Songs like Breathe In Breathe Out by Mat Kearney
Based on a tempo of (+/- 10%) and a similar genre
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A Great Big World
Already Home
83 bpm • D Maj • 03:50 • -7.34db
34% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Pat Monahan
Two Ways To Say Goodbye
83 bpm • C Maj • 03:40 • -6.99db
11% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Perryman Jones
Only You
83 bpm • E Maj • 04:08 • -14db
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Switchfoot
Only Hope
82 bpm • B min • 04:13 • -11.8db
49% Popularity • 52% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 24% Positiveness
49% Popularity • 52% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 24% Positiveness
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Mat Kearney
Breathe In Breathe Out
83 bpm • C Maj • 03:42 • -7.63db
36% Popularity • 31% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 31% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Nathanson
All We Are
82 bpm • E Maj • 03:36 • -9db
44% Popularity • 53% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 53% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Matthew West
Family Tree
82 bpm • A# Maj • 04:04 • -7db
43% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Barcelona
Get Up
82 bpm • G# Maj • 03:59 • -15.7db
21% Popularity • 29% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
21% Popularity • 29% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Matthew Perryman Jones
Amelia
83 bpm • E Maj • 04:27 • -8.49db
21% Popularity • 25% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 25% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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The Kin
Nowhere To Now Here
82 bpm • G Maj • 03:52 • -9.17db
9% Popularity • 19% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
9% Popularity • 19% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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O.A.R.
Love Is Worth The Fall
84 bpm • B Maj • 03:37 • -5.82db
36% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jules Larson
You Know It's True
84 bpm • G# min • 03:45 • -7db
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jason Walker
Hope You Found It Now
82 bpm • F# Maj • 03:44 • -9.76db
31% Popularity • 28% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 28% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Jarrod Gorbel
I'll Do Better
82 bpm • C Maj • 04:43 • -7db
14% Popularity • 39% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 39% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Brendan James
Nothin' But Love
84 bpm • G# Maj • 03:21 • -8.62db
9% Popularity • 60% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Mat Kearney
Wait
82 bpm • G Maj • 04:38 • -8.12db
16% Popularity • 53% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 53% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Rosie Thomas
Since You've Been Around
84 bpm • A Maj • 03:18 • -13db
29% Popularity • 48% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
29% Popularity • 48% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
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Griffin House
Better Than Love
82 bpm • C# Maj • 03:47 • -11.06db
39% Popularity • 56% Danceability • 58% Energy • 13% Liveness
36% Instrumentalness • 49% Positiveness
39% Popularity • 56% Danceability • 58% Energy • 13% Liveness
36% Instrumentalness • 49% Positiveness
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Enation
Feel This (Love Fall Down)
82 bpm • B Maj • 05:26 • -10.92db
18% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Matthew Perryman Jones
Homage for the Suffering
82 bpm • C Maj • 04:25 • -10.28db
19% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Oh Honey
Lonely Neighbor
81 bpm • B Maj • 03:51 • -9.95db
25% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ferras
Rush
81 bpm • A Maj • 04:19 • -15db
16% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Graham Colton
Right Behind You (acoustic)
81 bpm • A# Maj • 02:59 • -8.65db
26% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Paper Raincoat
Brooklyn Blurs
85 bpm • A Maj • 04:16 • -10.82db
19% Popularity • 49% Danceability • 51% Energy • 12% Liveness
17% Instrumentalness • 45% Positiveness
19% Popularity • 49% Danceability • 51% Energy • 12% Liveness
17% Instrumentalness • 45% Positiveness
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Whitley
More Than Life
85 bpm • A# Maj • 02:55 • -11db
47% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Train
When I Look to the Sky
80 bpm • C Maj • 04:04 • -3.97db
44% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mat Kearney
What's a Boy To Do
80 bpm • E Maj • 04:02 • -10.56db
20% Popularity • 55% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 55% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Marié Digby
Unfold
86 bpm • F min • 05:27 • -5.19db
13% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Graham Colton
Our Story
80 bpm • G# Maj • 04:12 • -8.47db
32% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Griffin House
Ordinary Day
86 bpm • B Maj • 03:31 • -8.38db
15% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Echosmith
Surround You
80 bpm • D Maj • 03:28 • -12.54db
36% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Train
This Ain't Goodbye
80 bpm • F# Maj • 04:23 • -4.06db
37% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Craig
Further To Fall
80 bpm • D Maj • 04:10 • -8.91db
14% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Oh Honey
Cracks In The Floor of Heaven
80 bpm • E Maj • 04:03 • -11.31db
16% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Switchfoot
Your Love Is a Song
80 bpm • F# min • 04:19 • -4db
49% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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9 Ball
How Do You Dream
80 bpm • D Maj • 03:51 • -8.4db
8% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Brooke Annibale
Under Streetlights
80 bpm • A# min • 03:43 • -10.32db
20% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Logen
Goodbye Goodbye Goodbye
80 bpm • G Maj • 04:14 • -14.71db
14% Popularity • 60% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 30% Positiveness
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Levi Kreis
I Should Go
86 bpm • G Maj • 03:40 • -19.33db
38% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Rob Thomas
When the Heartache Ends
87 bpm • A# Maj • 02:51 • -7db
37% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Pilot Speed
Bluff
79 bpm • C Maj • 03:20 • -7.86db
11% Popularity • 29% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 29% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Melson
Feel It Coming
79 bpm • G Maj • 04:16 • -4.91db
23% Popularity • 41% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 41% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Passenger
What You're Thinking
79 bpm • C# Maj • 02:54 • -9.97db
52% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Hereafter
Back Where I Was
88 bpm • F Maj • 03:28 • -11.96db
23% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Colin Devlin
The Heart Won't Be Denied
78 bpm • C# Maj • 04:25 • -11.36db
14% Popularity • 41% Danceability • 27% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
14% Popularity • 41% Danceability • 27% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
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Rob Thomas
Her Diamonds
88 bpm • G Maj • 04:40 • -4.93db
55% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
55% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Goo Goo Dolls
Without You Here
88 bpm • F Maj • 03:49 • -5db
48% Popularity • 49% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 49% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Fisher
I Will Love You
78 bpm • D Maj • 03:49 • -16.6db
17% Popularity • 20% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 20% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Walker
I Feel Like That
78 bpm • C# Maj • 04:05 • -6.39db
18% Popularity • 40% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 40% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Alva Leigh
Calling Me
78 bpm • D Maj • 03:09 • -13.49db
22% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Switchfoot
The Blues
78 bpm • D Maj • 05:17 • -5.28db
22% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Birdy
Terrible Love
78 bpm • D Maj • 04:43 • -6.8db
44% Popularity • 46% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 46% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Eric Hutchinson
Breakdown More
78 bpm • C Maj • 04:05 • -7db
31% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Hayley Taylor
Plans
78 bpm • E Maj • 04:10 • -7db
17% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Ben Jelen
Falling Down
89 bpm • D Maj • 05:18 • -7db
11% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Snow Patrol
Make This Go On Forever
89 bpm • B Maj • 05:47 • -7.08db
50% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jarrod Gorbel
A Moment Of Peace
77 bpm • A Maj • 04:10 • -15db
10% Popularity • 52% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
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Marc Scibilia
Smile
89 bpm • C Maj • 02:40 • -13.4db
34% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Mat Kearney
Chicago - Acoustic
77 bpm • G Maj • 04:16 • -9.28db
23% Popularity • 59% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 59% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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A Great Big World
This Is the New Year
77 bpm • B Maj • 03:14 • -5.93db
19% Popularity • 46% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 46% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Acres
Walking Next to You
89 bpm • D# Maj • 03:53 • -6.68db
17% Popularity • 32% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 32% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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The Undeserving
There for You
77 bpm • E Maj • 03:41 • -6db
10% Popularity • 45% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 45% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Stars Go Dim
Crazy
77 bpm • A Maj • 04:30 • -3.78db
18% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Glass Pear
My Ghost
90 bpm • C Maj • 02:56 • -11db
22% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Mat Kearney
All I Need
77 bpm • C# Maj • 04:27 • -11db
39% Popularity • 37% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 37% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Shelly Fraley
