Songs like Bring Me to Light by Jeanine Tesori
Based on a tempo of (+/- 10%) and a similar genre
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Andy Karl and Allison Janney
Let Love Grow
78 bpm • D# Maj • 02:38 • -12.08db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanine Tesori
Ecuador
78 bpm • D Maj • 02:29 • -19.07db
2% Popularity • 19% Danceability • 7% Energy • 20% Liveness
75% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 7% Energy • 20% Liveness
75% Instrumentalness • 4% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
26% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lincoln Center Theater
Come Away Underscore
78 bpm • C Maj • 01:32 • -20.82db
1% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
1% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Women of the Palace
My Strongest Suit
77 bpm • C# Maj • 05:16 • -6.44db
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
22% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jeanine Tesori
Bring Me to Light
78 bpm • A Maj • 03:26 • -9.4db
21% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Bonnie Milligan
How to Wash a Check (Reprise)
77 bpm • C Maj • 01:00 • -9.49db
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jeanine Tesori
Look at Me
78 bpm • G# min • 01:56 • -9.17db
10% Popularity • 58% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Kendrick
I Can Do Better Than That
77 bpm • D Maj • 04:57 • -7.42db
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Original Cast of Amélie
A Better Haircut
76 bpm • D Maj • 04:35 • -7.51db
20% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Victoria Clark
This Time
76 bpm • G Maj • 04:36 • -8.04db
28% Popularity • 49% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 49% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanine Tesori
Blue, Act II Scene 3: We Sing...Christ W...
78 bpm • E min • 03:08 • -16.39db
0% Popularity • 20% Danceability • 37% Energy • 28% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 37% Energy • 28% Liveness
1% Instrumentalness • 7% Positiveness
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Lincoln Center Theater
Islands 1
80 bpm • D Maj • 06:39 • -20.93db
0% Popularity • 13% Danceability • 7% Energy • 21% Liveness
81% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 7% Energy • 21% Liveness
81% Instrumentalness • 3% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jeanine Tesori
That's What I Could Do
77 bpm • C Maj • 02:37 • -22.11db
8% Popularity • 29% Danceability • 5% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 29% Danceability • 5% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
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Lincoln Center Theater
Sunrise Music
80 bpm • D Maj • 02:17 • -23.16db
1% Popularity • 16% Danceability • 7% Energy • 16% Liveness
57% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 7% Energy • 16% Liveness
57% Instrumentalness • 4% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Jeanine Tesori
Changing My Major
77 bpm • A# Maj • 04:22 • -11.02db
32% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jeanine Tesori
Surprised
79 bpm • D Maj • 03:40 • -10.57db
13% Popularity • 56% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 56% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Makké
Caroline, There's Extra Food
81 bpm • G Maj • 02:26 • -12.24db
5% Popularity • 58% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 58% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Sherie Rene Scott
I Know The Truth
75 bpm • G Maj • 03:36 • -12.42db
31% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jeanine Tesori
Blue, Act I Scene 4: Yes, Sir! Got My Ow...
80 bpm • G# Maj • 01:05 • -17.29db
0% Popularity • 50% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 50% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Adam Makké
Roosevelt Petrucius Coleslaw
82 bpm • C Maj • 07:34 • -6.7db
3% Popularity • 50% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 50% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Megan McGinnis
All This Time
82 bpm • F Maj • 03:07 • -11.04db
19% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Victoria Clark
Before I Go
74 bpm • D# Maj • 04:30 • -12.87db
23% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jeanine Tesori
Blue, Act II Scene 1: This Is My Badge
80 bpm • D min • 02:09 • -16.84db
0% Popularity • 26% Danceability • 38% Energy • 83% Liveness
10% Instrumentalness • 26% Positiveness
0% Popularity • 26% Danceability • 38% Energy • 83% Liveness
10% Instrumentalness • 26% Positiveness
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Lincoln Center Theater
O Mistress Mine
82 bpm • G min • 02:06 • -13.2db
1% Popularity • 45% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 45% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Heather Headley
Easy As Life
73 bpm • G# Maj • 04:13 • -8.52db
34% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jeanine Tesori
Blue, Act I Scene 1: Urgent! Drop Ev'ryt...
