Songs like Burning Torches Of Despair by The Haxan Cloak
Based on a tempo of (+/- 10%) and a similar genre
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Vessel
Sand Tar Man Star (For Aurellia)
85 bpm • C# Maj • 05:27 • -8.47db
9% Popularity • 8% Danceability • 51% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
9% Popularity • 8% Danceability • 51% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Pact Infernal
Death & Rebirth
85 bpm • B Maj • 04:51 • -11.42db
9% Popularity • 55% Danceability • 42% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 55% Danceability • 42% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Vatican Shadow
Enter Paradise
85 bpm • F# min • 05:53 • -8.52db
15% Popularity • 44% Danceability • 84% Energy • 27% Liveness
91% Instrumentalness • 29% Positiveness
15% Popularity • 44% Danceability • 84% Energy • 27% Liveness
91% Instrumentalness • 29% Positiveness
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Bobby Krlic
Chorus of Sirens
85 bpm • A Maj • 01:38 • -23.83db
20% Popularity • 14% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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The Haxan Cloak
Burning Torches Of Despair
85 bpm • D Maj • 03:32 • -12db
10% Popularity • 33% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
10% Popularity • 33% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Deru
Midnight In The Garden With Ghosts
85 bpm • A# Maj • 05:13 • -12db
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
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Burial
Subtemple
85 bpm • G Maj • 07:23 • -16db
18% Popularity • 37% Danceability • 50% Energy • 16% Liveness
26% Instrumentalness • 10% Positiveness
18% Popularity • 37% Danceability • 50% Energy • 16% Liveness
26% Instrumentalness • 10% Positiveness
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Anstam
Names
85 bpm • A# min • 01:56 • -12.09db
19% Popularity • 57% Danceability • 34% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
19% Popularity • 57% Danceability • 34% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Decay Waves
86 bpm • C# Maj • 07:22 • -15.65db
11% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
11% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Nocturnal Emissions
Acres of Gold
84 bpm • G# Maj • 04:18 • -22.12db
10% Popularity • 21% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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The Haxan Cloak
Dieu
85 bpm • B Maj • 05:12 • -17.32db
13% Popularity • 51% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 51% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Drew McDowall
Agalma V
86 bpm • E min • 07:30 • -13.28db
11% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Ryoji Ikeda
data.vortex
86 bpm • A Maj • 05:48 • -20.23db
12% Popularity • 11% Danceability • 40% Energy • 65% Liveness
88% Instrumentalness • 37% Positiveness
12% Popularity • 11% Danceability • 40% Energy • 65% Liveness
88% Instrumentalness • 37% Positiveness
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Gonjasufi
Surfinfinity
84 bpm • A Maj • 04:03 • -17.2db
10% Popularity • 18% Danceability • 44% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 44% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Orphan Ann
The Practice Of Surrender
84 bpm • G Maj • 03:17 • -16db
13% Popularity • 24% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Mica Levi
Lonely Void
84 bpm • D# min • 03:38 • -14.93db
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Pye Corner Audio
Ways Regained
84 bpm • D Maj • 02:39 • -17.1db
20% Popularity • 29% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Blanck Mass
Noise Destroys Something Wonderful
84 bpm • A min • 01:06 • -22.2db
14% Popularity • 15% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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James Holden
Incantation for Inanimate Object
84 bpm • G Maj • 01:41 • -22.94db
26% Popularity • 21% Danceability • 12% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Ben Frost
Unbreakable Silence
84 bpm • C# Maj • 03:36 • -18.15db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Colin Stetson
Contact
86 bpm • C min • 04:56 • -14.57db
11% Popularity • 9% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Body Sculptures
A Collection Of Ceramic Vases (Yves Sain...