Seize the Day
77 bpm • G# Maj • 03:37 • -10db
13% Popularity • 50% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Meiko
Under My Bed
90 bpm • F# Maj • 03:48 • -4.98db
24% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Ryan
Return to Me
90 bpm • G# Maj • 04:48 • -9.79db
31% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
31% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
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Echosmith
Bright
90 bpm • F# Maj • 03:40 • -8.52db
58% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Glass Pear
Wild Place
76 bpm • G Maj • 03:02 • -8db
20% Popularity • 35% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 35% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Mat Kearney
Won't Back Down
77 bpm • F# Maj • 05:08 • -11db
23% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Teddy Geiger
Walking in the Sun
76 bpm • C# Maj • 03:24 • -7.48db
9% Popularity • 38% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 38% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Sixteen Cities
Pray You Through
76 bpm • G Maj • 03:30 • -6db
12% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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ROZES
Walls
91 bpm • G Maj • 02:52 • -5.92db
34% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Matthew Barber
Revolution Of The Sun
91 bpm • E Maj • 04:49 • -11.9db
19% Popularity • 59% Danceability • 19% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
19% Popularity • 59% Danceability • 19% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
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Glass Pear
Say It Once
76 bpm • F min • 04:18 • -8db
14% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Eric James & The New Century
Trust
91 bpm • D Maj • 03:35 • -7.86db
15% Popularity • 55% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 55% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Hutchinson
Watching You Watch Him
91 bpm • G# Maj • 03:31 • -5.97db
33% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Trent Dabbs
Take It All In
75 bpm • C Maj • 05:05 • -9.8db
18% Popularity • 40% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
18% Popularity • 40% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Erin McCarley
Lovesick Mistake
75 bpm • C# Maj • 04:15 • -6db
23% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew Ripp
You Will Find Me
75 bpm • C Maj • 03:03 • -11db
28% Popularity • 65% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 65% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Parachute
Jennie
92 bpm • B min • 04:31 • -8db
34% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Imogen Heap
Wait It Out
75 bpm • D# Maj • 03:57 • -8.93db
34% Popularity • 43% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 43% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Echosmith
Tell Her You Love Her
75 bpm • D Maj • 04:23 • -11.3db
43% Popularity • 29% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Trent Dabbs
This Time Tomorrow
75 bpm • C Maj • 04:27 • -18db
29% Popularity • 45% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
29% Popularity • 45% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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The Perishers
Trouble Sleeping - Acoustic Bonus Track
93 bpm • A# Maj • 03:17 • -13.36db
17% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Goo Goo Dolls
Come to Me
92 bpm • C Maj • 03:45 • -5db
54% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sister Hazel
Your Winter - Acoustic
74 bpm • F# Maj • 04:54 • -8db
38% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 37% Positiveness
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Mat Kearney
Ghost
93 bpm • F min • 03:55 • -9.77db
9% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Amber Rubarth
How Did This Happen
93 bpm • A Maj • 03:15 • -13db
17% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lily Kershaw
As It Seems
93 bpm • C Maj • 03:03 • -10.93db
46% Popularity • 48% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 48% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Kalai
Patience Lies
74 bpm • D Maj • 05:19 • -13.91db
12% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jack Savoretti
Hate & Love
73 bpm • A min • 03:53 • -10db
33% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
33% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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The Script
This = Love
94 bpm • A Maj • 04:20 • -5db
39% Popularity • 32% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 32% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Elenowen
No Such Thing As Time
94 bpm • B Maj • 03:52 • -9db
24% Popularity • 47% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 47% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mindy Smith
Anymore of This
94 bpm • A Maj • 04:02 • -10db
34% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
34% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Mat Kearney
Straight Away
94 bpm • D# Maj • 03:50 • -9.59db
21% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Meiko
Reasons To Love You
94 bpm • D Maj • 03:16 • -10.58db
31% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
