Songs like Building the Raft by Johan Söderqvist
Based on a tempo of (+/- 10%) and a similar genre
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Far From Home
63 bpm • E min • 02:18 • -22.9db
30% Popularity • 22% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 22% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Jeff Beal
Making History
63 bpm • G min • 05:34 • -18.52db
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Edward Shearmur
Bluebird - K-Pax
64 bpm • G# min • 03:52 • -22.28db
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Mark Isham
The Wrigley Building
64 bpm • A Maj • 04:22 • -26.35db
14% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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David Hirschfelder
Baby Steps, James
64 bpm • C Maj • 01:38 • -20.3db
22% Popularity • 18% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Johan Söderqvist
Building the Raft
63 bpm • C min • 01:59 • -23.91db
21% Popularity • 32% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
21% Popularity • 32% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Paul Hepker
She's Beautiful
64 bpm • C# Maj • 01:16 • -24.71db
25% Popularity • 18% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Rhian Sheehan
Mother
62 bpm • F Maj • 01:18 • -30.74db
45% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Rob Simonsen
First Resurrection
62 bpm • G Maj • 02:24 • -17.61db
19% Popularity • 8% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Ramin Djawadi
1% of Something
62 bpm • C min • 02:14 • -35.02db
17% Popularity • 9% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Martin Phipps
Nikolai
64 bpm • G# min • 02:09 • -30.08db
31% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Collateral Beauty
64 bpm • D Maj • 02:47 • -44.81db
26% Popularity • 22% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Ólafur Arnalds
The Apple of my Eye
62 bpm • G Maj • 04:48 • -21.75db
21% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Edward Shearmur
Karen's Letter
65 bpm • G Maj • 04:26 • -20.52db
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Mychael Danna
Leaving India
61 bpm • G Maj • 01:20 • -27.55db
39% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Howard Shore
London 1998
65 bpm • D min • 01:41 • -25.88db
44% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
44% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
36% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Farnon
A Compulsion
61 bpm • C min • 02:30 • -13.47db
25% Popularity • 19% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 19% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Dan Romer
Back to the Ocean
65 bpm • C Maj • 01:49 • -22.26db
18% Popularity • 6% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
18% Popularity • 6% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Trevor Rabin
Adam's Theme
65 bpm • C Maj • 03:33 • -14.74db
26% Popularity • 22% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
26% Popularity • 22% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Triple Concerto in C Major, Op. 56: II. ...
65 bpm • G# Maj • 04:39 • -18.25db
40% Popularity • 20% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Martin Phipps
The Baroness & The Spy
61 bpm • E min • 03:23 • -17.33db
11% Popularity • 22% Danceability • 13% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Rob Simonsen
Spiral
66 bpm • F# min • 02:53 • -30db
43% Popularity • 6% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
43% Popularity • 6% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Michael Giacchino
Hurley's Handouts
66 bpm • F Maj • 04:42 • -30.7db
22% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
I Stopped Lying
66 bpm • F min • 01:29 • -22.58db
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Reveries
66 bpm • B min • 03:00 • -21.4db
35% Popularity • 26% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Theodore Shapiro
Olivia
60 bpm • G Maj • 05:43 • -28.06db
17% Popularity • 6% Danceability • 2% Energy • 27% Liveness
59% Instrumentalness • 3% Positiveness
17% Popularity • 6% Danceability • 2% Energy • 27% Liveness
59% Instrumentalness • 3% Positiveness
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Alan Silvestri
Where Heaven Ends
66 bpm • G min • 01:32 • -38.36db
33% Popularity • 21% Danceability • 1% Energy • 21% Liveness
72% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 1% Energy • 21% Liveness
72% Instrumentalness • 4% Positiveness
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Rob Simonsen
January 1st, 1908
60 bpm • D Maj • 03:56 • -21.22db
22% Popularity • 20% Danceability • 14% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
22% Popularity • 20% Danceability • 14% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
History Lesson
60 bpm • G Maj • 05:16 • -21.79db
31% Popularity • 6% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 6% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Steven Price
Machine
66 bpm • C min • 03:21 • -23.54db
32% Popularity • 18% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Mark Isham
What's Not to Love
66 bpm • F Maj • 02:15 • -32.08db
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Pub Decision
66 bpm • A# Maj • 00:53 • -27.08db
25% Popularity • 36% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
25% Popularity • 36% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Stephen Rennicks
Wardrobe
66 bpm • C# Maj • 00:58 • -15.19db
14% Popularity • 35% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 35% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Alan Silvestri
The Walk
59 bpm • D Maj • 06:23 • -26.93db
15% Popularity • 7% Danceability • 6% Energy • 18% Liveness
79% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 6% Energy • 18% Liveness
79% Instrumentalness • 3% Positiveness
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Steven Price
Aningaaq
59 bpm • F Maj • 05:08 • -31.15db
37% Popularity • 6% Danceability • 5% Energy • 48% Liveness
98% Instrumentalness • 4% Positiveness
37% Popularity • 6% Danceability • 5% Energy • 48% Liveness
98% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
47% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Martin Phipps
Mirrors
68 bpm • D# min • 01:32 • -20db
31% Popularity • 25% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Carter Burwell
Meeting Miriam
67 bpm • C Maj • 01:33 • -18db
26% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
40% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
40% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Head of the Family
68 bpm • D min • 02:41 • -23.87db
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Steven Price
Baby Blue
59 bpm • C Maj • 04:51 • -20.86db
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Jeff Russo
The Long Road Home (Paint Cans)
68 bpm • D min • 02:15 • -22.46db
17% Popularity • 12% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
17% Popularity • 12% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Home
68 bpm • C Maj • 02:30 • -16db
48% Popularity • 11% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Maxwell Davies
Farewell to Stromness (Arr. for Orchestr...
