Songs like Brother, Can You Spare a Dime (From The Musical Review "Americana") - Remastered 2003 by Leo Reisman & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Jack Hylton & His Orchestra
Egyptian Ella
125 bpm • G min • 02:51 • -8.62db
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
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Carmen Cavallaro & His Orchestra
Just One Of Those Things
125 bpm • C Maj • 02:35 • -12.65db
15% Popularity • 61% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 70% Positiveness
15% Popularity • 61% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 70% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Leo Reisman & His Orchestra
Brother, Can You Spare a Dime - Remaste...
125 bpm • C min • 03:10 • -11.42db
1% Popularity • 49% Danceability • 21% Energy • 39% Liveness
54% Instrumentalness • 51% Positiveness
1% Popularity • 49% Danceability • 21% Energy • 39% Liveness
54% Instrumentalness • 51% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
16% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
16% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Whitey Kaufman and His Orchestra
Paddlin' Madelin' Home
126 bpm • E Maj • 03:20 • -10.26db
0% Popularity • 80% Danceability • 43% Energy • 40% Liveness
72% Instrumentalness • 95% Positiveness
0% Popularity • 80% Danceability • 43% Energy • 40% Liveness
72% Instrumentalness • 95% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
22% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Marx Brothers
Everyone Says I Love You/Horse Feathers
124 bpm • F Maj • 01:29 • -9.92db
11% Popularity • 50% Danceability • 41% Energy • 17% Liveness
69% Instrumentalness • 56% Positiveness
11% Popularity • 50% Danceability • 41% Energy • 17% Liveness
69% Instrumentalness • 56% Positiveness
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Henry Hall
Here's to the Next Time
126 bpm • C Maj • 02:31 • -4db
9% Popularity • 69% Danceability • 77% Energy • 41% Liveness
16% Instrumentalness • 56% Positiveness
9% Popularity • 69% Danceability • 77% Energy • 41% Liveness
16% Instrumentalness • 56% Positiveness
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Jack Hylton & His Orchestra
Who
126 bpm • D# Maj • 03:12 • -12db
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
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McKinney's Cotton Pickers
I Found A New Baby
126 bpm • B min • 03:21 • -20db
9% Popularity • 69% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 92% Positiveness
9% Popularity • 69% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 92% Positiveness
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Aileen Stanley
Everybody Loves My Baby (Recorded Septem...
126 bpm • G# min • 03:16 • -15db
9% Popularity • 57% Danceability • 12% Energy • 56% Liveness
5% Instrumentalness • 52% Positiveness
9% Popularity • 57% Danceability • 12% Energy • 56% Liveness
5% Instrumentalness • 52% Positiveness
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Phil Spitalny's Music
I Want to Meander in the Meadow
126 bpm • C# Maj • 02:46 • -12db
10% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
10% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
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Leo Reisman & His Orchestra
Brother, Can You Spare A Dime?
126 bpm • C min • 03:14 • -12.16db
0% Popularity • 48% Danceability • 20% Energy • 33% Liveness
84% Instrumentalness • 50% Positiveness
0% Popularity • 48% Danceability • 20% Energy • 33% Liveness
84% Instrumentalness • 50% Positiveness
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Busby Berkeley
Where in the Money
124 bpm • G Maj • 02:36 • -10db
7% Popularity • 52% Danceability • 49% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 52% Danceability • 49% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
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Teresa Brewer
Choo'n Gum
126 bpm • G# Maj • 03:05 • -11.78db
11% Popularity • 67% Danceability • 36% Energy • 31% Liveness
4% Instrumentalness • 97% Positiveness
11% Popularity • 67% Danceability • 36% Energy • 31% Liveness
4% Instrumentalness • 97% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
28% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
28% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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The Charleston Chasers
Brotherly Love
127 bpm • C Maj • 02:35 • -8.03db
24% Popularity • 82% Danceability • 49% Energy • 7% Liveness
94% Instrumentalness • 86% Positiveness
24% Popularity • 82% Danceability • 49% Energy • 7% Liveness
94% Instrumentalness • 86% Positiveness
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Roger Wolfe Kahn & His Orchestra
Russian Lullaby
127 bpm • F# min • 03:13 • -16db
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Red Nichols
I Got Rhythm
127 bpm • G min • 02:56 • -14.95db
10% Popularity • 66% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 88% Positiveness
10% Popularity • 66% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 88% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Leo Reisman & His Orchestra
Maybe It's Because I Love You Too Much
128 bpm • G Maj • 03:31 • -20.09db
0% Popularity • 37% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 17% Positiveness
0% Popularity • 37% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 17% Positiveness
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Irving Aaronson and His Commanders
I'm Just Wild About Animal Crackers
122 bpm • F Maj • 02:47 • -13.65db
