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Budapest - Csà rdà s
Songs like
Budapest - Csàrdàs
by
Vittorio Monti
Based on a tempo of (+/- 10%) and a similar genre
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Angélique Ionatos
Danzon
138 bpm • F min • 03:05 • -11.69db
18% Popularity • 62% Danceability • 25% Energy • 16% Liveness
36% Instrumentalness • 44% Positiveness
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Roland Dyens
La javanaise
138 bpm • A Maj • 02:36 • -19db
27% Popularity • 45% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Vittorio Monti
Budapest - Csà rdà s
138 bpm • D Maj • 04:59 • -11db
24% Popularity • 46% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 25% Positiveness
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Gidon Kremer
Celos
138 bpm • G min • 05:17 • -21.48db
13% Popularity • 23% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Astor Piazzolla
Oblivion - Arr. pour piano et clarinette
138 bpm • C min • 03:45 • -23.7db
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
73% Instrumentalness • 8% Positiveness
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Henry Villca suntura
Improvisation for Sikus, Bass and Guitar
138 bpm • B Maj • 02:53 • -26db
22% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
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Sophie Alour
Duo oud, saxophone (Improvisation)
139 bpm • C min • 01:23 • -14.43db
41% Popularity • 48% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
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Johann Kaspar Mertz
Tarantella
139 bpm • A min • 03:53 • -13.52db
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Vittorio Monti
Czardas
138 bpm • D Maj • 04:46 • -12.66db
6% Popularity • 55% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 32% Positiveness
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Erik Truffaz
Agades - Désert
137 bpm • G min • 06:56 • -17.29db
29% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Komitas
Chinar es
137 bpm • F Maj • 06:29 • -24.9db
12% Popularity • 28% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
40% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Didier Lockwood
I Remember Alby
137 bpm • C Maj • 04:32 • -13.38db
2% Popularity • 38% Danceability • 22% Energy • 15% Liveness
30% Instrumentalness • 10% Positiveness
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Armand Amar
Peggy
139 bpm • A min • 02:04 • -16.47db
33% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Ricardo Cobo
Primavera portena - Tango (arr. R. Cobo)
137 bpm • E min • 06:02 • -25.99db
21% Popularity • 36% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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GListen
Csárdás - GListen's Unholy Remix
139 bpm • D Maj • 04:55 • -8.9db
4% Popularity • 47% Danceability • 64% Energy • 5% Liveness
52% Instrumentalness • 6% Positiveness
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Las Hermanas Caronni
El Español
140 bpm • D min • 03:36 • -13db
21% Popularity • 41% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Gaspar Sanz
Canarios
136 bpm • D Maj • 02:27 • -12.15db
36% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
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Rita Marcotulli
Cosa sono le nuvole
136 bpm • A min • 02:38 • -15db
26% Popularity • 45% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Renaud Garcia-Fons
Prélude du Bal des Haftan
140 bpm • E min • 01:34 • -14.41db
43% Popularity • 55% Danceability • 32% Energy • 17% Liveness
90% Instrumentalness • 26% Positiveness
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René Aubry
Replay
136 bpm • D Maj • 04:10 • -15.99db
38% Popularity • 71% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
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Florian Dohrmann
Derwisch
140 bpm • G# Maj • 02:22 • -17db
10% Popularity • 54% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
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Ana Carla Maza
Astor Piazzolla
140 bpm • F Maj • 03:47 • -12db
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Eugen Cicero
Erbarme dich, mein Gott
136 bpm • E min • 05:54 • -12.73db
30% Popularity • 43% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: VII. Castilla
135 bpm • F# Maj • 03:29 • -17.92db
24% Popularity • 57% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 72% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Canon & Gigue in D Major, P. 37: Canon (...
135 bpm • D Maj • 06:46 • -27db
19% Popularity • 59% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Mark Orton
The Return
141 bpm • A# Maj • 01:50 • -12.49db
30% Popularity • 48% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Thibault Cauvin
Boucle aux oiseaux d'en face
135 bpm • F Maj • 03:11 • -6.77db
4% Popularity • 50% Danceability • 62% Energy • 32% Liveness
66% Instrumentalness • 22% Positiveness
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Adrien La Marca
La Bohème (Arr. for Viola & Piano)
135 bpm • C min • 02:24 • -20db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Georg Philipp Telemann
Suite, TWV 55:B8: Scaramouche - Arranged...
