Songs like Bury Me Beneath The Weeping Willow by The Stanley Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Stanley Brothers
This Wicked Path Of Sin
171 bpm • A# Maj • 02:42 • -18db
14% Popularity • 52% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 52% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Eck Robertson
Sally Gooden
171 bpm • D Maj • 03:10 • -22.43db
23% Popularity • 24% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
23% Popularity • 24% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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The Monroe Brothers
My Long Journey Home
171 bpm • G Maj • 02:29 • -10.34db
15% Popularity • 38% Danceability • 60% Energy • 26% Liveness
20% Instrumentalness • 96% Positiveness
15% Popularity • 38% Danceability • 60% Energy • 26% Liveness
20% Instrumentalness • 96% Positiveness
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Claire Lynch
My Florida Sunshine
173 bpm • C Maj • 03:02 • -7.87db
25% Popularity • 51% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 51% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Rodgers
Blue Yodel No. 8 (Mule Skinner Blues)
173 bpm • D Maj • 02:57 • -8db
22% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Bill Monroe
White House Blues
173 bpm • B Maj • 02:12 • -9.94db
28% Popularity • 51% Danceability • 77% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
28% Popularity • 51% Danceability • 77% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
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The Doc Watson Family
I'm Troubled
174 bpm • D Maj • 02:42 • -9.13db
15% Popularity • 41% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 70% Positiveness
15% Popularity • 41% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 70% Positiveness
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Joe Maphis
Orange Blossom Special
170 bpm • A Maj • 02:24 • -8.23db
17% Popularity • 44% Danceability • 90% Energy • 11% Liveness
33% Instrumentalness • 96% Positiveness
17% Popularity • 44% Danceability • 90% Energy • 11% Liveness
33% Instrumentalness • 96% Positiveness
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The Bluegrass Album Band
Ocean Of Diamonds
175 bpm • F Maj • 02:40 • -14.9db
15% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Mac Wiseman
Jimmie Brown, the Newsboy
174 bpm • G Maj • 02:03 • -12db
21% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Don Reno
I Know You're Married - But I Love You S...
169 bpm • A Maj • 02:14 • -8db
22% Popularity • 37% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 81% Positiveness
22% Popularity • 37% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 81% Positiveness
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Special Consensus
Way Down the River Road
169 bpm • F# Maj • 02:44 • -8db
18% Popularity • 60% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
18% Popularity • 60% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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The Kentucky Colonels
Get Down On Your Knees And Pray
168 bpm • B Maj • 03:09 • -11db
10% Popularity • 42% Danceability • 51% Energy • 90% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 42% Danceability • 51% Energy • 90% Liveness
0% Instrumentalness • 69% Positiveness
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The Stanley Brothers
Little Birdie
168 bpm • G Maj • 01:59 • -9.14db
25% Popularity • 46% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 46% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Mills
Bound To Ride
168 bpm • B Maj • 02:03 • -8.4db
32% Popularity • 38% Danceability • 71% Energy • 33% Liveness
13% Instrumentalness • 97% Positiveness
32% Popularity • 38% Danceability • 71% Energy • 33% Liveness
13% Instrumentalness • 97% Positiveness
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Reno & Smiley
I Wouldn't Change You If I Could
167 bpm • F Maj • 02:13 • -9db
17% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Dry Branch Fire Squad
Stormy Waters
167 bpm • C Maj • 03:17 • -9db
23% Popularity • 59% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 59% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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The Rice Brothers
Life Is Like A Mountain Railway
166 bpm • E Maj • 03:28 • -17.46db
18% Popularity • 48% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 48% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Kentucky Colonels
Chug-a-Lug
177 bpm • F Maj • 02:39 • -11db
20% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Stanley Brothers
Working On A Building
177 bpm • D Maj • 02:30 • -17.17db
15% Popularity • 50% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 50% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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The Johnson Mountain Boys
Blue Diamond Mines
166 bpm • C Maj • 05:11 • -18db
21% Popularity • 48% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Moore & IIIrd Tyme Out
