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Brideshead Revisited: Guilt
Songs like
Brideshead Revisited: Guilt
by
BBC Philharmonic
Based on a tempo of (+/- 10%) and a similar genre
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: 4...
83 bpm • D Maj • 02:49 • -14db
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
43% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Gustav Holst
A Song of the Night, Op. 19 No. 1, H 74
83 bpm • F Maj • 08:41 • -26.28db
8% Popularity • 14% Danceability • 3% Energy • 10% Liveness
29% Instrumentalness • 3% Positiveness
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Joseph Haydn
String Quartet No. 53 in D Major, Op. 64...
83 bpm • A Maj • 06:38 • -25.47db
22% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto, Op. 85: IV. Allegro
82 bpm • E min • 10:22 • -25.27db
5% Popularity • 19% Danceability • 5% Energy • 17% Liveness
80% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Lark Ascending
83 bpm • E min • 15:33 • -32.3db
55% Popularity • 9% Danceability • 1% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Christopher Gunning
Firelight
82 bpm • B min • 07:19 • -21.69db
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Max Richter
Quartet Fragment (1908)
84 bpm • E min • 03:08 • -32.46db
14% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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George Butterworth
Fantasia (completed by K. Russman)
82 bpm • F Maj • 08:45 • -20.65db
13% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Concerto No. 5, Op. 103 "Egyptian": III....
82 bpm • C Maj • 05:27 • -20.55db
5% Popularity • 34% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
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AntonÃn Dvořák
Czech Suite, Op. 39, B. 93: I. Preludium...
82 bpm • D Maj • 03:56 • -29db
22% Popularity • 8% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Christopher Gunning
Under Suspicion
82 bpm • F min • 07:06 • -20.91db
15% Popularity • 9% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 5% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
47% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Suite Española No. 1, Op. 47: V. Aragó...
84 bpm • F Maj • 05:11 • -19.34db
3% Popularity • 25% Danceability • 21% Energy • 8% Liveness
78% Instrumentalness • 13% Positiveness
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Erik Satie
Satie: Gymnopédie No. 3
84 bpm • G Maj • 02:52 • -30.29db
29% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Lars-Erik Larsson
Concerto for Saxophone and String Orches...
82 bpm • F Maj • 06:52 • -29.24db
6% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Christopher Gunning
La Mome Piaf
84 bpm • C Maj • 06:22 • -24.2db
6% Popularity • 10% Danceability • 6% Energy • 26% Liveness
28% Instrumentalness • 4% Positiveness
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Anatoly Lyadov
8 Russian Folk Songs: 6. Cradle Song
82 bpm • A min • 02:22 • -47.4db
34% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: VIII. Pas de ...
82 bpm • C Maj • 04:20 • -38.08db
7% Popularity • 8% Danceability • 0% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
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Alexandre Guilmant
Symphony No. 1 for Organ and Orchestra, ...
82 bpm • G min • 07:13 • -18db
10% Popularity • 8% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97: VII. Introduct...
85 bpm • G# min • 06:23 • -25.54db
6% Popularity • 9% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
28% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Reinhold Glière
Bronze Horseman Suite: Ia. Introduction....
81 bpm • B min • 03:04 • -30.27db
4% Popularity • 15% Danceability • 1% Energy • 19% Liveness
97% Instrumentalness • 25% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
23% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jacques Ibert
Concertino da Camera: II. Larghetto
81 bpm • C Maj • 03:46 • -33.55db
6% Popularity • 16% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 15, Contra Mun...
81 bpm • E min • 01:23 • -24.52db
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 18% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
81 bpm • D Maj • 02:43 • -26.64db
23% Popularity • 11% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Ernest John Moeran
Concerto for Violin and Orchestra: III. ...
85 bpm • G Maj • 10:00 • -28.55db
10% Popularity • 11% Danceability • 2% Energy • 5% Liveness
33% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Piano and Orchestra No. 23 ...
85 bpm • F# min • 06:57 • -28.63db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Aria from Orchestral Suite No. 3, BWV 10...
