Songs like Building A Family by Mark Isham
Based on a tempo of (+/- 10%) and a similar genre
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Jónsi
We Bought A Zoo
124 bpm • C Maj • 04:20 • -11.76db
43% Popularity • 36% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Samuel Bohn
Unlocking the Mind [Trailer Music]
124 bpm • G min • 01:26 • -14db
44% Popularity • 47% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 47% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Alex Heffes
Main Titles
124 bpm • C min • 02:02 • -17.79db
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
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Mark Isham
Building A Family
124 bpm • A Maj • 01:57 • -20.71db
45% Popularity • 60% Danceability • 14% Energy • 37% Liveness
90% Instrumentalness • 44% Positiveness
45% Popularity • 60% Danceability • 14% Energy • 37% Liveness
90% Instrumentalness • 44% Positiveness
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Panu Aaltio
Big Plans
125 bpm • D min • 01:57 • -24.7db
43% Popularity • 38% Danceability • 6% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 6% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Pascal Hautois
Motivation
125 bpm • C Maj • 01:49 • -18.15db
32% Popularity • 69% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
32% Popularity • 69% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
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Ólafur Arnalds
Happiness Does Not Wait
123 bpm • F min • 04:11 • -16.61db
56% Popularity • 40% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
56% Popularity • 40% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Nicola Piovani
La vita è bella
125 bpm • A Maj • 04:51 • -15.58db
49% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
49% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
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Alex Heffes
I Have Been Here Before
126 bpm • G min • 04:18 • -18.53db
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Mark Isham
The Richardson House
125 bpm • F min • 01:46 • -23.89db
12% Popularity • 54% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
12% Popularity • 54% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
At Home
126 bpm • A min • 01:35 • -30.8db
44% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
44% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
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Marcelo Zarvos
I Remember Everything
121 bpm • A min • 05:05 • -19.32db
23% Popularity • 28% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 28% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Federico Jusid
¿Quiere Que la Lleve?
127 bpm • D Maj • 02:40 • -15.83db
12% Popularity • 35% Danceability • 26% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 26% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Arrivals n.2
121 bpm • A# Maj • 01:54 • -16.1db
25% Popularity • 32% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 32% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Ennio Morricone
Nuovo Cinema Paradiso
127 bpm • A# Maj • 02:58 • -16.82db
50% Popularity • 27% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
50% Popularity • 27% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Jordan Seigel
The Journey Begins
128 bpm • D Maj • 01:01 • -22db
49% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
49% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Ramin Djawadi
Light of the Seven
120 bpm • C min • 09:49 • -16.84db
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
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Dustin O'Halloran
River
127 bpm • G min • 01:27 • -14db
31% Popularity • 74% Danceability • 28% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
31% Popularity • 74% Danceability • 28% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Nick Laird-Clowes
Golborne Road
120 bpm • C Maj • 02:16 • -24.24db
35% Popularity • 35% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
35% Popularity • 35% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Hachiko Runs Away
120 bpm • A min • 04:28 • -20db
28% Popularity • 36% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
28% Popularity • 36% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Clint Eastwood
It's Nice Viewing
120 bpm • C Maj • 00:57 • -27db
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
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Dustin O'Halloran
Searching for Home
128 bpm • C min • 02:16 • -21db
31% Popularity • 65% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
31% Popularity • 65% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Brice Davoli
Castle In The Sky
120 bpm • C# Maj • 03:38 • -13.16db
37% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
37% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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David Hirschfelder
Need a Lift?
120 bpm • D min • 02:20 • -18.34db
13% Popularity • 65% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 70% Positiveness
13% Popularity • 65% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 70% Positiveness
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Geoff Zanelli
You're Gonna Find It Hard To Believe
120 bpm • C Maj • 01:22 • -18db
39% Popularity • 48% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Dexter Britain
The Time to Run (Finale)
120 bpm • G# Maj • 06:48 • -17.84db
30% Popularity • 46% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Paolo Buonvino
Lorenzo The Magnificent
120 bpm • E min • 02:27 • -12db
36% Popularity • 28% Danceability • 57% Energy • 17% Liveness
96% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 57% Energy • 17% Liveness
96% Instrumentalness • 10% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
53% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
53% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
Goodbye
120 bpm • C Maj • 02:11 • -18.51db
47% Popularity • 34% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Cesar Benito
The Idea for the Book
120 bpm • D Maj • 01:40 • -16.41db
26% Popularity • 44% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
26% Popularity • 44% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Stephen Warbeck
Train Journey
120 bpm • E min • 02:34 • -25db
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Panu Aaltio
The Butterfly Project
120 bpm • A# Maj • 01:54 • -19db
45% Popularity • 34% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
45% Popularity • 34% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Marcelo Zarvos
The Stars and the Moon
120 bpm • G Maj • 02:30 • -20db
25% Popularity • 26% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Mark Isham
Daniel and Ruth
120 bpm • G Maj • 02:10 • -21.71db
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Andrea Guerra
Tema romantico solitario
129 bpm • C Maj • 01:04 • -21.24db
47% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
47% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Cesar Benito
Kayleigh
120 bpm • D# Maj • 01:22 • -16.27db
35% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Craig Armstrong
Didn't You Love Anything
119 bpm • C Maj • 01:44 • -22.67db
39% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
39% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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John Murphy
Adagio in D Minor
119 bpm • G Maj • 04:09 • -8.42db