I'm Leaving You and Ft Worth Too
166 bpm • G Maj • 02:32 • -6.35db
31% Popularity • 47% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 47% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Lonesome River Band
Sittin' On Top Of The World
165 bpm • B Maj • 02:08 • -6.87db
23% Popularity • 53% Danceability • 88% Energy • 23% Liveness
1% Instrumentalness • 95% Positiveness
23% Popularity • 53% Danceability • 88% Energy • 23% Liveness
1% Instrumentalness • 95% Positiveness
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The Rice Brothers
Walk On Boy
166 bpm • B min • 03:14 • -12.14db
26% Popularity • 49% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 76% Positiveness
26% Popularity • 49% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 76% Positiveness
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Reno & Smiley
Choking The Strings
165 bpm • D Maj • 02:36 • -8db
14% Popularity • 34% Danceability • 71% Energy • 25% Liveness
97% Instrumentalness • 96% Positiveness
14% Popularity • 34% Danceability • 71% Energy • 25% Liveness
97% Instrumentalness • 96% Positiveness
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The Stanley Brothers
Stone Walls And Steel Bars
178 bpm • D Maj • 02:09 • -11.35db
25% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Nashville Bluegrass Band
Blackbirds And Crows
179 bpm • F Maj • 02:55 • -15.51db
18% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Louvin Brothers
Knoxville Girl - The Original Album
179 bpm • F Maj • 03:49 • -5.75db
25% Popularity • 64% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Balsam Range
Chain Gang Blues
180 bpm • B Maj • 02:09 • -7.05db
23% Popularity • 47% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 47% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Lester Flatt
Roll In My Sweet Baby's Arms
165 bpm • D# Maj • 02:37 • -7.95db
34% Popularity • 38% Danceability • 71% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 38% Danceability • 71% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
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Raymond Fairchild
Shady Grove
164 bpm • A# Maj • 01:45 • -11db
15% Popularity • 48% Danceability • 91% Energy • 29% Liveness
80% Instrumentalness • 96% Positiveness
15% Popularity • 48% Danceability • 91% Energy • 29% Liveness
80% Instrumentalness • 96% Positiveness
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The Stanley Brothers
I'm a Man of Constant Sorrow
179 bpm • A Maj • 02:55 • -12.81db
25% Popularity • 38% Danceability • 38% Energy • 37% Liveness
2% Instrumentalness • 70% Positiveness
25% Popularity • 38% Danceability • 38% Energy • 37% Liveness
2% Instrumentalness • 70% Positiveness
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The Grascals
Me And John And Paul
181 bpm • F Maj • 03:12 • -8.69db
25% Popularity • 43% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 43% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Lonesome River Band
Thunder And Lightning
181 bpm • D Maj • 02:49 • -6.53db
26% Popularity • 55% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 55% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Rodgers
In the Jailhouse Now
163 bpm • C Maj • 03:18 • -11.43db
36% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Don Reno
Remington Ride
163 bpm • G Maj • 02:29 • -13.51db
12% Popularity • 46% Danceability • 62% Energy • 32% Liveness
95% Instrumentalness • 96% Positiveness
12% Popularity • 46% Danceability • 62% Energy • 32% Liveness
95% Instrumentalness • 96% Positiveness
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Foghorn Stringband
Sow 'Em On The Mountain
182 bpm • A Maj • 04:37 • -13.08db
14% Popularity • 47% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 47% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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The Louvin Brothers
The River Of Jordan
182 bpm • A Maj • 02:18 • -10.12db
26% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Stanley Brothers
Mother's Only Sleeping
163 bpm • C# Maj • 02:47 • -18.5db
9% Popularity • 55% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 55% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Blue Highway
Riding The Danville Pike
182 bpm • D Maj • 02:08 • -4.67db
28% Popularity • 39% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 39% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Bill Monroe & His Blue Grass Boys
Little Cabin on the Hill
183 bpm • D Maj • 03:00 • -13.32db
5% Popularity • 44% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 44% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Don Reno
Cumberland Gap
162 bpm • G Maj • 02:24 • -7.15db
17% Popularity • 37% Danceability • 83% Energy • 35% Liveness
95% Instrumentalness • 97% Positiveness
17% Popularity • 37% Danceability • 83% Energy • 35% Liveness
95% Instrumentalness • 97% Positiveness
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The Kentucky Colonels
Shuckin' The Corn
162 bpm • G Maj • 01:58 • -11db
29% Popularity • 25% Danceability • 75% Energy • 95% Liveness
