Songs like Breakout by Arnie Love & The Lovelettes
Based on a tempo of (+/- 10%) and a similar genre
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Ronnie Dyson
All over Your Face
119 bpm • A# Maj • 06:09 • -13.89db
8% Popularity • 82% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 82% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Lonnie Liston Smith
Give Peace a Chance (Make Love)
119 bpm • A# min • 06:04 • -11.48db
12% Popularity • 65% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 65% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Beckie Bell
Music Madness (Extended Charles Maurice ...
119 bpm • G Maj • 04:55 • -8.16db
27% Popularity • 73% Danceability • 80% Energy • 20% Liveness
1% Instrumentalness • 71% Positiveness
27% Popularity • 73% Danceability • 80% Energy • 20% Liveness
1% Instrumentalness • 71% Positiveness
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Elaine & Ellen
Fill Me Up
119 bpm • A min • 07:13 • -12.21db
29% Popularity • 83% Danceability • 64% Energy • 4% Liveness
2% Instrumentalness • 73% Positiveness
29% Popularity • 83% Danceability • 64% Energy • 4% Liveness
2% Instrumentalness • 73% Positiveness
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Darryl Douglas, Inc.
Holding On
119 bpm • A# min • 06:21 • -7.54db
13% Popularity • 74% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 74% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Logg
Something Else
119 bpm • C# Maj • 07:36 • -9.96db
12% Popularity • 71% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 71% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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K.I.D.
Hupendi Muziki Wangu?! (You Don't Like M...
119 bpm • F Maj • 08:51 • -8.21db
22% Popularity • 80% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 80% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Betty Padgett
Sugar Daddy, Pt. 2
119 bpm • F min • 03:29 • -6.33db
8% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Stoudemire
Flying High
119 bpm • G Maj • 04:58 • -6.85db
10% Popularity • 78% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Lenny Williams
You Got Me Running
119 bpm • A Maj • 07:40 • -11db
22% Popularity • 76% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 76% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Tata Vega
Get It Up For Love - 12" Version
119 bpm • F min • 02:54 • -8db
22% Popularity • 75% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 75% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Mirage
Summer Grooves
119 bpm • A# min • 05:35 • -14.01db
31% Popularity • 77% Danceability • 53% Energy • 15% Liveness
19% Instrumentalness • 96% Positiveness
31% Popularity • 77% Danceability • 53% Energy • 15% Liveness
19% Instrumentalness • 96% Positiveness
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Arnie Love & The Lovelettes
Breakout
119 bpm • F min • 03:18 • -7db
10% Popularity • 83% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 83% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Terry Mackson
Distant Lover
119 bpm • E min • 05:33 • -5.56db
17% Popularity • 81% Danceability • 75% Energy • 16% Liveness
54% Instrumentalness • 96% Positiveness
17% Popularity • 81% Danceability • 75% Energy • 16% Liveness
54% Instrumentalness • 96% Positiveness
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Jackie Stoudemire
Dancing
119 bpm • F min • 04:15 • -6.54db
8% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Brother to Brother
In the Bottle
119 bpm • D# min • 03:19 • -6.46db
23% Popularity • 79% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 79% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Betty Padgett
Sugar Daddy, Pt. 1
118 bpm • F Maj • 03:27 • -6.42db
14% Popularity • 63% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
14% Popularity • 63% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Aged In Harmony
Theme For Someone Special
120 bpm • A Maj • 04:19 • -11.45db
22% Popularity • 75% Danceability • 64% Energy • 17% Liveness
77% Instrumentalness • 72% Positiveness
22% Popularity • 75% Danceability • 64% Energy • 17% Liveness
77% Instrumentalness • 72% Positiveness
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Samuel Jonathan Johnson
You
118 bpm • G min • 04:10 • -10.18db
8% Popularity • 68% Danceability • 76% Energy • 5% Liveness
63% Instrumentalness • 92% Positiveness
8% Popularity • 68% Danceability • 76% Energy • 5% Liveness
63% Instrumentalness • 92% Positiveness
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Karriem
I Love You
120 bpm • G# min • 06:55 • -4.76db
35% Popularity • 58% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 58% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Stoudemire
Don't Stop Dancin'
119 bpm • F min • 04:14 • -6.1db
21% Popularity • 64% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 64% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Logg
Dancing into the Stars
118 bpm • G Maj • 05:25 • -11.39db
23% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Calvin B. Rhone
I Believe
120 bpm • E min • 04:27 • -9.35db
12% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Player's Association
Love Hangover - 12" Disco
118 bpm • C# Maj • 06:09 • -9.28db
9% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 90% Positiveness
9% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 90% Positiveness
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The Rhythm Makers
Soul on Your Side
120 bpm • F min • 03:45 • -5.75db
17% Popularity • 71% Danceability • 82% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
17% Popularity • 71% Danceability • 82% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Magnum Force
Girl You're Too Cool
120 bpm • B min • 05:52 • -8.44db
18% Popularity • 85% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 85% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Deodato
Keep It in the Family
118 bpm • C Maj • 05:04 • -14db
26% Popularity • 84% Danceability • 66% Energy • 4% Liveness
21% Instrumentalness • 97% Positiveness
26% Popularity • 84% Danceability • 66% Energy • 4% Liveness
21% Instrumentalness • 97% Positiveness
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Michael Henderson
Riding
118 bpm • B min • 05:21 • -8.95db
18% Popularity • 62% Danceability • 76% Energy • 34% Liveness
4% Instrumentalness • 67% Positiveness
18% Popularity • 62% Danceability • 76% Energy • 34% Liveness
4% Instrumentalness • 67% Positiveness
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Zalmac
Dreamin'
118 bpm • C min • 04:16 • -9.11db
11% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Joan Bibiloni
The Boogie
118 bpm • D min • 03:47 • -5.04db
17% Popularity • 76% Danceability • 94% Energy • 9% Liveness
37% Instrumentalness • 81% Positiveness
17% Popularity • 76% Danceability • 94% Energy • 9% Liveness
37% Instrumentalness • 81% Positiveness
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BILL BRANDON
We Fell in Love While Dancing - 12" Vers...
118 bpm • A min • 07:43 • -11.55db
18% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Debby Blackwell
Once You Got Me Going
120 bpm • G Maj • 06:29 • -7.78db
13% Popularity • 65% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 65% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Dexter Wansel
I'll Never Forget (My Favorite Disco)
118 bpm • D min • 04:34 • -7.76db
35% Popularity • 76% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 76% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Joe Bataan
The Bottle (2013 - Remaster)
120 bpm • A min • 03:33 • -8.6db
22% Popularity • 64% Danceability • 92% Energy • 30% Liveness
85% Instrumentalness • 88% Positiveness
22% Popularity • 64% Danceability • 92% Energy • 30% Liveness
85% Instrumentalness • 88% Positiveness
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Debra Laws
On My Own
120 bpm • C Maj • 04:21 • -8db
23% Popularity • 68% Danceability • 72% Energy • 4% Liveness
4% Instrumentalness • 80% Positiveness
23% Popularity • 68% Danceability • 72% Energy • 4% Liveness
4% Instrumentalness • 80% Positiveness
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Prophets of Peace
Get It On
118 bpm • G min • 03:07 • -10.15db
16% Popularity • 64% Danceability • 64% Energy • 8% Liveness
20% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 64% Energy • 8% Liveness
20% Instrumentalness • 96% Positiveness
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Cloudburst
I'm Loving You
120 bpm • G Maj • 03:36 • -12.14db
13% Popularity • 58% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 58% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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The Player's Association
Love Hangover - Edit
118 bpm • C# Maj • 05:40 • -11.98db
12% Popularity • 58% Danceability • 58% Energy • 20% Liveness
18% Instrumentalness • 88% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 20% Liveness
18% Instrumentalness • 88% Positiveness
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Discognosis
Step By Step
120 bpm • F Maj • 02:53 • -7.49db
12% Popularity • 79% Danceability • 65% Energy • 51% Liveness
1% Instrumentalness • 93% Positiveness
12% Popularity • 79% Danceability • 65% Energy • 51% Liveness
1% Instrumentalness • 93% Positiveness
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Gil Scott-Heron
The Klan
120 bpm • D min • 04:48 • -15.13db
20% Popularity • 78% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 78% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Gayle Adams
Your Love Is a Life Saver
120 bpm • B Maj • 05:52 • -14.3db
29% Popularity • 74% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
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Gino Soccio
Hold Tight
120 bpm • D# Maj • 05:18 • -16.42db
34% Popularity • 91% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 91% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Harry Mosco
Step On
120 bpm • G min • 06:37 • -6.2db
9% Popularity • 93% Danceability • 91% Energy • 34% Liveness
3% Instrumentalness • 87% Positiveness
9% Popularity • 93% Danceability • 91% Energy • 34% Liveness
3% Instrumentalness • 87% Positiveness
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One Way
Music
120 bpm • A# min • 07:18 • -15db
25% Popularity • 79% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 79% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Loose Joints
Is It All over My Face? (Female Version)...