47% Popularity • 17% Danceability • 48% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 48% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Wild Side
119 bpm • B min • 03:52 • -15db
39% Popularity • 34% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
39% Popularity • 34% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Andrea Guerra
Cenerentola - Main Title
129 bpm • C Maj • 00:56 • -17.97db
43% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
43% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Danny Bensi and Saunder Jurriaans
The Letter Pt. 2
130 bpm • C Maj • 02:40 • -19.41db
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Mark Isham
Forgive Me
130 bpm • D Maj • 02:17 • -22.63db
15% Popularity • 20% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 9% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 9% Positiveness
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Craig Armstrong
Opening Titles
118 bpm • C Maj • 01:33 • -26.92db
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Times
118 bpm • D Maj • 03:42 • -9.26db
27% Popularity • 55% Danceability • 54% Energy • 21% Liveness
89% Instrumentalness • 35% Positiveness
27% Popularity • 55% Danceability • 54% Energy • 21% Liveness
89% Instrumentalness • 35% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Clint Eastwood
Theme from Mystic River
131 bpm • F Maj • 05:03 • -25.89db
27% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Paolo Buonvino
Love For Duty
118 bpm • G Maj • 03:20 • -14db
35% Popularity • 19% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Isham
A Summer of Lumber and Fishing
130 bpm • G Maj • 01:45 • -17.16db
22% Popularity • 16% Danceability • 17% Energy • 28% Liveness
92% Instrumentalness • 5% Positiveness
22% Popularity • 16% Danceability • 17% Energy • 28% Liveness
92% Instrumentalness • 5% Positiveness
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Carter Burwell
Opening
117 bpm • C min • 02:13 • -15.27db
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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The Hollywood Studio Symphony
Attraversiamo
131 bpm • G# Maj • 05:34 • -16.14db
33% Popularity • 22% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
33% Popularity • 22% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Andrea Guerra
Atelier Fontana - Main Title
132 bpm • F Maj • 02:30 • -19.2db
48% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
48% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Iva Davies
The Far Side of the World
132 bpm • C Maj • 09:19 • -19db
29% Popularity • 26% Danceability • 27% Energy • 25% Liveness
89% Instrumentalness • 13% Positiveness
29% Popularity • 26% Danceability • 27% Energy • 25% Liveness
89% Instrumentalness • 13% Positiveness
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Mark Isham
Luke and Sophia
117 bpm • D# Maj • 02:28 • -21.82db
23% Popularity • 46% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
23% Popularity • 46% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Thor and Liv
132 bpm • B min • 01:21 • -26db
46% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Jordan Seigel
One More Journey
132 bpm • G Maj • 02:07 • -22db
50% Popularity • 26% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 26% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Max Richter
She Was Running
132 bpm • C min • 02:08 • -22.51db
29% Popularity • 34% Danceability • 4% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 4% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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Alexandra Harwood
The Guernsey Literary And Potato Peel Pi...
116 bpm • G Maj • 05:36 • -16.44db
22% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Isham
Round Robin
131 bpm • C# Maj • 02:56 • -20.45db
10% Popularity • 60% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
10% Popularity • 60% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
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Bruno Coulais
L'évocation
116 bpm • F Maj • 01:45 • -19db
30% Popularity • 22% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 8% Positiveness
30% Popularity • 22% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
Hachi - Waiting For Parker Again
116 bpm • A min • 02:52 • -18.07db
24% Popularity • 21% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Max Richter
The Twins (Prague)
116 bpm • C min • 01:58 • -31db
38% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
38% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Anne Dudley
Fresh Paint
115 bpm • D min • 02:01 • -19db
33% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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George Fenton
Goodnight Dear Void
115 bpm • E min • 01:07 • -20db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Bruno Coulais
La désillusion
115 bpm • F Maj • 01:22 • -22.01db
32% Popularity • 25% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 25% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Yann Tiersen
Comptine d'un autre été: la démarche
115 bpm • D# Maj • 02:01 • -14.91db
45% Popularity • 26% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 26% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
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Mark Isham
Riding Tutorial
134 bpm • C Maj • 01:33 • -15.02db
16% Popularity • 52% Danceability • 32% Energy • 7% Liveness
84% Instrumentalness • 9% Positiveness
16% Popularity • 52% Danceability • 32% Energy • 7% Liveness
84% Instrumentalness • 9% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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David Hirschfelder
They Were Starting to Like Me
115 bpm • G min • 02:16 • -22.94db
30% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Dustin O'Halloran
Arrival
135 bpm • C min • 04:26 • -22.27db
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Mark Isham
Dolphin Dance
114 bpm • F Maj • 03:01 • -17.27db
10% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
10% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Stephen Warbeck
Leave Taking
135 bpm • G min • 03:04 • -27db
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Guy Farley
You Can't Change Destiny
114 bpm • C min • 01:34 • -22.34db
40% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
40% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Ahmad Magdy
El Beso
135 bpm • F Maj • 01:40 • -12.99db
14% Popularity • 18% Danceability • 26% Energy • 32% Liveness
78% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 26% Energy • 32% Liveness
78% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
Playing Townes
114 bpm • A min • 03:45 • -29db
41% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Ennio Morricone
Brothers
113 bpm • D Maj • 01:32 • -19db
49% Popularity • 30% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
49% Popularity • 30% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Mark Isham
Sense of Touch
135 bpm • F Maj • 06:44 • -13.43db
24% Popularity • 19% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Fossils
136 bpm • B min • 05:40 • -22.94db
41% Popularity • 31% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 10% Positiveness
41% Popularity • 31% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 10% Positiveness
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Jordan Seigel
San Miguel
136 bpm • G Maj • 01:34 • -25db
61% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
61% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
