Songs like Brideshead Revisited: Wise old wine by BBC Philharmonic
Based on a tempo of (+/- 10%) and a similar genre
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Manuel de Falla
La Vida Breve, G. 35, Act II, Second Tab...
104 bpm • D Maj • 04:02 • -21.35db
5% Popularity • 25% Danceability • 18% Energy • 47% Liveness
86% Instrumentalness • 16% Positiveness
5% Popularity • 25% Danceability • 18% Energy • 47% Liveness
86% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Piano Concerto No. 1, Op. 10: IV. Allegr...
104 bpm • E Maj • 04:28 • -18.64db
4% Popularity • 40% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 24% Positiveness
4% Popularity • 40% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 24% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
27% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 11, Venice
105 bpm • D# Maj • 01:57 • -18.97db
14% Popularity • 22% Danceability • 16% Energy • 29% Liveness
70% Instrumentalness • 7% Positiveness
14% Popularity • 22% Danceability • 16% Energy • 29% Liveness
70% Instrumentalness • 7% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
24% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
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Maurice Ravel
Mother Goose: V. The Fairy Garden
101 bpm • C Maj • 03:37 • -29.14db
9% Popularity • 16% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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![Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Bedřich Smetana
Má Vlast, JB 1:112: The Moldau (Vltava)...
105 bpm • C Maj • 03:42 • -15db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Chorale from the Easter Cantata, BWV 4 (...
105 bpm • E min • 03:54 • -17.53db
6% Popularity • 16% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
6% Popularity • 16% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Manuel de Falla
La Vida Breve, G. 35, Act II, First Tabl...
101 bpm • A Maj • 03:25 • -22db
10% Popularity • 33% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Edward Elgar
Imperial March, Op. 32
105 bpm • A# Maj • 04:18 • -18.51db
15% Popularity • 25% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
15% Popularity • 25% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Arcangelo Corelli
Adagio from Violin Sonata in G Minor, Op...
106 bpm • G min • 03:46 • -33db
23% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
106 bpm • C# min • 02:13 • -24.2db
37% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Archibald James Potter
Rhapsody Under A High Sky
106 bpm • C Maj • 09:38 • -27.25db
15% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Frederick Delius
2 Pieces for Small Orchestra: No. 1. On ...
107 bpm • E min • 05:52 • -31.19db
17% Popularity • 16% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. Ã…se'...
99 bpm • G Maj • 04:23 • -27.92db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
99 bpm • G min • 03:28 • -44db
23% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Ruth Gipps
Oboe Concerto, Op. 20: I. Allegro modera...
107 bpm • G min • 09:51 • -28.94db
5% Popularity • 28% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 28% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Khovanshchina: Dawn on the Moskva River
99 bpm • F# Maj • 04:58 • -24.51db
21% Popularity • 15% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Ron Goodwin
633 Squadron: Love Theme
107 bpm • A Maj • 02:07 • -16.2db
6% Popularity • 27% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
6% Popularity • 27% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Sheep May Safely Graze
98 bpm • A# Maj • 04:55 • -32db
50% Popularity • 49% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 49% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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George Walker
Lyric for Strings
99 bpm • F# Maj • 05:23 • -31.05db
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Max Richter
Arbenita (11 Years)
98 bpm • G min • 07:06 • -23.26db
26% Popularity • 14% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Dmitry Kabalevsky
Second Concerto for Piano and Orchestra,...
98 bpm • C Maj • 07:59 • -24.55db
5% Popularity • 18% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Hubert Parry
Lady Radnor's Suite: V. Slow Minuet
98 bpm • A# Maj • 02:18 • -30.33db
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Reinhold Glière
Bronze Horseman Suite: VI. Waltz. Tempo ...
109 bpm • D Maj • 03:44 • -29.06db
14% Popularity • 21% Danceability • 3% Energy • 5% Liveness
48% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 3% Energy • 5% Liveness
48% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Piano Concerto No. 1, Op. 10: II. Meno m...
97 bpm • A min • 03:16 • -24.42db
4% Popularity • 29% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 6% Positiveness
4% Popularity • 29% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 6% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: IV. Variation...
97 bpm • D Maj • 01:28 • -31.42db
8% Popularity • 26% Danceability • 1% Energy • 12% Liveness
41% Instrumentalness • 23% Positiveness
8% Popularity • 26% Danceability • 1% Energy • 12% Liveness
41% Instrumentalness • 23% Positiveness
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Frédéric Chopin
Chopin: Piano Concerto No. 1 in E Minor,...
109 bpm • B Maj • 04:07 • -26db
16% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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George Lloyd
Symphony No. 2: I. Con brio
110 bpm • C Maj • 08:16 • -24.39db
5% Popularity • 31% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
5% Popularity • 31% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
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Isaac Albéniz
Suite Española No. 1, Op. 47: IV. Astur...
110 bpm • G min • 07:09 • -25.93db
7% Popularity • 26% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
7% Popularity • 26% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: VII. Variatio...
97 bpm • A min • 02:23 • -24.72db
9% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22,...
111 bpm • G min • 06:27 • -23.23db
7% Popularity • 38% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
7% Popularity • 38% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Charles Gounod
March funèbre d'une marionette
110 bpm • D Maj • 04:27 • -29.3db
11% Popularity • 43% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
11% Popularity • 43% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
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Christopher Gunning
Five Little Pigs
96 bpm • A min • 03:37 • -32.9db
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Max Richter
Last Days
111 bpm • A min • 04:18 • -9db
24% Popularity • 29% Danceability • 59% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
24% Popularity • 29% Danceability • 59% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Piano Concerto No. 1, Op. 10: I. Allegro...