120 bpm • E min • 07:07 • -7.83db
36% Popularity • 72% Danceability • 68% Energy • 7% Liveness
48% Instrumentalness • 83% Positiveness
36% Popularity • 72% Danceability • 68% Energy • 7% Liveness
48% Instrumentalness • 83% Positiveness
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The Impressions
Potent Love
118 bpm • B Maj • 06:09 • -9.38db
9% Popularity • 64% Danceability • 82% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 64% Danceability • 82% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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Universal Togetherness Band
Saturday Night
120 bpm • D min • 03:25 • -7.79db
10% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Barbara King
What I Did in the Street
120 bpm • C Maj • 03:38 • -8db
14% Popularity • 76% Danceability • 84% Energy • 3% Liveness
29% Instrumentalness • 81% Positiveness
14% Popularity • 76% Danceability • 84% Energy • 3% Liveness
29% Instrumentalness • 81% Positiveness
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Gary Davis
Gotta Get Your Love (Kenny Dope Mix)
118 bpm • D Maj • 04:25 • -12.15db
14% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Queen Yahna
Ain't It Time (Instrumental)
120 bpm • A# Maj • 03:54 • -6.28db
7% Popularity • 64% Danceability • 86% Energy • 57% Liveness
20% Instrumentalness • 62% Positiveness
7% Popularity • 64% Danceability • 86% Energy • 57% Liveness
20% Instrumentalness • 62% Positiveness
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The Salsoul Orchestra
Ooh I Love It (Love Break)
118 bpm • C Maj • 07:48 • -10.75db
25% Popularity • 68% Danceability • 76% Energy • 30% Liveness
57% Instrumentalness • 74% Positiveness
25% Popularity • 68% Danceability • 76% Energy • 30% Liveness
57% Instrumentalness • 74% Positiveness
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John Davis & The Monster Orchestra
BOURGIE, BOURGIE
120 bpm • C Maj • 06:12 • -10db
21% Popularity • 80% Danceability • 69% Energy • 14% Liveness
16% Instrumentalness • 95% Positiveness
21% Popularity • 80% Danceability • 69% Energy • 14% Liveness
16% Instrumentalness • 95% Positiveness
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Barbara St Clair
Teacherman
120 bpm • F min • 03:00 • -10.43db
16% Popularity • 59% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 59% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Rokk
Patience
120 bpm • G# Maj • 04:25 • -7.45db
15% Popularity • 69% Danceability • 78% Energy • 24% Liveness
43% Instrumentalness • 92% Positiveness
15% Popularity • 69% Danceability • 78% Energy • 24% Liveness
43% Instrumentalness • 92% Positiveness
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Archie Bell & The Drells
Where Will You Go When the Party's Over
118 bpm • G Maj • 04:05 • -8db
21% Popularity • 62% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 62% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Queen Yahna
Ain't It Time
120 bpm • A# Maj • 03:53 • -7db
14% Popularity • 62% Danceability • 79% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 62% Danceability • 79% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
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Vicki Sue Robinson
Common Thief
118 bpm • F Maj • 05:37 • -5db
16% Popularity • 64% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 64% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Eastside Connection
You're So Right For Me - Vocal
120 bpm • A min • 06:19 • -12db
11% Popularity • 78% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 78% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Lucy Hawkins
Gotta Get Outa Here - Main Mix
118 bpm • A# min • 05:50 • -6.01db
10% Popularity • 82% Danceability • 90% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 82% Danceability • 90% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
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Sparkle
Handsome Man (2012 - Remaster)
120 bpm • A Maj • 06:23 • -8.45db
16% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Timeless Legend
I Was Born To Love You
118 bpm • D min • 03:43 • -9.76db
26% Popularity • 66% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 66% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Idris Muhammad
Tasty Cakes
120 bpm • C Maj • 04:23 • -7.43db
31% Popularity • 70% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 70% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Milton Wright
