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Bue, Pluck & Bow
Songs like
Bue, Pluck & Bow
by
Kevin Penkin
Based on a tempo of (+/- 10%) and a similar genre
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Yoshihiro Ike
疾風
80 bpm • A min • 02:05 • -6.96db
28% Popularity • 48% Danceability • 77% Energy • 30% Liveness
68% Instrumentalness • 79% Positiveness
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Kevin Penkin
Bue, Pluck & Bow
80 bpm • G min • 03:04 • -19.3db
12% Popularity • 28% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Ted Reedy
Promises
80 bpm • A min • 01:45 • -19.33db
26% Popularity • 20% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Dynamedion
Have All the Money Work for You
80 bpm • E min • 01:48 • -21.03db
19% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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藤澤慶昌
深海
80 bpm • A Maj • 01:47 • -13.07db
33% Popularity • 25% Danceability • 25% Energy • 4% Liveness
67% Instrumentalness • 11% Positiveness
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Alex Roe
Ljós Detta
80 bpm • C# Maj • 03:18 • -19.51db
12% Popularity • 18% Danceability • 14% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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Piotr Musiał
Long Days, Cold Nights
80 bpm • E min • 04:01 • -21db
27% Popularity • 20% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Kevin Penkin
Cartwheel
80 bpm • A min • 02:02 • -14.24db
27% Popularity • 51% Danceability • 20% Energy • 36% Liveness
62% Instrumentalness • 42% Positiveness
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Chad Cannon
Ankhsar Khatun, The Eagle
80 bpm • C# Maj • 02:15 • -16db
18% Popularity • 24% Danceability • 28% Energy • 37% Liveness
92% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
Titan's Wake
80 bpm • A Maj • 03:21 • -13.72db
21% Popularity • 14% Danceability • 40% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
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chuck e. myers 'sea'
Anticipating Rookwood
80 bpm • C Maj • 03:52 • -20.73db
28% Popularity • 14% Danceability • 21% Energy • 14% Liveness
70% Instrumentalness • 3% Positiveness
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Samuel Sim
A Few Traitors
80 bpm • E min • 03:55 • -17.52db
9% Popularity • 20% Danceability • 36% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Natalie Holt
Aix-En-Provence, 1549
81 bpm • C min • 02:34 • -22.19db
26% Popularity • 8% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Chance Thomas
Lhaereth of Seregost
81 bpm • A# min • 03:30 • -19.77db
8% Popularity • 13% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Nobuko Toda
Kara and Father
81 bpm • D min • 03:47 • -16.62db
24% Popularity • 7% Danceability • 12% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Niels van der Leest
Stranded on the Sands
81 bpm • A min • 03:15 • -16.13db
19% Popularity • 19% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Britell
One Way Out - Parts 1-4
81 bpm • G Maj • 01:20 • -12.93db
25% Popularity • 19% Danceability • 65% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Samuel Sim
All-Maudra
79 bpm • B min • 03:09 • -23.27db
17% Popularity • 7% Danceability • 20% Energy • 35% Liveness
91% Instrumentalness • 3% Positiveness
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Chris Tilton
The Hard Cell
79 bpm • A Maj • 01:29 • -30.79db
20% Popularity • 16% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Greg Edmonson
Something Better
81 bpm • D Maj • 02:32 • -13.76db
18% Popularity • 14% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 20% Positiveness
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Chad Cannon
The Tale of Clan Sakai
79 bpm • G min • 03:06 • -15.99db
21% Popularity • 28% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
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Nathanael Lloyd
Dantooine Outback
81 bpm • G Maj • 01:09 • -17.84db
24% Popularity • 21% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Jesper Kyd
Approaching Target 1
81 bpm • C min • 03:35 • -22.7db
33% Popularity • 12% Danceability • 10% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
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chuck e. myers 'sea'
Ranrok's Rage
81 bpm • C Maj • 03:36 • -13.05db
30% Popularity • 8% Danceability • 26% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Griskey
Nar Shaddaa
81 bpm • G min • 03:00 • -14.9db
21% Popularity • 16% Danceability • 23% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Lady Masako
81 bpm • G min • 04:01 • -16.35db
33% Popularity • 16% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Tumult Kollektiv
First Humble Steps (Kickstarter Trailer)
78 bpm • C min • 01:51 • -13.72db
21% Popularity • 15% Danceability • 35% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Joseph Trapanese
Age of Jedi
78 bpm • G# Maj • 03:32 • -19.86db
9% Popularity • 18% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Kevin Penkin
Echos
82 bpm • G Maj • 03:44 • -17db
29% Popularity • 21% Danceability • 19% Energy • 5% Liveness
63% Instrumentalness • 6% Positiveness
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Russell Shaw
Red Rose
82 bpm • A Maj • 02:05 • -23.4db
14% Popularity • 42% Danceability • 3% Energy • 50% Liveness
67% Instrumentalness • 15% Positiveness
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J Scott Rakozy
The Greenhouse
78 bpm • F# Maj • 03:32 • -16.44db
