Songs like Broken Lady by Larry Gatlin & The Gatlin Brothers
Based on a tempo of (+/- 10%) and a similar genre
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David Frizzell
Nobody’s Darlin’ But Mine
91 bpm • A Maj • 03:47 • -13.46db
14% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
91 bpm • A# Maj • 02:38 • -12db
27% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Earl Thomas Conley
We Believe In Happy Endings
91 bpm • F Maj • 03:35 • -11.89db
39% Popularity • 59% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 59% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven
91 bpm • C# Maj • 03:10 • -12.56db
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Greenwood
Holdin' A Good Hand
91 bpm • D Maj • 02:48 • -10.17db
32% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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McBride & The Ride
Can I Count On You
92 bpm • D Maj • 03:19 • -10.15db
38% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Vince Gill
Liza Jane
91 bpm • E min • 02:55 • -10.61db
42% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Larry Gatlin & The Gatlin Brothers
Love Is Just A Game
90 bpm • E Maj • 03:58 • -13.11db
1% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Dave and Sugar
Golden Tears
90 bpm • G Maj • 02:28 • -8.68db
22% Popularity • 55% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 55% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
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T. Graham Brown
I Tell It Like It Used To Be
90 bpm • D Maj • 03:00 • -15.81db
28% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Lee
The Yellow Rose
90 bpm • F Maj • 02:23 • -15.74db
29% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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David Ball
If You'd Like Some Lovin'
89 bpm • C Maj • 03:12 • -3.48db
20% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Lee (With Lane Brody)
The Yellow Rose
89 bpm • F Maj • 02:26 • -13db
41% Popularity • 75% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 75% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Gatlin & The Gatlin Brothers
Midnight Choir (Mogen David)
90 bpm • D Maj • 05:00 • -16.51db
21% Popularity • 37% Danceability • 29% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 37% Danceability • 29% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Dave and Sugar
Queen of the Silver Dollar
89 bpm • D Maj • 02:45 • -11.55db
33% Popularity • 59% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 59% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Ronnie McDowell
Older Women - Re-Recorded In Stereo
89 bpm • A# Maj • 02:49 • -9.35db
40% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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David Frizzell
Another Honky-Tonk Night On Broadway
93 bpm • C Maj • 02:52 • -10.13db
18% Popularity • 57% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 57% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
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Porter Wagoner
The Carroll County Accident
93 bpm • G Maj • 02:48 • -13db
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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T. Graham Brown
I Tell It Like It Used To Be
89 bpm • D Maj • 03:00 • -10.61db
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
90 bpm • G Maj • 02:47 • -12.28db
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Restless Heart
Why Does It Have to Be (Wrong or Right)
89 bpm • A Maj • 03:00 • -13.61db
43% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Vern Gosdin
Till the End
93 bpm • A Maj • 02:46 • -17db
39% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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Mark Chesnutt
Your Love Is A Miracle
93 bpm • G Maj • 02:48 • -10.98db
40% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Doug Supernaw
I Don't Call Him Daddy
89 bpm • D Maj • 03:47 • -13.13db
35% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Larry Gatlin & The Gatlin Brothers
I Don't Wanna Cry
92 bpm • G Maj • 02:46 • -12.38db
25% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Moe Bandy
Americana
89 bpm • D Maj • 04:24 • -13.7db
12% Popularity • 60% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 60% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Big Al Downing
Mister Jones
89 bpm • A# Maj • 04:55 • -6.82db
15% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Cal Smith
Country Bumpkin
94 bpm • G Maj • 03:41 • -17.59db
24% Popularity • 68% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 68% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Dean
We Just Disagree
94 bpm • E Maj • 03:25 • -9.7db
40% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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C.W. McCall
Roses For Mama
94 bpm • G Maj • 03:28 • -16.85db
29% Popularity • 38% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 38% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Larry Gatlin & The Gatlin Brothers
Medley: Peace in the Valley / Whispering...
93 bpm • F Maj • 04:36 • -9.96db
5% Popularity • 26% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 26% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Vern Gosdin
I'm Still Crazy
94 bpm • G Maj • 02:46 • -12.94db
35% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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John Schneider
I've Been Around Enough To Know
94 bpm • A Maj • 02:37 • -15.27db
42% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sweethearts of the Rodeo
Satisfy You
88 bpm • D Maj • 02:41 • -8.48db
30% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Dan Seals
They Rage On
88 bpm • C# Maj • 04:39 • -15.34db
34% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Kendalls
Makin' Believe
94 bpm • E Maj • 03:15 • -7db
19% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Larry Gatlin & The Gatlin Brothers
Statues Without Hearts
93 bpm • G Maj • 02:46 • -13.28db
1% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Vern Gosdin
Dream of Me
88 bpm • A Maj • 02:47 • -16.2db
35% Popularity • 66% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 66% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:11 • -18db
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Charlie Rich
Rollin' With The Flow
95 bpm • D Maj • 02:40 • -11.42db
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Holly Dunn
(It's Always Gonna Be) Someday
95 bpm • A# Maj • 02:57 • -15.21db
17% Popularity • 58% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 58% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Terri Gibbs
Somebody's Knockin
95 bpm • B min • 03:01 • -10.91db
40% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Larry Gatlin & The Gatlin Brothers
Statues Without Hearts
89 bpm • F# Maj • 02:42 • -13.22db
15% Popularity • 33% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 33% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Rabbitt
Kentucky Rain - 2008 Version
95 bpm • C Maj • 03:58 • -11.82db
24% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:06 • -10.38db
22% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Russell
Red Necks, White Socks, And Blue Ribbon ...
