Songs like Broke Down by Radio Moscow
Based on a tempo of (+/- 10%) and a similar genre
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The Devil and the Almighty Blues
Riverside
76 bpm • C# min • 06:27 • -5.56db
17% Popularity • 37% Danceability • 64% Energy • 11% Liveness
48% Instrumentalness • 53% Positiveness
17% Popularity • 37% Danceability • 64% Energy • 11% Liveness
48% Instrumentalness • 53% Positiveness
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The Wanton Bishops
Waslaha
76 bpm • C Maj • 02:38 • -5.74db
43% Popularity • 46% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 46% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Black River Delta
Follow You Down
76 bpm • E Maj • 04:04 • -5.05db
30% Popularity • 31% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 66% Positiveness
30% Popularity • 31% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 66% Positiveness
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Radio Moscow
Broke Down
76 bpm • C Maj • 04:15 • -6.82db
40% Popularity • 38% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 38% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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El Perro
Breaking Free
76 bpm • F# Maj • 03:39 • -5.94db
20% Popularity • 37% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 37% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Black Joe Lewis & The Honeybears
She's So Scandalous
77 bpm • C# min • 04:34 • -6.2db
33% Popularity • 70% Danceability • 80% Energy • 24% Liveness
44% Instrumentalness • 38% Positiveness
33% Popularity • 70% Danceability • 80% Energy • 24% Liveness
44% Instrumentalness • 38% Positiveness
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The Fumes
Run To The Mother
76 bpm • F Maj • 04:14 • -5db
18% Popularity • 55% Danceability • 86% Energy • 12% Liveness
5% Instrumentalness • 74% Positiveness
18% Popularity • 55% Danceability • 86% Energy • 12% Liveness
5% Instrumentalness • 74% Positiveness
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The Muggs
Motown Blues
75 bpm • G Maj • 01:29 • -13.56db
36% Popularity • 59% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
36% Popularity • 59% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Buffalo Fuzz
Buffalo Stomp
75 bpm • A Maj • 04:00 • -4.13db
16% Popularity • 27% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 27% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Colour Haze
Black Lilly
75 bpm • F Maj • 06:48 • -10.07db
28% Popularity • 28% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 28% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 38% Positiveness
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Radio Moscow
250 Miles/Brain Cycles
77 bpm • B min • 07:33 • -9.88db
20% Popularity • 21% Danceability • 64% Energy • 93% Liveness
69% Instrumentalness • 44% Positiveness
20% Popularity • 21% Danceability • 64% Energy • 93% Liveness
69% Instrumentalness • 44% Positiveness
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Henry's Funeral Shoe
Anvil & Chains
77 bpm • E min • 02:29 • -5db
14% Popularity • 40% Danceability • 83% Energy • 23% Liveness
5% Instrumentalness • 37% Positiveness
14% Popularity • 40% Danceability • 83% Energy • 23% Liveness
5% Instrumentalness • 37% Positiveness
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The White Stripes
Ball and Biscuit
77 bpm • A Maj • 07:18 • -7.21db
54% Popularity • 51% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 61% Positiveness
54% Popularity • 51% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 61% Positiveness
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Dan Auerbach
Heartbroken, In Disrepair
78 bpm • F min • 03:21 • -8.43db
57% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
57% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
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Buffalo Fuzz
The War
78 bpm • D Maj • 04:52 • -7db
17% Popularity • 20% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 20% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Arcs
Fools Gold
78 bpm • C Maj • 04:02 • -5.85db
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Radio Moscow
250 Miles
78 bpm • A min • 04:52 • -11.08db
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
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Buddy Guy
Baby Please Don't Leave Me
78 bpm • A# min • 07:22 • -5.72db
26% Popularity • 40% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
26% Popularity • 40% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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the Graveltones
World On a String
74 bpm • B min • 03:17 • -5db
17% Popularity • 42% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 42% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Patrick Sweany
Every Gun
78 bpm • F Maj • 03:17 • -8db
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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The Dead Weather