96% Instrumentalness • 97% Positiveness
29% Popularity • 25% Danceability • 75% Energy • 95% Liveness
96% Instrumentalness • 97% Positiveness
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Jim Mills
Pick Along
162 bpm • G Maj • 01:59 • -4db
32% Popularity • 35% Danceability • 84% Energy • 30% Liveness
95% Instrumentalness • 91% Positiveness
32% Popularity • 35% Danceability • 84% Energy • 30% Liveness
95% Instrumentalness • 91% Positiveness
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Ralph Stanley
Rank Stranger
184 bpm • C# Maj • 02:39 • -14.32db
33% Popularity • 32% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 32% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Hazel Dickens
Train on the Island
161 bpm • F# Maj • 01:44 • -11.1db
33% Popularity • 39% Danceability • 53% Energy • 6% Liveness
9% Instrumentalness • 90% Positiveness
33% Popularity • 39% Danceability • 53% Energy • 6% Liveness
9% Instrumentalness • 90% Positiveness
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Reno & Smiley
Charlotte Breakdown
161 bpm • D Maj • 02:22 • -6db
13% Popularity • 45% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 86% Positiveness
13% Popularity • 45% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 86% Positiveness
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Stringbean
Ida Red
161 bpm • D Maj • 01:16 • -13db
26% Popularity • 44% Danceability • 43% Energy • 31% Liveness
45% Instrumentalness • 91% Positiveness
26% Popularity • 44% Danceability • 43% Energy • 31% Liveness
45% Instrumentalness • 91% Positiveness
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The Stanley Brothers
That Home Far Away
161 bpm • A Maj • 02:08 • -18.32db
26% Popularity • 38% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 38% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Flatt & Scruggs
Randy Lynn Rag
160 bpm • G# Maj • 02:03 • -9.79db
23% Popularity • 39% Danceability • 75% Energy • 36% Liveness
95% Instrumentalness • 99% Positiveness
23% Popularity • 39% Danceability • 75% Energy • 36% Liveness
95% Instrumentalness • 99% Positiveness
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Don Reno
Charlotte Breakdown
160 bpm • G Maj • 01:50 • -7.61db
25% Popularity • 48% Danceability • 74% Energy • 30% Liveness
92% Instrumentalness • 97% Positiveness
25% Popularity • 48% Danceability • 74% Energy • 30% Liveness
92% Instrumentalness • 97% Positiveness
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Doyle Lawson & Quicksilver
Roll Big River
160 bpm • B Maj • 02:32 • -5.14db
13% Popularity • 59% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 59% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmie Rodgers
Blue Yodel (T for Texas)
160 bpm • D# Maj • 03:23 • -7.83db
35% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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The Grascals
Where Corn Don't Grow
185 bpm • G Maj • 03:44 • -7.32db
25% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Bill Monroe
What Would You Give in Exchange
186 bpm • C Maj • 03:12 • -12.02db
5% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Flatt & Scruggs
Dear Old Dixie
160 bpm • G# Maj • 02:30 • -7.66db
18% Popularity • 32% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 98% Positiveness
18% Popularity • 32% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 98% Positiveness
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The Stanley Brothers
How Mountain Girls Can Love
159 bpm • A Maj • 02:04 • -7db
34% Popularity • 43% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 43% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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The Nashville Bluegrass Band
Gospel Plow
159 bpm • C Maj • 03:35 • -12.87db
23% Popularity • 55% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
23% Popularity • 55% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Mac Wiseman
Love Letter In the Sand
187 bpm • A Maj • 02:17 • -11.3db
23% Popularity • 52% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 52% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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The Grascals
My Saro Jane
159 bpm • D# Maj • 02:31 • -5.64db
16% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Bill Monroe and Doc Watson
Kentucky Mandolin
158 bpm • F Maj • 01:59 • -8.21db
14% Popularity • 45% Danceability • 79% Energy • 37% Liveness
88% Instrumentalness • 98% Positiveness
14% Popularity • 45% Danceability • 79% Energy • 37% Liveness
88% Instrumentalness • 98% Positiveness
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Tony Rice Unit
Blue Railroad Train
188 bpm • A# Maj • 03:31 • -12.27db
31% Popularity • 38% Danceability • 42% Energy • 25% Liveness
19% Instrumentalness • 82% Positiveness
31% Popularity • 38% Danceability • 42% Energy • 25% Liveness
19% Instrumentalness • 82% Positiveness
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The Stanley Brothers
Gathering Flowers For The Master's Bouqu...