32% Popularity • 9% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Piotr Musiał
On the Edge Theme
82 bpm • C min • 02:49 • -11.66db
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
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藤澤慶昌
目覚め
78 bpm • A Maj • 01:47 • -15.18db
29% Popularity • 27% Danceability • 19% Energy • 6% Liveness
33% Instrumentalness • 7% Positiveness
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Trevor Morris
War for the Soul of Our People
82 bpm • C min • 01:51 • -27.39db
20% Popularity • 19% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jake Lefkowitz
Ramparts of Valdrakken
78 bpm • F Maj • 05:17 • -14.65db
25% Popularity • 15% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Oleksa Lozowchuk
Eyes Open
82 bpm • E Maj • 04:06 • -17.52db
14% Popularity • 8% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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chuck e. myers 'sea'
Guardians Awaken
78 bpm • C# min • 06:12 • -11.91db
29% Popularity • 29% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Kevin Penkin
Post-op Meinya
83 bpm • E min • 04:38 • -20.11db
26% Popularity • 30% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Yoshihiro Ike
POLARIS
77 bpm • C Maj • 02:27 • -13.93db
18% Popularity • 29% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Chad Cannon
Face the Judgment of Your Ancestors
77 bpm • A Maj • 03:03 • -20.07db
15% Popularity • 15% Danceability • 11% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
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Ikurru
Falling
77 bpm • D# Maj • 09:48 • -17.87db
15% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
As Certain as Stone
83 bpm • B min • 03:43 • -19.53db
27% Popularity • 11% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 3% Positiveness
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Mark Griskey
Academy Ruins
77 bpm • A Maj • 01:33 • -29.8db
21% Popularity • 17% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Russell Shaw
Night Falls On Brightlodge
83 bpm • D# min • 03:16 • -32.44db
15% Popularity • 13% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Daniel Pemberton
Thra Is Calling
77 bpm • F Maj • 01:41 • -29.48db
22% Popularity • 17% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Graves
I'm Not Alone
77 bpm • G Maj • 03:38 • -19.22db
19% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Nicholas Britell
Luthen of Coruscant
77 bpm • A Maj • 01:22 • -17.84db
29% Popularity • 8% Danceability • 18% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Evan Call
Across the Violet Sky
84 bpm • B Maj • 02:44 • -15db
46% Popularity • 31% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 13% Positiveness
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Mark Griskey
Ebon Hawk Normal
84 bpm • F Maj • 02:04 • -19db
22% Popularity • 10% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
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The Flight
Passing the Torch
84 bpm • D min • 01:43 • -22.07db
25% Popularity • 23% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
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Nathanael Lloyd
Taris Upper City
76 bpm • G min • 01:16 • -20.35db
22% Popularity • 14% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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KOHTA YAMAMOTO
Deep-Laid Plans
76 bpm • B min • 02:01 • -11.46db
8% Popularity • 32% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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Junichi Matsumoto
陽だまり猫に窓
76 bpm • D Maj • 02:23 • -15.07db
26% Popularity • 18% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Despair Of The Earth
76 bpm • F Maj • 03:13 • -16.27db
15% Popularity • 12% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Penkin
Requiem for Blasters
84 bpm • C# min • 01:21 • -16.26db
21% Popularity • 8% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Nobuko Toda
The Ninth Jedi - Prologue
76 bpm • C min • 02:07 • -12.03db
21% Popularity • 7% Danceability • 37% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Kotaro Nakagawa
Overwriting
76 bpm • G min • 01:33 • -13.36db
19% Popularity • 18% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Chad Cannon
Lightning in the Storm
85 bpm • G# Maj • 03:53 • -14.43db
18% Popularity • 41% Danceability • 40% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
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Nicholas Britell
Kill Me
75 bpm • D Maj • 01:24 • -24.51db
24% Popularity • 19% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Neal Acree
Cloudfall City
85 bpm • A min • 01:17 • -16.1db
14% Popularity • 31% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Frederik Wiedmann
The Letter
85 bpm • D min • 02:03 • -16.86db
22% Popularity • 18% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Jake Lefkowitz
Gardens of Unity
75 bpm • G Maj • 06:05 • -18.25db
29% Popularity • 16% Danceability • 25% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Bill Hemstapat
Cursed Spirits
75 bpm • C# Maj • 03:21 • -19.83db
13% Popularity • 15% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Nicholas Britell
Andor (Main Title Theme) - Episode 5
75 bpm • F# min • 01:08 • -17.55db
31% Popularity • 30% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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藤澤慶昌
メインテーマ
75 bpm • A# Maj • 01:56 • -14.6db
42% Popularity • 17% Danceability • 13% Energy • 30% Liveness
4% Instrumentalness • 6% Positiveness
