Songs like Burning The Ruins by Mike O Donoghue
Based on a tempo of (+/- 10%) and a similar genre
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Mike O Donoghue
Burning The Ruins
169 bpm • G Maj • 05:05 • -7.91db
0% Popularity • 28% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 28% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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JP Kennedy
Highway Star
169 bpm • G# Maj • 03:31 • -4.09db
8% Popularity • 41% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 41% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Felix Westbrook
You Are Perfect
169 bpm • G Maj • 03:27 • -10.76db
21% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Bjølsen Valsemølle
Vanlige folks tur
170 bpm • E Maj • 04:20 • -5.58db
20% Popularity • 37% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 37% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Don Ferdinands
Please Don't Go
170 bpm • G Maj • 03:46 • -1.33db
21% Popularity • 21% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 21% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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The Bootleggers UK
Peace of Mind
170 bpm • A# min • 03:44 • -19.01db
8% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mike O Donoghue
Fine Fine Fine
170 bpm • G Maj • 03:39 • -4.93db
0% Popularity • 48% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 48% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Mathias Kellner
Da Doktor sogt
170 bpm • F Maj • 02:59 • -14.6db
8% Popularity • 47% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 47% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Irrera
Everybody's Here
170 bpm • E Maj • 04:23 • -12.23db
23% Popularity • 56% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 56% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Garr Lange
Stunned by Love
168 bpm • G Maj • 04:14 • -11.17db
17% Popularity • 48% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 48% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Willie D
Table For Two
170 bpm • A Maj • 02:33 • -8.7db
7% Popularity • 57% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 57% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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G.B. Lamb
Your Angelic Face
168 bpm • D Maj • 04:00 • -14.42db
11% Popularity • 43% Danceability • 19% Energy • 11% Liveness
51% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 19% Energy • 11% Liveness
51% Instrumentalness • 34% Positiveness
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George Murphy
Hands of Time - Live in Dublin
170 bpm • F Maj • 03:04 • -10.88db
16% Popularity • 37% Danceability • 55% Energy • 78% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 37% Danceability • 55% Energy • 78% Liveness
0% Instrumentalness • 64% Positiveness
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Late Start Productions
Differences
170 bpm • C min • 03:48 • -21.34db
7% Popularity • 34% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 34% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Lorenzo Raffaldi
Siamo noi
171 bpm • B min • 04:37 • -6.98db
7% Popularity • 38% Danceability • 56% Energy • 15% Liveness
20% Instrumentalness • 41% Positiveness
7% Popularity • 38% Danceability • 56% Energy • 15% Liveness
20% Instrumentalness • 41% Positiveness
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Tom Rush
Won't Be Back At All
171 bpm • F Maj • 03:27 • -15.06db
19% Popularity • 41% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
19% Popularity • 41% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Jambrains
So Worth It
166 bpm • C Maj • 03:13 • -12.24db
12% Popularity • 71% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 71% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Frederick Helmut Pinggera
Eisvogl - Die Poetin
172 bpm • A Maj • 03:49 • -6.22db
12% Popularity • 41% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 41% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Door Keepers
In the Darkness
173 bpm • C Maj • 04:18 • -7.33db
25% Popularity • 44% Danceability • 68% Energy • 10% Liveness
12% Instrumentalness • 52% Positiveness
25% Popularity • 44% Danceability • 68% Energy • 10% Liveness
12% Instrumentalness • 52% Positiveness
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Kris Kristofferson
Duvalier's Dream
165 bpm • G Maj • 02:50 • -13.68db
9% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Cles
Lately
174 bpm • F Maj • 02:50 • -10.45db
18% Popularity • 29% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 29% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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The Plastic Man
The Boy from Palestina
164 bpm • D Maj • 03:16 • -10.64db
8% Popularity • 61% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 61% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Rush
One More Time Around the Sun
174 bpm • F Maj • 03:11 • -11.92db
16% Popularity • 45% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 45% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Woodheads
Nothingness
164 bpm • E Maj • 02:02 • -8.57db
10% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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John P Bostock
You're Lovely But It's Over
164 bpm • D# Maj • 03:06 • -13.01db
0% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Eric Devries
Soften the Ground
164 bpm • C Maj • 03:47 • -14.21db
14% Popularity • 32% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 32% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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RG Brown
Standing Strong
163 bpm • C Maj • 03:21 • -9.45db
9% Popularity • 25% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 25% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jack's Music Line
Nothing Is Like Before
176 bpm • A# Maj • 03:45 • -7.45db
10% Popularity • 28% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
10% Popularity • 28% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Steve Light Band
Fire Away
162 bpm • G# Maj • 05:19 • -7.25db
2% Popularity • 54% Danceability • 75% Energy • 12% Liveness
10% Instrumentalness • 79% Positiveness
2% Popularity • 54% Danceability • 75% Energy • 12% Liveness
10% Instrumentalness • 79% Positiveness
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Sean Power
From Heaven To Hell
176 bpm • F Maj • 03:45 • -6.85db
17% Popularity • 37% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 37% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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Oceans Of Mercury
Foolish Zeal
176 bpm • C Maj • 04:21 • -9.27db
9% Popularity • 55% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 55% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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David Knopfler
What Happened to Us
162 bpm • E Maj • 03:31 • -11.33db
13% Popularity • 51% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 51% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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James Mick Nolan
Life's Cool As Hell
177 bpm • D# Maj • 01:54 • -10.56db
12% Popularity • 45% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 45% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Wishgarden
Cavalry Man
162 bpm • G Maj • 04:10 • -3.73db
14% Popularity • 42% Danceability • 84% Energy • 12% Liveness
70% Instrumentalness • 58% Positiveness
14% Popularity • 42% Danceability • 84% Energy • 12% Liveness
70% Instrumentalness • 58% Positiveness
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Those Who Know the Son
Wherever I Walk
177 bpm • D Maj • 02:51 • -12.99db
20% Popularity • 38% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 38% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mike O Donoghue
Eire Good-Bye
161 bpm • C min • 04:22 • -9.33db
0% Popularity • 27% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 27% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 25% Positiveness
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Derek Lyall
Mirror
161 bpm • A Maj • 03:56 • -6.79db
16% Popularity • 57% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 57% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Sophie Zelmani
The Wind Took My Sail
160 bpm • C# Maj • 03:56 • -9.49db
19% Popularity • 37% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 37% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 30% Positiveness
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Mono Meadow
Setting Us Right
178 bpm • E min • 01:46 • -11.72db
30% Popularity • 24% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 24% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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HafdÃs Huld
Broken Hearts
160 bpm • G Maj • 03:34 • -10.86db
15% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Satin
Lavishly Lavender
160 bpm • G Maj • 02:55 • -7.83db
15% Popularity • 49% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 49% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Mike O Donoghue
Back to Ireland
160 bpm • A# Maj • 05:59 • -7.12db
0% Popularity • 46% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 46% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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The Motions
She Was There
179 bpm • E Maj • 04:04 • -13.14db
7% Popularity • 28% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 28% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Red Dirt Skinners
This House
180 bpm • C Maj • 04:38 • -8.2db
8% Popularity • 16% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 16% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Bax
The Horse Trail
180 bpm • A# Maj • 03:46 • -8.05db
10% Popularity • 43% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 43% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Late Start Productions
Alive
180 bpm • F Maj • 03:35 • -13.5db
14% Popularity • 31% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 31% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Richard La Bella
Never Have to Say Goodbye
180 bpm • G Maj • 04:24 • -5.55db
12% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mike O Donoghue
Eire Good-Bye (Reprise)
160 bpm • C min • 04:06 • -9.93db
0% Popularity • 32% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 32% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Fanteri
Landeveig
180 bpm • E Maj • 03:10 • -15.15db
18% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Wellens
Turning Grey
180 bpm • D Maj • 02:35 • -6.89db
16% Popularity • 50% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 50% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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West Of Eden
Whitechapel Blues
180 bpm • D Maj • 03:29 • -7.46db
20% Popularity • 34% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 34% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Many Moons
A Million Murders
159 bpm • E min • 03:30 • -8.14db
10% Popularity • 34% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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David Perry
Quick with a Smile (Aksel's Song)
180 bpm • A Maj • 03:08 • -9.93db
15% Popularity • 26% Danceability • 55% Energy • 96% Liveness
3% Instrumentalness • 43% Positiveness
15% Popularity • 26% Danceability • 55% Energy • 96% Liveness
3% Instrumentalness • 43% Positiveness
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Mike O Donoghue
My Girl
180 bpm • A min • 05:04 • -9.53db
0% Popularity • 28% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 28% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Men They Couldn't Hang
The Rose Of England
158 bpm • D Maj • 02:54 • -8.02db
16% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Fheodore Mebecca
Mistress Song
181 bpm • E min • 02:40 • -14.44db
22% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Pirates Creed
THE BLACK LILY
181 bpm • A min • 03:30 • -6.86db
10% Popularity • 24% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 24% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Sean Tyrrell
South of the Border
157 bpm • A# Maj • 03:24 • -14.41db
9% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Gary Clute
Cowboy Heaven
181 bpm • E Maj • 03:45 • -11.37db
15% Popularity • 47% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 47% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mike O Donoghue
Black 47
180 bpm • A# Maj • 03:07 • -8.86db
0% Popularity • 42% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 42% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mick Hup
Through The Week
157 bpm • G# Maj • 03:11 • -12.7db
21% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Allan Taylor
A Way Backhome
157 bpm • B Maj • 04:25 • -12.57db
21% Popularity • 43% Danceability • 36% Energy • 12% Liveness
31% Instrumentalness • 36% Positiveness
21% Popularity • 43% Danceability • 36% Energy • 12% Liveness
31% Instrumentalness • 36% Positiveness
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Logan Lionel
I Love You
183 bpm • F Maj • 02:39 • -14.15db
21% Popularity • 25% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 25% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Roy D. Martin
Am Ende denk ich immer nur an Dich
156 bpm • C Maj • 04:09 • -5.76db
18% Popularity • 51% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 51% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Will Page
Find Your Light
156 bpm • A# Maj • 02:51 • -6.22db
14% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Philip Kroonenberg
To you
183 bpm • A Maj • 02:37 • -21.06db
14% Popularity • 44% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 56% Positiveness
14% Popularity • 44% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 56% Positiveness
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Neil Marsden
Sweet Destiny
183 bpm • G Maj • 03:06 • -8.6db
12% Popularity • 26% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 26% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Marc Kaul
Oh, Mother
156 bpm • C Maj • 04:52 • -7.8db
12% Popularity • 24% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 12% Positiveness
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Steve Moore Oldster
My Only Hope
155 bpm • C Maj • 02:26 • -11.72db
25% Popularity • 34% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
25% Popularity • 34% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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David Perry
Last Seen in Buffalo
184 bpm • D Maj • 04:20 • -10.29db
14% Popularity • 36% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 36% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Rick Lovett
Here's Love
155 bpm • C Maj • 03:25 • -4.24db
8% Popularity • 66% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 66% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Mike O Donoghue
Dancing on Wheels
184 bpm • A min • 05:54 • -7.99db
0% Popularity • 44% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 44% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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EL SOS Tunes
Lady Lost
155 bpm • C Maj • 04:24 • -7.06db
24% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Albert Hammond
Both Ways
155 bpm • E Maj • 04:40 • -9.1db
19% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Steve Moore Oldster
The Life
185 bpm • G Maj • 02:14 • -11.04db
25% Popularity • 35% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 35% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Studio8
Red Dirt Rodeo
154 bpm • G Maj • 02:37 • -12.79db
16% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Viaggiatori Armonici
Arthur McBride
185 bpm • F Maj • 04:46 • -9.24db
16% Popularity • 34% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
16% Popularity • 34% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
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Late Start Productions
George Sits With Marge
154 bpm • D# Maj • 03:02 • -14.14db
8% Popularity • 39% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 39% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Weller
5 minutes late
186 bpm • D Maj • 03:42 • -8.65db
14% Popularity • 42% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
14% Popularity • 42% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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The Cooleys
Farewell To Bellaghy
153 bpm • G Maj • 05:38 • -6.91db
17% Popularity • 36% Danceability • 67% Energy • 42% Liveness
1% Instrumentalness • 42% Positiveness
17% Popularity • 36% Danceability • 67% Energy • 42% Liveness
1% Instrumentalness • 42% Positiveness
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Rob Reed
Author Of My Story
153 bpm • B Maj • 03:34 • -10.51db
16% Popularity • 35% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 35% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Devries
Matters of Love
152 bpm • B Maj • 04:32 • -11.73db
8% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lowgarden
Endless Voyage, Endless Void
152 bpm • A Maj • 04:08 • -7.92db
18% Popularity • 48% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 48% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Frank R. Bellucci
Oh Heart
188 bpm • G Maj • 03:48 • -8.83db
9% Popularity • 26% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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The Bootleggers UK
Black Dog
152 bpm • E min • 03:27 • -7.21db
8% Popularity • 52% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 52% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Daniel
Titles
152 bpm • G Maj • 02:11 • -4.92db
8% Popularity • 55% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 55% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Luca Augustin
Pretty Girl
150 bpm • A Maj • 03:13 • -13.04db
21% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Jonathan Paaso
Lord Have Mercy
150 bpm • C min • 04:44 • -11.91db
10% Popularity • 59% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 59% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Joe Irrera
Jack's Last Summer
149 bpm • A Maj • 04:34 • -18.1db
17% Popularity • 52% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 52% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Steve Moore Oldster
Sky
149 bpm • D min • 02:57 • -16db
19% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Regez
All I've Got
148 bpm • G Maj • 03:27 • -6.25db
17% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Neil Marsden
STRONGER
148 bpm • A Maj • 03:42 • -6.84db
16% Popularity • 44% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 44% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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John Peter and His Collaborators
You Can Still Come to Me
148 bpm • D Maj • 03:31 • -7.71db
21% Popularity • 54% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 54% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Blair Adams
Everyday Heroes
148 bpm • D# Maj • 04:17 • -12db
10% Popularity • 44% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 44% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Seven Streams
Girl in Hawaii
148 bpm • D Maj • 03:04 • -9.96db
24% Popularity • 46% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 46% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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James Mick Nolan
West Park Guy
148 bpm • C Maj • 02:47 • -7.7db
7% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron English
Wingless Bird
148 bpm • A# Maj • 04:08 • -10.85db
12% Popularity • 36% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 36% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Stage Door Guy
L.o.v.e
148 bpm • C Maj • 02:23 • -9.54db
14% Popularity • 51% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 51% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