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Frank Salvano & Ambassadors
Me and the Man in the Moon
128 bpm • D# Maj • 03:22 • -15.05db
18% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
18% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
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Art Landry And His Orchestra
Camel Walk
122 bpm • A# Maj • 03:07 • -15.55db
15% Popularity • 84% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
15% Popularity • 84% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
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Layton & Johnstone
Hard-Hearted Hannah
129 bpm • E min • 02:47 • -19.42db
8% Popularity • 64% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 64% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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Leo Reisman & His Orchestra
Is it Possible
121 bpm • G# min • 02:53 • -12.14db
0% Popularity • 80% Danceability • 41% Energy • 12% Liveness
40% Instrumentalness • 89% Positiveness
0% Popularity • 80% Danceability • 41% Energy • 12% Liveness
40% Instrumentalness • 89% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
20% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Roy Fox & His Band
Roll Along Prairie Moon
121 bpm • G# Maj • 02:43 • -24.38db
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Allan Jones
The Donkey Serenade
121 bpm • C# Maj • 03:24 • -10.06db
8% Popularity • 61% Danceability • 29% Energy • 6% Liveness
12% Instrumentalness • 60% Positiveness
8% Popularity • 61% Danceability • 29% Energy • 6% Liveness
12% Instrumentalness • 60% Positiveness
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Blue Barron & His Orchestra
Ida, Sweet as Apple Cider
121 bpm • F Maj • 02:13 • -11.11db
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
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Harry Harden s orchestrem
Sing Before Breakfast
121 bpm • C# Maj • 02:27 • -11.41db
11% Popularity • 90% Danceability • 43% Energy • 15% Liveness
93% Instrumentalness • 96% Positiveness
11% Popularity • 90% Danceability • 43% Energy • 15% Liveness
93% Instrumentalness • 96% Positiveness
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Billy Cotton & His Band
Too Many Tears
129 bpm • D min • 02:57 • -25db
9% Popularity • 52% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Abe Lyman's California Orchestra
Varsity Drag
120 bpm • G# Maj • 02:46 • -12.56db
10% Popularity • 74% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
10% Popularity • 74% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
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Jack Payne Band
My Baby Just Cares for Me
120 bpm • F Maj • 02:49 • -12.09db
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
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Edwin J. McEnelly's Orchestra
Spanish Shawl
120 bpm • G# min • 03:07 • -13.01db
12% Popularity • 90% Danceability • 28% Energy • 4% Liveness
88% Instrumentalness • 91% Positiveness
12% Popularity • 90% Danceability • 28% Energy • 4% Liveness
88% Instrumentalness • 91% Positiveness
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Mills Blue Rhythm Band
Spitfire
120 bpm • F Maj • 03:01 • -10.05db
7% Popularity • 69% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 89% Positiveness
7% Popularity • 69% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 89% Positiveness
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Dinah Shore
Somebody to Love Me
120 bpm • C# Maj • 02:50 • -10.89db
9% Popularity • 46% Danceability • 14% Energy • 62% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 46% Danceability • 14% Energy • 62% Liveness
1% Instrumentalness • 38% Positiveness
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Jack Hylton & His Orchestra
Happy Days Are Here Again
120 bpm • C Maj • 03:08 • -11.64db
15% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
15% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
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Paul Whiteman & His Orchestra
3 O'clock in the Morning
130 bpm • A Maj • 03:15 • -10.63db
12% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Howard Lanin Orchestra
Don't Wake Me Up Let Me Dream
120 bpm • C Maj • 02:49 • -13.05db
15% Popularity • 83% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 92% Positiveness
15% Popularity • 83% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 92% Positiveness
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Marion Harris
You May Be Fast, but You Won't Last
119 bpm • G Maj • 03:15 • -11.95db
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
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Rudy Vallee and His Yale Collegians
You'll Do It Someday
119 bpm • D min • 02:50 • -10.63db
2% Popularity • 90% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 81% Positiveness
2% Popularity • 90% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 81% Positiveness
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Ray Noble Orchestra & Al Bowlly
Sing as We Go
131 bpm • C Maj • 02:47 • -11.82db
2% Popularity • 82% Danceability • 38% Energy • 31% Liveness
65% Instrumentalness • 88% Positiveness
2% Popularity • 82% Danceability • 38% Energy • 31% Liveness
65% Instrumentalness • 88% Positiveness
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Sid Peltyn and His Orchestra
Play Me a Frigid Air
119 bpm • F Maj • 02:41 • -11.9db
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Richard Himber and his Orchestra