87 bpm • E Maj • 02:32 • -8.53db
37% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Wariner
Your Memory
96 bpm • E Maj • 02:55 • -14db
33% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Dean
Only Here For A Little While
86 bpm • A Maj • 03:34 • -16.1db
52% Popularity • 67% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 67% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Gatlin & The Gatlin Brothers
Medley: Just a Closer Walk with Thee / W...
94 bpm • E Maj • 04:02 • -12.59db
5% Popularity • 47% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 47% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Judds
Mama He's Crazy
96 bpm • G Maj • 03:14 • -7db
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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T. Graham Brown
Don't Go To Strangers
96 bpm • C Maj • 03:59 • -9db
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
96 bpm • A Maj • 03:24 • -10.71db
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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The Kendalls
You'd Make An Angel Wanna Cheat
96 bpm • F# Maj • 02:10 • -6.94db
15% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Stampley
Whiskey Chasin'
96 bpm • G# Maj • 02:47 • -11.89db
28% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Larry Gatlin & The Gatlin Brothers
Take Me To Your Lovin' Place
95 bpm • A# Maj • 02:43 • -11.73db
24% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Cal Smith
Country Bumpkin
96 bpm • G Maj • 03:00 • -9.27db
20% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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T. Graham Brown
The Last Resort
96 bpm • D# Maj • 03:26 • -10.32db
14% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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David Frizzell
You'e the Reason God Made Oklahoma
97 bpm • A Maj • 03:24 • -11.19db
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Wariner
What I Didn't Do
97 bpm • G Maj • 03:09 • -17.12db
42% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Donna Fargo
Funny Face
97 bpm • D Maj • 02:46 • -13.13db
38% Popularity • 54% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 54% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Larry Gatlin & The Gatlin Brothers
In the Garden
86 bpm • G Maj • 03:06 • -10.46db
3% Popularity • 33% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
3% Popularity • 33% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mel Tillis
Southern Rains
97 bpm • G Maj • 02:33 • -12.15db
27% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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T. Graham Brown
Don't Go To Strangers
97 bpm • C Maj • 04:02 • -13.51db
24% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Red Sovine
Roses for Mama
97 bpm • G# Maj • 03:35 • -12.68db
30% Popularity • 56% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 56% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Mac Davis
Stop And Smell The Roses
85 bpm • D Maj • 03:21 • -16.3db
36% Popularity • 53% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 53% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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John Schneider
I'm Gonna Leave You Tomorrow
97 bpm • G Maj • 03:45 • -16.49db
29% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Rich
Behind Closed Doors
85 bpm • D Maj • 02:54 • -11.79db
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
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The Notorious Cherry Bombs
It's Hard To Kiss The Lips At Night That...
97 bpm • F Maj • 04:23 • -6.04db
33% Popularity • 64% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 64% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Red Sovine
Giddy Up Go
85 bpm • C# Maj • 03:56 • -15db
35% Popularity • 56% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 56% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Nitty Gritty Dirt Band
I've Been Lookin'
97 bpm • F Maj • 03:20 • -13.85db
18% Popularity • 65% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 65% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Sawyer Brown
Step That Step
98 bpm • E Maj • 02:49 • -15.04db
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Charly McClain
Radio Heart
98 bpm • A Maj • 03:09 • -13db
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Larry Gatlin & The Gatlin Brothers
Rock of Ages
85 bpm • C# Maj • 01:56 • -9.82db
4% Popularity • 30% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 30% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Wariner
Some Fools Never Learn
98 bpm • F# Maj • 04:05 • -17.5db
47% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Donna Fargo
The Happiest Girl In The Whole U.S.A.
98 bpm • F# Maj • 02:31 • -11.47db
50% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Rosanne Cash
Blue Moon With Heartache
98 bpm • B Maj • 04:26 • -11.54db
19% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Earl Thomas Conley
I Can't Win for Losin' You
98 bpm • A Maj • 04:04 • -13.57db
33% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Vern Gosdin
Way Down Deep
98 bpm • A Maj • 02:35 • -17db
34% Popularity • 74% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 74% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Nitty Gritty Dirt Band
Long Hard Road (The Sharecropper's Dream...
84 bpm • D Maj • 03:20 • -9.07db
29% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Seals
Love On Arrival
98 bpm • B Maj • 03:51 • -11.54db
35% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Moe Bandy
Til I'm Too Old To Die Young
84 bpm • D# Maj • 03:11 • -16.94db
34% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Gatlin & The Gatlin Brothers
Denver
84 bpm • D Maj • 03:41 • -10.71db
20% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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K.T. Oslin
80's Ladies
98 bpm • C Maj • 04:11 • -11.5db
44% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Lee Greenwood
Dixie Road
84 bpm • F Maj • 03:14 • -9.71db
13% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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MEL STREET
I Met A Friend Of Yours Today
99 bpm • E Maj • 03:12 • -11db
28% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Reba McEntire
Somebody Should Leave
99 bpm • C# Maj • 03:33 • -17.22db
41% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Moe Bandy
Till I'm Too Old To Die Young
84 bpm • D# Maj • 03:14 • -16.96db
27% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Willie Nelson
Ain't Necessarily So
99 bpm • D Maj • 03:04 • -11.09db
19% Popularity • 64% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 64% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Lee Greenwood
Mornin' Ride
84 bpm • D Maj • 03:25 • -17.17db
12% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Dottie West
Country Sunshine
83 bpm • C Maj • 02:03 • -9db
37% Popularity • 45% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 45% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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K.T. Oslin
Do Ya'
83 bpm • G Maj • 04:04 • -15db
39% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Vern Gosdin
This Ain't My First Rodeo
83 bpm • A# Maj • 03:04 • -13.32db
43% Popularity • 75% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 75% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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The Kendalls
It Don't Feel Like Sinnin' To Me
83 bpm • G Maj • 02:29 • -7.6db
15% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
