Songs like Bungalow by Scott Helman
Based on a tempo of (+/- 10%) and a similar genre
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Civil Twilight
When, When
120 bpm • G Maj • 04:12 • -6.81db
18% Popularity • 61% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Scott Helman
Bungalow
120 bpm • C# Maj • 03:32 • -4.78db
43% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Marianas Trench
POP 101
120 bpm • B min • 04:07 • -6db
44% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew McMahon in the Wilderness
So Close
120 bpm • C min • 03:19 • -4db
37% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Echosmith
Tell Her You Love Her
120 bpm • G Maj • 04:06 • -7.63db
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dan Talevski
Knock Me Off My Feet
120 bpm • F# min • 03:01 • -7.32db
27% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Keelan Donovan
Love Of Mine
120 bpm • C Maj • 03:27 • -7.18db
17% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Helman
Bungalow - Spotify Sessions
120 bpm • C# Maj • 04:33 • -4.97db
10% Popularity • 64% Danceability • 74% Energy • 66% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 64% Danceability • 74% Energy • 66% Liveness
0% Instrumentalness • 66% Positiveness
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Oh Honey
Get It Right
120 bpm • G Maj • 02:48 • -6db
29% Popularity • 63% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 63% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Shawn Desman
Night Like This
120 bpm • C# Maj • 03:51 • -6.33db
44% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Alex & Sierra
Scarecrow
120 bpm • B Maj • 03:26 • -5db
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Phillip Phillips
Fool For You
120 bpm • A# Maj • 03:32 • -6db
24% Popularity • 45% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 45% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Life of Dillon
Rocks
120 bpm • G Maj • 03:13 • -5db
30% Popularity • 63% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 63% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Marianas Trench
Haven't Had Enough
120 bpm • D Maj • 03:28 • -5.04db
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Castro
Diamond Dreams
120 bpm • F# Maj • 03:15 • -6db
32% Popularity • 61% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
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Maddie Poppe
Going Going Gone
120 bpm • D Maj • 03:26 • -3.49db
38% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Mowgli's
I Feel Good About This
120 bpm • G Maj • 03:21 • -6.05db
53% Popularity • 52% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 52% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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New Hollow
She Ain't You
120 bpm • E Maj • 03:30 • -5db
37% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Hedley
Heaven In Our Headlights
120 bpm • C Maj • 03:09 • -5db
38% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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The Strumbellas
Home Sweet Home
119 bpm • A Maj • 03:25 • -5.79db
26% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Oh Honey
Don't You Worry
121 bpm • F Maj • 03:46 • -8db
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sara James
Pumping Blood
119 bpm • G Maj • 03:31 • -5.96db
35% Popularity • 69% Danceability • 66% Energy • 11% Liveness
13% Instrumentalness • 64% Positiveness
35% Popularity • 69% Danceability • 66% Energy • 11% Liveness
13% Instrumentalness • 64% Positiveness
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Young Rising Sons
Red & Gold
119 bpm • A# Maj • 03:29 • -4db
23% Popularity • 68% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 68% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Humming House
Run With Me
121 bpm • D Maj • 03:16 • -4.97db
28% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Great Caesar
Kiss Me Again
121 bpm • D Maj • 03:06 • -6.49db
19% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Arkells
My Heart's Always Yours
119 bpm • C Maj • 04:13 • -7db
41% Popularity • 58% Danceability • 78% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
41% Popularity • 58% Danceability • 78% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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The Kents
Something About Her
119 bpm • C Maj • 03:46 • -4.72db
40% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Scott Helman
Tikka - Spotify Sessions
122 bpm • B Maj • 05:17 • -4.74db
4% Popularity • 60% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 60% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 83% Positiveness
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Andrew McMahon in the Wilderness
Island Radio
118 bpm • F# Maj • 03:47 • -4.6db
27% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Reese
Day To Feel Alive
122 bpm • B Maj • 02:48 • -6.98db
25% Popularity • 74% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 74% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Phillip Phillips
Gone, Gone, Gone
118 bpm • F# Maj • 03:29 • -5.96db
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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MAGIC GIANT
Shake Me Up
122 bpm • A# Maj • 03:44 • -7.07db
18% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Old Daisy
To Fall in Love With You
118 bpm • G Maj • 04:03 • -7db
28% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Scott Helman
Tikka
122 bpm • C Maj • 03:57 • -4.75db
24% Popularity • 60% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 60% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Tim Halperin
Dear Sophie
118 bpm • D Maj • 04:07 • -7db
21% Popularity • 62% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 62% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Shawn Hook
Take Me Home
122 bpm • F# Maj • 02:51 • -6.73db
38% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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MisterWives
No Need For Dreaming
118 bpm • D Maj • 03:15 • -6.52db
32% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Hey Monea
Filthy Rich
117 bpm • A Maj • 03:03 • -5.98db
8% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Oh Honey
Until You Let Me
123 bpm • F# Maj • 03:42 • -10.6db
20% Popularity • 64% Danceability • 60% Energy • 46% Liveness
2% Instrumentalness • 59% Positiveness
20% Popularity • 64% Danceability • 60% Energy • 46% Liveness
2% Instrumentalness • 59% Positiveness
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lovelytheband
broken
123 bpm • G Maj • 03:24 • -5.81db
68% Popularity • 67% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 67% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Prairie Grass
Broken Like Me
123 bpm • B min • 03:24 • -6.21db
33% Popularity • 65% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 65% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Grizfolk
Waiting For You
123 bpm • D# Maj • 03:57 • -5.56db
41% Popularity • 59% Danceability • 89% Energy • 14% Liveness
23% Instrumentalness • 55% Positiveness
41% Popularity • 59% Danceability • 89% Energy • 14% Liveness
23% Instrumentalness • 55% Positiveness
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nomad
I Will Find You
117 bpm • C Maj • 02:34 • -4.04db
20% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Young Rising Sons
King Of The World
123 bpm • G Maj • 03:24 • -5db
47% Popularity • 60% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 60% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Phillip Phillips
Searchlight
123 bpm • B min • 04:12 • -5db
40% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Ocean Park Standoff
Lost Boys
117 bpm • A Maj • 03:49 • -6db
45% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Oh Honey
Be Okay
117 bpm • E Maj • 03:18 • -4.44db
50% Popularity • 66% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 66% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Jake Scott
Note to Self
117 bpm • C# min • 03:32 • -9.73db
19% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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John & Jacob
Be My Girl
124 bpm • G Maj • 03:09 • -6db
19% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Young Rising Sons
High
117 bpm • G Maj • 02:45 • -5db
46% Popularity • 65% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 65% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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MAGIC GIANT
Hideaway
124 bpm • F# min • 04:10 • -4.69db
39% Popularity • 62% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 62% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Scars On 45
Golden
124 bpm • D Maj • 03:27 • -5.98db
23% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew McMahon in the Wilderness
Canyon Moon
124 bpm • G# min • 03:03 • -6.31db
40% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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New Politics
Tonight You're Perfect
124 bpm • F# Maj • 03:22 • -5.64db
41% Popularity • 58% Danceability • 72% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
41% Popularity • 58% Danceability • 72% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
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Guthrie Brown
Wild Child
116 bpm • E Maj • 03:29 • -6.78db
25% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Smallpools
Street Fight
116 bpm • C Maj • 03:23 • -5.14db
43% Popularity • 56% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 56% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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MAGIC GIANT
Window
116 bpm • F Maj • 03:29 • -5.55db
48% Popularity • 40% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 40% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Scott Helman
Dostoevsky
116 bpm • A# Maj • 03:07 • -6.79db
21% Popularity • 81% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 81% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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High Dive Heart
Vintage
124 bpm • C# Maj • 03:54 • -6.91db
24% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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The Fray
Love Don't Die
115 bpm • B min • 03:03 • -4.49db
55% Popularity • 63% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 63% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Saint Raymond
Fall At Your Feet
125 bpm • C Maj • 04:03 • -6.09db
36% Popularity • 62% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 62% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Eleven Past One
The World Is Ours
115 bpm • G min • 03:55 • -4.64db
33% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Jukebox The Ghost
Postcard
115 bpm • C Maj • 03:30 • -5.45db
34% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Big Little Lions
This Road with You
115 bpm • E Maj • 02:41 • -7db
14% Popularity • 73% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 73% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Unlikely Candidates
Follow My Feet
115 bpm • A min • 02:38 • -3.53db
44% Popularity • 46% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 46% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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BANNERS
Into The Storm
115 bpm • A Maj • 03:40 • -4db
41% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Jon Bellion
Ooh
115 bpm • C Maj • 03:39 • -8.95db
46% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Who Is Fancy
Goodbye
115 bpm • F Maj • 03:26 • -7db
45% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jeremy Fisher
This Is The Good Life
115 bpm • A Maj • 03:22 • -10.82db
23% Popularity • 77% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
23% Popularity • 77% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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East Love
Sweet Arizona
115 bpm • B Maj • 03:03 • -6.86db
41% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Animal Years
Caroline
115 bpm • F Maj • 03:32 • -5.04db
48% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Scott Helman
Chinese Restaurant
115 bpm • A Maj • 03:01 • -4.6db
21% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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MAGIC GIANT
Jade
125 bpm • A Maj • 02:58 • -5.06db
30% Popularity • 68% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 68% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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JOSEPH
SOS (Overboard)
115 bpm • B min • 03:05 • -5.22db
31% Popularity • 64% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 64% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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MisterWives
Our Own House
126 bpm • G# Maj • 03:52 • -4.68db
53% Popularity • 56% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 56% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Scars On 45
Take You Home
115 bpm • D Maj • 03:19 • -7db
32% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin DeGraw
She Sets The City On Fire
126 bpm • E Maj • 03:38 • -6.41db
56% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Phillip Phillips
Raging Fire
126 bpm • G Maj • 03:54 • -4.67db
54% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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MAGIC GIANT
Glass Heart - Demo
126 bpm • C min • 03:48 • -8.75db
13% Popularity • 50% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 50% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Scott
The Mason
126 bpm • D# Maj • 04:32 • -8db
32% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Fitz and The Tantrums
Burn It Down
126 bpm • C# Maj • 03:21 • -3.8db
23% Popularity • 69% Danceability • 87% Energy • 8% Liveness
10% Instrumentalness • 60% Positiveness
23% Popularity • 69% Danceability • 87% Energy • 8% Liveness
10% Instrumentalness • 60% Positiveness
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Andrew McMahon in the Wilderness
Shot Out Of A Cannon
114 bpm • C min • 03:53 • -4db
30% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Gavin DeGraw
She Sets The City On Fire - Acoustic
126 bpm • E Maj • 03:37 • -6.17db
24% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Phillip Phillips
FACE
126 bpm • C min • 03:55 • -6.91db
20% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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MAGIC GIANT
Glass Heart
126 bpm • D# Maj • 03:37 • -5.89db
24% Popularity • 52% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 52% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Plug In Stereo
To Be Wanted - EP Version
114 bpm • C Maj • 04:10 • -5db
16% Popularity • 56% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 56% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Marianas Trench
Desperate Measures
126 bpm • E Maj • 03:48 • -5.31db
52% Popularity • 62% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 62% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Tim Myers
March: Hills to Climb
114 bpm • F# Maj • 03:59 • -7db
31% Popularity • 47% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Shawn Desman
Electric
114 bpm • B min • 03:12 • -5.97db
48% Popularity • 92% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 92% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Tim Chaisson
Beat This Heart
114 bpm • G# Maj • 03:01 • -5db
2% Popularity • 71% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 71% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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A Great Big World
When the Morning Comes
127 bpm • B Maj • 03:45 • -7.82db
20% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Oh Honey
I Love You Will Still Sound The Same
114 bpm • D# Maj • 03:27 • -6db
50% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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WILD
American Love
127 bpm • C# Maj • 04:11 • -6db
36% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Northern Empty
Suzie
127 bpm • D# Maj • 03:12 • -8db
22% Popularity • 71% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 71% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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The 502s
hey, honey
127 bpm • A# Maj • 03:16 • -5.52db
44% Popularity • 64% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 64% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Birds of Bellwoods
Come Home
113 bpm • F Maj • 03:47 • -7db
24% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jukebox The Ghost
Stay the Night
127 bpm • F min • 02:50 • -5.15db
36% Popularity • 69% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 69% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