60 Feet Tall
78 bpm • C Maj • 05:33 • -8.63db
34% Popularity • 50% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 28% Positiveness
34% Popularity • 50% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 28% Positiveness
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The Stone Foxes
I'm A King Bee
79 bpm • A# min • 03:19 • -8.11db
50% Popularity • 47% Danceability • 53% Energy • 10% Liveness
19% Instrumentalness • 48% Positiveness
50% Popularity • 47% Danceability • 53% Energy • 10% Liveness
19% Instrumentalness • 48% Positiveness
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Buffalo Fuzz
My Cosmic Love
79 bpm • D Maj • 04:45 • -6.48db
19% Popularity • 41% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 41% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Heavy Eyes
One Hand On the Buffalo
73 bpm • G min • 03:30 • -3.61db
43% Popularity • 28% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
43% Popularity • 28% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
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Radio Moscow
Gypsy Fast Woman
79 bpm • B min • 05:11 • -8.55db
13% Popularity • 30% Danceability • 94% Energy • 93% Liveness
71% Instrumentalness • 44% Positiveness
13% Popularity • 30% Danceability • 94% Energy • 93% Liveness
71% Instrumentalness • 44% Positiveness
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Dirty Streets
No Need To Rest
79 bpm • D Maj • 03:23 • -7db
12% Popularity • 53% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 53% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Quaker City Night Hawks
Some Of Adam's Blues
72 bpm • G min • 05:26 • -8db
42% Popularity • 42% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
42% Popularity • 42% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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El Perro
The Mould
80 bpm • F# Maj • 03:59 • -7.82db
27% Popularity • 24% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 24% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kadavar
All Our Thoughts
81 bpm • D Maj • 04:35 • -2db
34% Popularity • 14% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 14% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Assemble Head In Sunburst Sound
Drunken Leaves
82 bpm • E min • 04:18 • -8.13db
27% Popularity • 26% Danceability • 78% Energy • 29% Liveness
83% Instrumentalness • 46% Positiveness
27% Popularity • 26% Danceability • 78% Energy • 29% Liveness
83% Instrumentalness • 46% Positiveness
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Radio Moscow
Broke Down
81 bpm • C Maj • 04:10 • -7.14db
9% Popularity • 27% Danceability • 82% Energy • 63% Liveness
1% Instrumentalness • 48% Positiveness
9% Popularity • 27% Danceability • 82% Energy • 63% Liveness
1% Instrumentalness • 48% Positiveness
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KING MUD
Back It Up
81 bpm • G Maj • 02:53 • -10.01db
20% Popularity • 37% Danceability • 64% Energy • 11% Liveness
9% Instrumentalness • 48% Positiveness
20% Popularity • 37% Danceability • 64% Energy • 11% Liveness
9% Instrumentalness • 48% Positiveness
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Patrick Sweany
Them Shoes
82 bpm • C Maj • 05:48 • -8db
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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The Heavy Eyes
These Men Are Wolves
82 bpm • D min • 02:47 • -5.58db
47% Popularity • 32% Danceability • 76% Energy • 4% Liveness
8% Instrumentalness • 68% Positiveness
47% Popularity • 32% Danceability • 76% Energy • 4% Liveness
8% Instrumentalness • 68% Positiveness
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Masters Of Reality
Rabbit One
82 bpm • B Maj • 03:33 • -16.13db
43% Popularity • 61% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 21% Positiveness
43% Popularity • 61% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 21% Positiveness
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John The Conqueror
Passing Time
82 bpm • E Maj • 01:39 • -12.21db
27% Popularity • 56% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
27% Popularity • 56% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Radio Moscow
Introduction
81 bpm • G# min • 01:19 • -8.36db
24% Popularity • 38% Danceability • 85% Energy • 37% Liveness
69% Instrumentalness • 78% Positiveness
24% Popularity • 38% Danceability • 85% Energy • 37% Liveness
69% Instrumentalness • 78% Positiveness
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Luke Winslow-King
I'm Glad Trouble Don't Last Always
82 bpm • D Maj • 04:17 • -7.12db
49% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
49% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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The Flying Eyes
Overboard
82 bpm • E min • 03:45 • -7.25db
10% Popularity • 26% Danceability • 44% Energy • 10% Liveness
13% Instrumentalness • 33% Positiveness
