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Brother Jukebox
Songs like
Brother Jukebox
by
Mark Chesnutt
Based on a tempo of (+/- 10%) and a similar genre
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Mark Chesnutt
Brother Jukebox
141 bpm • C# Maj • 03:04 • -11db
58% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
39% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
43% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Clay Walker
The Chain of Love
141 bpm • D Maj • 05:04 • -14db
42% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Brad Paisley
Wrapped Around
141 bpm • A Maj • 03:22 • -8.43db
46% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Mark Chesnutt
Hello Honky Tonk
142 bpm • G# Maj • 02:48 • -7.61db
19% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Tanya Tucker
If It Don't Come Easy
142 bpm • A# Maj • 03:32 • -13.89db
36% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Diffie
Prop Me Up Beside the Jukebox (If I Die)
141 bpm • A Maj • 03:46 • -5db
52% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Ronnie Milsap
Smoky Mountain Rain
140 bpm • G Maj • 03:43 • -8.62db
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Aaron Watson
July In Cheyenne (Song For Lane's Momma)
142 bpm • E Maj • 04:22 • -7.52db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Reba McEntire
Little Rock
140 bpm • D Maj • 03:07 • -15db
51% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
67% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Ann Womack
I'll Think Of A Reason Later
142 bpm • D# Maj • 03:38 • -6db
50% Popularity • 59% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Trent Tomlinson
One Wing In The Fire
142 bpm • D# Maj • 03:52 • -7.36db
44% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Ty Herndon
What Mattered Most
142 bpm • C Maj • 03:41 • -9db
49% Popularity • 53% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Merle Haggard
Okie From Muskogee - Re-Recorded
142 bpm • E Maj • 02:40 • -12.97db
56% Popularity • 68% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Tanya Tucker
It's A Little Too Late
142 bpm • G# Maj • 02:40 • -11.17db
42% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Confederate Railroad
Trashy Women - Remastered Version
143 bpm • A Maj • 03:14 • -7db
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Kathy Mattea
Eighteen Wheels And A Dozen Roses
139 bpm • G# Maj • 03:23 • -13.63db
56% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Terri Clark
Girls Lie Too - Greatest Hits Version
139 bpm • A Maj • 03:34 • -4.33db
27% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Judds
Rockin' With The Rhythm Of The Rain
143 bpm • C Maj • 02:40 • -9db
54% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Clint Black
Walkin' Away
144 bpm • D Maj • 02:48 • -8.97db
44% Popularity • 54% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Clay Walker
Fall
138 bpm • C Maj • 03:37 • -6.99db
48% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sammy Kershaw
Queen Of My Double Wide Trailer
144 bpm • D Maj • 03:31 • -10db
59% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
53% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
51% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
55% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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David Lee Murphy
Why Can't People Just Get Along
145 bpm • A Maj • 03:54 • -12.27db
29% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Diamond Rio
In a Week or Two
145 bpm • D Maj • 02:59 • -12db
36% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
69% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Mark Chesnutt
I Just Wanted You To Know
145 bpm • D Maj • 03:22 • -11db
44% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Collin Raye
Little Rock
137 bpm • C Maj • 03:57 • -6db
43% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
68% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Confederate Railroad
Jesus and Mama - Remastered Version
137 bpm • B Maj • 03:21 • -8.34db
39% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Merle Haggard
Big City
136 bpm • E Maj • 02:59 • -14db
56% Popularity • 71% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
54% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
53% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
59% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Tim McGraw
Back When
136 bpm • G Maj • 04:29 • -4.82db
36% Popularity • 60% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
60% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
40% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Mark Chesnutt
It Sure Is Monday
147 bpm • F Maj • 02:57 • -10.33db
49% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Conway Twitty
Rocky Top
147 bpm • G Maj • 02:48 • -12.61db
51% Popularity • 52% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
Close Enough to Perfect
135 bpm • G Maj • 03:32 • -9.71db
41% Popularity • 59% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Jamey Johnson
Between Jennings And Jones
147 bpm • D Maj • 04:11 • -8db
54% Popularity • 54% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
57% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Mark Chesnutt