76 bpm • G Maj • 01:01 • -13.16db
1% Popularity • 31% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 31% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Adam Makké
Caroline Takes My Money Home
83 bpm • D Maj • 01:01 • -13.59db
5% Popularity • 56% Danceability • 19% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 56% Danceability • 19% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Maria Friedman
Loose Ends
83 bpm • G# Maj • 04:25 • -18.89db
15% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
15% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Keith Carradine
If I Had This Truck
83 bpm • G# Maj • 04:17 • -10.82db
15% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jeanine Tesori
Blue, Act I Scene 4: No! New York Is the...
76 bpm • D Maj • 02:15 • -17.32db
0% Popularity • 33% Danceability • 27% Energy • 26% Liveness
2% Instrumentalness • 15% Positiveness
0% Popularity • 33% Danceability • 27% Energy • 26% Liveness
2% Instrumentalness • 15% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Caissie Levy
Mr. Gellman's Shirt
73 bpm • C Maj • 01:42 • -9.86db
3% Popularity • 49% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 49% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Cooley
Skater Planet (Reprise)
83 bpm • A Maj • 01:26 • -12.12db
23% Popularity • 54% Danceability • 23% Energy • 79% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 79% Liveness
0% Instrumentalness • 57% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Pascal
Enchantment Passing Through - Broadway C...
83 bpm • A Maj • 03:18 • -12.55db
28% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jeanine Tesori
Tell Me About Him
80 bpm • G Maj • 01:27 • -29.32db
3% Popularity • 23% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 16% Positiveness
3% Popularity • 23% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 16% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Lincoln Center Theater
Viola/Sebastian
84 bpm • F Maj • 01:29 • -20.49db
2% Popularity • 22% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 22% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Arica Jackson
Laundry Quintet
73 bpm • D Maj • 02:03 • -6.29db
6% Popularity • 41% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 41% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Jeanine Tesori
Promise Me, Violet (Reprise)
80 bpm • G Maj • 03:16 • -13.32db
8% Popularity • 40% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 40% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Idina Menzel
What If? (Reprise)
84 bpm • A Maj • 01:32 • -9.97db
19% Popularity • 28% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 28% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Jeanine Tesori
Lot's Wife
76 bpm • C Maj • 05:30 • -8.72db
5% Popularity • 54% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 54% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Lea Michele
The Music That Makes Me Dance
84 bpm • A# Maj • 03:02 • -11.83db
24% Popularity • 30% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 30% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Derek Klena
Perfect
85 bpm • G# Maj • 02:52 • -6db
30% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Jeanine Tesori
Blue, Act I Scene 1: Forgive Our Sistah....
81 bpm • A# min • 01:19 • -15.01db
0% Popularity • 23% Danceability • 36% Energy • 42% Liveness
14% Instrumentalness • 21% Positiveness
0% Popularity • 23% Danceability • 36% Energy • 42% Liveness
14% Instrumentalness • 21% Positiveness
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Caissie Levy
Noah Has a Problem
72 bpm • D min • 01:59 • -9.31db
4% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Original Cast of Amélie
Tour De France
71 bpm • D Maj • 02:33 • -8.29db
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Santino Fontana
I Won't Let You Down
71 bpm • E Maj • 03:03 • -10.87db
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Rebecca Faulkenberry
Playing Nancy
71 bpm • D Maj • 03:11 • -8db
32% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Jeanine Tesori
The Goodbye
75 bpm • G Maj • 01:33 • -16.77db
3% Popularity • 10% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Adam Makké
Aftermath
71 bpm • G Maj • 05:54 • -13.97db
2% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Idina Menzel
What If?
71 bpm • A Maj • 04:43 • -9.97db
24% Popularity • 46% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Sierra Boggess
Good Luck, Bonne Chance
86 bpm • B Maj • 05:39 • -9.82db
9% Popularity • 54% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 54% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness