Songs like Broken Bones by Roger Waters
Based on a tempo of (+/- 10%) and a similar genre
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Pavlov's Dog
Did You See Him Cry
165 bpm • G Maj • 05:40 • -11.78db
14% Popularity • 32% Danceability • 45% Energy • 30% Liveness
5% Instrumentalness • 24% Positiveness
14% Popularity • 32% Danceability • 45% Energy • 30% Liveness
5% Instrumentalness • 24% Positiveness
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Roger Waters
Broken Bones
165 bpm • G Maj • 04:57 • -11db
35% Popularity • 36% Danceability • 22% Energy • 9% Liveness
56% Instrumentalness • 10% Positiveness
35% Popularity • 36% Danceability • 22% Energy • 9% Liveness
56% Instrumentalness • 10% Positiveness
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Al Stewart
Broadway Hotel - 2001 Remaster
165 bpm • F# min • 03:58 • -12db
34% Popularity • 43% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 43% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Airbag
Sleepwalker
164 bpm • A min • 07:05 • -9.84db
22% Popularity • 34% Danceability • 48% Energy • 31% Liveness
12% Instrumentalness • 10% Positiveness
22% Popularity • 34% Danceability • 48% Energy • 31% Liveness
12% Instrumentalness • 10% Positiveness
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Genesis
Time Table - 2007 Stereo Mix
167 bpm • G# Maj • 04:46 • -11.03db
38% Popularity • 39% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 39% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Wishbone Ash
Errors Of My Way
161 bpm • D Maj • 06:55 • -11db
34% Popularity • 28% Danceability • 59% Energy • 23% Liveness
22% Instrumentalness • 54% Positiveness
34% Popularity • 28% Danceability • 59% Energy • 23% Liveness
22% Instrumentalness • 54% Positiveness
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Rick Wakeman
The Battle
168 bpm • B min • 05:55 • -7.23db
19% Popularity • 46% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 46% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Roger Waters
Bird In A Gale
164 bpm • A# min • 05:31 • -8.42db
30% Popularity • 52% Danceability • 79% Energy • 47% Liveness
82% Instrumentalness • 21% Positiveness
30% Popularity • 52% Danceability • 79% Energy • 47% Liveness
82% Instrumentalness • 21% Positiveness
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Ian Anderson
The Little Flower Girl
160 bpm • G Maj • 03:37 • -9db
17% Popularity • 57% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 57% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Queen + Paul Rodgers
small reprise
170 bpm • C Maj • 02:05 • -10db
29% Popularity • 43% Danceability • 50% Energy • 36% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 43% Danceability • 50% Energy • 36% Liveness
92% Instrumentalness • 9% Positiveness
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Alan Parsons
Fragile
170 bpm • E Maj • 03:56 • -6.02db
27% Popularity • 29% Danceability • 53% Energy • 10% Liveness
8% Instrumentalness • 27% Positiveness
27% Popularity • 29% Danceability • 53% Energy • 10% Liveness
8% Instrumentalness • 27% Positiveness
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John Lennon
Working Class Hero - Remastered 2010
159 bpm • G Maj • 03:47 • -18.57db
58% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Yogi Lang
Our World Has Changed
171 bpm • G Maj • 05:24 • -10.75db
33% Popularity • 26% Danceability • 33% Energy • 9% Liveness
18% Instrumentalness • 15% Positiveness
33% Popularity • 26% Danceability • 33% Energy • 9% Liveness
18% Instrumentalness • 15% Positiveness
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Bob Dylan
Ain't Talkin'
171 bpm • G# min • 08:48 • -11.12db
29% Popularity • 45% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
29% Popularity • 45% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Roger Hodgson
School
172 bpm • E min • 05:48 • -7.47db
37% Popularity • 27% Danceability • 74% Energy • 76% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 27% Danceability • 74% Energy • 76% Liveness
0% Instrumentalness • 23% Positiveness
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Ian Anderson
Lost In Crowds
172 bpm • E min • 05:38 • -9.17db
11% Popularity • 42% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 42% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Parsons
One Note Symphony
172 bpm • E Maj • 04:43 • -10.36db
21% Popularity • 31% Danceability • 46% Energy • 10% Liveness
14% Instrumentalness • 33% Positiveness
21% Popularity • 31% Danceability • 46% Energy • 10% Liveness
14% Instrumentalness • 33% Positiveness
