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Brian O'Lynn (Outtake)
Songs like
Brian O'Lynn (Outtake)
by
Sandra Kerr
Based on a tempo of (+/- 10%) and a similar genre
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Matt McGinn
The Dundee Ghost
101 bpm • F# min • 02:42 • -12.05db
15% Popularity • 72% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Rheingans Sisters
This Forest
101 bpm • G Maj • 05:50 • -11.95db
14% Popularity • 49% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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A. L. Lloyd
The Weary Whaling Grounds
101 bpm • D min • 02:38 • -12.27db
11% Popularity • 70% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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The Scarecrow of Scatterbrook
The Scarecrow Knows (Episode 1 Credits E...
102 bpm • B min • 01:45 • -16.44db
18% Popularity • 26% Danceability • 12% Energy • 17% Liveness
1% Instrumentalness • 19% Positiveness
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Eliza Carthy
The Unquiet Grave
101 bpm • E Maj • 02:59 • -16.94db
20% Popularity • 56% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Leslie Fish
A Toast for Unsung Heroes
102 bpm • A min • 03:21 • -7.86db
11% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Bob Fox
Doodle Let Me Go
100 bpm • E Maj • 03:24 • -13db
12% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Hamish Imlach
Castlereagh (Live)
100 bpm • G Maj • 04:24 • -11.01db
13% Popularity • 48% Danceability • 32% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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Anne Briggs
Lowlands
100 bpm • E Maj • 03:15 • -16.33db
18% Popularity • 43% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Vic Gammon
Barley Cake, the Bush
100 bpm • A min • 03:18 • -10.97db
0% Popularity • 89% Danceability • 19% Energy • 6% Liveness
13% Instrumentalness • 91% Positiveness
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Roy Bailey
Nasty Spider
100 bpm • C Maj • 03:14 • -12.8db
8% Popularity • 66% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Dominic Behan
Biddy Mulligan
102 bpm • A Maj • 03:23 • -15.15db
23% Popularity • 82% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Oldham Tinkers
Owden Edge
100 bpm • D Maj • 02:25 • -14.52db
12% Popularity • 82% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sandra Kerr
Brian O'Lynn (Outtake)
100 bpm • F# min • 02:26 • -12.3db
1% Popularity • 63% Danceability • 15% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
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Traditional Song
Ship in Distress (Traditional)
99 bpm • D Maj • 02:56 • -15.19db
8% Popularity • 63% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Vic Gammon
Aird Set: Pompey Ran Away, Old Plantatio...
100 bpm • G Maj • 03:21 • -15.99db
0% Popularity • 70% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Alasdair Roberts
Drimindown
99 bpm • B min • 02:34 • -13.07db
10% Popularity • 52% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Shirley Collins
The Tailor And The Mouse
103 bpm • D# min • 01:57 • -10.91db
20% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Marco Danen
Do and Discover
103 bpm • C# Maj • 03:32 • -11.04db
23% Popularity • 68% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Oldham Tinkers
Hop Hop Hop
99 bpm • E Maj • 02:47 • -11.15db
11% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Traditional Song
Blow the Man Down (Traditional)
99 bpm • D# Maj • 01:08 • -12.5db
16% Popularity • 62% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Lucy Ward
The Baffled Knight
103 bpm • C Maj • 02:31 • -7.53db
24% Popularity • 65% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Spiers & Boden
Captain Ward
103 bpm • D Maj • 04:13 • -4.14db
24% Popularity • 49% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Barry Coope
Ten Thousand Miles
103 bpm • F Maj • 02:35 • -13.86db
23% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Liliana Bertolo
Oh to Be Alone
103 bpm • A Maj • 02:38 • -20.24db
0% Popularity • 34% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Sandra Kerr
Agricultural Jig
103 bpm • F min • 01:51 • -13.92db
2% Popularity • 49% Danceability • 14% Energy • 30% Liveness
16% Instrumentalness • 93% Positiveness
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Fernhill
Carol Haf
99 bpm • B min • 01:33 • -14.58db
20% Popularity • 52% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Scalene
The Cruel Mother
104 bpm • F# min • 01:41 • -12.92db
2% Popularity • 91% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
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Bannal
Latha Dhomh's Mi 'M Beinn A' Cheathaich
99 bpm • B min • 03:08 • -23.3db
10% Popularity • 71% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Angeline Morrison
Cruel Mother Country
104 bpm • D min • 04:36 • -11.6db
16% Popularity • 46% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Nic Jones
Master Kilby
98 bpm • F Maj • 03:08 • -7.79db
14% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Dolores Keane
The Wee Weaver
98 bpm • A Maj • 02:37 • -15db
11% Popularity • 33% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Carla Mendonça
Say Gipsy Say
104 bpm • B Maj • 01:29 • -21.16db
