Songs like Brook Green Suite, H. 190: I. Prelude. Allegretto by Gustav Holst
Based on a tempo of (+/- 10%) and a similar genre
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John Rutter
Suite Antique: III. Aria
67 bpm • E min • 03:07 • -27.89db
16% Popularity • 24% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Sanctus
67 bpm • D# Maj • 03:08 • -19.14db
19% Popularity • 23% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Bassoon Concerto in B-Flat Major, K. 191...
67 bpm • F Maj • 07:39 • -28.53db
43% Popularity • 6% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
43% Popularity • 6% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Gustav Holst
Brook Green Suite, H. 190: I. Prelude. A...
67 bpm • C Maj • 01:57 • -27db
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Beethoven: Trio for Oboe, Clarinet and B...
67 bpm • F Maj • 04:16 • -20.96db
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Holberg Suite, opus 40:Air (Andante reli...
67 bpm • G min • 05:51 • -20.77db
8% Popularity • 7% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
32% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
49% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
49% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Gustav Holst
A Song of the Night, Op. 19, No. 1, H. 7...
68 bpm • F Maj • 08:15 • -19.34db
14% Popularity • 9% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 3% Positiveness
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Percy Grainger
Early One Morning
68 bpm • F Maj • 03:00 • -29.95db
8% Popularity • 9% Danceability • 4% Energy • 7% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 9% Danceability • 4% Energy • 7% Liveness
15% Instrumentalness • 5% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
66 bpm • D Maj • 04:23 • -31db
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Holst
The Planets, Op. 32: VII. Neptune, the M...
68 bpm • E Maj • 08:06 • -44.05db
20% Popularity • 12% Danceability • 0% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 0% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
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Percy Grainger
The Duke of Marlborough Fanfare
68 bpm • A# Maj • 02:35 • -23.67db
5% Popularity • 22% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
5% Popularity • 22% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Liszt
3 Concert Études, S. 144: No. 3 in D-Fl...
69 bpm • C# Maj • 05:41 • -25db
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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César Franck
Panis Angelicus (Arr. Leopold Stokowski)
65 bpm • A Maj • 03:49 • -23.96db
25% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
69 bpm • E Maj • 06:11 • -29db
27% Popularity • 17% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Georges Bizet
Chants du Rhin, WD 52: Les rêves
65 bpm • C# Maj • 03:44 • -30.94db
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Gustav Holst
The Planets Suite, Op. 32: V. Saturn
66 bpm • C Maj • 07:23 • -20.7db
9% Popularity • 7% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Claude Debussy
La plus que lente, L. 121
69 bpm • F# Maj • 04:22 • -25.46db
41% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
41% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Nikolai Tcherepnin
La Princesse lontaine - Prelude
69 bpm • A Maj • 09:17 • -23.12db
23% Popularity • 17% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Adagio from Piano Sonata No. 14 in C-Sha...
69 bpm • C# min • 06:24 • -31.36db
14% Popularity • 6% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
35% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
35% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Roger Quilter
Where the Rainbow Ends Suite (version fo...
69 bpm • A Maj • 03:13 • -27db
25% Popularity • 6% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Sonate op. 168, I. Allegre...
65 bpm • G Maj • 02:37 • -25db
23% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Bright Sheng
Black Swan (after Brahms' 6 Piano Pieces...
69 bpm • A Maj • 06:52 • -30.82db
15% Popularity • 15% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 27 in B-Flat Major, K...
69 bpm • D# Maj • 07:55 • -29db
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, The Brin...
65 bpm • A# min • 08:04 • -35.03db
13% Popularity • 12% Danceability • 1% Energy • 9% Liveness
18% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 1% Energy • 9% Liveness
18% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Violin Concerto in D Major,...
64 bpm • D# Maj • 06:31 • -28db
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Edward Elgar
Serenade for Strings, Op. 20: II. Larghe...
64 bpm • C Maj • 05:33 • -30.71db
18% Popularity • 6% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets Suite, Op. 32: VII. Neptune
71 bpm • E Maj • 06:40 • -29.54db
5% Popularity • 6% Danceability • 9% Energy • 68% Liveness
66% Instrumentalness • 4% Positiveness
5% Popularity • 6% Danceability • 9% Energy • 68% Liveness
66% Instrumentalness • 4% Positiveness
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Anatoly Lyadov
The Enchanted Lake, Op. 62
71 bpm • C# Maj • 06:53 • -26.14db
34% Popularity • 7% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: II. Pavane de la ...
63 bpm • E min • 02:21 • -43db
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Theme - Don Quixote...
