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Burgos (Talbot)
Songs like
Burgos (Talbot)
by
Tenebrae
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
11% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Tenebrae
Burgos (Talbot)
135 bpm • F Maj • 15:03 • -24.38db
11% Popularity • 19% Danceability • 9% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
136 bpm • F Maj • 04:05 • -20.02db
13% Popularity • 16% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 3% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Wenn ich einmal soll scheiden, BWV 244
136 bpm • F Maj • 01:22 • -28.87db
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
8% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Will Todd
Sanctus
136 bpm • B Maj • 02:03 • -23.42db
3% Popularity • 20% Danceability • 15% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
10% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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William Henry Harris
Faire is the Heaven
136 bpm • C# Maj • 05:23 • -24db
18% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
136 bpm • D# min • 04:52 • -29.48db
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Christian Forshaw
Abide With Me - Arr. for Saxophone and V...
136 bpm • D# Maj • 04:07 • -25.99db
20% Popularity • 17% Danceability • 6% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
24% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Will Todd
Stay With Me, Lord
136 bpm • F Maj • 07:44 • -19.55db
8% Popularity • 17% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
11% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: De lame...
137 bpm • B min • 01:10 • -25.21db
15% Popularity • 16% Danceability • 8% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
137 bpm • E Maj • 03:51 • -21.78db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Josquin des Prez
Tu solus qui facis mirabilia
137 bpm • G min • 03:03 • -32.61db
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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PÄ“teris Vasks
Vasara (Summer)
137 bpm • A min • 04:22 • -26.33db
14% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Sven-David Sandström
Four Songs of Love: II. Until the Daybre...
137 bpm • G# Maj • 02:23 • -34.11db
8% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Requiem Mass, 1605: Lesson: Taedet anima...
133 bpm • B min • 03:04 • -20.97db
16% Popularity • 20% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
137 bpm • C min • 05:54 • -21.38db
19% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Lord Thou Hast Been Our Refuge
133 bpm • D Maj • 08:18 • -21.91db
8% Popularity • 16% Danceability • 6% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Tomás Luis de Victoria
Requiem Mass, 1605: Gradual, Requiem aet...
137 bpm • A Maj • 03:46 • -22.68db
15% Popularity • 15% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os Justi
137 bpm • C Maj • 05:33 • -25db
8% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30
137 bpm • D# Maj • 05:54 • -22.77db
16% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
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Will Todd
Softly
133 bpm • D# Maj • 03:30 • -29.39db
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Sarah Kirkland Snider
Snider: Mass for the Endangered: Agnus D...
137 bpm • E min • 10:01 • -20.28db
11% Popularity • 17% Danceability • 9% Energy • 22% Liveness
5% Instrumentalness • 3% Positiveness
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Juan de Anchieta
Con amores, la mi madre (arr. Bob Chilco...
137 bpm • F Maj • 02:19 • -25.4db
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Bonus e...
133 bpm • B min • 01:19 • -25.15db
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Paul Mealor
Locus Iste
137 bpm • D# Maj • 06:28 • -23.9db
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Sanctus – Osanna I �...
133 bpm • A min • 05:20 • -28.51db
8% Popularity • 17% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
17% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Ponet i...
132 bpm • B min • 01:10 • -23db
16% Popularity • 16% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
2 Sacred Chants: No. 1, Mercy of Peace
132 bpm • E Maj • 05:03 • -32db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Christian Forshaw
Psalm 121 - Arr. for Saxophone and Vocal...
132 bpm • D Maj • 03:20 • -26.35db
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga jesse floruit, WAB 52
132 bpm • E Maj • 03:58 • -19.46db
15% Popularity • 20% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
16% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Michael John Trotta
Surge Illuminare - Live
132 bpm • D Maj • 03:04 • -23.85db
15% Popularity • 19% Danceability • 7% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: II....
138 bpm • A min • 05:52 • -27db
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Gustav Mahler
Urlicht
138 bpm • C# Maj • 05:12 • -30.98db
9% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
9% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Paul Mealor
Crucifixus: 2. Your Silence Is Stillness
139 bpm • A min • 05:22 • -23db
11% Popularity • 17% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Heidi en BerlÃn
Premium Sunsets.
131 bpm • D Maj • 03:55 • -19.4db
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
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Anton Bruckner
Locus iste, WAB 23
139 bpm • C Maj • 03:30 • -23.34db
20% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
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Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Francis Poulenc
Figure humaine, FP 120: VIII. Liberte
131 bpm • C# min • 04:29 • -21.39db
7% Popularity • 26% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Lord, Now Lettest Thou
131 bpm • F# Maj • 03:33 • -28.22db
14% Popularity • 16% Danceability • 4% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
25% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
131 bpm • A Maj • 06:33 • -18.17db
10% Popularity • 23% Danceability • 15% Energy • 35% Liveness
73% Instrumentalness • 3% Positiveness
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Tenebrae
Santiago (Talbot)
131 bpm • G Maj • 18:13 • -23.77db
13% Popularity • 22% Danceability • 10% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Michael John Trotta
Ave Verum Corpus - Live
131 bpm • C# min • 03:47 • -25.17db
11% Popularity • 17% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Hymn to the Cherubim
140 bpm • G Maj • 04:38 • -23.56db
18% Popularity • 15% Danceability • 8% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Rebecca Dale
I Wandered Lonely As A Cloud
130 bpm • E min • 04:45 • -24.2db
12% Popularity • 19% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: Bonum e...
140 bpm • B min • 01:31 • -26.51db
14% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Hubert Parry
Songs of Farewell: I Know My Soul Hath P...
130 bpm • F Maj • 02:03 • -30db
14% Popularity • 16% Danceability • 2% Energy • 13% Liveness
14% Instrumentalness • 3% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
28% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For I am un...
141 bpm • E min • 02:26 • -23.99db
14% Popularity • 15% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
19% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Friede auf Erden, Op. 13
130 bpm • D Maj • 10:30 • -21.16db
10% Popularity • 18% Danceability • 10% Energy • 6% Liveness
51% Instrumentalness • 3% Positiveness
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Paul Mealor
Ave Maria
129 bpm • C Maj • 06:59 • -24.68db
9% Popularity • 17% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Will Todd
In This Place
129 bpm • E Maj • 04:30 • -24.43db
8% Popularity • 18% Danceability • 3% Energy • 9% Liveness
27% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Rest
141 bpm • D# Maj • 03:51 • -32db
13% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Gunnar Eriksson
Music for a While
141 bpm • A min • 04:04 • -23.9db
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Michael John Trotta
O Nata Lux - Live
129 bpm • E Maj • 03:50 • -26.5db
16% Popularity • 18% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
13% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
9% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Elgar
Four Part-Songs, Op. 53: No. 1, There is...
129 bpm • G# Maj • 04:23 • -32.07db
8% Popularity • 19% Danceability • 4% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Burgos (Talbot)