84 bpm • B min • 03:22 • -12db
27% Popularity • 16% Danceability • 35% Energy • 17% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 35% Energy • 17% Liveness
30% Instrumentalness • 6% Positiveness
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Clark
Strangled To Death In A Public Toilet
87 bpm • F min • 03:15 • -14.26db
19% Popularity • 15% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
19% Popularity • 15% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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The Haxan Cloak
Raven's Lament
83 bpm • F min • 04:15 • -8.14db
13% Popularity • 21% Danceability • 43% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
13% Popularity • 21% Danceability • 43% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Inade
Final Prayer
83 bpm • F Maj • 03:21 • -15.22db
22% Popularity • 8% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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These Hidden Hands
These Moments Dismantled Lucrecia Dalt
87 bpm • A# min • 04:41 • -12.84db
14% Popularity • 43% Danceability • 33% Energy • 27% Liveness
84% Instrumentalness • 8% Positiveness
14% Popularity • 43% Danceability • 33% Energy • 27% Liveness
84% Instrumentalness • 8% Positiveness
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Rafael Anton Irisarri
Secretly Wishing for Rain
83 bpm • C# min • 08:11 • -20.09db
19% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Sádon
Shadow
83 bpm • F# min • 04:33 • -9.3db
12% Popularity • 10% Danceability • 48% Energy • 17% Liveness
98% Instrumentalness • 12% Positiveness
12% Popularity • 10% Danceability • 48% Energy • 17% Liveness
98% Instrumentalness • 12% Positiveness
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Jóhann Jóhannsson
Seeker of the Serpent's Eye
83 bpm • G Maj • 02:11 • -15db
24% Popularity • 15% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Lucrecia Dalt
Altra
87 bpm • E Maj • 01:30 • -20.05db
21% Popularity • 15% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
21% Popularity • 15% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
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Ben Frost
Peter Venkman Pt.II
83 bpm • D min • 05:05 • -13.63db
9% Popularity • 9% Danceability • 25% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 25% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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William Basinski
Paradise Lost
87 bpm • C# min • 01:22 • -21.68db
29% Popularity • 16% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
29% Popularity • 16% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Rafael Anton Irisarri
Displacement
87 bpm • D# Maj • 04:16 • -24.23db
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Clark
Serbian Daffodil
83 bpm • C Maj • 01:06 • -9.18db
9% Popularity • 24% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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The Dale Cooper Quartet
Pemp Ajour Imposte
83 bpm • E min • 10:26 • -13.92db
10% Popularity • 8% Danceability • 22% Energy • 25% Liveness
48% Instrumentalness • 12% Positiveness
10% Popularity • 8% Danceability • 22% Energy • 25% Liveness
48% Instrumentalness • 12% Positiveness
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Lawrence English
Hard Rain
83 bpm • F# min • 05:29 • -12.51db
16% Popularity • 8% Danceability • 49% Energy • 55% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 8% Danceability • 49% Energy • 55% Liveness
94% Instrumentalness • 10% Positiveness
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Colin Stetson
Awake on foreign shores
83 bpm • A# Maj • 01:30 • -16.24db
27% Popularity • 15% Danceability • 1% Energy • 28% Liveness
62% Instrumentalness • 5% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 28% Liveness
62% Instrumentalness • 5% Positiveness
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Murcof
Resignación
87 bpm • F# min • 01:31 • -34.09db
35% Popularity • 18% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Bohren & Der Club Of Gore
Die Nahtanznummer, Teil 2
82 bpm • C Maj • 06:32 • -23.09db
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Clark
Hiero-Bosch For Khalil
83 bpm • A# min • 02:59 • -14.6db
13% Popularity • 21% Danceability • 24% Energy • 9% Liveness
74% Instrumentalness • 10% Positiveness
13% Popularity • 21% Danceability • 24% Energy • 9% Liveness
74% Instrumentalness • 10% Positiveness
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Hiro Kone
Parting phrase
82 bpm • C min • 06:24 • -15db
28% Popularity • 9% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Roly Porter
Al Dhanab
88 bpm • F# Maj • 03:43 • -14.84db
17% Popularity • 11% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Puce Mary
A Feast Before The Drought
88 bpm • A# Maj • 06:44 • -10db
21% Popularity • 9% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Tim Hecker
Seasick II
88 bpm • F# min • 01:57 • -20.18db
10% Popularity • 21% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 7% Positiveness
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Murcof
Inner Hunt
82 bpm • E Maj • 03:54 • -28.25db
18% Popularity • 10% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Waste
82 bpm • E Maj • 02:55 • -8.46db
19% Popularity • 68% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 68% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Her Rituals
82 bpm • F Maj • 07:01 • -14.65db
10% Popularity • 15% Danceability • 44% Energy • 32% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 44% Energy • 32% Liveness
95% Instrumentalness • 4% Positiveness
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MMMD
Hagazussa Madichon
89 bpm • G Maj • 05:38 • -32.16db
7% Popularity • 9% Danceability • 0% Energy • 12% Liveness
67% Instrumentalness • 18% Positiveness
7% Popularity • 9% Danceability • 0% Energy • 12% Liveness
67% Instrumentalness • 18% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
27% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Oiseaux-Tempête
Snake Design
81 bpm • G# Maj • 02:17 • -32.21db
16% Popularity • 23% Danceability • 15% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 15% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
Ray Wakes Up
89 bpm • B min • 03:50 • -15.64db
15% Popularity • 33% Danceability • 40% Energy • 15% Liveness
5% Instrumentalness • 12% Positiveness
15% Popularity • 33% Danceability • 40% Energy • 15% Liveness
5% Instrumentalness • 12% Positiveness
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Jóhann Jóhannsson
Black Skulls
89 bpm • F Maj • 02:45 • -12.37db
20% Popularity • 12% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Blanck Mass
Minnesota / Eas Fors / Naked
89 bpm • G# Maj • 07:28 • -9.03db
12% Popularity • 12% Danceability • 83% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 12% Danceability • 83% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Ben Frost
Killshot
81 bpm • C min • 06:11 • -13.04db
17% Popularity • 16% Danceability • 38% Energy • 18% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 38% Energy • 18% Liveness
23% Instrumentalness • 4% Positiveness
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Vessel
Black Leaves and Broken Branches
81 bpm • D Maj • 04:21 • -8.23db
16% Popularity • 21% Danceability • 78% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
16% Popularity • 21% Danceability • 78% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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Sinoia Caves
Arboria Tapes - Award Winning Gardens
81 bpm • C# Maj • 03:02 • -17.06db
20% Popularity • 14% Danceability • 88% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
20% Popularity • 14% Danceability • 88% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Kristoffer Lo
Front Row Gallows View
89 bpm • A# min • 10:09 • -19.07db
13% Popularity • 15% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Yair Elazar Glotman
A Minor Astronomical Event
89 bpm • E Maj • 03:39 • -25.36db
28% Popularity • 15% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Nicolas Jaar
Garden of Eden
81 bpm • E min • 05:40 • -17.31db
16% Popularity • 16% Danceability • 36% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 36% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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Clark
Back To Belgrade
89 bpm • B min • 03:39 • -17.16db
22% Popularity • 10% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 10% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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MMMD
Hagazussa
89 bpm • G Maj • 03:27 • -33.82db
11% Popularity • 10% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Treha Sektori
Neh Enhravh
89 bpm • G Maj • 03:32 • -22.54db
24% Popularity • 16% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Född Död
Stoft Av Löften
81 bpm • F min • 03:26 • -11db
9% Popularity • 18% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mica Levi
Bedroom
81 bpm • G Maj • 01:30 • -25.34db
26% Popularity • 20% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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GAS
Narkopop 4
90 bpm • E min • 04:09 • -24.59db
22% Popularity • 9% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 6% Positiveness
22% Popularity • 9% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 6% Positiveness
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Colin Stetson
Part Of Me Apart From You
90 bpm • F# Maj • 05:51 • -11db
10% Popularity • 32% Danceability • 53% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
10% Popularity • 32% Danceability • 53% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Rafael Anton Irisarri
Between Negative Voids
81 bpm • E min • 06:01 • -14.88db
9% Popularity • 7% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
9% Popularity • 7% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Jim Williams
Walk to My Still Beating Heart
90 bpm • E min • 01:44 • -11.28db
20% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
20% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Dictaphone
Stanko
90 bpm • B min • 06:54 • -19.78db
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Ben Chatwin
Burning Witches
90 bpm • D Maj • 03:14 • -14.9db
13% Popularity • 16% Danceability • 32% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 32% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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GAS
Narkopop 5
90 bpm • D min • 06:47 • -22.26db
18% Popularity • 43% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
18% Popularity • 43% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
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The Haxan Cloak
