Songs like Broken Speed of the Sound of Loneliness by Susan McCann
Based on a tempo of (+/- 10%) and a similar genre
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Caitlin
My Connemara Marble Ring
82 bpm • C# Maj • 03:29 • -7db
16% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Isla Grant/Daniel O'Donnell
Down Memory Lane
82 bpm • G Maj • 03:36 • -9db
19% Popularity • 62% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 62% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Susan McCann
Broken Speed of the Sound of Loneliness
82 bpm • F Maj • 03:11 • -7.67db
26% Popularity • 63% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 63% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Niamh Lynn
Always
82 bpm • C min • 02:47 • -6.28db
12% Popularity • 28% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 28% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Shawn Cuddy
Veil of White Lace
82 bpm • C Maj • 03:18 • -5.73db
15% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Frank McCaffrey
The Clock in the Tower
82 bpm • A Maj • 03:16 • -8db
31% Popularity • 56% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 56% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Gary Gamble
Destination Donegal
81 bpm • F Maj • 03:06 • -6db
29% Popularity • 68% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 68% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Suzy Bogguss
Somewhere Between
83 bpm • A# Maj • 03:32 • -13.54db
38% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Susan McCann
How Great Thou Art
81 bpm • F Maj • 03:42 • -7.21db
7% Popularity • 21% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 21% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Eileen King
In An Irish Country Home
83 bpm • G# Maj • 04:05 • -9db
32% Popularity • 62% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 62% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Shawn Cuddy
Old Time Waltz
82 bpm • E Maj • 03:39 • -9.36db
20% Popularity • 62% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 62% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Big Tom
An Old Log Cabin for Sale
81 bpm • G Maj • 02:44 • -11.01db
7% Popularity • 49% Danceability • 55% Energy • 31% Liveness
11% Instrumentalness • 58% Positiveness
7% Popularity • 49% Danceability • 55% Energy • 31% Liveness
11% Instrumentalness • 58% Positiveness
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Brendan Shine
If Tomorrow Never Comes
81 bpm • G Maj • 03:37 • -11db
23% Popularity • 55% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 55% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Don Williams
I Recall A Gypsy Woman
81 bpm • A Maj • 03:24 • -19db
47% Popularity • 65% Danceability • 24% Energy • 9% Liveness
26% Instrumentalness • 56% Positiveness
47% Popularity • 65% Danceability • 24% Energy • 9% Liveness
26% Instrumentalness • 56% Positiveness
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Susan McCann
Mo Ghile Mear
81 bpm • A Maj • 03:39 • -9.15db
6% Popularity • 29% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 29% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Mick Flavin
Waltz Of The Angels
81 bpm • A Maj • 02:59 • -6.88db
23% Popularity • 64% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 64% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Caitlin
Tennessee Waltz
83 bpm • F Maj • 02:41 • -8.04db
21% Popularity • 54% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 54% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Brendan Quinn
Daddy's Little Girl
81 bpm • E Maj • 02:41 • -8db
28% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Ann Williamson
Old Flames
83 bpm • F Maj • 04:19 • -8db
25% Popularity • 53% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 53% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Ann Breen
Among My Souvenirs
84 bpm • A Maj • 03:00 • -11.14db
21% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Susan McCann
Down River Road
81 bpm • F Maj • 02:44 • -5.35db
11% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Roly Daniels
Together Again
80 bpm • F# Maj • 03:32 • -9db
27% Popularity • 28% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 28% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
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Caitlin
Coat of Many Colours
83 bpm • F Maj • 03:12 • -10db
20% Popularity • 63% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 63% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Kathy Durkin
The Clock In The Tower
80 bpm • D Maj • 03:18 • -15db
21% Popularity • 49% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 49% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Larry Cunningham
Lovely Leitrim
80 bpm • E Maj • 02:36 • -12db
32% Popularity • 53% Danceability • 36% Energy • 59% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 59% Liveness
0% Instrumentalness • 65% Positiveness
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Ann Breen
Tennessee Waltz
84 bpm • G Maj • 02:52 • -14.14db
24% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Susan McCann
Medals for Mother
80 bpm • C Maj • 03:06 • -6.68db
5% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Margo O'Donnell
Old Flames
80 bpm • A Maj • 03:48 • -6.73db
8% Popularity • 35% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 35% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Coll
Ireland Swings
80 bpm • D# Maj • 01:55 • -11db
30% Popularity • 54% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 54% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Rita MacNeil
Home I'll Be
85 bpm • G Maj • 04:15 • -14db
19% Popularity • 45% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 45% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ailish McBride
Coat of Many Colours
85 bpm • A# Maj • 02:18 • -7.24db
36% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Ann Breen
Everybody' Somebody's Fool
84 bpm • G Maj • 03:02 • -9.24db
21% Popularity • 65% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 65% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Arne Benoni
If I Live To Be A 100
85 bpm • G# Maj • 02:51 • -4.07db
16% Popularity • 55% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 55% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Ciarán Rosney
Golden Ring
85 bpm • B Maj • 03:07 • -3.17db
28% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Brendan Quinn
A Mother's Love's A Blessing
79 bpm • B Maj • 02:52 • -8db
31% Popularity • 58% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 58% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Kathy Durkin
Midnight To Moonlight
79 bpm • G# Maj • 03:46 • -17db
25% Popularity • 52% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 52% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Larry Cunningham
Don't Let Me Cross Over
78 bpm • C Maj • 02:18 • -9.67db
28% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Roly Daniels
She Wears My Ring
78 bpm • E Maj • 03:00 • -10db
25% Popularity • 25% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 25% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Susan McCann
Those Were the Days Medley: Those Were t...