95 bpm • C# Maj • 03:26 • -21.03db
5% Popularity • 35% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
5% Popularity • 35% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Christopher Gunning
The Hollow
111 bpm • F# min • 03:19 • -21.8db
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Piano Concerto No. 3, Sz. 119, BB 127: I...
112 bpm • C Maj • 10:04 • -28db
6% Popularity • 27% Danceability • 2% Energy • 36% Liveness
58% Instrumentalness • 4% Positiveness
6% Popularity • 27% Danceability • 2% Energy • 36% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Concerto, S. 146: I. Allegretto
112 bpm • G# Maj • 10:05 • -23.52db
6% Popularity • 26% Danceability • 7% Energy • 2% Liveness
90% Instrumentalness • 4% Positiveness
6% Popularity • 26% Danceability • 7% Energy • 2% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Michael Jackson
Billie Jean (Arr. for Cello and Orchestr...
112 bpm • F# min • 04:32 • -21.17db
4% Popularity • 64% Danceability • 20% Energy • 10% Liveness
54% Instrumentalness • 73% Positiveness
4% Popularity • 64% Danceability • 20% Energy • 10% Liveness
54% Instrumentalness • 73% Positiveness
► Preview
Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
15% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Charles-Marie Widor
Symphony for Organ, Op. 42 No. 5: V. Toc...
113 bpm • F Maj • 06:10 • -17.18db
5% Popularity • 17% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
5% Popularity • 17% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Eric Coates
The Merrymakers
94 bpm • A Maj • 04:38 • -18.95db
5% Popularity • 29% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
5% Popularity • 29% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
94 bpm • G# Maj • 08:01 • -21db
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Adrian Johnston
Brideshead Revisited: No. 21, The End of...
114 bpm • D# Maj • 01:34 • -27.68db
10% Popularity • 30% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major, K. 053: I. T...
94 bpm • G Maj • 05:56 • -20.87db
14% Popularity • 54% Danceability • 16% Energy • 7% Liveness
68% Instrumentalness • 40% Positiveness
14% Popularity • 54% Danceability • 16% Energy • 7% Liveness
68% Instrumentalness • 40% Positiveness
► Preview
John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
114 bpm • G Maj • 05:06 • -17.92db
7% Popularity • 32% Danceability • 25% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
7% Popularity • 32% Danceability • 25% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Isaac Albéniz
Suite Española No. 1, Op. 47: III. Sevi...
115 bpm • C min • 04:57 • -22.39db
4% Popularity • 29% Danceability • 8% Energy • 17% Liveness
84% Instrumentalness • 7% Positiveness
4% Popularity • 29% Danceability • 8% Energy • 17% Liveness
84% Instrumentalness • 7% Positiveness
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Lars-Erik Larsson
Concerto for Saxophone and String Orches...
115 bpm • G Maj • 04:26 • -26.51db
5% Popularity • 38% Danceability • 6% Energy • 24% Liveness
66% Instrumentalness • 16% Positiveness
5% Popularity • 38% Danceability • 6% Energy • 24% Liveness
66% Instrumentalness • 16% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: I. Naissance ...
93 bpm • C Maj • 05:21 • -22.99db
7% Popularity • 17% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
7% Popularity • 17% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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JoaquÃn Turina
Danzas fantásticas, Op. 22: III. Orgia
115 bpm • D Maj • 04:33 • -21db
11% Popularity • 30% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
11% Popularity • 30% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Max Richter
Lines on a Page (One Hundred Violins)
92 bpm • A min • 01:22 • -19.16db
15% Popularity • 22% Danceability • 22% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
15% Popularity • 22% Danceability • 22% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
52% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Alexandre Desplat
River Waltz
116 bpm • A# min • 02:22 • -24db
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: X. Apothéose
92 bpm • B min • 03:36 • -28.75db
7% Popularity • 11% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
7% Popularity • 11% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 4, Oxford
91 bpm • E Maj • 01:56 • -19.04db
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Max Richter
The Twins (Prague)
116 bpm • C min • 01:58 • -31db
39% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
39% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Edward Elgar
Cello Concerto, Op. 85: III. Adagio
91 bpm • A# Maj • 04:31 • -34.1db
7% Popularity • 18% Danceability • 1% Energy • 12% Liveness
37% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 1% Energy • 12% Liveness
37% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Ron Goodwin
Operation Crossbow: Main Theme
91 bpm • A# Maj • 02:43 • -13.71db
5% Popularity • 33% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
5% Popularity • 33% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile from String Quartet No...
91 bpm • F Maj • 07:57 • -37db
16% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D minor, BWV 565: I...
91 bpm • D min • 06:23 • -19.58db
9% Popularity • 17% Danceability • 18% Energy • 6% Liveness
83% Instrumentalness • 21% Positiveness
9% Popularity • 17% Danceability • 18% Energy • 6% Liveness
83% Instrumentalness • 21% Positiveness
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Max Richter
Mercy
91 bpm • A# min • 05:31 • -23db
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Mon coeur s'ou...
91 bpm • G Maj • 03:10 • -23.44db
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
JoaquÃn Turina
Ritmos, Op. 43: IV. GarrotÃn
118 bpm • D min • 03:34 • -27.26db
2% Popularity • 25% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
2% Popularity • 25% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