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RPWL
We Are What We Are
172 bpm • E min • 09:15 • -7.43db
26% Popularity • 49% Danceability • 70% Energy • 11% Liveness
49% Instrumentalness • 55% Positiveness
26% Popularity • 49% Danceability • 70% Energy • 11% Liveness
49% Instrumentalness • 55% Positiveness
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Pink Floyd
One of the Few
172 bpm • D Maj • 01:17 • -25.35db
48% Popularity • 36% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Nick Cave & The Bad Seeds
Lime Tree Arbour
172 bpm • A min • 02:56 • -16.95db
47% Popularity • 48% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
47% Popularity • 48% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Pavlov's Dog
Early Morning On
157 bpm • E min • 03:11 • -12.15db
13% Popularity • 24% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 24% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Keith Richards
Illusion
173 bpm • A min • 03:48 • -10.39db
22% Popularity • 48% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
22% Popularity • 48% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
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Riverside
Time Travellers
156 bpm • E min • 06:42 • -12.5db
34% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Dire Straits
Where Do You Think You're Going?
155 bpm • A min • 03:49 • -12.74db
63% Popularity • 46% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
63% Popularity • 46% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Eloy
Journey Into 1358
155 bpm • B min • 02:54 • -10.7db
37% Popularity • 35% Danceability • 68% Energy • 34% Liveness
9% Instrumentalness • 20% Positiveness
37% Popularity • 35% Danceability • 68% Energy • 34% Liveness
9% Instrumentalness • 20% Positiveness
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Nick Cave & The Bad Seeds
Wide Lovely Eyes
157 bpm • G Maj • 03:40 • -16.15db
41% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Snowy White
Finding My Way Home
155 bpm • C Maj • 03:35 • -13.9db
48% Popularity • 37% Danceability • 29% Energy • 11% Liveness
68% Instrumentalness • 12% Positiveness
48% Popularity • 37% Danceability • 29% Energy • 11% Liveness
68% Instrumentalness • 12% Positiveness
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Roger Hodgson
Breakfast In America
155 bpm • C min • 02:43 • -5.38db
40% Popularity • 41% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 41% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 66% Positiveness
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Strawbs
New World
178 bpm • E min • 04:11 • -5.13db
24% Popularity • 18% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 18% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Waters
The Powers That Be
152 bpm • D Maj • 04:36 • -12.12db
38% Popularity • 66% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 66% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
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Eloy
Daylight - 2000 Digital Remaster
176 bpm • B min • 02:38 • -8.51db
37% Popularity • 39% Danceability • 65% Energy • 34% Liveness
25% Instrumentalness • 55% Positiveness
37% Popularity • 39% Danceability • 65% Energy • 34% Liveness
25% Instrumentalness • 55% Positiveness
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Nick Cave & The Bad Seeds
Gates to the Garden
152 bpm • A min • 04:09 • -16.64db
27% Popularity • 47% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 47% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Keith Richards
Suspicious
151 bpm • C Maj • 03:42 • -8.64db
22% Popularity • 51% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Snowy White
One More Traveller
151 bpm • D min • 04:39 • -12db
33% Popularity • 45% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 42% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 42% Positiveness
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Roger Hodgson
The More I Look
180 bpm • C Maj • 04:56 • -6.81db
42% Popularity • 44% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Roger Waters
Who Needs Information
152 bpm • F# min • 05:55 • -11.4db
34% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Eloy
Compassion for Misery
180 bpm • B min • 03:04 • -10.93db
30% Popularity • 32% Danceability • 43% Energy • 15% Liveness
91% Instrumentalness • 33% Positiveness
30% Popularity • 32% Danceability • 43% Energy • 15% Liveness
91% Instrumentalness • 33% Positiveness
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Triumvirat
The Sweetest Sound Of Liberty