Dancing On The Ceiling - Of Thee I Sing
119 bpm • C# Maj • 04:16 • -10.73db
14% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bert Lown Orchestra
You're the One I Care for
119 bpm • C# Maj • 03:22 • -16.85db
9% Popularity • 46% Danceability • 11% Energy • 11% Liveness
24% Instrumentalness • 43% Positiveness
9% Popularity • 46% Danceability • 11% Energy • 11% Liveness
24% Instrumentalness • 43% Positiveness
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Mills Blue Rhythm Band
Let's Have a Jubilee
132 bpm • F min • 02:52 • -12.34db
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
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Art Fowler
No Wonder She's a Blushing Bride
119 bpm • G Maj • 02:23 • -11.78db
8% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Hylton
Happy Days Are Here Again
119 bpm • G Maj • 03:10 • -9.64db
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
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Lew Stone
The Girl Who Loves a Soldier
119 bpm • A# Maj • 03:16 • -13.24db
16% Popularity • 77% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 77% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Howard Lanin Orchestra
When Eyes Af Blue Are Foolin' You
118 bpm • A Maj • 02:48 • -13.03db
9% Popularity • 66% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
9% Popularity • 66% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Helen Rowland With Ed Kirkeby Orchestra
I've Got To Sing A Torch Song
118 bpm • C# Maj • 02:44 • -11.11db
17% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Flanagan & Allen
The Umbrella Man
132 bpm • C# Maj • 02:43 • -10db
18% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Tiny Parham And His Musicians
Stuttering Blues
132 bpm • D# Maj • 02:46 • -13.37db
11% Popularity • 70% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 74% Positiveness
11% Popularity • 70% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 74% Positiveness
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The Charleston Chasers
Symphonic Raps
118 bpm • F Maj • 03:12 • -9db
15% Popularity • 75% Danceability • 53% Energy • 6% Liveness
85% Instrumentalness • 91% Positiveness
15% Popularity • 75% Danceability • 53% Energy • 6% Liveness
85% Instrumentalness • 91% Positiveness
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Eubie Blake & His Shuffle Along Orchestra
Bandana Days
118 bpm • C# min • 03:21 • -12db
13% Popularity • 73% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
13% Popularity • 73% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Henry Hall
Love Is the Sweetest Thing
118 bpm • D# Maj • 03:06 • -13.99db
11% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Graham Dalby And The Grahamophones
Cotton Club Stomp
118 bpm • A# min • 02:57 • -15.15db
5% Popularity • 58% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 66% Positiveness
5% Popularity • 58% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 66% Positiveness
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Jack Hylton & His Orchestra
Blue Skies Are Around The Corner
133 bpm • G Maj • 02:59 • -9.15db
22% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
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The Missourians
Market Street Stomp
133 bpm • C Maj • 03:26 • -10db
12% Popularity • 74% Danceability • 58% Energy • 18% Liveness
86% Instrumentalness • 90% Positiveness
12% Popularity • 74% Danceability • 58% Energy • 18% Liveness
86% Instrumentalness • 90% Positiveness
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Ted Weems & His Orchestra
Heartaches
133 bpm • G# Maj • 02:40 • -10.81db
12% Popularity • 71% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 91% Positiveness
12% Popularity • 71% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 91% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
9% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
9% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Sam Lanin and The Ipana Troubadours
Jig Walk
117 bpm • D# Maj • 02:40 • -11.94db
11% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
11% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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Joe Loss & His Orchestra
Till The Lights Of London Shine Again
117 bpm • C Maj • 03:17 • -19db
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
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Ipana Troubadours
(Give Me) A Night in June
117 bpm • F Maj • 02:49 • -10.44db
11% Popularity • 82% Danceability • 40% Energy • 25% Liveness
69% Instrumentalness • 92% Positiveness
11% Popularity • 82% Danceability • 40% Energy • 25% Liveness
69% Instrumentalness • 92% Positiveness
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The Original Coon-Sanders Nighthawk Orchestra
Ready for the River
133 bpm • A# min • 03:24 • -16.05db
16% Popularity • 54% Danceability • 11% Energy • 26% Liveness
17% Instrumentalness • 66% Positiveness
16% Popularity • 54% Danceability • 11% Energy • 26% Liveness
17% Instrumentalness • 66% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Frank Luther
A Sweet Beginning Like This
117 bpm • A# Maj • 03:23 • -13.21db
0% Popularity • 29% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 29% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Don Redman
I Wanna Be Loved (01-05-34)
116 bpm • G Maj • 02:58 • -8.29db
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
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George Hall and His Hotel Taft Orchestra
Remember My Forgotten Man - 2003 Remast...
