Songs like Bruises by AS
Based on a tempo of (+/- 10%) and a similar genre
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Son Of Dave
Bringing It Home
109 bpm • C# Maj • 02:53 • -5.74db
12% Popularity • 64% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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AS
Bruises
109 bpm • C min • 03:02 • -7.3db
20% Popularity • 60% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 60% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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BUCKO
Oh Darlin'
108 bpm • E Maj • 04:22 • -9.39db
18% Popularity • 35% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 35% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jared Deck
Fired Up
110 bpm • D# min • 03:15 • -8.6db
13% Popularity • 78% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 78% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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N-VADA
The Power of Love
108 bpm • C Maj • 03:58 • -8.91db
14% Popularity • 61% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 61% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Southbound Snake Charmers
On My Trail
110 bpm • B Maj • 04:37 • -3.32db
12% Popularity • 40% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Jen Miller
Smoky Mountain Special
108 bpm • F min • 02:56 • -5.95db
15% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Dirt Miller
Woman
108 bpm • G min • 02:37 • -8.86db
7% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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WESLEY
TAKE ME AWAY
110 bpm • D Maj • 01:43 • -4.3db
20% Popularity • 62% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 62% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Gerard
El Dorado
107 bpm • G Maj • 04:00 • -6.11db
10% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Lippy
Trauma Bond
111 bpm • C# Maj • 03:48 • -7.29db
25% Popularity • 62% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 88% Positiveness
25% Popularity • 62% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 88% Positiveness
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Adam Drake
Hit The Road
107 bpm • B min • 02:35 • -8.17db
7% Popularity • 65% Danceability • 74% Energy • 21% Liveness
94% Instrumentalness • 27% Positiveness
7% Popularity • 65% Danceability • 74% Energy • 21% Liveness
94% Instrumentalness • 27% Positiveness
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Dan Owen
Deeper Love
107 bpm • E Maj • 02:48 • -5.63db
17% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Charlotte Carpenter
Like A Hurricane
107 bpm • F min • 03:19 • -7.09db
8% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Aron Andras
Border Blues
111 bpm • A min • 03:35 • -7db
10% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Nate Amor
I Know Me - Acoustic
106 bpm • D min • 03:34 • -5.98db
2% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mason & Julez
Coastline
107 bpm • G# min • 02:54 • -7.6db
32% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Red Parker
Living Our Best Life
112 bpm • A Maj • 02:47 • -3.7db
25% Popularity • 84% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 84% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Jake Wildhorn
That's a Lie
112 bpm • D Maj • 02:38 • -4.22db
22% Popularity • 52% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 52% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Jonathan Wyndham
Make a Difference
112 bpm • A Maj • 03:46 • -9.24db
11% Popularity • 82% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 82% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jordan Foley & The Wheelhouse
Loners
112 bpm • F# min • 03:38 • -4.83db
24% Popularity • 61% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 61% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Morrow
St. Peter
106 bpm • D Maj • 04:44 • -9.65db
31% Popularity • 84% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 84% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Desi Valentine
My Sentence
106 bpm • F# Maj • 03:09 • -5.54db
10% Popularity • 69% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 69% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Kramer & Beatbox ´n´ Blues
Now I'm Found
106 bpm • A# Maj • 03:27 • -2.81db
9% Popularity • 66% Danceability • 91% Energy • 47% Liveness
2% Instrumentalness • 91% Positiveness
9% Popularity • 66% Danceability • 91% Energy • 47% Liveness
2% Instrumentalness • 91% Positiveness
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Rhythm & Row
Straight to Fool (Ldr Up 26--28-30)
112 bpm • G Maj • 03:20 • -1.72db
11% Popularity • 40% Danceability • 84% Energy • 8% Liveness
6% Instrumentalness • 79% Positiveness
11% Popularity • 40% Danceability • 84% Energy • 8% Liveness
6% Instrumentalness • 79% Positiveness
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The Hvnter
You Can't Stop The Fire
106 bpm • E min • 03:32 • -2.06db
11% Popularity • 51% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 51% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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J. Elliott
Highway Miles
113 bpm • D Maj • 02:36 • -5.71db
20% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jebb Mac Band
Little Miss Whiskey
105 bpm • B Maj • 03:16 • -3.67db
9% Popularity • 76% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 76% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Bror Gunnar Jansson
He Had a Knife in His Hand - Remastered ...
