Songs like Brighter Discontent by The Submarines
Based on a tempo of (+/- 10%) and a similar genre
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The Submarines
Epic Air Voyage
172 bpm • G Maj • 04:04 • -6.88db
6% Popularity • 48% Danceability • 55% Energy • 10% Liveness
16% Instrumentalness • 48% Positiveness
6% Popularity • 48% Danceability • 55% Energy • 10% Liveness
16% Instrumentalness • 48% Positiveness
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Rogue Wave
Everyday
173 bpm • D Maj • 03:40 • -7db
23% Popularity • 33% Danceability • 58% Energy • 38% Liveness
18% Instrumentalness • 39% Positiveness
23% Popularity • 33% Danceability • 58% Energy • 38% Liveness
18% Instrumentalness • 39% Positiveness
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Maria Taylor
Nature Song
174 bpm • C min • 04:08 • -10.18db
17% Popularity • 32% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 32% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Sia
Sunday
171 bpm • G min • 04:14 • -6db
32% Popularity • 47% Danceability • 70% Energy • 61% Liveness
41% Instrumentalness • 52% Positiveness
32% Popularity • 47% Danceability • 70% Energy • 61% Liveness
41% Instrumentalness • 52% Positiveness
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Ivy
Feel So Free
174 bpm • G# min • 04:58 • -8db
24% Popularity • 47% Danceability • 52% Energy • 35% Liveness
81% Instrumentalness • 68% Positiveness
24% Popularity • 47% Danceability • 52% Energy • 35% Liveness
81% Instrumentalness • 68% Positiveness
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Johnathan Rice
Break so Easy
174 bpm • A# Maj • 04:02 • -16.28db
23% Popularity • 26% Danceability • 17% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
23% Popularity • 26% Danceability • 17% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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The Submarines
Brighter Discontent
172 bpm • G Maj • 04:29 • -6db
21% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Joe Purdy
San Jose
169 bpm • C Maj • 04:42 • -7.89db
23% Popularity • 20% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 20% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Tegan and Sara
Not Tonight
174 bpm • F min • 02:34 • -7.97db
32% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Amy Cook
Hotel Lights
169 bpm • C Maj • 03:48 • -11.24db
10% Popularity • 25% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 25% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Deerheart
Breakdown
168 bpm • B Maj • 03:40 • -7.4db
22% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Earlimart
Bloody Nose
166 bpm • A min • 04:46 • -7.45db
15% Popularity • 34% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
15% Popularity • 34% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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Leona Naess
Ballerina
177 bpm • C Maj • 04:48 • -18.52db
21% Popularity • 41% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Weepies
Be My Thrill
166 bpm • A Maj • 02:29 • -6db
29% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Submarines
The Good Night
178 bpm • D Maj • 04:02 • -9.32db
5% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
5% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Cornish
Don't Hold Me Back
179 bpm • A# Maj • 03:45 • -9.56db
14% Popularity • 37% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 37% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Merrick
Infinity
180 bpm • A Maj • 03:21 • -8.61db
25% Popularity • 38% Danceability • 42% Energy • 15% Liveness
35% Instrumentalness • 32% Positiveness
25% Popularity • 38% Danceability • 42% Energy • 15% Liveness
35% Instrumentalness • 32% Positiveness
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Communist Daughter
Soundtrack to the End
180 bpm • A Maj • 04:09 • -10.26db
17% Popularity • 45% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
17% Popularity • 45% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Cloud Cult
There's So Much Energy in Us
180 bpm • D Maj • 07:23 • -8.3db
24% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mozella
Can't Stop
180 bpm • C min • 04:24 • -9db
19% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Submarines
Birds
164 bpm • G Maj • 04:21 • -5.24db
26% Popularity • 59% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 59% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Ellis Paul
Sweet Mistakes
164 bpm • G# Maj • 03:52 • -5.65db
14% Popularity • 50% Danceability • 86% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 50% Danceability • 86% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
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Remy Zero
Fair
180 bpm • D Maj • 03:56 • -9.06db
41% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Vaughan Penn
Ready To Rise
182 bpm • D Maj • 04:02 • -7.73db
28% Popularity • 46% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 46% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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The Shore
Waiting for the Sun
162 bpm • E Maj • 04:08 • -5.14db
19% Popularity • 39% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 39% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jaymay
Rock Scissors Paper (RSP)
162 bpm • G Maj • 02:01 • -7.15db
31% Popularity • 61% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 61% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Azure Ray
On and on Again
183 bpm • A Maj • 04:22 • -13.73db
11% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lex Land
What Happens Now?