150 bpm • G Maj • 02:35 • -11db
40% Popularity • 50% Danceability • 50% Energy • 10% Liveness
27% Instrumentalness • 49% Positiveness
40% Popularity • 50% Danceability • 50% Energy • 10% Liveness
27% Instrumentalness • 49% Positiveness
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John Frusciante
The Mirror
181 bpm • A min • 03:00 • -7.2db
24% Popularity • 25% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
24% Popularity • 25% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Doug Doppler
All of My Love
182 bpm • C Maj • 04:04 • -5.43db
19% Popularity • 43% Danceability • 66% Energy • 5% Liveness
94% Instrumentalness • 46% Positiveness
19% Popularity • 43% Danceability • 66% Energy • 5% Liveness
94% Instrumentalness • 46% Positiveness
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David Gilmour
Faces of Stone
150 bpm • D min • 05:32 • -13.19db
41% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Renaissance
Spare Some Love
149 bpm • F Maj • 05:11 • -10.09db
27% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Roger Waters
Is This the Life We Really Want?
148 bpm • G# Maj • 05:55 • -12.78db
36% Popularity • 51% Danceability • 30% Energy • 68% Liveness
41% Instrumentalness • 24% Positiveness
36% Popularity • 51% Danceability • 30% Energy • 68% Liveness
41% Instrumentalness • 24% Positiveness
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Sting
Pretty Young Soldier
148 bpm • G Maj • 03:06 • -6.02db
21% Popularity • 47% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 47% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Pavlov's Dog
Standing Here With You (Megan's Song)
148 bpm • C Maj • 03:50 • -16.29db
22% Popularity • 35% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 35% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Roger Hodgson
Along Came Mary
148 bpm • G Maj • 06:24 • -10db
41% Popularity • 40% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 40% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Genesis
The Carpet Crawlers - Platinum Collectio...
147 bpm • D Maj • 05:01 • -8.12db
31% Popularity • 28% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 28% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
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Renaissance
Sounds Of The Sea
147 bpm • E min • 07:07 • -13.3db
24% Popularity • 36% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 34% Positiveness
24% Popularity • 36% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 34% Positiveness
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The Alan Parsons Project
Silence and I
146 bpm • A# min • 07:19 • -11.37db
45% Popularity • 28% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
45% Popularity • 28% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Anthony Phillips
God If I Saw Her Now
146 bpm • C Maj • 04:14 • -16.95db
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Unitopia
Everybody's Gotta Learn Sometimes
146 bpm • C# min • 05:08 • -10db
27% Popularity • 48% Danceability • 49% Energy • 56% Liveness
3% Instrumentalness • 13% Positiveness
27% Popularity • 48% Danceability • 49% Energy • 56% Liveness
3% Instrumentalness • 13% Positiveness
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Airbag
All Rights Removed
187 bpm • E min • 08:59 • -9.35db
23% Popularity • 14% Danceability • 54% Energy • 39% Liveness
42% Instrumentalness • 11% Positiveness
23% Popularity • 14% Danceability • 54% Energy • 39% Liveness
42% Instrumentalness • 11% Positiveness
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Wishbone Ash
Time Was
144 bpm • D Maj • 09:42 • -10db
35% Popularity • 31% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 31% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Renaissance
At The Harbour
146 bpm • E min • 06:48 • -18.49db
25% Popularity • 39% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 39% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Mostly Autumn
Hammerdown
144 bpm • D Maj • 06:05 • -7.46db
15% Popularity • 31% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
15% Popularity • 31% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Anderson Bruford Wakeman Howe
Let's Pretend
144 bpm • E Maj • 02:56 • -20.51db
33% Popularity • 64% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 64% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Triumvirat
The Deadly Dream Of Freedom
144 bpm • G Maj • 03:54 • -13.04db
30% Popularity • 31% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 31% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Pavlov's Dog