10% Popularity • 26% Danceability • 44% Energy • 10% Liveness
13% Instrumentalness • 33% Positiveness
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The Heavy Eyes
God Damn Wolf Man
83 bpm • A min • 02:49 • -5.61db
31% Popularity • 38% Danceability • 89% Energy • 41% Liveness
77% Instrumentalness • 75% Positiveness
31% Popularity • 38% Danceability • 89% Energy • 41% Liveness
77% Instrumentalness • 75% Positiveness
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The Fumes
Over the River
83 bpm • C# Maj • 03:08 • -2.64db
14% Popularity • 43% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 43% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Fuzz
Let It Live
83 bpm • C Maj • 05:20 • -6.14db
34% Popularity • 21% Danceability • 70% Energy • 36% Liveness
86% Instrumentalness • 31% Positiveness
34% Popularity • 21% Danceability • 70% Energy • 36% Liveness
86% Instrumentalness • 31% Positiveness
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Radio Moscow
Creepin'
83 bpm • D min • 03:28 • -8.3db
14% Popularity • 38% Danceability • 66% Energy • 19% Liveness
4% Instrumentalness • 70% Positiveness
14% Popularity • 38% Danceability • 66% Energy • 19% Liveness
4% Instrumentalness • 70% Positiveness
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The Devil and the Almighty Blues
Tired Old Dog
84 bpm • C# Maj • 06:27 • -8db
36% Popularity • 47% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
36% Popularity • 47% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
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The Juke Joint Pimps
Delta Trip
84 bpm • C Maj • 03:01 • -2.85db
29% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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The Heavy Eyes
5%
83 bpm • G Maj • 04:04 • -7.31db
33% Popularity • 12% Danceability • 64% Energy • 28% Liveness
66% Instrumentalness • 57% Positiveness
33% Popularity • 12% Danceability • 64% Energy • 28% Liveness
66% Instrumentalness • 57% Positiveness
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Sleepy Sun
Sandstorm Woman
84 bpm • E min • 09:49 • -7.97db
27% Popularity • 21% Danceability • 55% Energy • 7% Liveness
51% Instrumentalness • 32% Positiveness
27% Popularity • 21% Danceability • 55% Energy • 7% Liveness
51% Instrumentalness • 32% Positiveness
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Ron Gallo
Why Do You Have Kids?
84 bpm • A Maj • 03:16 • -6.36db
25% Popularity • 33% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 33% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Hanni El Khatib
You Rascal You
85 bpm • F Maj • 02:21 • -7.98db
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Bad Light
Goodshit
85 bpm • A# Maj • 04:49 • -6db
10% Popularity • 23% Danceability • 56% Energy • 18% Liveness
11% Instrumentalness • 46% Positiveness
10% Popularity • 23% Danceability • 56% Energy • 18% Liveness
11% Instrumentalness • 46% Positiveness
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The Muggs
Lightning Cries
85 bpm • G Maj • 04:51 • -5.04db
10% Popularity • 42% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 42% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Dan Auerbach
The Prowl
85 bpm • G# Maj • 03:16 • -6db
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
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Slow Season
Sixty-Eight
86 bpm • A Maj • 05:09 • -2.7db
27% Popularity • 49% Danceability • 90% Energy • 13% Liveness
20% Instrumentalness • 50% Positiveness
27% Popularity • 49% Danceability • 90% Energy • 13% Liveness
20% Instrumentalness • 50% Positiveness
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Fuzz
Rat Race
67 bpm • G min • 02:45 • -5.65db
28% Popularity • 19% Danceability • 79% Energy • 30% Liveness
5% Instrumentalness • 55% Positiveness
28% Popularity • 19% Danceability • 79% Energy • 30% Liveness
5% Instrumentalness • 55% Positiveness
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The Raconteurs
Top Yourself
86 bpm • G Maj • 04:25 • -5db
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Buffalo Fuzz
The Reaper
67 bpm • G# Maj • 03:15 • -5.56db
27% Popularity • 16% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 16% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Black Mountain
Druganaut
86 bpm • C# Maj • 03:47 • -6.96db
27% Popularity • 64% Danceability • 73% Energy • 10% Liveness
36% Instrumentalness • 81% Positiveness
27% Popularity • 64% Danceability • 73% Energy • 10% Liveness
36% Instrumentalness • 81% Positiveness
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Jack Broadbent
She said (original)
67 bpm • D min • 02:02 • -11.59db
36% Popularity • 67% Danceability • 22% Energy • 14% Liveness
66% Instrumentalness • 54% Positiveness
36% Popularity • 67% Danceability • 22% Energy • 14% Liveness
66% Instrumentalness • 54% Positiveness
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Radio Moscow
Chance Of Fate
86 bpm • B min • 04:12 • -7.45db