Mama's House
135 bpm • C Maj • 03:04 • -5.36db
9% Popularity • 51% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Conway Twitty
Goodbye Time
147 bpm • D Maj • 03:27 • -17.39db
47% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rodney Atkins
It’s America
134 bpm • E Maj • 03:33 • -13.86db
48% Popularity • 60% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Clint Black
When My Ship Comes In
134 bpm • B Maj • 03:33 • -12.04db
44% Popularity • 69% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Jo Dee Messina
Bye-Bye
134 bpm • A# Maj • 03:20 • -3.98db
63% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Mark Chesnutt
Wrong Place, Wrong Time
148 bpm • G Maj • 03:32 • -11.81db
13% Popularity • 64% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Clay Walker
This Woman and This Man
148 bpm • F# min • 04:22 • -9.44db
50% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Buddy Jewell
Sweet Southern Comfort
148 bpm • D Maj • 03:32 • -7db
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
64% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Montgomery Gentry
Long Line of Losers
148 bpm • D Maj • 03:48 • -6db
45% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ronnie Dunn
Cost Of Livin'
148 bpm • E Maj • 04:10 • -8db
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mark Chesnutt
Heard It In a Love Song
148 bpm • D Maj • 04:07 • -7db
29% Popularity • 53% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Shenandoah
Darned If I Don't (Danged If I Do)
149 bpm • G# Maj • 02:29 • -7db
39% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Steve Holy
Brand New Girlfriend
134 bpm • D Maj • 03:40 • -3.55db
53% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Clint Black
Where Are You Now
149 bpm • F Maj • 03:09 • -12db
40% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
54% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Merle Haggard
The Way I Am
133 bpm • F# Maj • 02:56 • -15.16db
45% Popularity • 60% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Clay Walker
Live Until I Die
133 bpm • D# Maj • 02:49 • -11.32db
51% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Easton Corbin
The Way Love Looks
133 bpm • F# Maj • 02:41 • -8db
40% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
45% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
54% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Diamond Rio
Mirror Mirror
150 bpm • C Maj • 03:11 • -12.14db
38% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ronnie Dunn
Long Cool Woman (In a Black Dress)
133 bpm • G Maj • 03:36 • -3.16db
38% Popularity • 65% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 78% Positiveness
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Mark Chesnutt
Almost Goodbye
132 bpm • C min • 04:10 • -13.75db
39% Popularity • 62% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
50% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Pam Tillis
Don't Tell Me What To Do
132 bpm • G Maj • 03:11 • -6db
43% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
55% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Lee
Cherokee Fiddle
151 bpm • D Maj • 04:05 • -12.42db
40% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Rick Trevino
Running Out of Reasons to Run
151 bpm • G Maj • 03:04 • -6.09db
35% Popularity • 53% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Ronnie Milsap
Pure Love
151 bpm • D Maj • 02:21 • -8db
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Confederate Railroad
Queen of Memphis - Remastered Version
151 bpm • G Maj • 03:19 • -7db
48% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Tracy Byrd
Don't Take Her She's All I Got
131 bpm • A# Maj • 03:28 • -8db
54% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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John Michael Montgomery
Cowboy Love
152 bpm • D Maj • 03:12 • -6db
30% Popularity • 64% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Aaron Tippin
There Ain't Nothin' Wrong with the Radio
131 bpm • E Maj • 02:45 • -11.38db
51% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Mark Chesnutt
Uptown Downtown (Misery's All The Same)
131 bpm • B Maj • 02:40 • -11.15db
20% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Charley Pride
Kiss an Angel Good Mornin'
131 bpm • E Maj • 02:03 • -11db
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Merle Haggard
Are the Good Times Really Over (I Wish a...
131 bpm • C Maj • 04:13 • -15.44db
53% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Vince Gill
What The Cowgirls Do
153 bpm • G min • 03:06 • -8db
41% Popularity • 63% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
60% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Lorrie Morgan
What Part of No
130 bpm • D# Maj • 02:44 • -10db
50% Popularity • 72% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Mark Chesnutt
Hey You There In The Mirror
152 bpm • D Maj • 02:50 • -10.72db
19% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Neal McCoy
Twang
130 bpm • A Maj • 02:57 • -4.9db
26% Popularity • 75% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Merle Haggard
My Favorite Memory
130 bpm • D Maj • 03:05 • -14db
48% Popularity • 45% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Brother Jukebox