142 bpm • D min • 02:18 • -9db
21% Popularity • 38% Danceability • 57% Energy • 6% Liveness
21% Instrumentalness • 75% Positiveness
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Florian Dohrmann
Insomnia
135 bpm • B min • 06:45 • -22.03db
9% Popularity • 47% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
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Vittorio Monti
Czardas
134 bpm • D Maj • 05:00 • -17.54db
4% Popularity • 42% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
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Astor Piazzolla
Oblivion
142 bpm • C min • 04:50 • -26.72db
25% Popularity • 14% Danceability • 1% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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Titas Petrikis
Stalo Dvikova
142 bpm • F# min • 01:12 • -31db
33% Popularity • 59% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Didier Lockwood
La ballade d'Akheza - Générique début
142 bpm • A min • 01:51 • -22.71db
6% Popularity • 14% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 6% Positiveness
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Mark Orton
Matthias & Chloe
134 bpm • G Maj • 01:36 • -15db
36% Popularity • 30% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 32% Positiveness
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Sirba Octet
Katioucha / Otchi Tchornye - Medley
142 bpm • B min • 04:55 • -17db
20% Popularity • 26% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Grigoras Dinicu
L'Alouette
134 bpm • A Maj • 06:20 • -13.71db
13% Popularity • 46% Danceability • 46% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
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Christoph Willibald Gluck
Orphée & Eurydice: Mélodie - Arranged ...
133 bpm • D min • 03:43 • -26.96db
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
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David Orlowsky
Ada
134 bpm • G min • 02:50 • -22.25db
30% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 76% Positiveness
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Didier Lockwood
Sao Luis
134 bpm • E min • 04:44 • -10.9db
2% Popularity • 46% Danceability • 43% Energy • 8% Liveness
6% Instrumentalness • 32% Positiveness
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Vittorio Monti
Czardas
143 bpm • D Maj • 05:11 • -20.83db
6% Popularity • 29% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
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Angèle Dubeau
Yumeji’s Theme
133 bpm • F min • 02:27 • -21.25db
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
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Opa Tsupa
Les deux guitares
133 bpm • G min • 05:43 • -12.6db
42% Popularity • 53% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 34% Positiveness
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Ibrahim Maalouf
Interlude Dalida
143 bpm • E min • 01:21 • -25.53db
27% Popularity • 23% Danceability • 1% Energy • 15% Liveness
54% Instrumentalness • 7% Positiveness
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Jacob Gurevitsch
La Maison Verte
144 bpm • A min • 04:20 • -14.06db
29% Popularity • 60% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 52% Positiveness
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David Orlowsky
Lyra
133 bpm • G Maj • 05:43 • -23.21db
15% Popularity • 48% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 26% Positiveness
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Vittorio Monti
Csardas
133 bpm • D Maj • 04:43 • -25.69db
5% Popularity • 38% Danceability • 9% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Michel Godard
A Trace of Grace
132 bpm • G min • 05:36 • -25.79db
20% Popularity • 39% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Quadro Nuevo
Bora Furiosa
144 bpm • G min • 05:46 • -10.83db
11% Popularity • 55% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
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Astor Piazzolla
Libertango (Arr. I. Nakayama for piano t...
144 bpm • A min • 03:23 • -23db
26% Popularity • 44% Danceability • 14% Energy • 11% Liveness
75% Instrumentalness • 54% Positiveness
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Federico Mompou
Secreto
145 bpm • C# Maj • 05:04 • -29db
22% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Fazıl Say
Paganini-Jazz for Piano (Arr. for Jazz Q...
131 bpm • A min • 08:10 • -17.74db
37% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
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Vittorio Monti
Czardas
144 bpm • D min • 05:09 • -19.26db
4% Popularity • 31% Danceability • 15% Energy • 20% Liveness
92% Instrumentalness • 11% Positiveness
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Avi Avital
Zamzama
131 bpm • C# Maj • 07:57 • -13.56db
21% Popularity • 45% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
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Roland Dyens
Tango en Skai
131 bpm • A min • 02:39 • -22.32db
13% Popularity • 57% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 34% Positiveness
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David Bergmüller
Eileen
146 bpm • D min • 03:51 • -20.48db
30% Popularity • 42% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 22% Positiveness
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Miguel Llobet Solés
Cançons Populars: El Testament d'Amèli...
131 bpm • D min • 01:36 • -20.79db
29% Popularity • 54% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 42% Positiveness
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Franz Schubert
Ständchen, D. 957
131 bpm • A Maj • 04:27 • -19.21db
11% Popularity • 51% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Aldo Romano
Il Camino
146 bpm • E min • 02:48 • -14.89db
23% Popularity • 43% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Agnès Bihl
SDF Tango
130 bpm • C Maj • 02:31 • -11.86db
4% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Arr. J. Williams for Gui...
146 bpm • F# min • 05:06 • -24db
33% Popularity • 34% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Farid Farjad
Bordi Az Yadam
146 bpm • D min • 04:44 • -14db
26% Popularity • 25% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Shigeru Umebayashi
Trishna's Waltz
130 bpm • E min • 02:32 • -18.8db
41% Popularity • 37% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 23% Positiveness
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Vassilis Tsabropoulos
Melos
130 bpm • G min • 05:23 • -21db
23% Popularity • 37% Danceability • 9% Energy • 36% Liveness
88% Instrumentalness • 7% Positiveness
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Renaud Garcia-Fons
Chacone
129 bpm • C Maj • 02:58 • -13.61db
27% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
37% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: VIII. Cuba
148 bpm • E Maj • 05:26 • -17.69db
24% Popularity • 44% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
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Raffaele Calace
Concerto for Mandolin No. 2 in A Minor, ...