11% Popularity • 27% Danceability • 90% Energy • 48% Liveness
51% Instrumentalness • 26% Positiveness
11% Popularity • 27% Danceability • 90% Energy • 48% Liveness
51% Instrumentalness • 26% Positiveness
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Black Joe Lewis & The Honeybears
I'm Gonna Leave You
87 bpm • G Maj • 03:51 • -7.28db
29% Popularity • 79% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
29% Popularity • 79% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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The Bonnevilles
You're Not Alone
87 bpm • A min • 02:52 • -5.07db
14% Popularity • 37% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 37% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Lonesome Shack
More Primitive
87 bpm • B min • 04:08 • -10.83db
12% Popularity • 76% Danceability • 57% Energy • 8% Liveness
70% Instrumentalness • 52% Positiveness
12% Popularity • 76% Danceability • 57% Energy • 8% Liveness
70% Instrumentalness • 52% Positiveness
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Wolf People
Silbury Sands
87 bpm • A Maj • 05:18 • -5.69db
30% Popularity • 22% Danceability • 81% Energy • 10% Liveness
8% Instrumentalness • 36% Positiveness
30% Popularity • 22% Danceability • 81% Energy • 10% Liveness
8% Instrumentalness • 36% Positiveness
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Blues Pills
River
87 bpm • F min • 04:23 • -5.56db
25% Popularity • 21% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 21% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Buffalo Fuzz
Burning Down
88 bpm • E min • 03:40 • -8db
14% Popularity • 29% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 29% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Black Pistol Fire
Hipster Shakes
88 bpm • C Maj • 02:50 • -4.81db
48% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Masters Of Reality
Up In It
88 bpm • C Maj • 03:43 • -2.88db
24% Popularity • 70% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 70% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Radio Moscow
Little Eyes
88 bpm • E min • 04:45 • -7.82db
12% Popularity • 19% Danceability • 94% Energy • 39% Liveness
70% Instrumentalness • 52% Positiveness
12% Popularity • 19% Danceability • 94% Energy • 39% Liveness
70% Instrumentalness • 52% Positiveness
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The Black Angels
The Sniper
88 bpm • E Maj • 03:54 • -4.65db
32% Popularity • 16% Danceability • 78% Energy • 7% Liveness
5% Instrumentalness • 28% Positiveness
32% Popularity • 16% Danceability • 78% Energy • 7% Liveness
5% Instrumentalness • 28% Positiveness
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The Bones of J.R. Jones
The Drop
88 bpm • D Maj • 03:16 • -6.36db
46% Popularity • 59% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 59% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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the Graveltones
Dying On Your Feet
88 bpm • F Maj • 03:38 • -3.09db
12% Popularity • 36% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
12% Popularity • 36% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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The Fumes
High City Lights
88 bpm • B min • 04:16 • -6.49db
16% Popularity • 27% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 27% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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El Perro
Take Me Away
89 bpm • G Maj • 03:37 • -7.24db
16% Popularity • 37% Danceability • 86% Energy • 15% Liveness
1% Instrumentalness • 41% Positiveness
16% Popularity • 37% Danceability • 86% Energy • 15% Liveness
1% Instrumentalness • 41% Positiveness
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The Parlor Mob
Everything You're Breathing For
89 bpm • C Maj • 03:46 • -5.4db
43% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Radio Moscow
The Stranger
89 bpm • A min • 02:54 • -6.08db
24% Popularity • 69% Danceability • 62% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
24% Popularity • 69% Danceability • 62% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
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Masters Of Reality
Ants In The Kitchen
89 bpm • F min • 03:22 • -9.09db
23% Popularity • 54% Danceability • 85% Energy • 11% Liveness
15% Instrumentalness • 85% Positiveness
23% Popularity • 54% Danceability • 85% Energy • 11% Liveness
15% Instrumentalness • 85% Positiveness
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The Dead Weather
Hustle and Cuss
90 bpm • A Maj • 03:45 • -3.38db
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
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Greenleaf
Stray Bullit Woman
90 bpm • F# Maj • 03:05 • -7.69db
41% Popularity • 48% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
41% Popularity • 48% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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The Flying Eyes