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Piotr Musiał
Cold, New Dawn
75 bpm • D min • 04:01 • -17.73db
26% Popularity • 23% Danceability • 25% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Frederik Wiedmann
Valley of Graves
85 bpm • F min • 01:28 • -15.21db
15% Popularity • 18% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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小畑貴裕
ウーゴ冒険記
75 bpm • A# Maj • 01:56 • -17.32db
31% Popularity • 11% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Gustaf Grefberg
Clockworks
75 bpm • G min • 04:37 • -16.89db
10% Popularity • 18% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Nicholas Britell
Manifesto
75 bpm • C# min • 02:13 • -19.3db
30% Popularity • 6% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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藤澤慶昌
ロキシーからの贈り物
75 bpm • F Maj • 02:25 • -14db
28% Popularity • 35% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Daniel Pemberton
The Crystal Chamber
75 bpm • D Maj • 03:15 • -21.28db
18% Popularity • 7% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Clint Bajakian
The Empty Quarter
74 bpm • G# min • 02:24 • -18.65db
20% Popularity • 15% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Nobuaki Nobusawa
比屋定とサリエリ
74 bpm • G min • 01:38 • -24.28db
42% Popularity • 32% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Piotr Musiał
On Our Own
74 bpm • E min • 04:02 • -14.99db
24% Popularity • 7% Danceability • 39% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Kevin Penkin
RADIO REQUIEM
74 bpm • C min • 04:15 • -16.77db
28% Popularity • 8% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Critical Role
The Hag's Hovel
74 bpm • D# Maj • 03:00 • -19db
25% Popularity • 12% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Justin E. Bell
Hope, Forever
87 bpm • D min • 01:59 • -18.98db
39% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Tumult Kollektiv
Remote Places
74 bpm • B min • 02:45 • -18db
10% Popularity • 11% Danceability • 19% Energy • 22% Liveness
93% Instrumentalness • 8% Positiveness
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Kotaro Nakagawa
The Ruins as They Were
73 bpm • A Maj • 01:51 • -14.26db
30% Popularity • 22% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Kara Talve
Elasmosaurus
73 bpm • C Maj • 04:53 • -19.41db
17% Popularity • 11% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Daniel Pemberton
What Lies At The Dream's End
87 bpm • D min • 03:18 • -11.78db
20% Popularity • 18% Danceability • 33% Energy • 35% Liveness
96% Instrumentalness • 6% Positiveness
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J Scott Rakozy
The House Cup
87 bpm • G Maj • 03:24 • -11.8db
33% Popularity • 15% Danceability • 26% Energy • 20% Liveness
84% Instrumentalness • 8% Positiveness
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Hunter Rogerson
The Eastern Wastes
87 bpm • A min • 03:01 • -16.06db
9% Popularity • 12% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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藤澤慶昌
鏡面の波 - [Orchestra Ver.] Instrume...
87 bpm • C min • 02:18 • -12.12db
32% Popularity • 31% Danceability • 19% Energy • 14% Liveness
17% Instrumentalness • 6% Positiveness
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Russell Shaw
Festival Of Roses
73 bpm • G# Maj • 02:32 • -25db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Mark Griskey
Planet Core
73 bpm • A# Maj • 01:06 • -19db
22% Popularity • 12% Danceability • 11% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Essence Draining
88 bpm • D min • 02:45 • -13.22db
18% Popularity • 9% Danceability • 40% Energy • 26% Liveness
96% Instrumentalness • 3% Positiveness
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Grant Kirkhope
The Plains of Erathell
88 bpm • F Maj • 03:59 • -21.29db
23% Popularity • 9% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Frederik Wiedmann
He’s Really Gone / Mysterious Stranger
88 bpm • C min • 01:59 • -20.15db
10% Popularity • 18% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Piotr Musiał
Final Push
88 bpm • G min • 04:01 • -14.03db
25% Popularity • 21% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
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Joel P West
The Deep
88 bpm • C Maj • 02:35 • -13.59db
25% Popularity • 10% Danceability • 31% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
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帆足圭吾
Copied City
88 bpm • F min • 03:59 • -12.22db
43% Popularity • 32% Danceability • 67% Energy • 38% Liveness
98% Instrumentalness • 36% Positiveness
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Matthias Wolf
Five Winters (The Passage DLC)
88 bpm • A Maj • 02:52 • -21.25db
14% Popularity • 19% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Keiichi Okabe
Labyrinth of Idleness
88 bpm • D# Maj • 01:05 • -9.18db
29% Popularity • 29% Danceability • 46% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Tales From The Sanctuary Tree
88 bpm • C# min • 02:15 • -24.09db
14% Popularity • 13% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Joseph Trapanese
You Belong With Us
88 bpm • E min • 01:36 • -17.41db
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Mark Griskey
Battle the Monster
88 bpm • D Maj • 01:05 • -9.93db
22% Popularity • 44% Danceability • 40% Energy • 43% Liveness
82% Instrumentalness • 38% Positiveness
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Bue, Pluck & Bow