Songs like Break's Just Short For Breakup by Quinn Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Seth Power
F.I.N.E.
105 bpm • G Maj • 03:04 • -9.74db
29% Popularity • 57% Danceability • 55% Energy • 61% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 57% Danceability • 55% Energy • 61% Liveness
0% Instrumentalness • 39% Positiveness
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Quinn Lewis
Empty
105 bpm • B Maj • 02:50 • -7.18db
12% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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19&YOU
Thought Process
105 bpm • F min • 03:48 • -8.04db
12% Popularity • 69% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 69% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Rajiv Dhall
Muscle Memory
105 bpm • D# Maj • 02:28 • -5.77db
16% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Munn
only human
105 bpm • G# Maj • 02:30 • -6.41db
39% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Kessler
April
105 bpm • E Maj • 02:34 • -10.1db
21% Popularity • 60% Danceability • 48% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 60% Danceability • 48% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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clide
can't give back your love
105 bpm • B Maj • 02:44 • -10.07db
39% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Quinn Lewis
Break's Just Short For Breakup
105 bpm • G Maj • 02:59 • -9.38db
15% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ill-Advised Poetry
All That I Am
105 bpm • A Maj • 03:30 • -8.07db
18% Popularity • 47% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 47% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Delanie Leclerc
you make me feel
104 bpm • A Maj • 03:11 • -9.95db
18% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Kerr
If This is the End
106 bpm • A Maj • 02:49 • -7.96db
24% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Suriel Hess
Felt This Way
105 bpm • B Maj • 02:56 • -10db
32% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Gerry
Boy on TV
106 bpm • A min • 03:05 • -5.92db
17% Popularity • 69% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 69% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Francis Karel
Two Spaces in Between
104 bpm • G min • 03:03 • -5.88db
24% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Pittman
Pam and Jim
106 bpm • D Maj • 03:10 • -14.64db
31% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Nox Holloway
Sapphire
104 bpm • G# Maj • 03:18 • -8.2db
13% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Dahl
After Ours
104 bpm • A# Maj • 02:40 • -3.91db
34% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Landon Conrath
So,So - Acoustic
106 bpm • A Maj • 03:11 • -10db
22% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Woodward
Call You Mine (Acoustic Piano)
104 bpm • F Maj • 03:29 • -14db
30% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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HOMER
Mine
106 bpm • D Maj • 02:36 • -8.32db
28% Popularity • 67% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 67% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Wrabel
hurts like hell
106 bpm • C Maj • 03:59 • -7db
38% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jansen
If It's Too Much to Carry - Demo
106 bpm • A# Maj • 04:07 • -9db
25% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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JORDY
i get high
103 bpm • G Maj • 02:03 • -10.95db
24% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Munn
U FUCKED IT 4 ME
103 bpm • B Maj • 02:46 • -5db
26% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Caleb Hearn
Friend Right Now
103 bpm • E min • 02:33 • -9.89db
37% Popularity • 70% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 70% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Scott Quinn
Better for Me
103 bpm • F min • 02:56 • -7.41db
24% Popularity • 77% Danceability • 70% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
24% Popularity • 77% Danceability • 70% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
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Sam DeRosa
Pill For This
103 bpm • G Maj • 02:56 • -8db
26% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Julian
premature tattoo
103 bpm • F Maj • 03:29 • -13.06db
19% Popularity • 73% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 73% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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nobody likes you pat
things i wish you said
103 bpm • D Maj • 02:44 • -4.69db
11% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Joshua Golden
Nights Like This
108 bpm • C Maj • 02:22 • -7.73db
26% Popularity • 63% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 63% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Quinn Lewis
Sad For No Reason
108 bpm • D Maj • 02:59 • -9.83db
10% Popularity • 83% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 83% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Rence
AWOOO!
108 bpm • E min • 03:41 • -5.37db
19% Popularity • 82% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 82% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Laur Elle
Austin
108 bpm • C# Maj • 03:22 • -8.9db
28% Popularity • 81% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 81% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Zach Hood
I Miss My Friends
108 bpm • F# Maj • 03:17 • -5db
35% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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ELLIANA
Thinking (Stripped)
102 bpm • D Maj • 02:52 • -9.32db
24% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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David Alexander
Heartbeat
108 bpm • C# Maj • 03:31 • -7db
33% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Fenn
Here for You
102 bpm • E Maj • 02:47 • -10db
42% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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LANY
they don't make 'em like you anymore
102 bpm • A Maj • 02:35 • -7.99db
51% Popularity • 69% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 69% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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GUNNAR
Not Even In My Dreams
108 bpm • A# Maj • 03:05 • -7.35db
30% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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We Three
Bad at Love
101 bpm • G Maj • 02:49 • -6db
39% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Late Night Thoughts
Dust
101 bpm • F# Maj • 03:24 • -11.84db
28% Popularity • 45% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 45% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Munn
YOU KILLED ME
110 bpm • C Maj • 02:50 • -7db
25% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Zach Oliver
Feel Like Forever
110 bpm • D# Maj • 02:40 • -9.11db
11% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Greyson Chance
Nobody
110 bpm • C# min • 03:09 • -7db
38% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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nobody likes you pat
maybe money
110 bpm • B Maj • 02:23 • -5db
32% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Quinn Lewis
Everyone But Me
110 bpm • F# Maj • 03:27 • -8.06db
19% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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David Frank
When You Know (You Know)
110 bpm • D Maj • 03:06 • -7db
14% Popularity • 72% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 72% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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ehren
Jennifer Street
110 bpm • B Maj • 04:13 • -11.96db
