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Breakapart
Songs like
Breakapart
by
Polish Club
Based on a tempo of (+/- 10%) and a similar genre
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Holy Holy
Faces
160 bpm • C Maj • 03:28 • -5.13db
29% Popularity • 51% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Verge Collection
Synthetic Fibres
160 bpm • C# Maj • 03:16 • -4db
23% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Polish Club
2 Scared
160 bpm • F# min • 02:28 • -5.38db
10% Popularity • 62% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Beddy Rays
Better Weather
160 bpm • B Maj • 02:31 • -3.58db
44% Popularity • 35% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Hockey Dad
Itch
160 bpm • G# Maj • 04:54 • -4.89db
31% Popularity • 25% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Good Doogs
I’m Listening
160 bpm • C Maj • 03:00 • -5db
37% Popularity • 31% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Sly Withers
Checkout
160 bpm • D Maj • 04:06 • -7db
24% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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The Terrys
Our Paradise
158 bpm • B min • 03:04 • -5.15db
51% Popularity • 52% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Polish Club
Breakapart
160 bpm • A Maj • 03:22 • -5db
31% Popularity • 41% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Newling
Morning Breath
162 bpm • C# Maj • 02:38 • -8.21db
32% Popularity • 44% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ruby Fields
P Plates
158 bpm • C# Maj • 03:27 • -5db
44% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Ball Park Music
The End Times
162 bpm • G# Maj • 04:07 • -5.51db
31% Popularity • 36% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Tyne-James Organ
Sunday Suit
162 bpm • B Maj • 04:07 • -4.96db
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Dear Seattle
Homegrown
158 bpm • D Maj • 03:47 • -4.01db
18% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Polish Club
Watchuknow
161 bpm • A Maj • 02:00 • -3.77db
6% Popularity • 41% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Lahey
You Don’t Think You Like People Like M...
158 bpm • G Maj • 03:47 • -2.85db
29% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Kingswood
Cigarettes In Bed
158 bpm • D Maj • 03:42 • -4db
15% Popularity • 43% Danceability • 85% Energy • 24% Liveness
6% Instrumentalness • 24% Positiveness
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Luca Brasi
Let It Slip
158 bpm • B Maj • 03:14 • -3.86db
27% Popularity • 39% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Tyne-James Organ
The Fire
158 bpm • C# Maj • 03:05 • -5.39db
16% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Hockey Dad
In This State
162 bpm • F min • 03:02 • -4.07db
38% Popularity • 31% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Good Doogs
Nothing to Do
162 bpm • G Maj • 02:58 • -5.99db
26% Popularity • 38% Danceability • 91% Energy • 12% Liveness
47% Instrumentalness • 70% Positiveness
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Ball Park Music
Everything Is Shit Except My Friendship ...
158 bpm • G Maj • 03:13 • -5.77db
34% Popularity • 50% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Kingswood
Ohio
163 bpm • A Maj • 03:44 • -4.62db
31% Popularity • 37% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Beddy Rays
Sway
157 bpm • C Maj • 04:03 • -5.41db
23% Popularity • 33% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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TOTTY
Lucky
157 bpm • D Maj • 03:01 • -4.48db
19% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jack River
Later Flight
164 bpm • A Maj • 03:19 • -4.81db
26% Popularity • 41% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Good Doogs
Want That
163 bpm • B Maj • 02:35 • -6.32db
41% Popularity • 38% Danceability • 79% Energy • 22% Liveness
36% Instrumentalness • 48% Positiveness
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Holy Holy
Sandra
164 bpm • B min • 03:55 • -5.39db
26% Popularity • 45% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Tired Lion
Dumb Days
164 bpm • B Maj • 03:31 • -4.98db
28% Popularity • 42% Danceability • 90% Energy • 25% Liveness
96% Instrumentalness • 71% Positiveness
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WAAX
FU
156 bpm • G min • 03:47 • -3.48db
33% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Ali Barter
Backseat
164 bpm • E Maj • 03:13 • -3.83db
17% Popularity • 29% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Death by Denim
Ocean Lines
156 bpm • C Maj • 04:15 • -8db
15% Popularity • 48% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Children Collide
Jellylegs
156 bpm • D min • 03:38 • -3.49db
40% Popularity • 48% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Dempsey
Ramona Was A Waitress
165 bpm • E Maj • 03:36 • -6.41db
37% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Holy Holy
Amateurs
155 bpm • E Maj • 03:14 • -5.5db
25% Popularity • 42% Danceability • 81% Energy • 16% Liveness
18% Instrumentalness • 21% Positiveness
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Beddy Rays