114 bpm • F min • 03:55 • -4.97db
8% Popularity • 69% Danceability • 79% Energy • 33% Liveness
9% Instrumentalness • 59% Positiveness
8% Popularity • 69% Danceability • 79% Energy • 33% Liveness
9% Instrumentalness • 59% Positiveness
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Edward Malan
Words Of Wisdom
114 bpm • G min • 02:58 • -3.86db
27% Popularity • 74% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 74% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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WLDHRT
THE CROWN
104 bpm • D Maj • 02:58 • -5.94db
27% Popularity • 36% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 36% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Stevens
Anywhere
114 bpm • A# min • 03:41 • -8.76db
18% Popularity • 71% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 71% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Huckleberry Road
Huckleberry Road
115 bpm • G Maj • 03:39 • -5.12db
9% Popularity • 60% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 60% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Joce Reyome
Grateful
104 bpm • C# min • 03:15 • -4.12db
11% Popularity • 72% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 72% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Liam Davis
Comin' For Gold
115 bpm • A Maj • 02:32 • -5.17db
15% Popularity • 61% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 61% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Lee
Love Her
103 bpm • B min • 02:45 • -6.52db
9% Popularity • 65% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 65% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Brent Lindsay
Walk The Wire
115 bpm • D Maj • 02:04 • -7db
21% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Wide Mouth Mason
Modern Love
103 bpm • C Maj • 02:49 • -6.54db
8% Popularity • 66% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 66% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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The Burma
Phoney Personality
103 bpm • G min • 03:23 • -5.75db
20% Popularity • 47% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 47% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Before Six
Hey Man
103 bpm • A Maj • 02:47 • -5.22db
11% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Pistolwhips
In Your Head
116 bpm • A min • 04:35 • -5.87db
9% Popularity • 61% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 61% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Eldon Huff
Hip Pocket
116 bpm • C# Maj • 03:11 • -4.27db
19% Popularity • 52% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 52% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Slimtronic5k
Who Knows
116 bpm • B min • 04:27 • -6.38db
17% Popularity • 78% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 78% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Phantoms
Boom
116 bpm • G Maj • 02:15 • -5.4db
17% Popularity • 64% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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ryman leon
orange
116 bpm • G Maj • 02:57 • -9.09db
35% Popularity • 60% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 60% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Alex Lambert
Riverbank
116 bpm • F# min • 01:51 • -6.39db
41% Popularity • 78% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 78% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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James River Junction
Judgement Day
102 bpm • C Maj • 02:51 • -4.29db
9% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Dan Mudd
King’s New Clothes
102 bpm • E Maj • 03:22 • -9.21db
9% Popularity • 61% Danceability • 69% Energy • 17% Liveness
31% Instrumentalness • 66% Positiveness
9% Popularity • 61% Danceability • 69% Energy • 17% Liveness
31% Instrumentalness • 66% Positiveness
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Joon
Pretty Beast
102 bpm • C# Maj • 04:23 • -5.65db
22% Popularity • 62% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 62% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Derek Day
Click On Me
117 bpm • D Maj • 04:09 • -4.24db
9% Popularity • 60% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 60% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Sture Zetterberg
Run From Love
117 bpm • D Maj • 02:50 • -4.09db
16% Popularity • 59% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 59% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Marie Naffah
Loving You (Tenderly)
117 bpm • E min • 04:00 • -8.65db
21% Popularity • 56% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 56% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Knucklebone Oscar
I've Got to Use My Imagination
117 bpm • F# min • 03:25 • -7.18db
16% Popularity • 77% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 77% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Sergio Ochoa
Be Gone
101 bpm • C# min • 03:27 • -6db
37% Popularity • 41% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 41% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Madison Galloway
Hatebirds
101 bpm • D Maj • 02:29 • -4.23db
15% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Dean Roberts
He Said
101 bpm • C# Maj • 02:33 • -4.25db
24% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Anthony James Band
Shackle Up My Hands
118 bpm • D# Maj • 03:23 • -7.55db
22% Popularity • 76% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 76% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Sean Carney
Run This Town
118 bpm • A# min • 03:51 • -8.19db
18% Popularity • 66% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 66% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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ARYEH-OR
Stand + Deliver
118 bpm • C Maj • 03:50 • -6.57db
15% Popularity • 64% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 64% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Dylan Armour
Good morning whiskey
100 bpm • C Maj • 03:14 • -7.32db
27% Popularity • 57% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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Jvrnl
Shut My Mouth
100 bpm • C Maj • 02:52 • -3.58db
9% Popularity • 61% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 61% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Timo Gross
Train of Mercy
118 bpm • D min • 04:04 • -5.58db
9% Popularity • 61% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 61% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Stefano Barigazzi
Trembling Bones
100 bpm • A# min • 03:03 • -6.72db
8% Popularity • 67% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
8% Popularity • 67% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Dwayne Gretzky
Don't Stop
100 bpm • E Maj • 03:15 • -5.61db
9% Popularity • 48% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 48% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Aldershot
Friday Night Drinkin' Song
100 bpm • E Maj • 02:56 • -5.68db
8% Popularity • 66% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 66% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Chloe Collins
World on Fire
100 bpm • C# min • 02:56 • -4.37db
16% Popularity • 55% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 55% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Carli Oso
Round and Round
120 bpm • F min • 02:56 • -7.15db
24% Popularity • 49% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
24% Popularity • 49% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
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Hayley Jensen
Stomping Ground
120 bpm • A min • 02:39 • -2.77db
44% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Notorious Lightbulbs
Mountweazel
120 bpm • G Maj • 02:57 • -5.41db
10% Popularity • 67% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 67% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Quincy Todd
Honey
120 bpm • C Maj • 03:39 • -11.28db
7% Popularity • 50% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 50% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Col. Darryl Harrelson
Wavin' high
120 bpm • B Maj • 04:04 • -4.26db
19% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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DURAN
Red House
120 bpm • D# min • 03:57 • -6.83db
17% Popularity • 54% Danceability • 77% Energy • 24% Liveness
84% Instrumentalness • 56% Positiveness
17% Popularity • 54% Danceability • 77% Energy • 24% Liveness
84% Instrumentalness • 56% Positiveness
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Giulio Larovere
Why Live in Hell
120 bpm • C Maj • 03:57 • -8.37db
13% Popularity • 69% Danceability • 78% Energy • 11% Liveness
44% Instrumentalness • 71% Positiveness
13% Popularity • 69% Danceability • 78% Energy • 11% Liveness
44% Instrumentalness • 71% Positiveness
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Marvin Mercado
Ping Pong Circulate
120 bpm • F Maj • 02:25 • -6.24db
13% Popularity • 86% Danceability • 82% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
13% Popularity • 86% Danceability • 82% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
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Peter Verdell
Beast In My Bones
99 bpm • B min • 01:55 • -10.69db
16% Popularity • 56% Danceability • 71% Energy • 80% Liveness
3% Instrumentalness • 18% Positiveness
16% Popularity • 56% Danceability • 71% Energy • 80% Liveness
3% Instrumentalness • 18% Positiveness
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Josh Mitcham
Liar, Liar
120 bpm • B min • 02:58 • -3.22db
7% Popularity • 66% Danceability • 95% Energy • 25% Liveness
8% Instrumentalness • 82% Positiveness
7% Popularity • 66% Danceability • 95% Energy • 25% Liveness
8% Instrumentalness • 82% Positiveness
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Alex Lambert
Stroll
120 bpm • G# Maj • 03:37 • -5.34db
27% Popularity • 72% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
27% Popularity • 72% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Max Ehrich
Preacher Man of Rock and Roll
120 bpm • D min • 01:57 • -7.66db
8% Popularity • 63% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 63% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Cassandra
Drinking Games
99 bpm • A# min • 02:43 • -7.99db
8% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Soldier Story
Exactly What You Need
120 bpm • F min • 02:22 • -9.71db
11% Popularity • 84% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 84% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Kinder
On My Way
120 bpm • F# Maj • 03:25 • -6.03db
38% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Cody Beebe
Bronco
120 bpm • F Maj • 03:17 • -9.86db
8% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Outlaw Orchestra
Rattlesnake Sour
120 bpm • D Maj • 02:20 • -7.43db
14% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Music by Kota
Bomb Shelter Kid
120 bpm • G Maj • 03:00 • -6.26db
22% Popularity • 65% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 40% Positiveness
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Willie Pearl
Beggin'
120 bpm • E Maj • 02:32 • -7db
34% Popularity • 51% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 51% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ole Lonesome
Tip On In
99 bpm • G# Maj • 02:49 • -6.17db
22% Popularity • 63% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 63% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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The Mons Whaler
Copious Funness
98 bpm • C Maj • 03:35 • -7.88db
13% Popularity • 49% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 49% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Mark Desmond
Darkness Falls
121 bpm • F min • 03:09 • -6.85db
28% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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T.H. & The Boneshakerz
Keep On Moving
98 bpm • C Maj • 03:41 • -2.47db
13% Popularity • 46% Danceability • 95% Energy • 40% Liveness
21% Instrumentalness • 68% Positiveness
13% Popularity • 46% Danceability • 95% Energy • 40% Liveness
21% Instrumentalness • 68% Positiveness
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Willie Jones
Dive Bar - Live
98 bpm • A# Maj • 03:54 • -8.68db
18% Popularity • 67% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 67% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Wildhorn
Miss Manhattan
98 bpm • G Maj • 03:16 • -5db
29% Popularity • 56% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Sunset Closeup
Calm Down
98 bpm • E min • 02:50 • -6.11db
33% Popularity • 56% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 56% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Celeigh Cardinal
Just Let Me Lie to You
98 bpm • G# min • 03:10 • -7.63db
16% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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FRNK
Mama Mia
98 bpm • A Maj • 02:40 • -6.35db
11% Popularity • 59% Danceability • 75% Energy • 15% Liveness
15% Instrumentalness • 56% Positiveness
11% Popularity • 59% Danceability • 75% Energy • 15% Liveness
15% Instrumentalness • 56% Positiveness
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KING KVNG
altar of control
98 bpm • G Maj • 02:24 • -9.96db
23% Popularity • 66% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 66% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Hannah Jayne
Long Distance
98 bpm • B min • 02:44 • -7.98db
15% Popularity • 27% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 27% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Slick Danger
Fire Fire Fire
122 bpm • A# Maj • 02:51 • -5.01db
10% Popularity • 43% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 43% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Charlie Bedford
Just a Little Longer
122 bpm • G# Maj • 03:10 • -6.12db
16% Popularity • 77% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 77% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