Observatory
90 bpm • G min • 07:22 • -11.18db
6% Popularity • 46% Danceability • 65% Energy • 9% Liveness
95% Instrumentalness • 36% Positiveness
6% Popularity • 46% Danceability • 65% Energy • 9% Liveness
95% Instrumentalness • 36% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Pye Corner Audio
Nostalgia Pills
90 bpm • D min • 02:02 • -21.38db
17% Popularity • 16% Danceability • 18% Energy • 18% Liveness
95% Instrumentalness • 27% Positiveness
17% Popularity • 16% Danceability • 18% Energy • 18% Liveness
95% Instrumentalness • 27% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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The House In the Woods
Spectral Corridor Part 4
80 bpm • D Maj • 08:31 • -19.46db
16% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Burning Church
80 bpm • B min • 01:37 • -12.3db
17% Popularity • 16% Danceability • 32% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 32% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Elevation
80 bpm • G min • 05:57 • -18db
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Damien Dubrovnik
Arrow 1
91 bpm • A# min • 07:44 • -5.75db
9% Popularity • 10% Danceability • 89% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 89% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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The Dale Cooper Quartet
Ma couloir
91 bpm • A Maj • 04:45 • -15.1db
11% Popularity • 51% Danceability • 19% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
11% Popularity • 51% Danceability • 19% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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William Basinski
Melancholia I
80 bpm • E Maj • 03:23 • -26db
32% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
32% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Coil
Die Wölfe Kommen Zurück
80 bpm • C Maj • 10:24 • -13.53db
9% Popularity • 28% Danceability • 58% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 58% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Sky Burial
91 bpm • C# min • 04:52 • -8.9db
17% Popularity • 10% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
17% Popularity • 10% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Treha Sektori
Solvah
91 bpm • A# min • 05:04 • -24.35db
17% Popularity • 11% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Demdike Stare
Regressor
80 bpm • B Maj • 05:04 • -19.13db
8% Popularity • 50% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 50% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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The Mount Fuji Doomjazz Corporation
Strange Dreams
79 bpm • A Maj • 04:31 • -18.26db
17% Popularity • 26% Danceability • 34% Energy • 57% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 34% Energy • 57% Liveness
84% Instrumentalness • 4% Positiveness
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Oiseaux-Tempête
Notes from the Mediterranean Sea
91 bpm • F Maj • 03:59 • -12.44db
24% Popularity • 13% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 13% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
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Abul Mogard
Post Crisis Remembrance
79 bpm • C min • 07:56 • -21.43db
13% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Puce Mary
The Temptation to Exist
91 bpm • G# Maj • 06:37 • -11db
8% Popularity • 12% Danceability • 65% Energy • 7% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 65% Energy • 7% Liveness
15% Instrumentalness • 5% Positiveness
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Treha Sektori
Kareh Neh Akereh Vanah
91 bpm • G Maj • 04:04 • -23.78db
24% Popularity • 12% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Worriedaboutsatan
Blank Tape
79 bpm • F# min • 06:09 • -14.07db
9% Popularity • 9% Danceability • 44% Energy • 48% Liveness
80% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 44% Energy • 48% Liveness
80% Instrumentalness • 6% Positiveness
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The Mount Fuji Doomjazz Corporation
The Sexy Midnight Torture Show
79 bpm • C# Maj • 04:29 • -20.44db
13% Popularity • 18% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Tim Hecker
Not alone
79 bpm • E Maj • 03:10 • -12.91db
12% Popularity • 49% Danceability • 22% Energy • 21% Liveness
59% Instrumentalness • 5% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 21% Liveness
59% Instrumentalness • 5% Positiveness
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Abul Mogard
Flooding Tide
79 bpm • G Maj • 05:25 • -23.81db
9% Popularity • 7% Danceability • 11% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Hiatus
92 bpm • G min • 02:38 • -16.5db
23% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Colin Stetson
In love and in justice
79 bpm • C Maj • 04:53 • -16.99db
18% Popularity • 7% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 2% Positiveness
18% Popularity • 7% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 2% Positiveness
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Actress
Chaos Rain
79 bpm • A# Maj • 02:30 • -15.77db
20% Popularity • 13% Danceability • 38% Energy • 13% Liveness
59% Instrumentalness • 11% Positiveness
20% Popularity • 13% Danceability • 38% Energy • 13% Liveness
59% Instrumentalness • 11% Positiveness