Bad Blood
90 bpm • A Maj • 03:53 • -5.66db
22% Popularity • 35% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 35% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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7Horse
Please Come on Home
90 bpm • D Maj • 04:23 • -5.61db
26% Popularity • 45% Danceability • 90% Energy • 12% Liveness
53% Instrumentalness • 39% Positiveness
26% Popularity • 45% Danceability • 90% Energy • 12% Liveness
53% Instrumentalness • 39% Positiveness
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Radio Moscow
Bridges
89 bpm • D Maj • 05:19 • -10.62db
13% Popularity • 32% Danceability • 74% Energy • 42% Liveness
46% Instrumentalness • 10% Positiveness
13% Popularity • 32% Danceability • 74% Energy • 42% Liveness
46% Instrumentalness • 10% Positiveness
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Black Pistol Fire
Slow Burn
90 bpm • D Maj • 03:26 • -5.4db
25% Popularity • 33% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 33% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 63% Positiveness
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Ron Gallo
Kill the Medicine Man
90 bpm • A Maj • 02:33 • -6.24db
39% Popularity • 41% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 41% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Greenleaf
The Drum
91 bpm • F Maj • 02:54 • -7.48db
28% Popularity • 49% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 49% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Lonesome Shack
Head Holes
91 bpm • A Maj • 03:10 • -6.85db
33% Popularity • 63% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 74% Positiveness
33% Popularity • 63% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 74% Positiveness
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Jolly Jumpers
Palomino
91 bpm • D Maj • 03:45 • -5.8db
27% Popularity • 54% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 54% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Radio Moscow
New Beginning
90 bpm • A min • 04:08 • -4.48db
21% Popularity • 18% Danceability • 95% Energy • 36% Liveness
2% Instrumentalness • 42% Positiveness
21% Popularity • 18% Danceability • 95% Energy • 36% Liveness
2% Instrumentalness • 42% Positiveness
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Band Of Skulls
Himalayan
91 bpm • D Maj • 03:13 • -5db
28% Popularity • 44% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 44% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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The Bonnevilles
Good Suits & Fightin Boots
91 bpm • D Maj • 04:09 • -2.7db
11% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Buffalo Fuzz
Hard Lovin' Body
91 bpm • F Maj • 03:25 • -6db
19% Popularity • 16% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 16% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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The Heavy Eyes
Goodnight
91 bpm • F Maj • 02:37 • -2.73db
42% Popularity • 27% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 27% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Rose Hill Drive
Telepathic
91 bpm • F min • 04:30 • -2db
29% Popularity • 50% Danceability • 96% Energy • 41% Liveness
80% Instrumentalness • 50% Positiveness
29% Popularity • 50% Danceability • 96% Energy • 41% Liveness
80% Instrumentalness • 50% Positiveness
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Radio Moscow
New Skin
90 bpm • A# Maj • 03:02 • -3.96db
11% Popularity • 30% Danceability • 95% Energy • 77% Liveness
48% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 95% Energy • 77% Liveness
48% Instrumentalness • 50% Positiveness
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Masters Of Reality
J.B. Witchdance
91 bpm • G# Maj • 03:36 • -7.72db
26% Popularity • 67% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
26% Popularity • 67% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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the Graveltones
Catch Me On The Fly
92 bpm • D Maj • 02:33 • -4.23db
16% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Fumes
The Letter
92 bpm • C# Maj • 04:10 • -4.02db
24% Popularity • 53% Danceability • 97% Energy • 6% Liveness
9% Instrumentalness • 65% Positiveness
24% Popularity • 53% Danceability • 97% Energy • 6% Liveness
9% Instrumentalness • 65% Positiveness
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The Well
Mortal Bones
92 bpm • G Maj • 05:31 • -5.08db
31% Popularity • 28% Danceability • 87% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
31% Popularity • 28% Danceability • 87% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Siena Root
Tales of Independence
92 bpm • D Maj • 03:39 • -6.1db
22% Popularity • 47% Danceability • 81% Energy • 4% Liveness
3% Instrumentalness • 72% Positiveness
22% Popularity • 47% Danceability • 81% Energy • 4% Liveness
3% Instrumentalness • 72% Positiveness