8% Popularity • 59% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Eliza Carthy
Bonaparte's Lament
98 bpm • E Maj • 03:21 • -5.01db
18% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Lucy Ward
The Female Highwayman
98 bpm • D Maj • 04:09 • -11.57db
12% Popularity • 66% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sandra Kerr
The Oak Tree Reel - Trad
104 bpm • A# Maj • 02:26 • -16.98db
3% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Cerys Matthews
Dafydd Y Garreg Wen
98 bpm • A# min • 01:06 • -12.15db
16% Popularity • 45% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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The Bothy Band
Fionnghuala
104 bpm • E Maj • 01:27 • -17.39db
23% Popularity • 66% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Scalene
Jeanette's Waltz
104 bpm • G Maj • 04:03 • -13.27db
0% Popularity • 34% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 44% Positiveness
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Jonathan Richman & The Modern Lovers
Springtime
105 bpm • D Maj • 03:54 • -15.6db
13% Popularity • 67% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Anne Briggs
My Bonny Boy
98 bpm • G# min • 02:53 • -13.46db
15% Popularity • 43% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Sandra Kerr
Opening
98 bpm • D Maj • 00:52 • -17.63db
16% Popularity • 65% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
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Maddy Prior & Tim Hart
Three Drunken Maidens
97 bpm • F Maj • 02:14 • -14.56db
20% Popularity • 69% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Vic Gammon
Negro Melody,hey Daddy
97 bpm • G Maj • 03:12 • -16.44db
0% Popularity • 68% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Scalene
Bob and Joan / Sunderland Lasses / Zenai...
97 bpm • D Maj • 05:50 • -8.45db
0% Popularity • 41% Danceability • 31% Energy • 13% Liveness
36% Instrumentalness • 55% Positiveness
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Seamus Begley
Portland Town
105 bpm • A# min • 03:10 • -11.48db
10% Popularity • 50% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Julie Murphy
A Blacksmith Courted Me
105 bpm • A# Maj • 05:09 • -16.96db
22% Popularity • 60% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sandra Kerr
Row the Boat
97 bpm • C# Maj • 03:29 • -10.75db
7% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lankum
Henry My Son
105 bpm • G Maj • 06:26 • -7.69db
23% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Maddy Prior & Tim Hart
Off All the Birds
105 bpm • C# Maj • 00:53 • -16.3db
23% Popularity • 65% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Margaret Barry
The Blarney Stone
97 bpm • C Maj • 02:16 • -13.83db
9% Popularity • 71% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Hector Reese
Ashes
97 bpm • C Maj • 02:02 • -17.9db
21% Popularity • 59% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Ruskavellas
The Little Branch
106 bpm • D# Maj • 02:39 • -8.96db
9% Popularity • 77% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Sandra Kerr
I Saw a Ship A-sailing - Trad
97 bpm • G Maj • 02:31 • -13.42db
4% Popularity • 59% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Ivor Cutler
Squeeze Bees
106 bpm • A# min • 02:24 • -17.08db
12% Popularity • 43% Danceability • 11% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
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Shirley Collins & Albion Country Band
The White Hare
97 bpm • G Maj • 02:42 • -9.58db
9% Popularity • 70% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Meredydd Evans
Y Cariad Cyntaf
106 bpm • F# min • 01:23 • -22.79db
19% Popularity • 52% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 25% Positiveness
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Anne Briggs
The Snow It Melts the Soonest
96 bpm • G min • 02:23 • -24.67db
22% Popularity • 61% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Frank Harte/Donal Lunny
Do Me Justice
96 bpm • D Maj • 03:49 • -13.88db
12% Popularity • 68% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Roy Bailey
Kangaroos Like to Hop
106 bpm • G Maj • 02:50 • -12.79db
7% Popularity • 69% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Scalene
Buy Broom Besoms / Our Cat Has Kitted
106 bpm • F Maj • 03:26 • -10.52db
0% Popularity • 58% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 89% Positiveness
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Paul Clayton
The Twa Sisters (The Two Sisters)
106 bpm • C Maj • 06:55 • -19.61db
11% Popularity • 58% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Liliana Bertolo
Jardin D'amour
96 bpm • C min • 02:00 • -21.89db
0% Popularity • 36% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Sandra Kerr
Row, Row, Row Your Boat - Trad
106 bpm • D Maj • 03:15 • -12.76db
3% Popularity • 72% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Connie Converse
When I Go Travelling
107 bpm • D Maj • 02:14 • -14.69db
11% Popularity • 65% Danceability • 7% Energy • 17% Liveness
20% Instrumentalness • 64% Positiveness
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Peg Power
Red Fox
95 bpm • G# Maj • 01:26 • -14.62db
9% Popularity • 73% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Scalene
Here's the Tender Coming
96 bpm • D Maj • 02:52 • -14.15db