Better In Blak - triple j Like A Version
156 bpm • C# min • 03:00 • -12.19db
36% Popularity • 31% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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TOWNS
Safe to Stay
155 bpm • B Maj • 03:52 • -11db
24% Popularity • 41% Danceability • 81% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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The Buoys
Blues Point Road
155 bpm • C# min • 02:46 • -3.28db
28% Popularity • 49% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 35% Positiveness
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Noah Dillon
That's Just How I Feel
155 bpm • F min • 03:39 • -6.06db
27% Popularity • 50% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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The Paddy Cakes
Depressing All
155 bpm • C# Maj • 03:21 • -5db
7% Popularity • 44% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Verge Collection
For the Story
155 bpm • D Maj • 03:15 • -5.3db
18% Popularity • 42% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Beddy Rays
Changeover
155 bpm • D min • 02:58 • -4.93db
18% Popularity • 31% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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STUMPS
Conversation, Conversations
155 bpm • B Maj • 03:43 • -4.48db
17% Popularity • 55% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Surf Trash
Over my shoulder
166 bpm • D Maj • 03:15 • -4.62db
31% Popularity • 51% Danceability • 85% Energy • 20% Liveness
1% Instrumentalness • 72% Positiveness
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Skegss
Fantasising
154 bpm • F Maj • 03:27 • -3db
35% Popularity • 18% Danceability • 96% Energy • 32% Liveness
39% Instrumentalness • 46% Positiveness
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Love Fame Tragedy
Backflip
166 bpm • C# min • 03:06 • -5db
32% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ali Barter
Cigarette
154 bpm • G Maj • 03:09 • -5.76db
21% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Smith Street Band
I Still Dream About You
167 bpm • G# Maj • 04:18 • -4.86db
41% Popularity • 15% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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Ball Park Music
Sad Rude Future Dude
167 bpm • A Maj • 02:16 • -5.51db
34% Popularity • 25% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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Skegss
Road Trip
168 bpm • G Maj • 02:36 • -11.89db
42% Popularity • 50% Danceability • 70% Energy • 9% Liveness
6% Instrumentalness • 64% Positiveness
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Kingswood
Say You Remember
168 bpm • G Maj • 04:13 • -5.22db
19% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ruby Fields
Song About A Boy
154 bpm • F Maj • 03:49 • -4.57db
31% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Ali Barter
Girlie Bits
153 bpm • E Maj • 03:11 • -6.5db
29% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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The Buoys
Bad Habit
168 bpm • E Maj • 02:59 • -2.97db
33% Popularity • 37% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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WAAX
I Am
168 bpm • E Maj • 03:26 • -4.18db
27% Popularity • 36% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Terrys
Melbourne Bitterz
168 bpm • A Maj • 03:08 • -7db
36% Popularity • 32% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Children Collide
Social Currency
152 bpm • G Maj • 03:53 • -3.38db
29% Popularity • 42% Danceability • 97% Energy • 36% Liveness
45% Instrumentalness • 68% Positiveness
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Skegss
Valhalla
152 bpm • A# Maj • 02:51 • -3.38db
38% Popularity • 31% Danceability • 93% Energy • 25% Liveness
92% Instrumentalness • 70% Positiveness
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Polish Club
My House
152 bpm • C# Maj • 02:08 • -2.35db
26% Popularity • 19% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
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Jenny Broke the Window
Skinny Dip
152 bpm • F# min • 03:45 • -3.56db
23% Popularity • 46% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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WAAX
Same Same
168 bpm • C# Maj • 03:17 • -4.61db
38% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Luca Brasi
Got to Give
152 bpm • F Maj • 03:34 • -3.61db
21% Popularity • 38% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Sly Withers
Clarkson
152 bpm • D Maj • 02:57 • -5.19db
33% Popularity • 42% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ruby Fields
Dodgy Neighbours (& Tax Evaders)
152 bpm • D Maj • 02:28 • -4.57db
30% Popularity • 58% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Lime Cordiale
Screw Loose
152 bpm • F Maj • 04:14 • -8.18db
37% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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The Pretty Littles
Pride
151 bpm • E Maj • 03:15 • -2.75db
19% Popularity • 20% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Dear Seattle
The Special Two - triple j Like A Versio...