Black Man
118 bpm • D Maj • 04:15 • -6.81db
20% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Universal Togetherness Band
More Than Enough
120 bpm • A min • 04:29 • -8.07db
29% Popularity • 87% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
29% Popularity • 87% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
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Bobby Thurston
You Got What It Takes
121 bpm • A Maj • 09:33 • -14.29db
30% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
30% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
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T-Connection
Do What You Wanna Do
121 bpm • A# min • 07:17 • -9.37db
30% Popularity • 68% Danceability • 79% Energy • 10% Liveness
25% Instrumentalness • 82% Positiveness
30% Popularity • 68% Danceability • 79% Energy • 10% Liveness
25% Instrumentalness • 82% Positiveness
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Fluorescent Smogg
All My Life
117 bpm • C Maj • 03:34 • -9.05db
15% Popularity • 64% Danceability • 67% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 64% Danceability • 67% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
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Archie Bell & The Drells
Glad You Could Make It
121 bpm • D Maj • 05:34 • -7.15db
7% Popularity • 76% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 76% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Boothman
What You Won't Do for Love
117 bpm • B min • 11:12 • -9.23db
33% Popularity • 72% Danceability • 77% Energy • 6% Liveness
4% Instrumentalness • 88% Positiveness
33% Popularity • 72% Danceability • 77% Energy • 6% Liveness
4% Instrumentalness • 88% Positiveness
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Brainstorm
We're On Our Way Home (Part 1)
117 bpm • C Maj • 03:44 • -12.88db
17% Popularity • 66% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 66% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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CHIC
I Feel Your Love Comin' On
117 bpm • A Maj • 06:52 • -5db
24% Popularity • 78% Danceability • 74% Energy • 3% Liveness
2% Instrumentalness • 81% Positiveness
24% Popularity • 78% Danceability • 74% Energy • 3% Liveness
2% Instrumentalness • 81% Positiveness
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Crown Heights Affair
Say a Prayer for Two
117 bpm • G# min • 05:53 • -8.06db
10% Popularity • 70% Danceability • 84% Energy • 14% Liveness
30% Instrumentalness • 68% Positiveness
10% Popularity • 70% Danceability • 84% Energy • 14% Liveness
30% Instrumentalness • 68% Positiveness
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Pleasure
Take A Chance
117 bpm • D Maj • 06:39 • -11.67db
20% Popularity • 88% Danceability • 47% Energy • 20% Liveness
37% Instrumentalness • 56% Positiveness
20% Popularity • 88% Danceability • 47% Energy • 20% Liveness
37% Instrumentalness • 56% Positiveness
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Tommy Stewart
Get off Your Seats
121 bpm • A# Maj • 04:32 • -7.29db
7% Popularity • 86% Danceability • 79% Energy • 10% Liveness
24% Instrumentalness • 93% Positiveness
7% Popularity • 86% Danceability • 79% Energy • 10% Liveness
24% Instrumentalness • 93% Positiveness
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Rim Kwaku Obeng
Love Me for Real - Nik Weston Edit
117 bpm • G# min • 06:04 • -6.9db
25% Popularity • 69% Danceability • 91% Energy • 5% Liveness
3% Instrumentalness • 89% Positiveness
25% Popularity • 69% Danceability • 91% Energy • 5% Liveness
3% Instrumentalness • 89% Positiveness
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Midnight Express
Danger Zone
117 bpm • A min • 03:47 • -13.88db
29% Popularity • 82% Danceability • 45% Energy • 5% Liveness
31% Instrumentalness • 92% Positiveness
29% Popularity • 82% Danceability • 45% Energy • 5% Liveness
31% Instrumentalness • 92% Positiveness
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Sabata
Man For My Lady
121 bpm • F# Maj • 05:50 • -7.35db
14% Popularity • 66% Danceability • 93% Energy • 50% Liveness
14% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 93% Energy • 50% Liveness
14% Instrumentalness • 96% Positiveness
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Jerry & California Flight
California Flight.