158 bpm • G# Maj • 02:41 • -16.4db
13% Popularity • 51% Danceability • 22% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 51% Danceability • 22% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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Flatt & Scruggs
Flint Hill Special
157 bpm • G# Maj • 02:45 • -9db
35% Popularity • 34% Danceability • 66% Energy • 5% Liveness
82% Instrumentalness • 98% Positiveness
35% Popularity • 34% Danceability • 66% Energy • 5% Liveness
82% Instrumentalness • 98% Positiveness
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Mac Wiseman
I Wonder How the Old Folks Are at Home
188 bpm • A Maj • 03:03 • -10.15db
14% Popularity • 53% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 53% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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BlueRidge
It's All My Fault
188 bpm • F Maj • 02:49 • -7.98db
28% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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The Johnson Mountain Boys
Teardrops Fell Like Raindrops
157 bpm • E Maj • 02:27 • -14.88db
16% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Mills
Bear Tracks
157 bpm • C Maj • 02:55 • -10db
20% Popularity • 31% Danceability • 66% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
20% Popularity • 31% Danceability • 66% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Bill Monroe & His Blue Grass Boys
Heavy Traffic Ahead
189 bpm • A Maj • 02:48 • -15.04db
18% Popularity • 59% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 82% Positiveness
18% Popularity • 59% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 82% Positiveness
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Reno & Smiley
Barefoot Nellie
156 bpm • A Maj • 02:18 • -9db
24% Popularity • 52% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 52% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Raymond Fairchild
Whoa Mule
156 bpm • G# Maj • 02:23 • -9.81db
28% Popularity • 51% Danceability • 86% Energy • 30% Liveness
96% Instrumentalness • 99% Positiveness
28% Popularity • 51% Danceability • 86% Energy • 30% Liveness
96% Instrumentalness • 99% Positiveness
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Flatt & Scruggs
Foggy Mountain Breakdown
155 bpm • D Maj • 02:20 • -15db
49% Popularity • 41% Danceability • 48% Energy • 35% Liveness
90% Instrumentalness • 92% Positiveness
49% Popularity • 41% Danceability • 48% Energy • 35% Liveness
90% Instrumentalness • 92% Positiveness
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Bill Monroe and Doc Watson
East Tennessee Blues
155 bpm • C Maj • 02:12 • -8.24db
12% Popularity • 46% Danceability • 71% Energy • 31% Liveness
90% Instrumentalness • 98% Positiveness
12% Popularity • 46% Danceability • 71% Energy • 31% Liveness
90% Instrumentalness • 98% Positiveness
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Josh Graves
Earl's Breakdown
155 bpm • G# Maj • 02:05 • -9.15db
17% Popularity • 40% Danceability • 90% Energy • 34% Liveness
52% Instrumentalness • 97% Positiveness
17% Popularity • 40% Danceability • 90% Energy • 34% Liveness
52% Instrumentalness • 97% Positiveness
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Larry Cordle
Shade Tree Mechanic
154 bpm • G Maj • 04:00 • -9.75db
9% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The Grascals
Traveling the Highway Home
154 bpm • E Maj • 02:43 • -7.51db
17% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Raymond Fairchild
Whoa Mule
154 bpm • G Maj • 02:55 • -22.22db
13% Popularity • 44% Danceability • 41% Energy • 99% Liveness
80% Instrumentalness • 96% Positiveness
13% Popularity • 44% Danceability • 41% Energy • 99% Liveness
80% Instrumentalness • 96% Positiveness
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The Bluegrass Album Band
On My Way Back To The Old Home
153 bpm • A# Maj • 02:32 • -13.72db
31% Popularity • 42% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 42% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Monroe and Doc Watson
What Would You Give in Exchange for Your...