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Fly By Midnight
When She's Dancing
110 bpm • F Maj • 03:07 • -5.52db
34% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Francis Karel
I Don't Like How Much I Like You
110 bpm • F# Maj • 02:44 • -6.86db
32% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Liam Ferrari
King Size Bed
110 bpm • C# Maj • 02:45 • -11db
34% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Motel 7
We Can Never Let Go
110 bpm • F# Maj • 03:33 • -9.92db
17% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
46% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Quinn Lewis
Is Everything Okay
110 bpm • F Maj • 02:47 • -9.66db
13% Popularity • 82% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 82% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Eva Snyder
boy, cry
100 bpm • G Maj • 03:16 • -11.77db
14% Popularity • 74% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 74% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Cardon
remedy
100 bpm • D Maj • 02:50 • -11.98db
20% Popularity • 69% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 69% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Forest Blakk
Me
100 bpm • C Maj • 02:27 • -5.66db
29% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Cody Simpson
Let Go
100 bpm • F# Maj • 03:02 • -13.04db
28% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin Haley
idk where i'm at rn
111 bpm • F Maj • 02:19 • -5db
22% Popularity • 79% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 79% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Ill-Advised Poetry
Keep You Warm
99 bpm • G Maj • 03:30 • -8db
19% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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David Alexander
If I Were You
100 bpm • E Maj • 02:35 • -9db
27% Popularity • 59% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 59% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sam MacPherson
Start
99 bpm • C Maj • 02:44 • -6.93db
40% Popularity • 67% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 67% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Caleb Hearn
Believe It When I See It
99 bpm • A Maj • 02:42 • -6.88db
32% Popularity • 48% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 48% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Late Night Thoughts
Sacrifice
112 bpm • G Maj • 03:24 • -7.14db
14% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Oliver
Better Side
98 bpm • F Maj • 02:47 • -8.46db
13% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Francisco Martin
IF U NEED ME
112 bpm • C# min • 02:33 • -7db
16% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jackson Guthy
Like I Did
98 bpm • A Maj • 02:55 • -8.42db
20% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Munn
Glimpse of Heaven
98 bpm • C Maj • 02:50 • -6.25db
31% Popularity • 55% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 55% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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ehren
WHEN WE WERE 17
98 bpm • G# Maj • 03:32 • -8.04db
35% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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19&YOU
Best Dress
98 bpm • A Maj • 03:11 • -8.74db
29% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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GUNNAR
Dance Alone
98 bpm • C# Maj • 03:11 • -6.68db
32% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Dylan Brady
BRINGS YOU BACK!
98 bpm • G# Maj • 02:16 • -5.85db
18% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Motel 7
Messing With Fire
98 bpm • A# Maj • 03:06 • -5.79db
18% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Quinn Lewis
Monsters
112 bpm • C Maj • 03:41 • -11.67db
8% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Provencial
PHASES
98 bpm • G# Maj • 03:05 • -6.1db
22% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Luneburg
Highway
113 bpm • C# Maj • 04:24 • -8.11db
33% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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gavn!
High
98 bpm • G Maj • 03:06 • -11.37db
30% Popularity • 63% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 63% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Zach Seabaugh
Heartbreak Hits Different
113 bpm • E Maj • 03:02 • -6.52db
23% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Francisco Martin
Let You Go
98 bpm • B Maj • 03:06 • -5.52db
14% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Quinn Lewis
Botl
113 bpm • F Maj • 03:04 • -13.23db
24% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Neptune
three sixty five
97 bpm • C# Maj • 02:36 • -19.12db
41% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
41% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Alfie Jukes
that was quick!
97 bpm • G min • 02:46 • -14.24db
38% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Chris James
Enjoy The Weather
97 bpm • G# Maj • 02:30 • -8.03db
32% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Fenn
I Don't Know (w/ ELIO)
114 bpm • E Maj • 02:26 • -12db
28% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Fly By Midnight
Caffeine
97 bpm • C Maj • 03:02 • -8.13db
42% Popularity • 49% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 49% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Tony Ferrari
Let's Buy a House
114 bpm • C Maj • 03:35 • -10.03db
23% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Quinn Lewis
Hear It In Your Voice
114 bpm • A Maj • 02:42 • -11db
15% Popularity • 62% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 62% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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New Friends
Little Fires
97 bpm • B Maj • 03:39 • -8db
27% Popularity • 23% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 23% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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19&YOU
Paradise
114 bpm • G Maj • 03:09 • -7.36db
10% Popularity • 82% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 82% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Thomas Day
Wildflower - Acoustic
114 bpm • C Maj • 02:39 • -8.45db
31% Popularity • 74% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 74% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Sleeping Lion
We're Fine
97 bpm • G# Maj • 02:50 • -10.6db
20% Popularity • 63% Danceability • 35% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 63% Danceability • 35% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Jeremy Zucker
I can't look at you
96 bpm • D Maj • 02:56 • -8.88db
37% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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badly
out of control
96 bpm • G min • 02:32 • -8.66db
14% Popularity • 74% Danceability • 44% Energy • 20% Liveness
5% Instrumentalness • 24% Positiveness
14% Popularity • 74% Danceability • 44% Energy • 20% Liveness
5% Instrumentalness • 24% Positiveness
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Ben Provencial
LOVE YOU FOR TODAY
96 bpm • A# Maj • 02:28 • -7.32db
33% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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19&YOU
BORED!
96 bpm • A# Maj • 03:32 • -6db
34% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sam MacPherson
Solar Flare
96 bpm • E Maj • 03:22 • -12.57db
32% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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VOILÀ
If You Were Me
96 bpm • D# Maj • 02:53 • -9.97db
46% Popularity • 59% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 59% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Quinn Lewis
Slipping
96 bpm • E min • 03:25 • -8.94db
19% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