162 bpm • B min • 03:28 • -8.19db
14% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Ditty Bops
Walk or Ride
184 bpm • G Maj • 03:12 • -8.37db
20% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Nada Surf
Inside of Love
184 bpm • A Maj • 05:00 • -5.97db
15% Popularity • 30% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 30% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Isaac
Bears
184 bpm • F Maj • 03:43 • -7.01db
7% Popularity • 42% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 42% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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EmilÃana Torrini
Today Has Been OK
184 bpm • D# Maj • 03:31 • -16.77db
35% Popularity • 46% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 13% Positiveness
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Maria Taylor
Lighthouse
160 bpm • G Maj • 03:36 • -11.29db
12% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Minnutes
More to Luv
160 bpm • G Maj • 04:10 • -10.03db
20% Popularity • 88% Danceability • 26% Energy • 9% Liveness
45% Instrumentalness • 56% Positiveness
20% Popularity • 88% Danceability • 26% Energy • 9% Liveness
45% Instrumentalness • 56% Positiveness
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The Asteroids Galaxy Tour
Hero
160 bpm • A Maj • 04:13 • -5.91db
23% Popularity • 61% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Yorn
Search Your Heart
158 bpm • B Maj • 03:01 • -8.09db
28% Popularity • 66% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 66% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
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Get Set Go
I Hate Everyone
157 bpm • F# Maj • 03:33 • -4.14db
31% Popularity • 38% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 38% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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8mm
Liar
157 bpm • G Maj • 02:46 • -10.82db
16% Popularity • 54% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 54% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Nina Gordon
Tonight and the Rest of My Life
157 bpm • D min • 05:14 • -4.83db
31% Popularity • 38% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 38% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Haley Bonar
Something Great
156 bpm • A Maj • 01:59 • -8.71db
10% Popularity • 47% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 47% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Duke Spirit
Don't Wait
156 bpm • G Maj • 04:00 • -5.4db
20% Popularity • 51% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 51% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jenny Owen Youngs
Fuck Was I
156 bpm • G Maj • 03:30 • -11.33db
35% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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the bird and the bee
She's Gone
156 bpm • B Maj • 03:02 • -11db
26% Popularity • 64% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
26% Popularity • 64% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Kate Havnevik
Halo
156 bpm • G# Maj • 03:43 • -7.52db
17% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mates of State
Sleep the Clock Around
155 bpm • C# min • 05:11 • -5db
17% Popularity • 50% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 70% Positiveness
17% Popularity • 50% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 70% Positiveness
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Paloalto
The World Outside
154 bpm • G# Maj • 04:22 • -4.93db
12% Popularity • 39% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 39% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Anya Marina
Move You (SSSPII)
154 bpm • C Maj • 03:03 • -5.73db
28% Popularity • 62% Danceability • 85% Energy • 18% Liveness
2% Instrumentalness • 37% Positiveness
28% Popularity • 62% Danceability • 85% Energy • 18% Liveness
2% Instrumentalness • 37% Positiveness
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Tegan and Sara
Fix You Up
154 bpm • F Maj • 02:53 • -6db
35% Popularity • 46% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 46% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Watson Twins
Time of My Life
153 bpm • D Maj • 05:08 • -12.16db
7% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Slip
Life in Disguise
153 bpm • A# Maj • 03:45 • -6db
24% Popularity • 32% Danceability • 64% Energy • 12% Liveness
35% Instrumentalness • 41% Positiveness
24% Popularity • 32% Danceability • 64% Energy • 12% Liveness
35% Instrumentalness • 41% Positiveness
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Turin Brakes
Rain City
153 bpm • C# Maj • 04:06 • -15db
36% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Liz Phair
Somebody's Miracle
152 bpm • E Maj • 04:23 • -4.01db
17% Popularity • 40% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 40% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Remy Zero
Life In Rain
152 bpm • G Maj • 03:36 • -10.89db
19% Popularity • 44% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 44% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Kathryn Calder
Arrow
152 bpm • E Maj • 02:52 • -10.38db
14% Popularity • 44% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 44% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Leona Naess
Calling
152 bpm • C# Maj • 03:45 • -9.32db
21% Popularity • 44% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 44% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Bedroom Walls
Do the Buildings and Cops Make You Smile...
