Songs like Breathe by 'In The Heights' Original Broadway Company
Based on a tempo of (+/- 10%) and a similar genre
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Leslie Grace
Breathe
172 bpm • A Maj • 04:06 • -9.02db
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Rannells
Four Jews in a Room Bitching
172 bpm • B Maj • 03:23 • -4.79db
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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'In The Heights' Original Broadway Company
Breathe
172 bpm • A# Maj • 04:04 • -10.75db
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alex Newell
Mama Will Provide
172 bpm • G# Maj • 03:30 • -11db
32% Popularity • 55% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 55% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Heidi Blickenstaff
A Way Back to Then
172 bpm • A# Maj • 02:33 • -9.49db
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Patina Miller
Simple Joys
172 bpm • A# min • 02:32 • -7.34db
40% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Alice Ripley
I Miss the Mountains
172 bpm • C Maj • 03:46 • -16.9db
34% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
31% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Susan Egan
Home
171 bpm • E min • 03:50 • -19.11db
42% Popularity • 23% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 23% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Lin-Manuel Miranda
In the Heights
171 bpm • F Maj • 07:38 • -7.15db
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Christy Altomare
Crossing a Bridge
171 bpm • G min • 02:10 • -11.71db
40% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Original Cast of Amélie
Where Do We Go From Here
170 bpm • C# Maj • 03:44 • -12db
23% Popularity • 22% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 22% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Eddie Redmayne
Empty Chairs At Empty Tables
170 bpm • D# min • 03:11 • -18db
44% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Nikki Renee Daniels
Spark of Creation
174 bpm • C Maj • 02:26 • -7.68db
25% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bring It On: The Musical - Original Broadway Cast
I Got You
174 bpm • F Maj • 02:56 • -4db
40% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Bell Bundy
You Can't Stop the Beat - Medley
170 bpm • D Maj • 05:49 • -5.43db
38% Popularity • 64% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 64% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Caroline O'Connor
Land of Yesterday
170 bpm • E min • 03:35 • -8.09db
41% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Rannells
Tomorrow Is a Latter Day
170 bpm • G Maj • 06:01 • -10.03db
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Eddie Redmayne
A Heart Full Of Love
169 bpm • A# Maj • 02:01 • -19.41db
41% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jeremy Jordan
If I Didn't Believe in You
175 bpm • G min • 05:12 • -10.29db
36% Popularity • 43% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 43% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Reeve Carney
Epic III
175 bpm • F Maj • 05:51 • -9.97db
48% Popularity • 36% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
37% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Joel Hatch
Finale
168 bpm • E min • 03:29 • -5db
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
49% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Anna Kendrick
On the Steps of the Palace
178 bpm • D# Maj • 03:14 • -13.95db
42% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Denée Benton
No One Else
178 bpm • F Maj • 04:20 • -9.78db
42% Popularity • 26% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Lin-Manuel Miranda
In the Heights - Radio Edit
166 bpm • G min • 03:49 • -5.92db
30% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Alan Menken
Once And For All
168 bpm • E min • 04:01 • -10.35db
47% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Sophia Anne Caruso
Creepy Old Guy
166 bpm • F# Maj • 04:22 • -5.69db
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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Mandy Gonzalez
Red Shoes Blues
166 bpm • G# Maj • 03:36 • -6.95db
1% Popularity • 44% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 44% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Christy Altomare
Quartet at the Ballet
180 bpm • G Maj • 03:45 • -11.08db
41% Popularity • 22% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 22% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Louderman
World Burn
180 bpm • G# min • 03:23 • -4.83db
63% Popularity • 24% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 24% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Kristin Stokes
My Grand Plan
164 bpm • C# Maj • 02:58 • -6.79db
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
40% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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John Tartaglia
Everyone's a Little Bit Racist
181 bpm • D Maj • 05:27 • -9db
17% Popularity • 61% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Roslyn Kind
Optimistic Voices & Lullaby of Broadway
181 bpm • F Maj • 03:06 • -5.11db
0% Popularity • 35% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 35% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
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Mandy Gonzalez
Breathe
163 bpm • A Maj • 03:46 • -10db
6% Popularity • 43% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 43% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kate Shindle
I Will Prevail
163 bpm • F# min • 03:39 • -10.51db
34% Popularity • 32% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 32% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Hunter Foster
Fine
181 bpm • A Maj • 03:29 • -10.14db
43% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Anthony Rapp
Rent
182 bpm • G Maj • 03:59 • -3db
47% Popularity • 45% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 45% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Rannells
You Gotta Die Sometime
182 bpm • E min • 03:03 • -8.86db
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Stark Sands
Soul of a Man
162 bpm • C Maj • 03:22 • -6db
34% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Mandy Gonzalez
Fearless
182 bpm • C# min • 03:45 • -7.67db
6% Popularity • 44% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 44% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Original Cast of Amélie
Stay
162 bpm • D# Maj • 02:43 • -9.3db
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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John Gallagher, Jr.
Those You've Known - Original Broadway C...
184 bpm • A# Maj • 04:28 • -11.61db
35% Popularity • 33% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 33% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Reeve Carney
Come Home with Me
184 bpm • A Maj • 01:47 • -10.74db
53% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Mandy Gonzalez
Everyday
182 bpm • A# Maj • 03:45 • -8.3db
2% Popularity • 39% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 39% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Derek Klena
In a Crowd of Thousands
185 bpm • E Maj • 03:45 • -13db
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Matthew James Thomas
Corner of the Sky
184 bpm • F Maj • 02:56 • -8.16db
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Karl
One Day
186 bpm • C Maj • 08:46 • -7.8db
35% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Grace McLean
Moscow
187 bpm • G# Maj • 04:27 • -10.16db
40% Popularity • 39% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 39% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Shoshana Bean
Stars and the Moon
156 bpm • D Maj • 04:45 • -9.02db
28% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Breaker
Who I'd Be
190 bpm • C# Maj • 04:00 • -7.22db
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ariana DeBose
A Boy Like That / I Have a Love
154 bpm • E min • 05:25 • -15db
40% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
46% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Company of The Prom: A New Musical
It's Time to Dance
153 bpm • C# Maj • 05:33 • -4.87db
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
26% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Brian D'Arcy James
Bottom's Gonna Be on Top
194 bpm • C Maj • 05:30 • -8.63db
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Sherie Rene Scott
Climbing Uphill
195 bpm • E min • 03:36 • -9.56db
27% Popularity • 48% Danceability • 31% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 48% Danceability • 31% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Dana Steingold
Girl Scout
150 bpm • G Maj • 02:26 • -6.96db
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Brian D'Arcy James
Something Rotten! / Make an Omelette
194 bpm • D Maj • 05:54 • -7.18db
35% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Constantine Germanacos
Stay, I Pray You
197 bpm • D# min • 03:26 • -12.54db
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Katie Rowley Jones
The Life I Never Led
198 bpm • G Maj • 03:33 • -10db
33% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Louderman
Someone Gets Hurt
150 bpm • B min • 03:07 • -4.37db
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
30% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
29% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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SMASH Cast
Let Me Be Your Star (SMASH Cast Version)...
147 bpm • B Maj • 03:43 • -7.97db
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Jonathan Groff
All That's Known - Original Broadway Cas...
202 bpm • A# Maj • 02:01 • -8.82db
40% Popularity • 41% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 41% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness