Songs like Brychni by Georgia Ruth
Based on a tempo of (+/- 10%) and a similar genre
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Mr Ben & the Bens
So Long Sympathy
101 bpm • A Maj • 03:51 • -11.65db
17% Popularity • 74% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
17% Popularity • 74% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Ella Raphael
Tangled Love
101 bpm • E Maj • 03:33 • -11.48db
14% Popularity • 60% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 48% Positiveness
14% Popularity • 60% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 48% Positiveness
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Georgia Ruth
Kingfisher
101 bpm • D Maj • 04:53 • -9.52db
4% Popularity • 59% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 59% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Pys Melyn
Bolmynydd
101 bpm • A# min • 04:43 • -14.23db
20% Popularity • 82% Danceability • 34% Energy • 31% Liveness
80% Instrumentalness • 84% Positiveness
20% Popularity • 82% Danceability • 34% Energy • 31% Liveness
80% Instrumentalness • 84% Positiveness
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Brigid Mae Power
I Must Have Been Blind
101 bpm • F Maj • 04:50 • -13.99db
10% Popularity • 36% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Jean
Market On the Sand
101 bpm • D Maj • 03:17 • -13.38db
7% Popularity • 38% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 38% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Erin Mat & Paul
The Consiousness Of Happening
102 bpm • E min • 02:11 • -11.71db
15% Popularity • 31% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
15% Popularity • 31% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
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John Francis Flynn
Kitty
100 bpm • A# Maj • 07:20 • -17.07db
28% Popularity • 54% Danceability • 12% Energy • 6% Liveness
81% Instrumentalness • 20% Positiveness
28% Popularity • 54% Danceability • 12% Energy • 6% Liveness
81% Instrumentalness • 20% Positiveness
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Georgia Ruth
Terracotta
101 bpm • D Maj • 04:24 • -10.01db
8% Popularity • 43% Danceability • 50% Energy • 32% Liveness
1% Instrumentalness • 28% Positiveness
8% Popularity • 43% Danceability • 50% Energy • 32% Liveness
1% Instrumentalness • 28% Positiveness
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Lady Nade
Complicated
102 bpm • D# Maj • 03:40 • -9.37db
11% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Katherine Priddy
Wolf
100 bpm • B min • 04:14 • -8.15db
29% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Meic Stevens
Tryweryn
102 bpm • A Maj • 03:12 • -13.09db
11% Popularity • 35% Danceability • 31% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
11% Popularity • 35% Danceability • 31% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
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The Gentle Good
Titrwm Tatrwm
100 bpm • C# min • 03:34 • -15db
25% Popularity • 41% Danceability • 26% Energy • 11% Liveness
37% Instrumentalness • 33% Positiveness
25% Popularity • 41% Danceability • 26% Energy • 11% Liveness
37% Instrumentalness • 33% Positiveness
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Alaw
Pam yr Oedi? / Hen Erddigan Morganwg
102 bpm • B min • 04:46 • -7.73db
2% Popularity • 31% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 20% Positiveness
2% Popularity • 31% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 20% Positiveness
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Georgia Ruth
Brychni
101 bpm • D Maj • 03:45 • -19.73db
5% Popularity • 43% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
5% Popularity • 43% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Maija Sofia
Telling The Bees
102 bpm • C Maj • 04:15 • -6.96db
10% Popularity • 58% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 58% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Cerys Hafana
Comed 1858
103 bpm • A min • 03:59 • -14.67db
11% Popularity • 38% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 38% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Gwenno
Tresor
103 bpm • D min • 04:09 • -7.9db
21% Popularity • 61% Danceability • 52% Energy • 9% Liveness
10% Instrumentalness • 32% Positiveness
21% Popularity • 61% Danceability • 52% Energy • 9% Liveness
10% Instrumentalness • 32% Positiveness
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Cowbois Rhos Botwnnog
Magl
99 bpm • F Maj • 04:00 • -15.09db
20% Popularity • 53% Danceability • 57% Energy • 14% Liveness
43% Instrumentalness • 40% Positiveness
20% Popularity • 53% Danceability • 57% Energy • 14% Liveness
43% Instrumentalness • 40% Positiveness
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Hack-Poets Guild
Hemp & Flax
99 bpm • E min • 02:36 • -10.12db
16% Popularity • 82% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 82% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Georgia Ruth
In Bloom
100 bpm • D Maj • 04:26 • -14.09db
4% Popularity • 36% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 36% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Katy Pinke
Strawman
103 bpm • C Maj • 01:56 • -13.31db
8% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Angeline Morrison
Hide Yourself
99 bpm • A Maj • 01:59 • -18.49db
17% Popularity • 53% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 53% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Loren Kramar
Hollywood Blvd
103 bpm • C Maj • 04:55 • -7.7db
23% Popularity • 65% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 65% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Brigid Mae Power
Dream From The Deep Well
103 bpm • D Maj • 03:28 • -12.35db
9% Popularity • 42% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 42% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Du Blonde
Pelican Canyon
99 bpm • G Maj • 03:47 • -11.39db
40% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Georgia Ruth
In Bloom - Quodega Rework
100 bpm • G Maj • 04:02 • -10.69db
0% Popularity • 78% Danceability • 62% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
0% Popularity • 78% Danceability • 62% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
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Iris Farrer
A Song That You'll Like
99 bpm • F# min • 03:29 • -15db
15% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Angeline Morrison
Cruel Mother Country
104 bpm • D min • 04:36 • -11.6db
14% Popularity • 46% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 46% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Erny Belle
Bowman
98 bpm • F Maj • 04:50 • -12.12db
15% Popularity • 42% Danceability • 40% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
15% Popularity • 42% Danceability • 40% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
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VRï
Ffoles Llantrisant
104 bpm • A Maj • 03:49 • -11.62db
8% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Alexandra Riorden
Ocean
104 bpm • D Maj • 04:17 • -11db
18% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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This Is The Kit
More Change
98 bpm • B min • 02:29 • -14.11db
33% Popularity • 67% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
33% Popularity • 67% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Brigid Mae Power
Maybe It's Just Lightning
104 bpm • C Maj • 04:09 • -9.67db
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Georgia Ruth
China
98 bpm • G min • 04:53 • -14.63db
1% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Fern Maddie
The Maid on the Shore
98 bpm • G Maj • 04:06 • -11.24db
8% Popularity • 70% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 70% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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cabane
Melodies of Love
104 bpm • G# min • 04:13 • -15.29db
21% Popularity • 37% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
21% Popularity • 37% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Saint Saviour
Poetry
98 bpm • E Maj • 03:34 • -9.37db
19% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Katy J Pearson
Willow's Song
104 bpm • B min • 04:32 • -13.42db
11% Popularity • 48% Danceability • 30% Energy • 12% Liveness
15% Instrumentalness • 13% Positiveness
11% Popularity • 48% Danceability • 30% Energy • 12% Liveness
15% Instrumentalness • 13% Positiveness
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This Is The Kit
Creeping Up Our Shins
105 bpm • F Maj • 02:43 • -10db
40% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Alice Night
Much About Anything
105 bpm • G Maj • 04:04 • -11.66db
10% Popularity • 59% Danceability • 42% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
10% Popularity • 59% Danceability • 42% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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The Gentle Good
Nid wyf yn llon
97 bpm • D min • 03:51 • -13.18db
7% Popularity • 32% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 32% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Elva
Athens
105 bpm • C Maj • 03:57 • -10.29db
8% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Lilac Time
Your Vermillion Cliffs
97 bpm • D Maj • 03:03 • -9.99db
10% Popularity • 59% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Hannah Everingham
Don't Be Crass
105 bpm • C Maj • 04:01 • -11.54db
12% Popularity • 77% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
12% Popularity • 77% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
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The Brothers Gillespie
Albion
97 bpm • E Maj • 05:36 • -12.87db
13% Popularity • 44% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 44% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Georgia Ruth
Grand Tour
106 bpm • F Maj • 03:47 • -14.1db
1% Popularity • 44% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
1% Popularity • 44% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
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Olivia Chaney
Art of Losing
106 bpm • E Maj • 03:40 • -11.3db
20% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nadine Shah
Topless Mother
106 bpm • E min • 03:17 • -4.01db
36% Popularity • 59% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 59% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Ariella Quinn
Silver
96 bpm • D Maj • 04:51 • -13.05db
22% Popularity • 51% Danceability • 44% Energy • 15% Liveness
15% Instrumentalness • 24% Positiveness
22% Popularity • 51% Danceability • 44% Energy • 15% Liveness
15% Instrumentalness • 24% Positiveness
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Genevieve Dawson
Carry It Slowly
96 bpm • G# Maj • 02:18 • -19.47db
13% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rosa Butsi
Sold Out Story Line
96 bpm • C Maj • 03:33 • -14.99db
11% Popularity • 64% Danceability • 28% Energy • 11% Liveness
47% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 28% Energy • 11% Liveness
47% Instrumentalness • 62% Positiveness
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Georgia Ruth
Cynnes
106 bpm • D Maj • 04:38 • -10.83db
2% Popularity • 32% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 32% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Cerys Hafana
Bwthyn Fy Nain / TÅ· Bach Twt
96 bpm • D min • 03:07 • -12.65db
7% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Bella Gate
Sleepwalking
96 bpm • G min • 04:41 • -11.12db
13% Popularity • 65% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 65% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Torbjörn
Little Friend
96 bpm • D Maj • 02:43 • -12.89db
13% Popularity • 47% Danceability • 24% Energy • 18% Liveness
12% Instrumentalness • 14% Positiveness
13% Popularity • 47% Danceability • 24% Energy • 18% Liveness
12% Instrumentalness • 14% Positiveness
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N’famady Kouyaté
Balafô Douma
106 bpm • F min • 04:49 • -8.15db
15% Popularity • 42% Danceability • 86% Energy • 27% Liveness
20% Instrumentalness • 70% Positiveness
15% Popularity • 42% Danceability • 86% Energy • 27% Liveness
20% Instrumentalness • 70% Positiveness
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Niamh Bury
Wexford Lullaby
106 bpm • A# Maj • 04:30 • -13.52db
11% Popularity • 36% Danceability • 26% Energy • 14% Liveness
78% Instrumentalness • 25% Positiveness
11% Popularity • 36% Danceability • 26% Energy • 14% Liveness
78% Instrumentalness • 25% Positiveness
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Georgia Ruth
Ice Age
106 bpm • C Maj • 05:11 • -15.18db
2% Popularity • 42% Danceability • 15% Energy • 15% Liveness
50% Instrumentalness • 4% Positiveness
2% Popularity • 42% Danceability • 15% Energy • 15% Liveness
50% Instrumentalness • 4% Positiveness
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Cinder Well
Crow
96 bpm • G min • 05:47 • -7.79db
14% Popularity • 61% Danceability • 18% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 61% Danceability • 18% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Paige Stark
Good at Love
107 bpm • E Maj • 04:12 • -15.75db
14% Popularity • 63% Danceability • 13% Energy • 8% Liveness
39% Instrumentalness • 12% Positiveness
14% Popularity • 63% Danceability • 13% Energy • 8% Liveness
39% Instrumentalness • 12% Positiveness
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Clara Mann
Go Steady
96 bpm • G Maj • 03:56 • -11.66db
12% Popularity • 36% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 36% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Arborist
O Margaret
96 bpm • G# Maj • 02:42 • -13.42db
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 19% Positiveness
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 19% Positiveness
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Niamh Bury
Budapest
106 bpm • A Maj • 05:55 • -12.62db
19% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Georgia Ruth
Spring
96 bpm • G Maj • 04:15 • -12.93db
0% Popularity • 25% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 25% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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Rogue Jones
Englynion Angylion
107 bpm • A min • 03:15 • -8.45db
7% Popularity • 53% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 53% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Melin Melyn
Nefoedd yr Adar
107 bpm • B min • 03:23 • -9.31db
15% Popularity • 61% Danceability • 64% Energy • 11% Liveness
57% Instrumentalness • 60% Positiveness
15% Popularity • 61% Danceability • 64% Energy • 11% Liveness
57% Instrumentalness • 60% Positiveness
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Sob Sister
Spoke Too Soon
95 bpm • E min • 03:40 • -10.83db
28% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Niamh Regan
Worried About You
95 bpm • F Maj • 02:44 • -11.93db
22% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Joshua Moshier
Fountain Glass
95 bpm • C Maj • 04:38 • -11.31db
21% Popularity • 39% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Georgia Ruth
In Luna
106 bpm • D Maj • 05:01 • -10.14db
9% Popularity • 53% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 21% Positiveness
9% Popularity • 53% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 21% Positiveness
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Anastasia Coope
Woke Up and No Feet
107 bpm • G Maj • 03:40 • -12.47db
27% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mari Mathias
Rebel
95 bpm • A# min • 04:09 • -12.36db
14% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Oisin Leech
October Sun
95 bpm • E Maj • 03:29 • -14.56db
37% Popularity • 50% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 31% Positiveness
37% Popularity • 50% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 31% Positiveness
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Pys Melyn
Defaid
95 bpm • G Maj • 01:35 • -14.29db
18% Popularity • 80% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 80% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Cerys Hafana
Tragwyddoldeb
95 bpm • G Maj • 03:50 • -13.17db
20% Popularity • 47% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
20% Popularity • 47% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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Georgia Ruth
Duw Neu Magic
95 bpm • D Maj • 04:56 • -9.48db
18% Popularity • 58% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 58% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Niamh Bury
Who Am I To Tell Him?
