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Bring a Bigger Gun
Songs like
Bring a Bigger Gun
by
Tom Salta
Based on a tempo of (+/- 10%) and a similar genre
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Stephen Barton
Ark Pursuit
174 bpm • D Maj • 07:44 • -11.51db
20% Popularity • 15% Danceability • 58% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Justin E. Bell
Hope (Title Theme)
175 bpm • D min • 07:45 • -13db
38% Popularity • 8% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Tyler Bates
Temptation of the Flesh
176 bpm • E min • 01:28 • -18.78db
16% Popularity • 11% Danceability • 18% Energy • 4% Liveness
96% Instrumentalness • 4% Positiveness
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Finishing Move Inc.
Crash Landing
172 bpm • C# Maj • 03:33 • -15.59db
32% Popularity • 24% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Jeremy Soule
Reign of the Septims
171 bpm • D min • 01:50 • -18db
49% Popularity • 10% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Tom Salta
Breaking the Seal (Sorceress' Theme)
171 bpm • G Maj • 02:18 • -16.09db
6% Popularity • 20% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ludvig Forssell
African Battlecry
170 bpm • C# min • 02:07 • -15.12db
13% Popularity • 53% Danceability • 62% Energy • 15% Liveness
78% Instrumentalness • 39% Positiveness
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Sean Murray
Virus
170 bpm • D Maj • 02:29 • -12db
32% Popularity • 51% Danceability • 58% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Harry Gregson-Williams
Metal Gear Saga
170 bpm • B min • 04:19 • -11.36db
40% Popularity • 21% Danceability • 66% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: II. Shurai
179 bpm • C min • 08:54 • -12.64db
32% Popularity • 21% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Christopher Drake
It's an Operating Table. And I'm the Sur...
179 bpm • C# Maj • 04:48 • -12.8db
20% Popularity • 38% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Tom Salta
Trapped
170 bpm • C# Maj • 02:48 • -10.45db
2% Popularity • 30% Danceability • 82% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Joel Nielsen
Apprehension
179 bpm • C min • 01:47 • -7.77db
31% Popularity • 7% Danceability • 40% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Tim Wynn
Metal and Steel
180 bpm • D Maj • 01:56 • -14.6db
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
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Stephen Barton
Welcome to the Marauder Corps
180 bpm • D min • 02:00 • -12db
29% Popularity • 22% Danceability • 46% Energy • 16% Liveness
93% Instrumentalness • 31% Positiveness
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Halo
Cloaked in Blackness
180 bpm • G min • 03:41 • -12.2db
32% Popularity • 42% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Ola Strandh
Precinct Siege
180 bpm • B min • 04:39 • -14.86db
25% Popularity • 50% Danceability • 83% Energy • 10% Liveness
77% Instrumentalness • 31% Positiveness
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Tom Salta
Swarming
180 bpm • A# min • 01:04 • -12.89db
3% Popularity • 59% Danceability • 95% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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Andreas Waldetoft
The Titan
180 bpm • D min • 04:01 • -14.99db
26% Popularity • 43% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Stuart Garfinkle
The Battle Rages
180 bpm • F min • 01:23 • -10db
37% Popularity • 36% Danceability • 71% Energy • 34% Liveness
96% Instrumentalness • 86% Positiveness
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Hyperduck Soundworks
Underground Battle I
180 bpm • G Maj • 01:11 • -19db
15% Popularity • 50% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 44% Positiveness
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Cris Velasco
Darksiders Theme
180 bpm • D Maj • 03:51 • -10.57db
24% Popularity • 16% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Halo
For Sam, For Us
166 bpm • A# Maj • 01:55 • -16.19db
16% Popularity • 9% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Tom Salta
Ghost Recon
180 bpm • F Maj • 04:01 • -5.96db
9% Popularity • 21% Danceability • 71% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Stuart Chatwood
Return to the Warrens
184 bpm • D Maj • 01:22 • -12.95db
38% Popularity • 54% Danceability • 84% Energy • 17% Liveness
43% Instrumentalness • 52% Positiveness
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Nick Arundel
It Was the Joker
162 bpm • C# min • 02:19 • -24.54db
30% Popularity • 50% Danceability • 20% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
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Mike Zarin
Welcome to 4th Echelon
163 bpm • C Maj • 01:48 • -10.76db
21% Popularity • 59% Danceability • 69% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Final Combat
162 bpm • A# min • 02:47 • -8.42db
19% Popularity • 24% Danceability • 72% Energy • 24% Liveness
91% Instrumentalness • 22% Positiveness
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Yoann Laulan
Dead Cells
160 bpm • C min • 03:00 • -21.05db
33% Popularity • 60% Danceability • 21% Energy • 34% Liveness
82% Instrumentalness • 14% Positiveness
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Tom Salta
Falling Apart
168 bpm • D Maj • 01:09 • -12.89db
3% Popularity • 53% Danceability • 67% Energy • 34% Liveness
98% Instrumentalness • 38% Positiveness
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Ludvig Forssell
Afghanistan's a Big Place
162 bpm • A min • 02:16 • -18.85db
25% Popularity • 45% Danceability • 16% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Sacrifice of Tradition
160 bpm • C min • 04:29 • -10.53db
37% Popularity • 14% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Heavy Tonnage
160 bpm • A# Maj • 04:26 • -14.87db
7% Popularity • 60% Danceability • 72% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Tyler Bates
Streets of Sparta
160 bpm • D Maj • 02:15 • -8.55db
20% Popularity • 38% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 31% Positiveness
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Jason Graves
Welcome To The Sprawl
160 bpm • A Maj • 05:18 • -17.28db
