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Broken Dreams, Inc.
Songs like
Broken Dreams, Inc.
by
Rise Against
Based on a tempo of (+/- 10%) and a similar genre
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Green Day
Holiday / Boulevard of Broken Dreams
167 bpm • G# Maj • 08:13 • -3.45db
72% Popularity • 29% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Beartooth
Hated
167 bpm • G# Maj • 03:31 • -4db
59% Popularity • 46% Danceability • 99% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
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Sugarcult
Memory
167 bpm • C# Maj • 03:46 • -3.89db
67% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Red Jumpsuit Apparatus
Waiting
167 bpm • D min • 02:57 • -3db
50% Popularity • 37% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Godsmack
I Stand Alone
167 bpm • G# Maj • 04:06 • -4.48db
72% Popularity • 22% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Coheed and Cambria
A Favor House Atlantic
166 bpm • E Maj • 03:54 • -5db
59% Popularity • 29% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Sleeping
Don't Hold Back
168 bpm • G# min • 04:32 • -5.08db
47% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Foo Fighters
All My Life
168 bpm • F Maj • 04:23 • -5.7db
76% Popularity • 58% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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Yellowcard
Lights And Sounds
168 bpm • B min • 03:28 • -3.68db
63% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Rev Theory
Hell Yeah
168 bpm • D# min • 04:07 • -3.41db
62% Popularity • 36% Danceability • 98% Energy • 2% Liveness
0% Instrumentalness • 37% Positiveness
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New Found Glory
All Downhill From Here
168 bpm • A Maj • 03:12 • -4.07db
59% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Red
Breathe Into Me
166 bpm • A Maj • 03:34 • -5.32db
52% Popularity • 32% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Rise Against
Nowhere Generation
166 bpm • B Maj • 03:52 • -3.99db
48% Popularity • 37% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Senses Fail
Calling All Cars
168 bpm • D Maj • 03:23 • -3.16db
54% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Emil Bulls
The Jaws of Oblivion
165 bpm • G# Maj • 03:45 • -4db
44% Popularity • 44% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Beartooth
Afterall
165 bpm • C Maj • 03:20 • -3db
50% Popularity • 41% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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Anberlin
Little Tyrants
165 bpm • G Maj • 03:21 • -4db
42% Popularity • 33% Danceability • 95% Energy • 37% Liveness
37% Instrumentalness • 51% Positiveness
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Hawthorne Heights
Saying Sorry
169 bpm • C# min • 03:07 • -2.2db
56% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Rise Against
Hairline Fracture
165 bpm • A# Maj • 04:02 • -3.49db
43% Popularity • 23% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Hoobastank
Same Direction
169 bpm • D Maj • 03:15 • -3.31db
55% Popularity • 40% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Bowling For Soup
I Ran (So Far Away)
165 bpm • A min • 02:34 • -5db
51% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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I Prevail
Hurricane
165 bpm • F# min • 03:43 • -5.06db
68% Popularity • 39% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Thirty Seconds To Mars
Kings And Queens
165 bpm • G# Maj • 05:47 • -5.43db
62% Popularity • 29% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Thousand Foot Krutch
Move
169 bpm • B min • 03:28 • -5.2db
55% Popularity • 53% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Rise Against
House On Fire
169 bpm • B Maj • 03:14 • -2.19db
51% Popularity • 43% Danceability • 95% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
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A Day To Remember
Right Back At It Again
170 bpm • D# Maj • 03:20 • -3.81db
57% Popularity • 30% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
62% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Coheed and Cambria
The Running Free
170 bpm • B min • 04:12 • -4.34db
46% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Halestorm
I Miss the Misery
164 bpm • C Maj • 03:03 • -2.22db
64% Popularity • 47% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Adelitas Way
Invincible
170 bpm • B Maj • 03:10 • -4.89db
63% Popularity • 40% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rise Against
Welcome To The Breakdown
170 bpm • C# Maj • 03:03 • -1.71db
42% Popularity • 33% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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A Day To Remember
Mindreader
164 bpm • C Maj • 02:53 • -3.24db
58% Popularity • 46% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Skillet
Comatose
170 bpm • E min • 03:50 • -2.32db
70% Popularity • 36% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Thousand Foot Krutch