151 bpm • C Maj • 02:59 • -14.55db
9% Popularity • 34% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 34% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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The Reindeer Section
You Are My Joy
151 bpm • A Maj • 03:45 • -7.26db
31% Popularity • 44% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
31% Popularity • 44% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Matt Pond PA
Champagne Supernova
150 bpm • D Maj • 07:12 • -6db
23% Popularity • 41% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 41% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Let's Go Sailing
This Rope Is Long
151 bpm • G Maj • 03:44 • -13.73db
11% Popularity • 37% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
11% Popularity • 37% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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A Fine Frenzy
Stood Up
150 bpm • C Maj • 04:47 • -4.56db
15% Popularity • 39% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 39% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Mark Duplass
Big Machine
150 bpm • D Maj • 03:53 • -9db
17% Popularity • 48% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 48% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Masha Qrella
Feels Like
150 bpm • D Maj • 03:24 • -7.61db
15% Popularity • 78% Danceability • 56% Energy • 31% Liveness
65% Instrumentalness • 66% Positiveness
15% Popularity • 78% Danceability • 56% Energy • 31% Liveness
65% Instrumentalness • 66% Positiveness
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the bird and the bee
Polite Dance Song
150 bpm • A# min • 03:46 • -7.79db
33% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Susie Suh
Seasons Change
150 bpm • B min • 05:04 • -8.5db
13% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Pete Yorn
Blackie's Dead
150 bpm • A Maj • 02:37 • -7.24db
26% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Lorene Scafaria
28
150 bpm • G# Maj • 02:57 • -9db
18% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Anya Marina
All the Same to Me
198 bpm • F# min • 03:09 • -7.18db
33% Popularity • 53% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 53% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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The Submarines
Modern Inventions
149 bpm • F Maj • 02:32 • -6.55db
29% Popularity • 50% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
29% Popularity • 50% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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The Ditty Bops
Wake Up
149 bpm • E min • 02:26 • -8.94db
22% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Umbrellas
The City Lights
148 bpm • D min • 03:21 • -6db
27% Popularity • 47% Danceability • 69% Energy • 9% Liveness
6% Instrumentalness • 44% Positiveness
27% Popularity • 47% Danceability • 69% Energy • 9% Liveness
6% Instrumentalness • 44% Positiveness
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Kathleen Edwards
Chameleon/Comedian
148 bpm • A min • 04:41 • -8.25db
22% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Maria Taylor
My Own Fault
200 bpm • A min • 02:53 • -9.33db
23% Popularity • 67% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 67% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Cary Brothers
The Last One
147 bpm • C# min • 03:39 • -6.71db
16% Popularity • 53% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 42% Positiveness
16% Popularity • 53% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 42% Positiveness
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The Submarines
Ivaloo
148 bpm • D Maj • 04:18 • -6.45db
10% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Mates of State
Goods (All in Your Head)
148 bpm • C# Maj • 04:48 • -5db
24% Popularity • 51% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 51% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Umbrellas
Ships
148 bpm • E min • 03:51 • -6db
18% Popularity • 30% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
18% Popularity • 30% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
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Eisley
Telescope Eyes
202 bpm • B min • 03:03 • -5.11db
25% Popularity • 37% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 37% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Miranda Lee Richards
Life Boat
146 bpm • D# Maj • 04:31 • -6.15db
20% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