169 bpm • C# Maj • 04:15 • -4.78db
37% Popularity • 25% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Holy Holy
Starting Line
151 bpm • E min • 03:36 • -5.14db
19% Popularity • 56% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Highline
Had to Be Said
151 bpm • A Maj • 05:17 • -5.99db
18% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ball Park Music
Sunscreen
151 bpm • F# Maj • 04:07 • -3.42db
33% Popularity • 36% Danceability • 94% Energy • 17% Liveness
6% Instrumentalness • 20% Positiveness
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West Thebarton
Moving Out
170 bpm • G Maj • 02:52 • -4.68db
27% Popularity • 49% Danceability • 92% Energy • 35% Liveness
1% Instrumentalness • 65% Positiveness
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RAT!hammock
Ghost
170 bpm • D Maj • 03:33 • -8.66db
26% Popularity • 38% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Philadelphia Grand Jury
The Good News
151 bpm • A# Maj • 02:59 • -3.86db
24% Popularity • 69% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Pacific Avenue
Give Me a Call
170 bpm • F# min • 03:59 • -6.74db
36% Popularity • 36% Danceability • 94% Energy • 6% Liveness
64% Instrumentalness • 51% Positiveness
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Verge Collection
Our Place
170 bpm • D# Maj • 03:04 • -6db
41% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Holy Holy
Teach Me About Dying
170 bpm • C Maj • 03:25 • -5.38db
43% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Bluejuice
Head Of The Hawk
170 bpm • G Maj • 02:44 • -5db
24% Popularity • 64% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Kingswood
Big City
170 bpm • G min • 03:47 • -9.37db
36% Popularity • 57% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Slowly Slowly
Skinny Love - triple j Like a Version
150 bpm • B Maj • 03:47 • -10db
34% Popularity • 22% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 15% Positiveness
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Luca Brasi
Clothes I Slept In
150 bpm • C# min • 03:38 • -4db
32% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Children Collide
Funeral for a Ghost
150 bpm • D Maj • 03:19 • -6.79db
12% Popularity • 51% Danceability • 80% Energy • 35% Liveness
48% Instrumentalness • 56% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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Polish Club
I Don’t Need This Anymore
150 bpm • G Maj • 04:13 • -6.61db
8% Popularity • 40% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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DMA'S
The Glow
150 bpm • C Maj • 02:54 • -4.09db
34% Popularity • 41% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Tired Lion
Waterbed
171 bpm • C Maj • 03:18 • -6db
27% Popularity • 34% Danceability • 82% Energy • 34% Liveness
9% Instrumentalness • 35% Positiveness
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Skegss
Mustang
149 bpm • D Maj • 03:03 • -6.4db
41% Popularity • 44% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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The Smith Street Band
Chips & Gravy
149 bpm • F Maj • 02:29 • -5.28db
29% Popularity • 26% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
23% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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West Thebarton
Gough
172 bpm • A Maj • 03:18 • -3.26db
14% Popularity • 31% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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The Jungle Giants
On Your Way Down
149 bpm • G Maj • 03:45 • -5.26db
56% Popularity • 72% Danceability • 78% Energy • 6% Liveness
3% Instrumentalness • 62% Positiveness
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The Rions
Night Light
149 bpm • D min • 03:49 • -4.34db
52% Popularity • 53% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Polish Club
Iguana
172 bpm • C Maj • 04:02 • -6.94db
20% Popularity • 52% Danceability • 84% Energy • 30% Liveness
3% Instrumentalness • 17% Positiveness
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Tired Lion
Drama Club
149 bpm • F Maj • 02:59 • -3.39db
18% Popularity • 40% Danceability • 94% Energy • 41% Liveness
1% Instrumentalness • 35% Positiveness
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Bedroom / Boredom
Pill
172 bpm • B Maj • 03:58 • -4.85db
34% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
36% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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West Thebarton
Stuck on You
148 bpm • D Maj • 03:30 • -4db
18% Popularity • 48% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Polish Club
We Don't Care
172 bpm • F Maj • 04:19 • -4.02db
23% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Breakapart