Phenomenon
164 bpm • G min • 02:59 • -3.62db
58% Popularity • 56% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Senses Fail
Can't Be Saved
170 bpm • D Maj • 03:07 • -3.24db
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Hawthorne Heights
Ohio Is For Lovers
170 bpm • G# min • 04:04 • -6.87db
66% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Puddle Of Mudd
Control
164 bpm • F# Maj • 03:50 • -3.45db
65% Popularity • 44% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Hollywood Undead
Undead
163 bpm • D min • 04:25 • -5.19db
71% Popularity • 51% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Stone Sour
30/30-150
163 bpm • E Maj • 04:18 • -4.58db
51% Popularity • 51% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bring Me The Horizon
Happy Song
172 bpm • F Maj • 03:59 • -3.41db
69% Popularity • 30% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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AFI
Beautiful Thieves
172 bpm • E Maj • 03:46 • -5db
43% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Bayside
Sick, Sick, Sick
172 bpm • F# min • 03:34 • -3.34db
46% Popularity • 39% Danceability • 89% Energy • 34% Liveness
2% Instrumentalness • 53% Positiveness
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Bullet For My Valentine
Tears Don't Fall
162 bpm • G min • 05:48 • -3.35db
66% Popularity • 21% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Fall Out Boy
Sugar, We're Goin Down
162 bpm • G Maj • 03:49 • -4.78db
79% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Linkin Park
Somewhere I Belong
162 bpm • C# Maj • 03:33 • -3.75db
78% Popularity • 45% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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ITCHY
Why Still Bother
162 bpm • A# min • 03:09 • -3.44db
51% Popularity • 51% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Story Of The Year
Wake Up
162 bpm • C# min • 03:31 • -3.72db
42% Popularity • 38% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Donots
Saccharine Smile
172 bpm • F# Maj • 03:18 • -3.68db
35% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Rise Against
Worth Dying For
172 bpm • C# min • 03:20 • -3.79db
51% Popularity • 21% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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The Offspring
All I Want
173 bpm • F# min • 01:54 • -3.39db
67% Popularity • 20% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Foo Fighters
The Pretender
173 bpm • A Maj • 04:29 • -4.04db
81% Popularity • 43% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
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Bullet For My Valentine
Fever
173 bpm • C Maj • 03:57 • -3.33db
54% Popularity • 44% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Motion City Soundtrack
Everything Is Alright
161 bpm • G# Maj • 03:27 • -3.87db
61% Popularity • 44% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Sum 41
The Hell Song
173 bpm • G# min • 03:18 • -5.53db
68% Popularity • 36% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 66% Positiveness
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Rise Against
Audience Of One
162 bpm • C# Maj • 04:05 • -3.85db
55% Popularity • 39% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Yellowcard
Ocean Avenue
174 bpm • F# min • 03:18 • -3.75db
74% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Crossfade
No Giving Up
174 bpm • B Maj • 03:34 • -5db
55% Popularity • 48% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Hollywood Undead
We Are
174 bpm • F Maj • 04:34 • -2.11db
55% Popularity • 41% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lustra
Scotty Doesn't Know
174 bpm • C Maj • 02:55 • -4.53db
72% Popularity • 32% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Sugarcult
Dead Living
160 bpm • C# Maj • 03:38 • -3.72db
41% Popularity • 40% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Eat World
Bleed American
160 bpm • F# min • 03:01 • -5.61db
66% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 58% Positiveness
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Bring Me The Horizon
True Friends
160 bpm • G Maj • 03:52 • -3.12db
68% Popularity • 42% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Linkin Park
Lying from You
160 bpm • D# min • 02:55 • -3.32db
71% Popularity • 54% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Serj Tankian
Empty Walls
160 bpm • C min • 03:50 • -4db
62% Popularity • 46% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Foo Fighters
Monkey Wrench
174 bpm • E Maj • 03:51 • -4.28db
70% Popularity • 40% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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A Day To Remember
Better Off This Way
160 bpm • E Maj • 03:26 • -3db
58% Popularity • 38% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Thirty Seconds To Mars
This Is War
160 bpm • F# Maj • 05:26 • -5.26db
67% Popularity • 40% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Bowling For Soup
High School Never Ends - Main Version - ...