116 bpm • C min • 02:52 • -13db
12% Popularity • 56% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
12% Popularity • 56% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
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Leo Reisman & His Orchestra
Easter Parade
134 bpm • D min • 03:27 • -20.36db
0% Popularity • 42% Danceability • 5% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
0% Popularity • 42% Danceability • 5% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
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Alex Mendham and His Orchestra
Going Hollywood
135 bpm • A# Maj • 01:58 • -16db
12% Popularity • 67% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 67% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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B.A. Rolfe & His Lucky Strike Orchestra
Hello Sweetie
117 bpm • A Maj • 02:55 • -7db
11% Popularity • 83% Danceability • 52% Energy • 26% Liveness
18% Instrumentalness • 87% Positiveness
11% Popularity • 83% Danceability • 52% Energy • 26% Liveness
18% Instrumentalness • 87% Positiveness
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Duke Ellington & His Jungle Band
Runnin' Wild
135 bpm • A# Maj • 02:40 • -10.06db
13% Popularity • 67% Danceability • 55% Energy • 19% Liveness
86% Instrumentalness • 89% Positiveness
13% Popularity • 67% Danceability • 55% Energy • 19% Liveness
86% Instrumentalness • 89% Positiveness
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Henry Hall
It's Just the Time for Dancing
116 bpm • G Maj • 02:31 • -10db
23% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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Teddy Raph and His Orchestra
Dream a Little Dream of Me
135 bpm • G min • 03:29 • -12.05db
23% Popularity • 41% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 41% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Coon-Sanders
Here Comes My Ball And Chain
116 bpm • G Maj • 03:22 • -17db
19% Popularity • 74% Danceability • 24% Energy • 18% Liveness
19% Instrumentalness • 84% Positiveness
19% Popularity • 74% Danceability • 24% Energy • 18% Liveness
19% Instrumentalness • 84% Positiveness
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Billy Jones
Ma! He's Making Eyes at Me
115 bpm • D# Maj • 03:07 • -11.83db
8% Popularity • 61% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 61% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
19% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
19% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
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Ted Lewis & His Orchestra
In a shanty in old shanty town
136 bpm • G Maj • 03:04 • -7.9db
3% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Three Keys
Oh! By Jingo
135 bpm • F Maj • 02:31 • -16.36db
10% Popularity • 71% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 71% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Cab Calloway
Jitter Bug
115 bpm • G Maj • 03:10 • -10.56db
7% Popularity • 71% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 71% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Gracie Fields
Donkey Serenade
115 bpm • A# Maj • 02:34 • -11.26db
19% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
19% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Leo Reisman & His Orchestra
Bye Bye Blackbird
115 bpm • G# Maj • 03:17 • -18.92db
0% Popularity • 79% Danceability • 10% Energy • 12% Liveness
71% Instrumentalness • 78% Positiveness
0% Popularity • 79% Danceability • 10% Energy • 12% Liveness
71% Instrumentalness • 78% Positiveness
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Johnny Marvin
Happy Days Are Here Again
115 bpm • C Maj • 02:19 • -10db
27% Popularity • 79% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 79% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
27% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness