Songs like BUILT FOR LOVE (feat. Jazmine Sullivan) by PJ Morton
Based on a tempo of (+/- 10%) and a similar genre
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PJ Morton
Good Days Bad Days
130 bpm • C min • 04:05 • -7.34db
11% Popularity • 45% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 45% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Astèr Fekre
Seasons
130 bpm • F min • 05:06 • -7.54db
37% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Aaliyah
I Don't Wanna
130 bpm • A min • 04:16 • -7db
63% Popularity • 71% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 71% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Maxwell
...Til the Cops Come Knockin' - Remaster...
130 bpm • C min • 06:55 • -8.44db
46% Popularity • 71% Danceability • 54% Energy • 16% Liveness
7% Instrumentalness • 64% Positiveness
46% Popularity • 71% Danceability • 54% Energy • 16% Liveness
7% Instrumentalness • 64% Positiveness
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James Vickery
The Reason
130 bpm • E min • 03:24 • -10db
42% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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SWV
If Only You Knew
130 bpm • E Maj • 05:09 • -5.51db
36% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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PJ Morton
BUILT FOR LOVE
130 bpm • F Maj • 03:25 • -10.59db
49% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Victoria Monét
Moment
130 bpm • C# Maj • 02:59 • -8.89db
62% Popularity • 57% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
62% Popularity • 57% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Jazmine Sullivan
Hurt Me So Good
130 bpm • C# Maj • 03:31 • -5.64db
51% Popularity • 51% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 51% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Maya Delilah
Thank You
130 bpm • E Maj • 03:24 • -7.89db
46% Popularity • 54% Danceability • 48% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
46% Popularity • 54% Danceability • 48% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
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James Vickery
Something Good
130 bpm • D Maj • 03:57 • -7.26db
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Gaidaa
Ride My Way
129 bpm • F# min • 03:27 • -7db
31% Popularity • 46% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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PJ Morton
First Began - Acoustic Version
130 bpm • D# min • 03:33 • -14.1db
31% Popularity • 50% Danceability • 15% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 50% Danceability • 15% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
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Madison Ryann Ward
BRKN
131 bpm • F Maj • 03:53 • -7.54db
55% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Isaac Waddington
To the Moon
131 bpm • F Maj • 03:13 • -11.65db
33% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Avant
You & I
131 bpm • C# Maj • 03:54 • -4.87db
54% Popularity • 55% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 55% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Beyoncé
So Amazing
129 bpm • D# min • 04:10 • -6.8db
31% Popularity • 60% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 60% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Eryn Allen Kane
Fragile
131 bpm • F min • 04:02 • -7.6db
27% Popularity • 52% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 52% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Jazmine Sullivan
On It
128 bpm • C# min • 03:25 • -6.7db
52% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Madison Ryann Ward
Mirror
129 bpm • F# Maj • 03:14 • -6.21db
62% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
62% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Maxwell
Lifetime - Remastered 2021
128 bpm • A Maj • 05:29 • -8.86db
52% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Adele
All Night Parking Interlude
128 bpm • G# Maj • 02:41 • -9.67db
64% Popularity • 73% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 73% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Victoria Monét
F.U.C.K.
128 bpm • G# min • 03:25 • -9.48db
57% Popularity • 76% Danceability • 40% Energy • 17% Liveness
10% Instrumentalness • 46% Positiveness
57% Popularity • 76% Danceability • 40% Energy • 17% Liveness
10% Instrumentalness • 46% Positiveness
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Eryn Allen Kane
Feel The Need
129 bpm • A Maj • 03:48 • -5.59db
37% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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SWV
Weak
128 bpm • D min • 04:51 • -10.95db
69% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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DeAndre
I.D.n.Y.L
127 bpm • G Maj • 04:47 • -8.55db
21% Popularity • 51% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 51% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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D'Angelo
Send It On
127 bpm • F Maj • 05:56 • -11.76db
56% Popularity • 79% Danceability • 26% Energy • 33% Liveness
1% Instrumentalness • 34% Positiveness
56% Popularity • 79% Danceability • 26% Energy • 33% Liveness
1% Instrumentalness • 34% Positiveness
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Mint Condition
Nothing Left to Say
127 bpm • C Maj • 04:44 • -4.04db
43% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Charlotte Day Wilson
Take Care of You
127 bpm • E min • 03:34 • -9.03db
47% Popularity • 67% Danceability • 54% Energy • 20% Liveness
2% Instrumentalness • 26% Positiveness
47% Popularity • 67% Danceability • 54% Energy • 20% Liveness
2% Instrumentalness • 26% Positiveness
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Terrell Grice
Ain't No Mountain High Enough
127 bpm • A# min • 04:14 • -6.2db
35% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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CHERISE
Remedy
134 bpm • B min • 03:56 • -14.77db
33% Popularity • 72% Danceability • 33% Energy • 38% Liveness
4% Instrumentalness • 34% Positiveness
33% Popularity • 72% Danceability • 33% Energy • 38% Liveness
4% Instrumentalness • 34% Positiveness
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DeAndre
Catch
134 bpm • A min • 03:43 • -7.94db
27% Popularity • 47% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 47% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Ari Lennox
I Been
126 bpm • C# Maj • 03:41 • -7.57db
49% Popularity • 67% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 67% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Mint Condition
After The Love Is Gone
126 bpm • A# min • 04:39 • -7.84db
31% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sebastian Mikael
Time
135 bpm • D# Maj • 03:30 • -6.28db
42% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ro James
Last Time
135 bpm • A min • 04:30 • -7db
31% Popularity • 72% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 72% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Mahalia
What You Did
125 bpm • C min • 03:26 • -4.91db
61% Popularity • 73% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
61% Popularity • 73% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Dayo Bello
Wait for You
135 bpm • E Maj • 04:34 • -10.8db
22% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Cleo Sol
Young Love
136 bpm • C Maj • 04:24 • -7.82db
57% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
57% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Vividry
Made Up My Mind
136 bpm • G min • 03:22 • -9.73db
33% Popularity • 53% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
33% Popularity • 53% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Justin Nozuka
No One But You
136 bpm • A# Maj • 03:33 • -7.47db
44% Popularity • 54% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 54% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Grace Weber
Crazy to Hope
136 bpm • C Maj • 03:08 • -9db
23% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mahalia
Plastic Plants
136 bpm • G# Maj • 03:19 • -7.65db
45% Popularity • 82% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 82% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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JoiStaRR
Nothing Even Matters
136 bpm • A# min • 04:42 • -11.95db
20% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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James Vickery
Until Morning - A COLORS SHOW
136 bpm • C# min • 03:17 • -15.77db
48% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Eloise
TTCL
136 bpm • G# Maj • 02:49 • -10db
43% Popularity • 49% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 49% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Jazmine Sullivan
Forever Don't Last
124 bpm • F# min • 03:39 • -7.2db
34% Popularity • 69% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Ms. Lauryn Hill
Nothing Even Matters
136 bpm • A# min • 05:50 • -13.89db
62% Popularity • 54% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 54% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Anthony Hamilton
Charlene
124 bpm • C min • 04:06 • -9.81db
60% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jaz Karis
Sunrise
123 bpm • G# min • 02:47 • -12db
46% Popularity • 55% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 55% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Stevie Wonder
Ribbon In The Sky
137 bpm • A# min • 05:37 • -13.71db
54% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Muni Long
Hrs & Hrs
137 bpm • G# min • 03:24 • -4.99db
74% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
74% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Kyle Dion
Stay the Night
123 bpm • G Maj • 03:41 • -8.38db
36% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tiana Major9
...Exclusively
138 bpm • F Maj • 03:55 • -11.91db
36% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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DeAndre
Shoulda Known Better
138 bpm • D min • 04:30 • -11.27db
31% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Xavier Omär
Like I Feel
138 bpm • C# min • 03:46 • -10.76db
31% Popularity • 70% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
31% Popularity • 70% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Elmiene
Why (Spare Me Tears)
138 bpm • A min • 03:25 • -9.08db
43% Popularity • 61% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 61% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Joonie
Share My Love
138 bpm • C# min • 04:06 • -9.68db
21% Popularity • 73% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 73% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Quincy Jones
Slow Jams
138 bpm • G min • 07:30 • -9.27db
43% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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SWV
Rain
138 bpm • E min • 04:24 • -10.44db
64% Popularity • 64% Danceability • 49% Energy • 70% Liveness
0% Instrumentalness • 15% Positiveness
64% Popularity • 64% Danceability • 49% Energy • 70% Liveness
0% Instrumentalness • 15% Positiveness
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Rozzi
Past Life
122 bpm • F Maj • 03:23 • -7.65db
19% Popularity • 50% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 50% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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LOONY
either side
122 bpm • G Maj • 02:47 • -6.42db
43% Popularity • 79% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 79% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jazmine Sullivan
Need U Bad
138 bpm • G Maj • 04:17 • -5.32db
44% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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rum.gold
Waiting For
122 bpm • D min • 03:20 • -11.64db
57% Popularity • 74% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 74% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Garth.
Can I Follow You There?
122 bpm • A Maj • 04:50 • -12.34db
32% Popularity • 80% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 80% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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PJ Morton
I Can't Wait
122 bpm • A# Maj • 02:11 • -7.43db
49% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Misch
Movie
122 bpm • G Maj • 05:57 • -11db
61% Popularity • 78% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 18% Positiveness
61% Popularity • 78% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 18% Positiveness
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Alicia Keys
Lesson Learned
122 bpm • A Maj • 04:13 • -8.56db
50% Popularity • 68% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 68% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Jayla Darden
Onto Something
139 bpm • F# min • 03:16 • -7.88db
46% Popularity • 83% Danceability • 44% Energy • 9% Liveness
15% Instrumentalness • 38% Positiveness
46% Popularity • 83% Danceability • 44% Energy • 9% Liveness
15% Instrumentalness • 38% Positiveness
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Jazmine Sullivan
Tragic
139 bpm • E min • 03:25 • -4.44db
42% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Queen Naija
Butterflies Pt. 2
140 bpm • G# Maj • 02:30 • -3.64db
56% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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PJ Morton
I Need to Know
139 bpm • G min • 04:12 • -6.21db
9% Popularity • 58% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 58% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Yebba
Distance
140 bpm • C Maj • 04:15 • -7.3db
56% Popularity • 60% Danceability • 51% Energy • 7% Liveness
25% Instrumentalness • 47% Positiveness
56% Popularity • 60% Danceability • 51% Energy • 7% Liveness
25% Instrumentalness • 47% Positiveness
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Victoria Monét
Go There With You
140 bpm • A min • 03:03 • -8.56db
52% Popularity • 86% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 86% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Earth, Wind & Fire
Show Me The Way
140 bpm • B Maj • 07:47 • -5.87db
27% Popularity • 60% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 60% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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iyla
Bad Side
121 bpm • G# Maj • 02:40 • -5.97db
50% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jeff Bernat
Miles in Between
140 bpm • A Maj • 04:49 • -11.71db
32% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Joyce Wrice
That's On You - Japanese Remix
140 bpm • C Maj • 02:47 • -7.28db
38% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jazmine Sullivan
Excuse Me
140 bpm • F# min • 03:33 • -1.69db
42% Popularity • 35% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 35% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Xscape
Who Can I Run To
140 bpm • E Maj • 03:36 • -9.6db
59% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Avery Wilson
Dollar Bill
140 bpm • D min • 03:26 • -6db
28% Popularity • 43% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 43% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mali Music
Still
141 bpm • D Maj • 04:50 • -7.35db
38% Popularity • 33% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 33% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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SiR
That's Why I Love You
120 bpm • D# min • 04:01 • -6.08db
59% Popularity • 53% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 53% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Niia
Sideline
120 bpm • G Maj • 04:37 • -5.25db
30% Popularity • 69% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 69% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Jazmine Sullivan
Stand Up
120 bpm • D Maj • 03:44 • -7.2db
33% Popularity • 63% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 63% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Conor Albert
See You
120 bpm • F Maj • 03:04 • -7db
42% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bruno Mars
Love's Train
141 bpm • F# min • 05:07 • -9.8db
62% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Braxton Cook
For More
120 bpm • G# Maj • 04:24 • -9.47db
23% Popularity • 55% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 55% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Pip Millett
Try a Little Tenderness
120 bpm • D Maj • 03:12 • -12.84db
51% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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India Shawn
TOO SWEET
120 bpm • A# min • 03:46 • -6db
30% Popularity • 70% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 70% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Madison Ryann Ward
Other Side
120 bpm • A# min • 03:14 • -9.62db
47% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kem
I Can't Stop Loving You
141 bpm • D# min • 05:23 • -9.76db
57% Popularity • 70% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 70% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Trin-I-Tee 5:7
Over and Over
119 bpm • G# Maj • 04:07 • -7db
49% Popularity • 52% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 52% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Kyara Shereen
Royal Cologne
119 bpm • A min • 03:56 • -16.31db
27% Popularity • 50% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 50% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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DeAndre
Wake Up
119 bpm • C Maj • 04:32 • -7.82db
21% Popularity • 58% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 58% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Mahalia
Grateful
142 bpm • G min • 03:05 • -7.63db
56% Popularity • 66% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 66% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Jaime Woods
Hello Morning
142 bpm • E min • 04:21 • -13.06db
28% Popularity • 50% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 50% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Keeyen Martin
Girl Im on the Way
119 bpm • F Maj • 03:26 • -7.78db
14% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