86 bpm • G Maj • 05:32 • -8.04db
9% Popularity • 64% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 64% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Frank McCaffrey
Nobody's Darlin But Mine
86 bpm • B Maj • 03:47 • -9db
16% Popularity • 64% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 64% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Dominic Kirwan
Talking to the Wrong Man
87 bpm • D Maj • 03:17 • -8.12db
20% Popularity • 74% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 74% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Lisa McHugh
Play Me The Waltz Of The Angels
87 bpm • C Maj • 04:02 • -8db
21% Popularity • 34% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 34% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Finbar Furey
He'll Have to Go
87 bpm • D Maj • 04:02 • -12db
25% Popularity • 62% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 62% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Roly Daniels
Fooling Feelings
87 bpm • G Maj • 02:54 • -7.82db
35% Popularity • 44% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 44% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Brendan Shine
Good Night Irene
77 bpm • G Maj • 02:13 • -9.45db
16% Popularity • 36% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 36% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Susan McCann
Coat of Many Colours
86 bpm • A Maj • 03:09 • -6.7db
7% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jim Devine
Somebody Lied
77 bpm • E Maj • 03:19 • -5db
11% Popularity • 49% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 49% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Fhiona Ennis
Tennessee Waltz
87 bpm • G Maj • 03:10 • -6.7db
24% Popularity • 54% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 54% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Brendan Quinn
Seasons in the Sun
88 bpm • E Maj • 03:27 • -9.12db
32% Popularity • 66% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 66% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Cunningham
Tribute to Jim Reeves
87 bpm • A Maj • 03:10 • -16.04db
25% Popularity • 57% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 48% Positiveness
25% Popularity • 57% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 48% Positiveness
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Brendan Shine
My Son
77 bpm • D# Maj • 04:00 • -7.85db
19% Popularity • 38% Danceability • 66% Energy • 40% Liveness
3% Instrumentalness • 46% Positiveness
19% Popularity • 38% Danceability • 66% Energy • 40% Liveness
3% Instrumentalness • 46% Positiveness
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Sean Wilson
Just One More Time
88 bpm • A Maj • 03:09 • -10db
18% Popularity • 64% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 64% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Susan McCann
Old Man on the Porch
78 bpm • C Maj • 03:21 • -7.46db
19% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Roly Daniels
I Will Love You All My Life
88 bpm • C Maj • 03:36 • -9.49db
27% Popularity • 19% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 19% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Brendan Quinn
Maggie
77 bpm • D Maj • 02:58 • -6db
24% Popularity • 52% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Brian Coll
When I Grow Too Old To Dream
88 bpm • D# Maj • 02:35 • -14db
24% Popularity • 43% Danceability • 22% Energy • 22% Liveness
58% Instrumentalness • 28% Positiveness
24% Popularity • 43% Danceability • 22% Energy • 22% Liveness
58% Instrumentalness • 28% Positiveness
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Tompall & The Glaser Brothers
It'll Be Her
88 bpm • F# Maj • 02:36 • -14.04db
22% Popularity • 50% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 50% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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The Three Amigos
Lovin' Her Was Easier
88 bpm • E Maj • 04:02 • -11db
24% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sydney Devine
Legend in My Time
88 bpm • C# Maj • 03:07 • -5.57db
13% Popularity • 44% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 44% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Roly Daniels
Part of Me
88 bpm • F Maj • 03:42 • -10.86db
33% Popularity • 41% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 41% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Dominic Kirwan
I'll Leave This World Loving You
88 bpm • F# Maj • 03:07 • -11.71db
17% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ann Breen
Walk Right Back
76 bpm • D Maj • 02:03 • -14db
30% Popularity • 67% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 67% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Shaun Loughrey
Look at us
76 bpm • A Maj • 03:54 • -7.33db
18% Popularity • 57% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 57% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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David Houston
Red River Valley
88 bpm • D Maj • 01:48 • -12.83db
36% Popularity • 65% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 65% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Frank McCaffrey
A Daisy a Day
76 bpm • D Maj • 03:34 • -8db
28% Popularity • 54% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 54% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Big Tom & The Mainliners
Lonesome at Your Table
89 bpm • G# Maj • 01:53 • -10db
28% Popularity • 62% Danceability • 42% Energy • 12% Liveness
34% Instrumentalness • 82% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 12% Liveness
34% Instrumentalness • 82% Positiveness
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Sean Dunphy
Two Loves
89 bpm • A Maj • 03:47 • -14.32db
32% Popularity • 52% Danceability • 27% Energy • 18% Liveness
72% Instrumentalness • 38% Positiveness
32% Popularity • 52% Danceability • 27% Energy • 18% Liveness