13% Popularity • 17% Danceability • 39% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Keith Power
Corpus Greed
190 bpm • A# min • 04:05 • -21.33db
24% Popularity • 19% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Halo
Choreographite
192 bpm • E min • 01:44 • -14.7db
31% Popularity • 62% Danceability • 61% Energy • 11% Liveness
94% Instrumentalness • 70% Positiveness
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Adam Skorupa
The Path Of A Kingslayer
157 bpm • C min • 01:26 • -11db
29% Popularity • 47% Danceability • 93% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
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Todd Masten
Drizzle
156 bpm • F Maj • 04:12 • -19.52db
29% Popularity • 52% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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Stephen Barton
Link to Pilot
156 bpm • C min • 02:26 • -16.34db
25% Popularity • 28% Danceability • 66% Energy • 14% Liveness
83% Instrumentalness • 17% Positiveness
► Preview
Oleksa Lozowchuk
Guardian of the Deep
155 bpm • E min • 03:17 • -15.1db
32% Popularity • 46% Danceability • 73% Energy • 18% Liveness
84% Instrumentalness • 30% Positiveness
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Stephen Rippy
A Pirate's Temper
197 bpm • D Maj • 01:12 • -13.55db
29% Popularity • 8% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 5% Positiveness
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Henry Jackman
Cut to the Chase
153 bpm • C Maj • 03:09 • -9.47db
36% Popularity • 42% Danceability • 68% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Joris de Man
The Good News - Part 1 - Motherland
152 bpm • C min • 03:46 • -20db
30% Popularity • 30% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Pedro Bromfman
Viva Libertad: Epic Version
152 bpm • D min • 02:40 • -6.2db
32% Popularity • 33% Danceability • 96% Energy • 23% Liveness
86% Instrumentalness • 12% Positiveness
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Stephen Barton
Peace and Order by Force
196 bpm • C Maj • 03:33 • -14db
20% Popularity • 18% Danceability • 65% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Keith Power
The Profit
151 bpm • G Maj • 03:58 • -15.7db
18% Popularity • 32% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Greg Edmonson
Museum Bust
151 bpm • G min • 04:46 • -13.92db
22% Popularity • 36% Danceability • 58% Energy • 35% Liveness
86% Instrumentalness • 14% Positiveness
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Kevin Riepl
Embry Square
150 bpm • A# Maj • 03:02 • -21.07db
17% Popularity • 56% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Nick Arundel
This Court Is Now In Session
150 bpm • G# Maj • 02:16 • -13.22db
26% Popularity • 57% Danceability • 68% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Cris Velasco
Titus
150 bpm • G# Maj • 02:59 • -15.18db
32% Popularity • 34% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
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SIE Sound Team
Blood-starved Beast
150 bpm • A min • 04:41 • -11db
41% Popularity • 46% Danceability • 71% Energy • 27% Liveness
90% Instrumentalness • 9% Positiveness
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Kentaro Nakajima
Collapse
150 bpm • B min • 02:51 • -15db
30% Popularity • 71% Danceability • 58% Energy • 11% Liveness
75% Instrumentalness • 63% Positiveness
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James Hannigan
A Broken Past
150 bpm • C Maj • 04:54 • -13.76db
9% Popularity • 38% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Halo
Wolverine's Return
150 bpm • C# min • 02:10 • -8.29db
14% Popularity • 60% Danceability • 93% Energy • 34% Liveness
93% Instrumentalness • 80% Positiveness
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Tyler Bates
Awakening of the Hecatonchires
150 bpm • A# Maj • 02:13 • -9.75db
24% Popularity • 57% Danceability • 84% Energy • 7% Liveness
98% Instrumentalness • 24% Positiveness
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Tom Salta
Extreme Wheels Garage
150 bpm • D Maj • 02:15 • -6.58db
0% Popularity • 56% Danceability • 82% Energy • 18% Liveness
92% Instrumentalness • 81% Positiveness
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Stuart Chatwood
Combat in the Ruins
150 bpm • G Maj • 03:36 • -8.29db
41% Popularity • 53% Danceability • 93% Energy • 14% Liveness
81% Instrumentalness • 26% Positiveness
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Dan Romer
The Devil's Friends Hide in the Dark
150 bpm • D Maj • 03:07 • -9.89db
22% Popularity • 46% Danceability • 96% Energy • 38% Liveness
89% Instrumentalness • 69% Positiveness
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Kentaro Nakajima
Last Judgment
150 bpm • C Maj • 03:25 • -11.51db
33% Popularity • 45% Danceability • 73% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Henry Jackman
Race to Libertalia
150 bpm • F min • 03:12 • -11.01db
26% Popularity • 26% Danceability • 64% Energy • 9% Liveness
86% Instrumentalness • 37% Positiveness
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Nobuko Toda
Haven Troopers
150 bpm • D Maj • 03:40 • -13db
17% Popularity • 58% Danceability • 68% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
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Tom Salta
The Peri (Zahra's Theme)
150 bpm • G# Maj • 03:41 • -12.18db
3% Popularity • 51% Danceability • 50% Energy • 9% Liveness
83% Instrumentalness • 22% Positiveness
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Jason Hayes
Holding Up the Sky
150 bpm • G# Maj • 03:05 • -10.21db
20% Popularity • 50% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
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Tom Salta
Turn and Burn
150 bpm • D Maj • 03:01 • -12.17db
8% Popularity • 44% Danceability • 57% Energy • 15% Liveness
82% Instrumentalness • 23% Positiveness
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Henry Jackman
End of the Line
150 bpm • A Maj • 03:19 • -11.13db
17% Popularity • 40% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Henry Jackman
Those Who Prove Worthy
150 bpm • G Maj • 02:56 • -13.09db
25% Popularity • 35% Danceability • 51% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Bring a Bigger Gun