117 bpm • A min • 04:27 • -7.28db
14% Popularity • 80% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 80% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Mass Production
Welcome to Our World (Of Merry Music)
121 bpm • C Maj • 07:32 • -13db
21% Popularity • 69% Danceability • 84% Energy • 3% Liveness
20% Instrumentalness • 92% Positiveness
21% Popularity • 69% Danceability • 84% Energy • 3% Liveness
20% Instrumentalness • 92% Positiveness
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Beckie Bell
Music Madness - DJ Red Greg Edit
121 bpm • A Maj • 07:33 • -4db
16% Popularity • 70% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 70% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Father's Children
You Can Get It
117 bpm • G min • 04:19 • -13.42db
11% Popularity • 80% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 95% Positiveness
11% Popularity • 80% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 95% Positiveness
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Winfield Parker
I Wanna Be With You
117 bpm • C Maj • 04:30 • -8.25db
16% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Brick
Living from the Mind
121 bpm • A# min • 03:35 • -6db
26% Popularity • 75% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 75% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Guy Cuevas
Obsession - The Nassau Mix
117 bpm • F# Maj • 05:57 • -13.58db
31% Popularity • 80% Danceability • 59% Energy • 15% Liveness
5% Instrumentalness • 79% Positiveness
31% Popularity • 80% Danceability • 59% Energy • 15% Liveness
5% Instrumentalness • 79% Positiveness
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Rick Clarke
Potion
121 bpm • C Maj • 06:02 • -6.93db
11% Popularity • 80% Danceability • 77% Energy • 17% Liveness
2% Instrumentalness • 85% Positiveness
11% Popularity • 80% Danceability • 77% Energy • 17% Liveness
2% Instrumentalness • 85% Positiveness
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Cloud One
Atmosphere Strut
117 bpm • G Maj • 09:22 • -10.13db
23% Popularity • 63% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 63% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Aged In Harmony
I Feel Like Dancin'
117 bpm • F Maj • 03:36 • -13.5db
23% Popularity • 74% Danceability • 44% Energy • 24% Liveness
3% Instrumentalness • 82% Positiveness
23% Popularity • 74% Danceability • 44% Energy • 24% Liveness
3% Instrumentalness • 82% Positiveness
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Goody Goody
It Looks Like Love
121 bpm • F min • 06:23 • -17.85db
39% Popularity • 88% Danceability • 33% Energy • 26% Liveness
80% Instrumentalness • 96% Positiveness
39% Popularity • 88% Danceability • 33% Energy • 26% Liveness
80% Instrumentalness • 96% Positiveness
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Karisma
Got You Dancing
117 bpm • E min • 05:28 • -8.59db
7% Popularity • 68% Danceability • 77% Energy • 10% Liveness
38% Instrumentalness • 62% Positiveness
7% Popularity • 68% Danceability • 77% Energy • 10% Liveness
38% Instrumentalness • 62% Positiveness
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Burning Desire
Why She Had to Go
117 bpm • G Maj • 04:21 • -7.36db
12% Popularity • 75% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 75% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Janet Kay
Eternally Grateful - Unreleased Dub Mix
121 bpm • C# min • 08:57 • -5.9db
16% Popularity • 86% Danceability • 70% Energy • 35% Liveness
17% Instrumentalness • 92% Positiveness
16% Popularity • 86% Danceability • 70% Energy • 35% Liveness
17% Instrumentalness • 92% Positiveness
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Jimmy Ross
Chocolate Ice - Original
121 bpm • B min • 05:51 • -11.64db
30% Popularity • 88% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 88% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Dexter Wansel
You Can Be What You Wanna Be
121 bpm • A min • 05:03 • -7.64db
16% Popularity • 74% Danceability • 64% Energy • 15% Liveness
6% Instrumentalness • 87% Positiveness
16% Popularity • 74% Danceability • 64% Energy • 15% Liveness
6% Instrumentalness • 87% Positiveness
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Crown Heights Affair
Use Your Body & Soul
117 bpm • D Maj • 06:13 • -7.39db
24% Popularity • 77% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 77% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Family Of Eve
I Want to Be Loved By You (Kenny Dope Mi...
121 bpm • A min • 05:27 • -10db
11% Popularity • 69% Danceability • 83% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
11% Popularity • 69% Danceability • 83% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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Benita
Time for a Change - Hot Mix
121 bpm • C min • 03:25 • -11.32db
20% Popularity • 69% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 69% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Morning, Noon & Night
Bite Your Granny
117 bpm • D Maj • 03:44 • -15.15db
9% Popularity • 88% Danceability • 46% Energy • 14% Liveness
18% Instrumentalness • 95% Positiveness
9% Popularity • 88% Danceability • 46% Energy • 14% Liveness
18% Instrumentalness • 95% Positiveness
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People's Choice
Hey Everybody! (Party Hearty)
121 bpm • C Maj • 06:42 • -8db
8% Popularity • 77% Danceability • 83% Energy • 8% Liveness
41% Instrumentalness • 75% Positiveness
8% Popularity • 77% Danceability • 83% Energy • 8% Liveness
41% Instrumentalness • 75% Positiveness