72% Instrumentalness • 38% Positiveness
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Ann Breen
Where No One Stands Alone
89 bpm • G Maj • 02:39 • -8.84db
15% Popularity • 62% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 62% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Brendan Quinn
Almost Persuaded
89 bpm • C# Maj • 02:51 • -9.04db
27% Popularity • 49% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 49% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Mick Flavin
The Old School Yard
90 bpm • G Maj • 02:53 • -13db
30% Popularity • 72% Danceability • 48% Energy • 29% Liveness
1% Instrumentalness • 87% Positiveness
30% Popularity • 72% Danceability • 48% Energy • 29% Liveness
1% Instrumentalness • 87% Positiveness
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Roly Daniels
I Will Love You All My Life
90 bpm • C Maj • 03:34 • -10db
35% Popularity • 21% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 21% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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Brian Coll
Mail Call
90 bpm • C Maj • 02:56 • -14.47db
11% Popularity • 41% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 41% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Shaun Loughrey
Don Williams medley
90 bpm • F# Maj • 03:09 • -7db
23% Popularity • 72% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 72% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Ann Breen
By the Bright Silvery Light of the Moon
75 bpm • E Maj • 02:18 • -8.35db
30% Popularity • 54% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 54% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Suzy Bogguss
Two Shades Of Blue
90 bpm • A Maj • 03:27 • -10db
28% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lisa McHugh
Rose Of Allendale
90 bpm • C# Maj • 04:51 • -6.89db
11% Popularity • 23% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 23% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Mick Flavin
Jennifer Johnson and Me
90 bpm • G Maj • 03:04 • -10.1db
30% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Susan McCann
Someone Is Looking for Someone Like You
90 bpm • C Maj • 03:00 • -6.24db
16% Popularity • 61% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 61% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Susan Raye
Stop The World (And Let Me Off)
90 bpm • A Maj • 02:21 • -8.85db
32% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Thomas Maguire & Fhiona Ennis
Promised To John
90 bpm • F Maj • 02:06 • -6.45db
28% Popularity • 63% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 63% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Price
It Always Will Be
74 bpm • C# Maj • 03:27 • -10.61db
24% Popularity • 56% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 56% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Joey + Rory
How's The World Treating You
91 bpm • B Maj • 03:04 • -10db
25% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Mick Flavin
Maria's Heading out to California
92 bpm • A Maj • 03:38 • -12db
32% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Lisa Stanley
Looking for a Girl Looking for a Boy
92 bpm • D Maj • 02:54 • -5.68db
17% Popularity • 49% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 49% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Sammi Smith
Waltz Across Texas
92 bpm • F# Maj • 02:50 • -15db
41% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Isla Grant/George Hamilton IV
Spending Time with Friends
93 bpm • A Maj • 03:38 • -12db
13% Popularity • 63% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 63% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Shawn Cuddy
Nearest to Perfect
93 bpm • D Maj • 03:48 • -9.88db
20% Popularity • 65% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 65% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Frank McCaffrey
It's Our Anniversary
93 bpm • E Maj • 04:20 • -8.32db
25% Popularity • 53% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 53% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Maguire & Fhiona Ennis
We Were Made For Each Other
93 bpm • F Maj • 02:56 • -6.01db
22% Popularity • 71% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 71% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Susan McCann
(I'll Meet You On) The Other Side of the...
94 bpm • G# Maj • 01:55 • -7.46db
9% Popularity • 55% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 55% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Brian Coll
The Farmer
95 bpm • D Maj • 02:24 • -13.1db
17% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Niamh Lynn
While I Was Making Love to You
95 bpm • A Maj • 03:50 • -4.7db
28% Popularity • 60% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 60% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie O'Hara
For Reasons I've Forgotten
95 bpm • A Maj • 04:03 • -14db
35% Popularity • 63% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 63% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Hugo Duncan
The Wedding Song
95 bpm • A# Maj • 03:08 • -12.69db
16% Popularity • 44% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 44% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Brendan Quinn
Wrong Road Again
95 bpm • A# Maj • 02:23 • -9.16db
30% Popularity • 62% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 62% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Susan McCann
Radio Heart
95 bpm • A Maj • 03:23 • -7.21db
4% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Mick Flavin
I Knew This Day Would Come
95 bpm • E Maj • 03:04 • -7.18db
16% Popularity • 67% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 67% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Roly Daniels
Funny Face
95 bpm • E Maj • 02:42 • -5.98db
25% Popularity • 62% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 62% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