0% Popularity • 59% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Roy Bailey
Everything Possible
107 bpm • F Maj • 03:11 • -13db
13% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ashley Ladwig
The Wreck Of The Henry Clay
107 bpm • C min • 01:58 • -13.13db
14% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Sandra Kerr
The Great Silkie
107 bpm • C# Maj • 03:20 • -22.42db
0% Popularity • 50% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dolores Keane
Mouth Music/Eddie Curran's Favourite
107 bpm • F# Maj • 02:06 • -13.9db
9% Popularity • 54% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Vic Gammon
Get on the Train
107 bpm • G Maj • 03:41 • -16.01db
0% Popularity • 82% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
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The Albion Band
The Girl I Left Behind Me
108 bpm • G Maj • 01:33 • -11db
11% Popularity • 77% Danceability • 78% Energy • 15% Liveness
50% Instrumentalness • 98% Positiveness
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Ivor Cutler
A Doughnut in My Hand
108 bpm • D Maj • 02:04 • -8db
12% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Daimy Ronner
Swan
108 bpm • C Maj • 02:55 • -22.36db
21% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Sandra Kerr
The Prima Ballerina - Trad
108 bpm • E Maj • 02:09 • -16.84db
3% Popularity • 70% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Anne Briggs
Polly Vaughan
95 bpm • C Maj • 04:25 • -19.46db
8% Popularity • 47% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Vic Gammon
Sherburn Castle, I'll Be Married
95 bpm • G Maj • 02:47 • -12.34db
0% Popularity • 72% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Rita Connolly
Ripples In The Rockpools
95 bpm • A Maj • 03:28 • -14db
14% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Wes Finch
The Widow Thomas
95 bpm • G Maj • 03:35 • -14.69db
0% Popularity • 47% Danceability • 18% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
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Tony Cuffe
When Rosy May Comes in Wi' Flowers
108 bpm • F Maj • 04:15 • -9.75db
12% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Pecker Dunne
Barney Brannigan
108 bpm • C# Maj • 01:54 • -10.2db
9% Popularity • 78% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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A. L. Lloyd
Rolling Down to Old Maui
108 bpm • A# Maj • 01:17 • -10.03db
9% Popularity • 85% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Binne Moorlag
Almost Unreal
94 bpm • G# Maj • 02:11 • -15.85db
20% Popularity • 28% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Irvine
Bonny Woodhall
94 bpm • D# Maj • 05:15 • -13.51db
18% Popularity • 53% Danceability • 27% Energy • 9% Liveness
35% Instrumentalness • 55% Positiveness
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Silly Sisters
Almost Every Circumstance
109 bpm • G Maj • 02:50 • -18.13db
19% Popularity • 74% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Goblin Band
The Prickle Holly Bush
94 bpm • D Maj • 06:08 • -10.72db
16% Popularity • 34% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Barry Coope
Jerusalem Revisited
109 bpm • D min • 04:51 • -11.83db
8% Popularity • 67% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Mimi And Richard Farina
Tommy Makem Fantasy - Instrumental
94 bpm • C# min • 01:33 • -13.66db
23% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
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Joycez
Slaap Kindje Slaap
109 bpm • C Maj • 00:50 • -12.91db
19% Popularity • 52% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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John Shuttleworth
One Cup of Tea is Never Enough (But 2 is...
94 bpm • B min • 03:20 • -10.8db
13% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Sandra Kerr
Hamish Mctavish
109 bpm • G# Maj • 01:25 • -18.64db
3% Popularity • 45% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Lisa Knapp
Bedfordshire May Day Carol
94 bpm • A Maj • 03:04 • -16.51db
12% Popularity • 47% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Barry Coope
Spring 1919
109 bpm • D Maj • 04:44 • -8.53db
12% Popularity • 68% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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ChlokWirk L'Alqhumizta
The Intro - Extended
93 bpm • C# min • 08:00 • -14.44db
7% Popularity • 59% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Watersons
Souling Song
109 bpm • B min • 01:33 • -11.42db
12% Popularity • 78% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Wilderness Yet
Old Brock
93 bpm • A# Maj • 03:14 • -10.21db
8% Popularity • 61% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Andy Irvine
My Heart's Tonight In Ireland
93 bpm • F Maj • 03:50 • -15.71db
11% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Nancy Kerr
Nancy Clough
110 bpm • D Maj • 02:24 • -9.68db
1% Popularity • 65% Danceability • 31% Energy • 16% Liveness
43% Instrumentalness • 85% Positiveness
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Adam McNaughtan
The Jeely Piece Song
93 bpm • C Maj • 03:46 • -10.52db
8% Popularity • 75% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 76% Positiveness
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Brian O'Lynn (Outtake)