85 bpm • D Maj • 05:52 • -25.42db
7% Popularity • 17% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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JoaquÃn Turina
Ritmos, Op. 43: I. Preludio
81 bpm • F min • 02:08 • -28.74db
1% Popularity • 19% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
81 bpm • A min • 04:27 • -18db
33% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Oliver Davis
Dance: II. Second Movement
85 bpm • F# min • 03:08 • -21.01db
24% Popularity • 18% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Reinhold Glière
Bronze Horseman Suite: Ic. Dance on the ...
85 bpm • C Maj • 02:18 • -30.91db
5% Popularity • 29% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
86 bpm • A min • 03:57 • -19db
31% Popularity • 20% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Christopher Gunning
When the Whales Came
81 bpm • D min • 07:18 • -25.46db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Gerald Finzi
Romance for String Orchestra, Op. 11
80 bpm • G# Maj • 07:16 • -23db
14% Popularity • 14% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
80 bpm • E Maj • 03:21 • -28.37db
16% Popularity • 14% Danceability • 3% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 19, B...
86 bpm • C# Maj • 03:18 • -31.25db
17% Popularity • 10% Danceability • 0% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Norfolk Rhapsody No. 1 in E minor
80 bpm • E min • 10:42 • -26db
22% Popularity • 8% Danceability • 4% Energy • 32% Liveness
67% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Erik Satie
3 Gymnopedies (orch. Debussy): Gymnopedi...
80 bpm • A min • 02:52 • -32.39db
29% Popularity • 13% Danceability • 3% Energy • 6% Liveness
56% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: III. Pas d'Ac...
86 bpm • F Maj • 04:25 • -27.94db
6% Popularity • 11% Danceability • 4% Energy • 29% Liveness
77% Instrumentalness • 5% Positiveness
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Reinhold Glière
Concerto for Horn and Orchestra, Op. 91:...
86 bpm • G min • 11:34 • -29.17db
10% Popularity • 12% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 7% Positiveness
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Philip Glass
Concerto for Violin and Orchestra: II. =...
86 bpm • C min • 08:46 • -32.66db
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Takashi Yoshimatsu
Saxophone Concerto, Op. 59 "Cyber-bird":...
80 bpm • F Maj • 08:47 • -21.57db
16% Popularity • 19% Danceability • 18% Energy • 7% Liveness
61% Instrumentalness • 10% Positiveness
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Max Richter
Europe, After the Rain
86 bpm • C Maj • 06:13 • -28.42db
25% Popularity • 15% Danceability • 5% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Frederick Delius
Legende
86 bpm • G# Maj • 08:15 • -24db
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Mein Jesu, BWV 478 (Arr. Leopold Stokows...
86 bpm • D min • 05:11 • -25.87db
6% Popularity • 9% Danceability • 4% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
36% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Takashi Yoshimatsu
Symphony No. 2, "At terra": II. Requiem ...
86 bpm • A# Maj • 09:03 • -33.3db
8% Popularity • 9% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
String Quartet No. 13 in B-Flat Major, O...
87 bpm • D# Maj • 07:49 • -31db
5% Popularity • 16% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56 (1894-97): Berceuse
87 bpm • E Maj • 03:01 • -28.82db
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Sheep May Safely Graze from Cantata No. ...
87 bpm • A# Maj • 05:39 • -28.16db
5% Popularity • 15% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Adrian Johnston
Brideshead Revisited: No. 22, Clouds Gat...
79 bpm • E min • 02:08 • -28.96db
7% Popularity • 22% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Ruth Gipps
Oboe Concerto, Op. 20: III. Allegro viva...
87 bpm • A min • 08:17 • -30.23db
5% Popularity • 27% Danceability • 3% Energy • 7% Liveness
56% Instrumentalness • 9% Positiveness
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Amy Beach
3 Compositions, Op. 40: No. 2, Berceuse
87 bpm • D Maj • 03:47 • -29db
42% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Reinhold Glière
Bronze Horseman Suite: Ib. On the Senate...
87 bpm • F Maj • 02:26 • -28.15db
4% Popularity • 35% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 11% Positiveness
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Brideshead Revisited: Guilt