63 bpm • F Maj • 01:05 • -26db
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
62 bpm • F Maj • 08:13 • -25db
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
72 bpm • F Maj • 10:08 • -22db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Claude Debussy
La Mer, L.109: 1. From Dawn Till Noon On...
61 bpm • F# Maj • 08:48 • -24db
17% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
62 bpm • D# Maj • 03:52 • -25db
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
53% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
53% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique: V. Dream of a Wit...
61 bpm • C min • 10:14 • -26.87db
25% Popularity • 23% Danceability • 9% Energy • 89% Liveness
70% Instrumentalness • 12% Positiveness
25% Popularity • 23% Danceability • 9% Energy • 89% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
61 bpm • C# Maj • 02:48 • -23.39db
33% Popularity • 13% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Danse Sacrée et Danse Profane, L. 103: ...
73 bpm • A Maj • 05:06 • -26.86db
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Anthony Camden
Oboe Concerto in C Major on Themes of Pe...
73 bpm • G Maj • 02:22 • -30.76db
16% Popularity • 15% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
35% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
35% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
► Preview
Sergei Prokofiev
Cinderella, Op. 87: 13. Summer Fairy
74 bpm • F Maj • 01:35 • -30.64db
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Tamara Konstantin
Cello Sonata: II. —
74 bpm • G min • 02:55 • -24db
28% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: In paradisum
61 bpm • D Maj • 03:51 • -26.01db
21% Popularity • 10% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 10% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
Schumann, Clara: 3 Romances, Op. 11: No....
60 bpm • D# min • 03:38 • -31db
31% Popularity • 34% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
31% Popularity • 34% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: III. Mercury, the W...
75 bpm • F Maj • 04:12 • -34.75db
19% Popularity • 14% Danceability • 3% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 3% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
60 bpm • E Maj • 02:12 • -20db
36% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
36% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
75 bpm • E min • 04:27 • -26db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
60 bpm • D# Maj • 08:50 • -15db
42% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
60 bpm • D Maj • 03:18 • -26.46db
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite I...
75 bpm • F min • 03:37 • -31.99db
20% Popularity • 14% Danceability • 5% Energy • 36% Liveness
90% Instrumentalness • 12% Positiveness
20% Popularity • 14% Danceability • 5% Energy • 36% Liveness
90% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: String Quartet No. 1 in D M...
60 bpm • F Maj • 06:16 • -28db
10% Popularity • 7% Danceability • 4% Energy • 20% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 4% Energy • 20% Liveness
63% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
75 bpm • E Maj • 03:04 • -23.31db
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
32% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
38% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
38% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Hubert Parry
An English Suite: V. Pastoral
76 bpm • C Maj • 02:09 • -26.98db
10% Popularity • 32% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
10% Popularity • 32% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Coriolan, Op. 62: Overture
76 bpm • F min • 08:57 • -17.06db
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Gustav Holst
Holst: St. Paul's Suite, Op. 29 No. 2: I...
77 bpm • C Maj • 03:25 • -14.79db
20% Popularity • 32% Danceability • 27% Energy • 26% Liveness
90% Instrumentalness • 46% Positiveness
20% Popularity • 32% Danceability • 27% Energy • 26% Liveness
90% Instrumentalness • 46% Positiveness
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Aaron Copland
Billy the Kid Suite: I. Introduction. Th...
58 bpm • C min • 03:13 • -16.45db
28% Popularity • 22% Danceability • 16% Energy • 63% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 16% Energy • 63% Liveness
90% Instrumentalness • 8% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
77 bpm • F Maj • 02:19 • -28.37db
36% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
36% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Edvard Grieg
From Holberg's Time, Op. 40: I. Praeludi...
77 bpm • G Maj • 02:38 • -17db
18% Popularity • 34% Danceability • 24% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
18% Popularity • 34% Danceability • 24% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
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Germaine Tailleferre
String Quartet: I. Modéré
77 bpm • C# min • 02:27 • -17.97db
16% Popularity • 23% Danceability • 11% Energy • 19% Liveness
46% Instrumentalness • 14% Positiveness
16% Popularity • 23% Danceability • 11% Energy • 19% Liveness
46% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Concerto for Piano and Orchestra No. 5 i...
76 bpm • B Maj • 08:10 • -30.41db
11% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
The Planets Suite, Op. 32: I. Mars
77 bpm • G# Maj • 06:28 • -11.89db
11% Popularity • 20% Danceability • 45% Energy • 26% Liveness
92% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 45% Energy • 26% Liveness
92% Instrumentalness • 7% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