59 bpm • D Maj • 03:32 • -25db
24% Popularity • 9% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
24% Popularity • 9% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Kathryn Kluge
Kluge: Dreams and Echoes
68 bpm • G Maj • 02:41 • -30.19db
22% Popularity • 7% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Carl Davis
Pride and Prejudice Suite: II. Canon Col...
68 bpm • C min • 05:06 • -18.81db
25% Popularity • 24% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
25% Popularity • 24% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Jóhann Jóhannsson
Through Falling Snow
68 bpm • C min • 02:44 • -15.74db
38% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Johan Söderqvist
The Crab
68 bpm • G Maj • 01:26 • -26.96db
26% Popularity • 20% Danceability • 3% Energy • 15% Liveness
97% Instrumentalness • 8% Positiveness
26% Popularity • 20% Danceability • 3% Energy • 15% Liveness
97% Instrumentalness • 8% Positiveness
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Theodore Shapiro
You Finish His Work
68 bpm • D Maj • 02:31 • -30.7db
25% Popularity • 7% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
The Anointing
58 bpm • D min • 05:13 • -29.1db
31% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alan Silvestri
Cosmos Main Title
68 bpm • G Maj • 01:38 • -21db
25% Popularity • 7% Danceability • 6% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 6% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
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Howard Shore
The Grey Havens
58 bpm • D Maj • 05:59 • -27.65db
45% Popularity • 6% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
45% Popularity • 6% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Johan Söderqvist
The Proposal
58 bpm • E min • 02:48 • -16.23db
8% Popularity • 22% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
London, 1988
58 bpm • G Maj • 02:52 • -21.3db
39% Popularity • 18% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Charlie Mole
L'addition
69 bpm • C min • 02:00 • -20.65db
16% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Samuel Sim
When I'm Gone
69 bpm • C min • 02:32 • -21.85db
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dirk Brossé
Cast Away
69 bpm • G# Maj • 04:52 • -26db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Steven Price
Airlock
70 bpm • F Maj • 01:57 • -36.84db
29% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The Seagull
68 bpm • G Maj • 01:00 • -30.7db
15% Popularity • 27% Danceability • 1% Energy • 19% Liveness
61% Instrumentalness • 28% Positiveness
15% Popularity • 27% Danceability • 1% Energy • 19% Liveness
61% Instrumentalness • 28% Positiveness
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Jeff Beal
Claire And Adam
70 bpm • C min • 03:04 • -26.54db
25% Popularity • 7% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Solomon Grey
Clouds - Theme
70 bpm • C min • 01:56 • -16.71db
27% Popularity • 6% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
27% Popularity • 6% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Jeff Russo
Subtle Beast
70 bpm • A min • 02:55 • -18.91db
10% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
51% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
51% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Laurent Eyquem
The World Turned Upside Down - Pt. 2
71 bpm • A# Maj • 02:20 • -23db
20% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
71 bpm • B Maj • 05:23 • -26.46db
17% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
17% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Carter Burwell
Keep Your Memories
70 bpm • G Maj • 03:27 • -17.67db
24% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Alan Silvestri
Jenny's Grave
71 bpm • F Maj • 01:23 • -37.82db
29% Popularity • 16% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Anne Dudley
A Different Light
71 bpm • E min • 03:23 • -15.56db
12% Popularity • 6% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Stephen Rennicks
In the World
71 bpm • G# Maj • 01:51 • -14.72db
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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William Walton
Henry V - Suite (arr. Mathieson): IV. To...
71 bpm • C Maj • 01:40 • -32.65db
35% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
46% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Ramin Djawadi
Winter Is Here
72 bpm • C min • 02:54 • -26.58db
46% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
46% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Then We Are Together
73 bpm • A# Maj • 02:41 • -28.89db
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Nathan Barr
Marlo and Ray
73 bpm • D min • 02:24 • -26.43db
15% Popularity • 12% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Alan Silvestri
"All That Is or Ever Was or Ever Will Be...
73 bpm • C Maj • 01:35 • -16db
31% Popularity • 23% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 3% Positiveness
31% Popularity • 23% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 3% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
36% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Anne Dudley
Love of My Life
54 bpm • B Maj • 01:59 • -13.84db
27% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
27% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Martin Phipps
Mountbatten
73 bpm • D# Maj • 01:40 • -26db
38% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Johan Söderqvist
Narvik
73 bpm • A# min • 01:37 • -33db
40% Popularity • 13% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 13% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
25% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Christopher Young
Little Wing - Score
74 bpm • A# Maj • 06:05 • -13db
12% Popularity • 10% Danceability • 18% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 18% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