95 bpm • E Maj • 03:53 • -16.3db
19% Popularity • 66% Danceability • 16% Energy • 11% Liveness
18% Instrumentalness • 54% Positiveness
19% Popularity • 66% Danceability • 16% Energy • 11% Liveness
18% Instrumentalness • 54% Positiveness
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Ren Harvieu
Black Wig
108 bpm • A Maj • 03:14 • -6.94db
13% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Hannah Everingham
Giving Up The Dog
108 bpm • D Maj • 04:03 • -10.84db
17% Popularity • 60% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
17% Popularity • 60% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
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Amelia Coburn
When the Tide Rolls In
108 bpm • C Maj • 03:36 • -7.08db
22% Popularity • 61% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 61% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Dana Gavanski
Let Them Row
108 bpm • A Maj • 04:52 • -9.71db
21% Popularity • 85% Danceability • 61% Energy • 11% Liveness
56% Instrumentalness • 67% Positiveness
21% Popularity • 85% Danceability • 61% Energy • 11% Liveness
56% Instrumentalness • 67% Positiveness
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Georgia Ruth
Old Blue
108 bpm • C Maj • 04:41 • -11.18db
3% Popularity • 40% Danceability • 24% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
3% Popularity • 40% Danceability • 24% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Villagers
You Lucky One
108 bpm • F# min • 04:54 • -8.55db
51% Popularity • 68% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 68% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Cerys Hafana
Crwydro
108 bpm • G Maj • 05:39 • -18.31db
10% Popularity • 44% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 44% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Olivia Chaney
To the Lighthouse
108 bpm • A Maj • 04:39 • -12.89db
17% Popularity • 55% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 55% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Slow Jane
Fly
94 bpm • G# Maj • 03:51 • -20.78db
8% Popularity • 76% Danceability • 20% Energy • 12% Liveness
40% Instrumentalness • 59% Positiveness
8% Popularity • 76% Danceability • 20% Energy • 12% Liveness
40% Instrumentalness • 59% Positiveness
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Kate & Anna McGarrigle
I Eat Dinner
94 bpm • G Maj • 04:56 • -17.2db
20% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Annie Dressner
Nyack
94 bpm • D# Maj • 03:05 • -10.01db
10% Popularity • 55% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
10% Popularity • 55% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Ms. Lowe
Knocking on Heaven's Doors
94 bpm • E Maj • 03:00 • -9.17db
9% Popularity • 83% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 83% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Amiria Grenell
The Winter Light
94 bpm • D Maj • 05:21 • -11.58db
8% Popularity • 24% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 52% Positiveness
8% Popularity • 24% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 52% Positiveness
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Cerys Hafana
Cilgerran
94 bpm • G Maj • 04:22 • -15.84db
13% Popularity • 42% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 42% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Georgia Ruth
Seeing You Around
94 bpm • D Maj • 04:15 • -10.51db
5% Popularity • 46% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 46% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Amelia Coburn
Dublin Serenade
109 bpm • F Maj • 03:38 • -8.36db
17% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Muireann Bradley
Candyman
93 bpm • F# Maj • 03:48 • -10.8db
34% Popularity • 57% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 57% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Katie Spencer
Incense Skin
109 bpm • D# Maj • 02:15 • -12.17db
13% Popularity • 36% Danceability • 34% Energy • 9% Liveness
59% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 34% Energy • 9% Liveness
59% Instrumentalness • 21% Positiveness
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The Roebucks
Heavy Eyes
93 bpm • A min • 03:14 • -10.94db
20% Popularity • 65% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
20% Popularity • 65% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Lemoncello
Harsh Truths
109 bpm • C min • 05:05 • -10.69db
18% Popularity • 65% Danceability • 49% Energy • 32% Liveness
56% Instrumentalness • 43% Positiveness
18% Popularity • 65% Danceability • 49% Energy • 32% Liveness
56% Instrumentalness • 43% Positiveness
