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Bury Me in Flowers
Songs like
Bury Me in Flowers
by
BEXY
Based on a tempo of (+/- 10%) and a similar genre
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George Taylor
Roses
133 bpm • C Maj • 04:22 • -6.64db
43% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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BEXY
Bury Me in Flowers
133 bpm • E Maj • 03:27 • -16.3db
2% Popularity • 67% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Marti West
Here
134 bpm • F# Maj • 03:27 • -16.25db
22% Popularity • 48% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Sophia Alexa
Going To California (Acoustic)
134 bpm • B Maj • 02:48 • -9.06db
29% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ocean Pleasant
Undone
134 bpm • E min • 02:58 • -10.33db
38% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
30% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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BEXY
Love Like the Movies
133 bpm • C Maj • 02:58 • -7.43db
3% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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alayna
Tender
132 bpm • F# min • 03:16 • -9.24db
39% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ewan J Phillips
Would You Love Me the Same
134 bpm • F# min • 03:02 • -7.69db
22% Popularity • 36% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jazzie Young
in reality
132 bpm • A min • 03:01 • -8.44db
21% Popularity • 55% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Abby Wolfe
Held by You
132 bpm • E min • 04:04 • -7.49db
14% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
39% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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sød ven
reborn
132 bpm • C min • 03:44 • -16.35db
34% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Lilly Carron
Talk To Me
134 bpm • C Maj • 02:50 • -7.78db
21% Popularity • 33% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Sorry, Peach
Darling This Isn't
132 bpm • E Maj • 03:13 • -11.77db
19% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Annie Omalley
rookiee
132 bpm • D Maj • 03:11 • -8.71db
10% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Julia Wallace
Warm Light
135 bpm • F# Maj • 02:57 • -14.13db
22% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lonas
Wasted
135 bpm • D Maj • 03:41 • -11.38db
20% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Joel Ansett
Through
135 bpm • C# Maj • 03:28 • -10.48db
28% Popularity • 63% Danceability • 44% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
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MATT TAYLOR
no matter what i say.
132 bpm • F# min • 03:55 • -12.84db
12% Popularity • 35% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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mou
either way
135 bpm • F min • 03:39 • -12.51db
14% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hayden Calnin
Unfortunate Love
135 bpm • C# min • 03:46 • -11db
44% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
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pinkiscool
Surface
135 bpm • C Maj • 03:08 • -6.03db
10% Popularity • 61% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Morgan Harper-Jones
Lie to Me
131 bpm • C Maj • 03:25 • -17.62db
34% Popularity • 58% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Lydia Clowes
Hymn for Her
130 bpm • G min • 03:18 • -11db
29% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Gordi
Radiator
136 bpm • G Maj • 02:55 • -14.22db
10% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Robyn Sherwell
Where Do We Go From Here
136 bpm • A min • 03:16 • -8db
25% Popularity • 81% Danceability • 53% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
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Alexander Biggs
Madeleine
130 bpm • G# Maj • 03:00 • -9.89db
26% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Luca George
All For You
130 bpm • C Maj • 03:33 • -12.73db
32% Popularity • 32% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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HANNI
Wired
130 bpm • B min • 03:23 • -14.51db
16% Popularity • 77% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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Emma Charles
Scorpio
136 bpm • C# min • 03:53 • -8.34db
18% Popularity • 66% Danceability • 56% Energy • 12% Liveness
9% Instrumentalness • 35% Positiveness
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George Alice
Haunted
136 bpm • B Maj • 03:33 • -9.33db
29% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Olivia Dean
The Hardest Part - Acoustic
130 bpm • F Maj • 02:55 • -8.38db
44% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
40% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Harrison Storm
Falling Down
130 bpm • B min • 03:45 • -7.43db
44% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Black Match
Alive
130 bpm • G Maj • 04:02 • -10.21db
23% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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BEXY
Are You Mine?
