Songs like Bring Us, O Lord God by William Henry Harris
Based on a tempo of (+/- 10%) and a similar genre
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William Henry Harris
Bring Us, O Lord God
174 bpm • C# Maj • 04:01 • -28db
13% Popularity • 8% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 3% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
174 bpm • D min • 06:07 • -28db
17% Popularity • 8% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Ä’riks EÅ¡envalds
The Heavens' Flock
174 bpm • C min • 04:31 • -23.01db
14% Popularity • 10% Danceability • 14% Energy • 20% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 14% Energy • 20% Liveness
97% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 1. Come Away De...
174 bpm • F# Maj • 02:59 • -23.78db
13% Popularity • 14% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Paul Hindemith
6 Chansons: No. 6. Verger
173 bpm • G Maj • 01:10 • -23db
26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Henry Purcell
Hear My Prayer
175 bpm • B min • 02:12 • -20db
32% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Cherubic Hymn
175 bpm • G Maj • 04:28 • -26.52db
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
70% Instrumentalness • 7% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
70% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Libera me
175 bpm • A# Maj • 04:53 • -23.35db
21% Popularity • 10% Danceability • 6% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
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Alexander Levine
The Divine Liturgy of St John Chrysostom...
175 bpm • D min • 06:19 • -27.51db
1% Popularity • 8% Danceability • 3% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
1% Popularity • 8% Danceability • 3% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: No. 1, Full Fat...
175 bpm • C Maj • 03:21 • -36.21db
12% Popularity • 8% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 3% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30
172 bpm • D# Maj • 05:10 • -26.16db
28% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Paul Mealor
Peace
171 bpm • D Maj • 04:34 • -22.12db
18% Popularity • 9% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 9% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Lotti
8-part Crucifixus
171 bpm • C min • 03:39 • -20db
28% Popularity • 10% Danceability • 11% Energy • 9% Liveness
40% Instrumentalness • 3% Positiveness
28% Popularity • 10% Danceability • 11% Energy • 9% Liveness
40% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
171 bpm • G# min • 02:58 • -23db
24% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
24% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Ach Herr, lass dein lieb Engelein, BWV 2...
170 bpm • D Maj • 02:09 • -21.91db
15% Popularity • 15% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Heinrich Schütz
Selig sind die Toten, SWV 391
170 bpm • F Maj • 04:14 • -17db
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Owain Park
Night Prayer
170 bpm • D Maj • 03:28 • -30.39db
9% Popularity • 11% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
For lo, I raise up, Op. 145
170 bpm • C# Maj • 07:53 • -21.66db
11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Sumsion
They That Go Down To The Sea In Ships
168 bpm • C# min • 06:20 • -19.83db
7% Popularity • 10% Danceability • 17% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 17% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Cherubic Hymn
167 bpm • D min • 02:24 • -36.27db
21% Popularity • 11% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Raphael Ravescroft
Forgiveness
183 bpm • G min • 05:44 • -22.91db
9% Popularity • 7% Danceability • 10% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 10% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Jesu, meine Freude, BWV 227: I. Choral "...
189 bpm • D# min • 01:03 • -23db
33% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Forshaw
In paradisum
165 bpm • C Maj • 03:42 • -22.74db
12% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