153 bpm • F Maj • 04:30 • -15.02db
12% Popularity • 45% Danceability • 12% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 45% Danceability • 12% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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Special Consensus
She Took the Tennessee River
153 bpm • A Maj • 03:24 • -6.86db
23% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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BlueRidge
Avalanche
152 bpm • E min • 02:13 • -6.84db
30% Popularity • 45% Danceability • 76% Energy • 28% Liveness
87% Instrumentalness • 84% Positiveness
30% Popularity • 45% Danceability • 76% Energy • 28% Liveness
87% Instrumentalness • 84% Positiveness
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Steep Canyon Rangers
Carolina Home
151 bpm • F Maj • 01:49 • -8.31db
29% Popularity • 55% Danceability • 58% Energy • 31% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 55% Danceability • 58% Energy • 31% Liveness
4% Instrumentalness • 91% Positiveness
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Raymond Fairchild
Cumberland Gap
151 bpm • G# Maj • 01:11 • -8.1db
20% Popularity • 45% Danceability • 97% Energy • 36% Liveness
95% Instrumentalness • 97% Positiveness
20% Popularity • 45% Danceability • 97% Energy • 36% Liveness
95% Instrumentalness • 97% Positiveness
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Lonesome River Band
Sitting On Top Of The World
151 bpm • C Maj • 01:59 • -9.65db
27% Popularity • 58% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 58% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Bill Monroe and Doc Watson
Foggy Mountain Top
153 bpm • F Maj • 02:46 • -12.42db
11% Popularity • 53% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 53% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Jim & Jesse
Rabbit In the Log
151 bpm • E Maj • 02:40 • -6.31db
31% Popularity • 53% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 53% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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The Osborne Brothers
Georgia Piney Woods
151 bpm • B Maj • 02:05 • -9.5db
27% Popularity • 56% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 56% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Ralph Stanley
Clinch Mountain Backstep
150 bpm • A Maj • 02:19 • -9.29db
25% Popularity • 45% Danceability • 72% Energy • 34% Liveness
98% Instrumentalness • 97% Positiveness
25% Popularity • 45% Danceability • 72% Energy • 34% Liveness
98% Instrumentalness • 97% Positiveness
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Grandpa Jones
Are You From Dixie - Rerecorded
150 bpm • D Maj • 02:05 • -8.62db
18% Popularity • 68% Danceability • 57% Energy • 63% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 68% Danceability • 57% Energy • 63% Liveness
0% Instrumentalness • 97% Positiveness
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The Po' Ramblin' Boys
Next Train South
150 bpm • F# Maj • 02:34 • -5.08db
36% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Don Reno
Feudin' Banjos
150 bpm • G Maj • 02:16 • -6.25db
20% Popularity • 39% Danceability • 90% Energy • 73% Liveness
81% Instrumentalness • 80% Positiveness
20% Popularity • 39% Danceability • 90% Energy • 73% Liveness
81% Instrumentalness • 80% Positiveness
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Reno & Smiley
I'm The Talk Of The Town
150 bpm • D# Maj • 02:43 • -10.93db
8% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Stringbean
Cripple Creek
150 bpm • A Maj • 01:29 • -12.52db
31% Popularity • 54% Danceability • 56% Energy • 32% Liveness
62% Instrumentalness • 84% Positiveness
31% Popularity • 54% Danceability • 56% Energy • 32% Liveness
62% Instrumentalness • 84% Positiveness
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New Grass Revival
White Freight Liner Blues
149 bpm • B Maj • 03:11 • -14.33db
23% Popularity • 36% Danceability • 76% Energy • 20% Liveness
13% Instrumentalness • 93% Positiveness
23% Popularity • 36% Danceability • 76% Energy • 20% Liveness
13% Instrumentalness • 93% Positiveness
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The Stanley Brothers
Rank Strangers
148 bpm • C# Maj • 03:08 • -13db
32% Popularity • 55% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 55% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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The Po' Ramblin' Boys
Hickory, Walnut & Pine
198 bpm • A Maj • 03:23 • -5.82db
28% Popularity • 44% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 44% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Earl Johnson
I Get My Whiskey From Rockingham
148 bpm • A Maj • 03:01 • -11db
20% Popularity • 53% Danceability • 62% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
20% Popularity • 53% Danceability • 62% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Don Reno
Feuding Banjos
150 bpm • G Maj • 02:08 • -10.74db
24% Popularity • 39% Danceability • 81% Energy • 39% Liveness
93% Instrumentalness • 91% Positiveness
24% Popularity • 39% Danceability • 81% Energy • 39% Liveness
93% Instrumentalness • 91% Positiveness
