7db
14% Popularity • 66% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Sure Sure
What Were We Doing If We Weren't In Love...
120 bpm • F Maj • 03:42 • -9.54db
22% Popularity • 66% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Roy Blair
California
120 bpm • G# Maj • 03:54 • -10.39db
26% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Subtle Pride
Gentle Girl
120 bpm • C Maj • 03:48 • -20.46db
21% Popularity • 70% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Winnetka Bowling League
On The 5
120 bpm • B min • 02:59 • -6db
45% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Opia
Painter
125 bpm • F Maj • 03:36 • -13.52db
20% Popularity • 39% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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The Ivy
I Don't Wanna
120 bpm • C# Maj • 03:49 • -7.52db
30% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Perlo
Love Like You Care
125 bpm • F Maj • 03:13 • -6db
30% Popularity • 69% Danceability • 60% Energy • 12% Liveness
55% Instrumentalness • 66% Positiveness
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Jack Larsen
Move On
125 bpm • D Maj • 04:36 • -9.04db
7% Popularity • 38% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Ruben Dawnson
What Happened to the Days?
125 bpm • G min • 03:10 • -8.27db
18% Popularity • 71% Danceability • 74% Energy • 38% Liveness
1% Instrumentalness • 37% Positiveness
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Aunty Social
Thinking about Thinking about Thinking
125 bpm • G Maj • 04:00 • -8db
12% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tedious & Brief
Papercuts
125 bpm • F Maj • 04:17 • -9.45db
23% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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bülow
Puppy Love
125 bpm • B min • 02:59 • -6.36db
28% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Eva B. Ross
Subliminal
119 bpm • D Maj • 03:24 • -11.11db
12% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Larsen
I Became My Brother
125 bpm • F# Maj • 03:32 • -4.66db
11% Popularity • 77% Danceability • 84% Energy • 38% Liveness
23% Instrumentalness • 26% Positiveness
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Liam Benzvi
Opal
119 bpm • C Maj • 03:41 • -8.39db
13% Popularity • 70% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Bay Ledges
I Wonder
119 bpm • C# Maj • 03:16 • -9.39db
37% Popularity • 77% Danceability • 54% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
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Charlotte Lawrence
God Must Be Doing Cocaine
118 bpm • G Maj • 03:14 • -9.33db
36% Popularity • 32% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jelani Aryeh
Angels
119 bpm • A Maj • 02:34 • -9.37db
36% Popularity • 74% Danceability • 59% Energy • 11% Liveness
29% Instrumentalness • 50% Positiveness
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Grady
of being alone
126 bpm • D# Maj • 03:26 • -4.62db
16% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Jack Larsen
I Became My Brother
125 bpm • F# Maj • 03:48 • -5.87db
9% Popularity • 77% Danceability • 86% Energy • 38% Liveness
40% Instrumentalness • 12% Positiveness
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Dessert
Thunderbird
126 bpm • E Maj • 03:15 • -14.88db
24% Popularity • 37% Danceability • 42% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
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Claud
Guard Down
126 bpm • C Maj • 03:26 • -6.48db
30% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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MACKandgold
Crash
126 bpm • G# min • 03:58 • -6.87db
13% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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ASL
Til You Pulled Up
126 bpm • G Maj • 03:53 • -6.23db
11% Popularity • 63% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Charli Adams
Didn't Make It
118 bpm • C# Maj • 03:51 • -5.37db
32% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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BLACKSTARKIDS
FRANKIE MUNIZ
118 bpm • B min • 03:38 • -3.97db
29% Popularity • 76% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Teenage Priest
Distant Crush
118 bpm • A Maj • 03:28 • -5.71db
27% Popularity • 72% Danceability • 67% Energy • 14% Liveness
62% Instrumentalness • 66% Positiveness
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Yuno
Zebra
118 bpm • G# Maj • 04:55 • -10db
28% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Leng
Walking Home to You
118 bpm • F# min • 03:59 • -6.56db
38% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Ryann
One Minute
118 bpm • B Maj • 03:28 • -6.94db
14% Popularity • 78% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Earth Dad
Stomping
118 bpm • C min • 02:12 • -6.85db
14% Popularity • 62% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Claud
Miss You
126 bpm • G Maj • 02:25 • -7.32db
25% Popularity • 80% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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girlhouse
loaded gun
127 bpm • B Maj • 03:50 • -8.19db
15% Popularity • 77% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Froogle
Way You Move
127 bpm • B min • 02:16 • -6db
26% Popularity • 86% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Babygirl
Nevermind
127 bpm • G# Maj • 02:21 • -7.18db
23% Popularity • 66% Danceability • 63% Energy • 35% Liveness
9% Instrumentalness • 47% Positiveness
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teddy<3
Under The Blue
127 bpm • G Maj • 03:28 • -6.36db
21% Popularity • 46% Danceability • 80% Energy • 26% Liveness
5% Instrumentalness • 40% Positiveness
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Peachy!
Girls
127 bpm • B Maj • 05:57 • -8.56db
8% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lonesome Rhodes
Bugs
127 bpm • C# min • 03:37 • -10.27db
28% Popularity • 64% Danceability • 49% Energy • 11% Liveness
53% Instrumentalness • 21% Positiveness
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Riah
In My Dreams
117 bpm • G# min • 03:29 • -12.03db
12% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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boy pablo
Never Cared
117 bpm • B min • 03:24 • -10.81db
39% Popularity • 61% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Baby Boys
Parcel
117 bpm • E Maj • 04:04 • -13.72db
13% Popularity • 52% Danceability • 34% Energy • 8% Liveness
16% Instrumentalness • 14% Positiveness
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Argonaut & Wasp
Composure
117 bpm • A# Maj • 03:04 • -8.44db
35% Popularity • 67% Danceability • 61% Energy • 10% Liveness
32% Instrumentalness • 35% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
32% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Yëlof
Tom Cruise
128 bpm • G Maj • 03:16 • -11.94db
0% Popularity • 57% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 47% Positiveness
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milk.
A Little More
128 bpm • C# min • 04:20 • -10.54db
44% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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COIN
Heaven Hearted
128 bpm • D Maj • 01:22 • -20.4db
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
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Bishop Ivy
15
128 bpm • B min • 03:17 • -8.87db
25% Popularity • 59% Danceability • 64% Energy • 46% Liveness
51% Instrumentalness • 47% Positiveness
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Teenage Priest
Stay With Me
128 bpm • D Maj • 03:46 • -7.05db
13% Popularity • 54% Danceability • 79% Energy • 7% Liveness
70% Instrumentalness • 82% Positiveness
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Lauren Preuss
Lay Longer
116 bpm • C Maj • 02:44 • -15.57db
11% Popularity • 63% Danceability • 20% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
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Houses
Years
128 bpm • G Maj • 03:25 • -7.84db
13% Popularity • 51% Danceability • 80% Energy • 11% Liveness
54% Instrumentalness • 9% Positiveness
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The Careful Ones
dance with me (how come you never)
116 bpm • F# Maj • 02:50 • -10.67db
11% Popularity • 76% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Wet
11 Hours
116 bpm • D Maj • 03:07 • -9.65db
32% Popularity • 62% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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