Theme From Subway Sue
143 bpm • F# min • 04:25 • -9.78db
26% Popularity • 39% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 39% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Bjørn Riis
Where Are You Now
143 bpm • D min • 07:32 • -12.72db
27% Popularity • 32% Danceability • 22% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
27% Popularity • 32% Danceability • 22% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Nick Cave & The Bad Seeds
Carry Me
143 bpm • E min • 03:37 • -7.91db
34% Popularity • 22% Danceability • 48% Energy • 14% Liveness
6% Instrumentalness • 31% Positiveness
34% Popularity • 22% Danceability • 48% Energy • 14% Liveness
6% Instrumentalness • 31% Positiveness
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Deep Purple
Lalena - 2000 Remaster
143 bpm • B min • 05:05 • -16.35db
36% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Leonard Cohen
The Future - Live in Dublin
143 bpm • A min • 06:46 • -13.45db
27% Popularity • 61% Danceability • 46% Energy • 98% Liveness
7% Instrumentalness • 69% Positiveness
27% Popularity • 61% Danceability • 46% Energy • 98% Liveness
7% Instrumentalness • 69% Positiveness
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Triumvirat
I Believe - Digital Remaster
144 bpm • D Maj • 07:52 • -7.14db
22% Popularity • 43% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 43% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Roger Hodgson
For Every Man
143 bpm • C# Maj • 04:43 • -11.68db
41% Popularity • 33% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 33% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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R.E.M.
Drive - Live
143 bpm • A min • 05:41 • -8.7db
28% Popularity • 26% Danceability • 71% Energy • 96% Liveness
2% Instrumentalness • 24% Positiveness
28% Popularity • 26% Danceability • 71% Energy • 96% Liveness
2% Instrumentalness • 24% Positiveness
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Snowy White
Little Wing
142 bpm • G Maj • 04:14 • -6.35db
41% Popularity • 52% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 52% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Blackfield
Rising of the Tide
142 bpm • C# min • 03:50 • -14.02db
25% Popularity • 53% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 22% Positiveness
25% Popularity • 53% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 22% Positiveness
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No-Man
Back When You Were Beautiful
142 bpm • C Maj • 05:07 • -14.43db
16% Popularity • 47% Danceability • 21% Energy • 9% Liveness
8% Instrumentalness • 5% Positiveness
16% Popularity • 47% Danceability • 21% Energy • 9% Liveness
8% Instrumentalness • 5% Positiveness
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Bjørn Riis
Disappear
142 bpm • A min • 06:27 • -14.02db
16% Popularity • 44% Danceability • 31% Energy • 15% Liveness
25% Instrumentalness • 7% Positiveness
16% Popularity • 44% Danceability • 31% Energy • 15% Liveness
25% Instrumentalness • 7% Positiveness
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Ian Anderson
Doggerland
141 bpm • E min • 04:20 • -9.52db
16% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jim Morrison
Curses, Invocations
141 bpm • D Maj • 01:54 • -16.05db
36% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Alan Parsons Project
Shadow of a Lonely Man
141 bpm • C Maj • 05:34 • -15.17db
35% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Roger Waters
Smell the Roses
141 bpm • B min • 05:15 • -6.08db
33% Popularity • 46% Danceability • 71% Energy • 60% Liveness
2% Instrumentalness • 41% Positiveness
33% Popularity • 46% Danceability • 71% Energy • 60% Liveness
2% Instrumentalness • 41% Positiveness
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Strawbs
Midnight Sun
140 bpm • E min • 03:06 • -11.1db
28% Popularity • 36% Danceability • 41% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
28% Popularity • 36% Danceability • 41% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
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Pavlov's Dog
Fast Gun
140 bpm • F# min • 03:04 • -8.99db
23% Popularity • 36% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 36% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 55% Positiveness
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Peter Frampton
I Saved a Bird Today
204 bpm • C Maj • 04:36 • -7.95db
11% Popularity • 48% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 48% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