148 bpm • A min • 09:53 • -21db
12% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
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Hot Club Roma
Marcia alla Turca
129 bpm • E min • 02:31 • -9.68db
32% Popularity • 62% Danceability • 52% Energy • 16% Liveness
88% Instrumentalness • 88% Positiveness
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Leo Brouwer
Nuevos Estudios Sencillos IX : Omaggio a...
129 bpm • D min • 02:08 • -14.89db
22% Popularity • 54% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Vittorio Monti
Czardas No. 1
148 bpm • D Maj • 04:15 • -18.56db
4% Popularity • 44% Danceability • 15% Energy • 12% Liveness
14% Instrumentalness • 35% Positiveness
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Laurent Korcia
Minor Tango
129 bpm • G# Maj • 02:50 • -14db
18% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Aria (1)
128 bpm • G Maj • 02:28 • -20db
34% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
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Girolamo Frescobaldi
Aria di Passacaglia (Arrangement)
148 bpm • D min • 07:02 • -20.03db
20% Popularity • 39% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Uzeb
Pork Chops - Live
128 bpm • G Maj • 08:28 • -13.92db
4% Popularity • 48% Danceability • 78% Energy • 87% Liveness
77% Instrumentalness • 77% Positiveness
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Leo Brouwer
Estudios Sencillos XVIII : Moderato quas...
148 bpm • B Maj • 03:08 • -14.82db
4% Popularity • 44% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Giora Feidman
Ele Chomdo Libi - Ele Chomdo Libi (May t...
149 bpm • G min • 03:56 • -19db
17% Popularity • 46% Danceability • 19% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
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AgustÃn Barrios Mangoré
Barrios Mangoré: La Catedral: III. Alle...
128 bpm • B min • 03:01 • -22.47db
20% Popularity • 22% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
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Joachim Iannello
Rire avec Charlie
128 bpm • B min • 04:22 • -8.37db
12% Popularity • 58% Danceability • 45% Energy • 9% Liveness
59% Instrumentalness • 84% Positiveness
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Per-Olov Kindgren
Milonga De La Luna
128 bpm • A Maj • 02:26 • -16.82db
31% Popularity • 36% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Airelle Besson
Pouki pouki
128 bpm • F# min • 03:03 • -16.65db
38% Popularity • 64% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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Opa Tsupa
Sunny Afternoon
128 bpm • C Maj • 04:13 • -9.65db
25% Popularity • 61% Danceability • 38% Energy • 19% Liveness
76% Instrumentalness • 43% Positiveness
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Lino Cannavacciuolo
Partenza
128 bpm • A min • 04:49 • -9.32db
28% Popularity • 32% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Jacques Loussier Trio
Prelude No. 1 In C Major
150 bpm • C Maj • 04:48 • -20.34db
31% Popularity • 30% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Thibault Cauvin
L'heure miroir
150 bpm • G min • 02:30 • -19.74db
40% Popularity • 65% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
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Harry Sacksioni
Elixer
127 bpm • B min • 01:51 • -14.32db
31% Popularity • 46% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Eugen Cicero
Solfeggio in C Minor
150 bpm • C min • 05:39 • -13.32db
36% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
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Fazıl Say
Alla Turca Jazz - Fantasia from Wolfgang...
150 bpm • E min • 01:55 • -22db
30% Popularity • 39% Danceability • 27% Energy • 70% Liveness
93% Instrumentalness • 66% Positiveness
► Preview
Vittorio Monti
Czardas
127 bpm • D min • 05:53 • -19.36db
5% Popularity • 37% Danceability • 23% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
► Preview
Heitor Villa-Lobos
Prelude No.1 - MelodÃa lÃrica
127 bpm • E min • 04:52 • -14.83db
39% Popularity • 44% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Opa Tsupa
Mamma Mia (Swing Version)
126 bpm • G min • 02:54 • -8db
24% Popularity • 77% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 95% Positiveness
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Serge Gainsbourg
La Javanaise
126 bpm • C Maj • 03:23 • -25.86db
28% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Renaud Garcia-Fons
Tavalod
126 bpm • D min • 04:35 • -13.33db
31% Popularity • 71% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
► Preview
Enrique Granados
12 Danzas Españolas, Op. 37: 5. Andaluz...
151 bpm • E min • 03:29 • -20db
20% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Vittorio Monti
Czardas
151 bpm • D Maj • 04:26 • -21.32db
27% Popularity • 38% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 26% Positiveness
► Preview
Carlo Domeniconi
Istanbul - Koyunbaba
126 bpm • G min • 13:00 • -14.03db
13% Popularity • 36% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Opa Tsupa
Je cherche après Titine - Les yeux noir...
126 bpm • D Maj • 05:24 • -13.73db
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
28% Instrumentalness • 49% Positiveness
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Budapest - Csà rdà s