160 bpm • D Maj • 03:29 • -3.49db
62% Popularity • 54% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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I Prevail
Lifelines
160 bpm • C# min • 03:21 • -4.66db
60% Popularity • 50% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Bloodhound Gang
I Hope You Die
160 bpm • C# Maj • 03:39 • -6.01db
55% Popularity • 54% Danceability • 89% Energy • 24% Liveness
5% Instrumentalness • 97% Positiveness
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Rise Against
Whereabouts Unknown
174 bpm • D# min • 04:01 • -3.24db
43% Popularity • 19% Danceability • 97% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
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A Day To Remember
All I Want
160 bpm • D min • 03:22 • -3.23db
67% Popularity • 35% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Yellowcard
Rough Landing, Holly
175 bpm • E Maj • 03:33 • -3.32db
49% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Thrice
The Artist In The Ambulance
175 bpm • F min • 03:39 • -4.1db
59% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Avenged Sevenfold
Almost Easy
175 bpm • F# Maj • 03:54 • -4.62db
68% Popularity • 38% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Ataris
In This Diary
175 bpm • G# Maj • 03:50 • -4.64db
49% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Thirty Seconds To Mars
Attack
175 bpm • F min • 03:08 • -1.89db
68% Popularity • 33% Danceability • 88% Energy • 77% Liveness
0% Instrumentalness • 28% Positiveness
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A Day To Remember
I'm Made Of Wax, Larry, What Are You Mad...
160 bpm • A# min • 03:00 • -4db
66% Popularity • 24% Danceability • 97% Energy • 90% Liveness
0% Instrumentalness • 62% Positiveness
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Bloodhound Gang
My Dad Says That's For Pussies
175 bpm • G# Maj • 02:52 • -4.74db
53% Popularity • 43% Danceability • 89% Energy • 31% Liveness
16% Instrumentalness • 47% Positiveness
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Yellowcard
For You, And Your Denial
175 bpm • D Maj • 03:33 • -4db
59% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Escape the Fate
Not Good Enough For Truth In Cliché
159 bpm • F Maj • 03:51 • -4.44db
61% Popularity • 37% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Offspring
Let The Bad Times Roll
159 bpm • F# Maj • 03:18 • -1db
62% Popularity • 50% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Rise Against
I Don’t Want To Be Here Anymore
159 bpm • F# min • 03:59 • -4db
55% Popularity • 24% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Anberlin
Godspeed
176 bpm • G# Maj • 03:02 • -4.82db
46% Popularity • 40% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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A Day To Remember
Sometimes You're The Hammer, Sometimes Y...
158 bpm • C min • 04:34 • -4.63db
57% Popularity • 19% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
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Yellowcard
Believe
176 bpm • A Maj • 04:31 • -4.66db
47% Popularity • 35% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Hoobastank
Out Of Control
158 bpm • E min • 02:42 • -4.39db
63% Popularity • 44% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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10 Years
Fix Me
158 bpm • C# min • 03:35 • -3.94db
59% Popularity • 45% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Rise Against
Tragedy + Time
176 bpm • C min • 04:17 • -3.43db
50% Popularity • 26% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Saint Asonia
Let Me Live My Life
177 bpm • C# min • 03:11 • -3.54db
54% Popularity • 41% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Killswitch Engage
My Curse
177 bpm • A# min • 04:04 • -2.91db
70% Popularity • 20% Danceability • 96% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
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Escape the Fate
Ashley
177 bpm • F Maj • 03:27 • -5.72db
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Stone Sour
Song #3
157 bpm • C# Maj • 04:16 • -5.47db
60% Popularity • 48% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Coheed and Cambria
The Suffering
157 bpm • B Maj • 03:43 • -5.08db
56% Popularity • 55% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Rise Against
Collapse (Post-Amerika)
157 bpm • F# min • 03:19 • -3db
47% Popularity • 38% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Good Charlotte
The Anthem
178 bpm • C# Maj • 02:55 • -3.13db
77% Popularity • 49% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Used
All That I've Got
178 bpm • G Maj • 03:58 • -4.76db
49% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Shinedown
Cut the Cord
178 bpm • G Maj • 03:44 • -2.97db
68% Popularity • 45% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Finger Eleven
Stay In Shadow
156 bpm • F# min • 03:15 • -3.95db
52% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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You Me At Six
Underdog
156 bpm • C# Maj • 02:23 • -4db
58% Popularity • 38% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Broken Dreams, Inc.