130 bpm • C Maj • 04:06 • -11.25db
2% Popularity • 42% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Lennon Stella
Pretty Boy - Acoustic
136 bpm • F min • 03:03 • -11.05db
18% Popularity • 46% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Emilee Moore
I Need Some Air
137 bpm • B Maj • 04:11 • -9.89db
16% Popularity • 58% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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LUME
Silent
136 bpm • D Maj • 03:32 • -8.83db
17% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Julia Wolf
Play It Safe (Stripped)
129 bpm • A# Maj • 03:05 • -12.71db
19% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alice Kristiansen
Tired of Me
137 bpm • F Maj • 04:03 • -11.94db
14% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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iris
hidden springs
129 bpm • A Maj • 03:26 • -11.18db
30% Popularity • 50% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Bradley Baker
Younger
137 bpm • F Maj • 03:09 • -13.76db
8% Popularity • 58% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Emily James
that'd be alright
129 bpm • A# Maj • 02:58 • -13.08db
34% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
27% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lo Beeston
my love always
138 bpm • E min • 03:05 • -8.18db
35% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kathleen
August
128 bpm • A Maj • 02:27 • -8.67db
18% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Emma Bale
the woman I am today
128 bpm • D Maj • 02:03 • -17.45db
24% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Roses & Revolutions
Dancing in a Daydream
128 bpm • F# min • 02:56 • -11.67db
24% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Sleeping Lion
Stop It - Stripped
138 bpm • G# Maj • 03:30 • -11.06db
28% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sierra Lundy
Power
138 bpm • D# Maj • 03:40 • -10.89db
14% Popularity • 54% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Hayden Calnin
Lake Tota
128 bpm • A Maj • 04:47 • -12.23db
30% Popularity • 65% Danceability • 23% Energy • 8% Liveness
3% Instrumentalness • 21% Positiveness
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Navvy
Running In My Sleep
128 bpm • C Maj • 03:11 • -9.85db
9% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jonny Morgan
Hurt Me
128 bpm • D# Maj • 04:12 • -4.05db
13% Popularity • 64% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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MAY-A
Say Nothing - MAY-A's Version
128 bpm • D min • 03:37 • -10.26db
23% Popularity • 56% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Hayden Everett
Neptune
128 bpm • E Maj • 03:10 • -11.09db
29% Popularity • 63% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Evalyn
Under the Same Stars
139 bpm • C Maj • 03:37 • -10db
21% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Gray
Take Our Time
139 bpm • D# Maj • 03:38 • -7.91db
18% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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The Ateliers
Eyes Up
139 bpm • D Maj • 05:09 • -15.65db
16% Popularity • 50% Danceability • 22% Energy • 11% Liveness
51% Instrumentalness • 14% Positiveness
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BEXY
You Expect Me To Not Be Inlove?
139 bpm • D Maj • 03:01 • -10.91db
3% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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flora cash
time machine
127 bpm • C# Maj • 03:31 • -7.97db
26% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Madeline Finn
Whippoorwill
127 bpm • C# Maj • 03:46 • -11db
17% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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alayna
So We Remain
139 bpm • C# min • 02:39 • -9.27db
31% Popularity • 36% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Kathleen Regan
When I'm Like This
127 bpm • A Maj • 02:47 • -8db
28% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jordan Hart
Only Pieces of the Truth
127 bpm • F Maj • 04:22 • -10db
26% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Boundary Run
Ready To Fall
140 bpm • D Maj • 02:54 • -11.76db
48% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Nick Ward
Holding The Man
140 bpm • B Maj • 03:03 • -10.44db
16% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Rod Coote
Easy to Love
140 bpm • G Maj • 03:58 • -14.05db
21% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Julia Wolf
Play It Safe
140 bpm • C min • 02:53 • -10.06db
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Lanzon
Always Forever
140 bpm • E Maj • 02:34 • -13.43db
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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flora cash
when i was young
140 bpm • G Maj • 03:28 • -9.84db
22% Popularity • 56% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Boundary Run
Keep Me Safe
140 bpm • G Maj • 03:29 • -12.27db
37% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Oscar Blue
A Dance at the Crossroads
126 bpm • G Maj • 04:21 • -9db
39% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Christy
This Road
140 bpm • D Maj • 03:22 • -7.03db
18% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Benji Lewis
Peaceful
140 bpm • C# Maj • 03:02 • -7.94db
30% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander Biggs
Laundromat
140 bpm • E Maj • 03:55 • -12.62db
24% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Kat Kennedy
Future Broken Heart
140 bpm • C Maj • 02:48 • -11.34db
43% Popularity • 61% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
30% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Boundary Run
Waiting
140 bpm • C# min • 03:31 • -9.82db
21% Popularity • 52% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 23% Positiveness
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Emma Bradley
Perfumed by You
140 bpm • A min • 03:08 • -11.73db
19% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Emmit Fenn
Lullaby
140 bpm • D# Maj • 04:30 • -23db
36% Popularity • 52% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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GRAACE
Unhappy
126 bpm • E Maj • 03:08 • -8.46db
9% Popularity • 48% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Lawson Hull
Honey
126 bpm • F Maj • 04:25 • -7.43db
18% Popularity • 57% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 31% Positiveness
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Blakey
Echo
126 bpm • G Maj • 02:24 • -9.16db
26% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bootstraps
I'd Rather Be Blue
141 bpm • A# Maj • 03:43 • -9.77db
18% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Go-Jo
No One Else - Acoustic
126 bpm • F Maj • 02:43 • -12.71db
17% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mountain Boy
Morning Heat
141 bpm • D# Maj • 04:12 • -15.47db
28% Popularity • 32% Danceability • 26% Energy • 12% Liveness
40% Instrumentalness • 14% Positiveness
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GRAACE
Half Awake
126 bpm • B min • 03:05 • -13.04db
8% Popularity • 48% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Colouring
Down To Earth
141 bpm • G Maj • 03:09 • -9.03db
27% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Valencia Grace
Final Dance
141 bpm • F# Maj • 03:20 • -8.05db
26% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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loren north
Chin Up
141 bpm • D# Maj • 03:14 • -11.55db
17% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Isaac Waddington
Dirty Mile
125 bpm • C Maj • 03:01 • -9.25db
16% Popularity • 41% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Jodie Nicholson
Be Back Soon
125 bpm • A min • 03:20 • -19.73db
19% Popularity • 54% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Harper-Jones
Typical
125 bpm • D# Maj • 03:33 • -13.81db
10% Popularity • 77% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Bury Me in Flowers