Songs like Burying Song by Hem
Based on a tempo of (+/- 10%) and a similar genre
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Kris Delmhorst
Bobby Lee
107 bpm • A# Maj • 03:07 • -9.16db
11% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ferron
Testimony
107 bpm • A min • 04:23 • -16.47db
17% Popularity • 59% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 59% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Edie Brickell & New Bohemians
Ghost Of A Dog
107 bpm • A min • 01:34 • -16.61db
36% Popularity • 54% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 54% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Po' Girl
Poor Girl - Rhude
106 bpm • E Maj • 03:21 • -11.58db
20% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Hem
Burying Song
107 bpm • F Maj • 01:13 • -17.46db
26% Popularity • 36% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
26% Popularity • 36% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
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Ruth Moody
Closer Now
108 bpm • D Maj • 03:35 • -15.73db
18% Popularity • 67% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 67% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jenny Lewis
It Wasn't Me
108 bpm • G Maj • 04:12 • -13.54db
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Cowboy Junkies
Sun Comes Up, It's Tuesday Morning
106 bpm • E Maj • 03:56 • -13.67db
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Story
In the Gloaming
108 bpm • F Maj • 03:18 • -19.88db
12% Popularity • 33% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 33% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Natalie Merchant
River
108 bpm • F# Maj • 05:32 • -10db
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
9% Instrumentalness • 18% Positiveness
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
9% Instrumentalness • 18% Positiveness
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Hem
We'll Meet Along The Way
108 bpm • B Maj • 02:06 • -15.01db
38% Popularity • 42% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
38% Popularity • 42% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Tracy Grammer
Wasn't Born To Follow
106 bpm • C Maj • 02:01 • -9.58db
15% Popularity • 51% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 51% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Amanda Shires
Swimmer...
106 bpm • B Maj • 03:09 • -11.36db
27% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Erin McKeown
La Petite Mort
106 bpm • G# min • 03:01 • -7.99db
25% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Po' Girl
Tell Me A Story
109 bpm • C Maj • 03:13 • -9.02db
29% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Nickel Creek
Why Should The Fire Die?
104 bpm • D Maj • 02:50 • -18.13db
22% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Hem
Lucky
106 bpm • A# Maj • 03:49 • -9.61db
4% Popularity • 32% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 32% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Sample
California Stars
104 bpm • C Maj • 02:32 • -13.74db
20% Popularity • 43% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 43% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Dave Carter
Gentle Arms of Eden
110 bpm • C Maj • 03:03 • -10db
31% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Edie Brickell & New Bohemians
Times Like This
104 bpm • G Maj • 02:56 • -20db
32% Popularity • 64% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 64% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Neko Case
Middle Cyclone
110 bpm • G# Maj • 03:05 • -13.98db
32% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Steve Martin
Love Has Come For You
104 bpm • C Maj • 03:08 • -10db
34% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Hem
Half Asleep
106 bpm • C Maj • 02:20 • -12.21db
15% Popularity • 41% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 41% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline Herring
True Colors
110 bpm • G Maj • 03:37 • -10.75db
26% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Great Lake Swimmers
Unison Falling Into Harmony
111 bpm • F Maj • 03:25 • -19db
37% Popularity • 72% Danceability • 25% Energy • 22% Liveness
3% Instrumentalness • 26% Positiveness
37% Popularity • 72% Danceability • 25% Energy • 22% Liveness
3% Instrumentalness • 26% Positiveness
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Joy Kills Sorrow
Kill My Sorrow
111 bpm • B Maj • 03:52 • -11.64db
10% Popularity • 56% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 56% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Tracy Grammer
The Verdant Mile
103 bpm • F min • 03:24 • -9.65db
11% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Indigo Girls
Don't Think Twice, It's All Right
103 bpm • D# Maj • 03:21 • -5db
42% Popularity • 48% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 48% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 43% Positiveness
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Hem
My Father's Waltz
110 bpm • B Maj • 02:10 • -22.29db
23% Popularity • 40% Danceability • 2% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
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Caroline Herring
Maiden Voyage
111 bpm • G# Maj • 03:41 • -8.2db
21% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Wainwright Roche
Chicago
103 bpm • E Maj • 04:18 • -6.48db
7% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Steve Martin
Friend Of Mine
103 bpm • C Maj • 02:36 • -11db
29% Popularity • 70% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 70% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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The Decemberists
January Hymn
111 bpm • D Maj • 03:12 • -10db
38% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lori McKenna
Fireflies
111 bpm • D Maj • 04:17 • -11.37db
33% Popularity • 77% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 77% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hem
Jackson
110 bpm • C Maj • 03:32 • -12.56db
5% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
5% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Caroline Herring
Paper Gown
103 bpm • G Maj • 04:31 • -9.04db
24% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Natalie Merchant
The Letter
112 bpm • B Maj • 02:12 • -16.48db
37% Popularity • 50% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 50% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Cowboy Junkies
Now I Know
103 bpm • C Maj • 02:21 • -19.34db
28% Popularity • 63% Danceability • 20% Energy • 13% Liveness
38% Instrumentalness • 34% Positiveness
28% Popularity • 63% Danceability • 20% Energy • 13% Liveness
38% Instrumentalness • 34% Positiveness
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Jenny Lewis
Run Devil Run
112 bpm • D Maj • 01:08 • -13.57db
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Kris Delmhorst
Tracks in the Snow
102 bpm • F# Maj • 02:21 • -20db
12% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Hem
All That I'm Good For
110 bpm • A# Maj • 03:24 • -10.88db
29% Popularity • 60% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
29% Popularity • 60% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Steve Martin
When You Get To Asheville
112 bpm • C Maj • 03:15 • -11.63db
32% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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The Greencards
Here You Are
102 bpm • C Maj • 03:52 • -9.46db
10% Popularity • 58% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 58% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Cowboy Junkies
Bea's Song (River Song Trilogy
112 bpm • C Maj • 03:35 • -14db
38% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Greg Brown
China
101 bpm • C Maj • 04:19 • -18db
20% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Amy Ray
Fine With the Dark
101 bpm • G Maj • 03:17 • -15.24db
18% Popularity • 56% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 56% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Hem
Radiation Vibe
104 bpm • E Maj • 03:45 • -9.15db
25% Popularity • 44% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Patty Larkin
The Cranes
101 bpm • F# Maj • 02:50 • -14.54db
27% Popularity • 50% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 50% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Great Lake Swimmers
Where In The World Are You
113 bpm • C Maj • 03:49 • -20.67db
7% Popularity • 46% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
7% Popularity • 46% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
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Cowboy Junkies
Angel Mine
113 bpm • C Maj • 04:00 • -14db
43% Popularity • 62% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 62% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Peter Mulvey
Shirt
101 bpm • D Maj • 03:10 • -10db
31% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Caitlin Canty
My Love for You Will Not Fade
114 bpm • F min • 03:52 • -13.65db
28% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Hem
The Cuckoo
111 bpm • E min • 02:57 • -9.3db
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
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Meg Hutchinson
Seeing Stars
101 bpm • F# Maj • 02:59 • -10.37db
27% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Po' Girl
Prairie Girl Gone
101 bpm • A Maj • 06:21 • -9.99db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Amelia Curran
I Am the Night
114 bpm • C Maj • 03:34 • -14.62db
16% Popularity • 79% Danceability • 37% Energy • 7% Liveness
14% Instrumentalness • 65% Positiveness
16% Popularity • 79% Danceability • 37% Energy • 7% Liveness
14% Instrumentalness • 65% Positiveness
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Nanci Griffith
Boots of Spanish Leather
100 bpm • A Maj • 05:17 • -15.36db
33% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Cowboy Junkies
This Street, That Man, This Life
100 bpm • C Maj • 03:13 • -21db
26% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Hem
The Part Where You Let Go
103 bpm • F Maj • 03:44 • -9.2db
29% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Patty Larkin
Who Holds Your Hand
114 bpm • F Maj • 03:07 • -13.02db
23% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Cry Cry Cry
Lord, I Have Made You A Place In My Hear...
100 bpm • D Maj • 03:34 • -13.46db
14% Popularity • 60% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 60% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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the everybodyfields
Lonely Anywhere
114 bpm • D Maj • 05:45 • -11.83db
13% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Meg Hutchinson
The Crossing
100 bpm • A# Maj • 03:22 • -7.89db
14% Popularity • 66% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 66% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Dave Carter
Happytown (All Right With Me)
115 bpm • D Maj • 03:34 • -11.07db
22% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Hem
Hotel Fire
111 bpm • B Maj • 03:53 • -11.78db
7% Popularity • 53% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
7% Popularity • 53% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Peter Mulvey
Shirt
100 bpm • D Maj • 03:32 • -12.72db
29% Popularity • 60% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Ruth Moody
These Wilder Things
115 bpm • C Maj • 05:13 • -18.79db
21% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Edie Brickell & New Bohemians
Oak Cliff Bra
115 bpm • A min • 01:28 • -16.56db
32% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Secret Sisters
Carry Me
115 bpm • B Maj • 04:05 • -8.48db
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Hem
Lazy Eye
103 bpm • C Maj • 02:26 • -14.36db
22% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Weather Station
Came so Easy
115 bpm • F Maj • 03:01 • -16.32db
34% Popularity • 54% Danceability • 30% Energy • 13% Liveness
30% Instrumentalness • 53% Positiveness
34% Popularity • 54% Danceability • 30% Energy • 13% Liveness
30% Instrumentalness • 53% Positiveness
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Indigo Girls
Share The Moon
99 bpm • E Maj • 03:34 • -12db
41% Popularity • 58% Danceability • 40% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
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The Decemberists
June Hymn
98 bpm • A Maj • 03:57 • -6.41db
44% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Neko Case
That Teenage Feeling
98 bpm • C Maj • 02:42 • -4.67db
34% Popularity • 46% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Girlyman
Speechless
98 bpm • C Maj • 03:15 • -10.08db
17% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hem
When I Was Drinking
112 bpm • E Maj • 03:44 • -13.72db
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Eliza Gilkyson
Where No Monument Stands
117 bpm • G Maj • 03:58 • -10.13db
10% Popularity • 54% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 54% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Kris Delmhorst
All the Way Around
117 bpm • A min • 03:53 • -13.26db
13% Popularity • 60% Danceability • 39% Energy • 9% Liveness
6% Instrumentalness • 50% Positiveness
13% Popularity • 60% Danceability • 39% Energy • 9% Liveness
6% Instrumentalness • 50% Positiveness
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Angel Snow
As You Are
117 bpm • F# Maj • 02:30 • -10.26db
24% Popularity • 63% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 63% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Mulvey
Kids in the Square
117 bpm • D Maj • 03:43 • -12.8db
15% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Girlyman
Genevieve
98 bpm • D Maj • 02:51 • -12.44db
9% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Basia Bulat
Paris or Amsterdam
117 bpm • D Maj • 03:05 • -13.73db
29% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Hem
Last Call
115 bpm • A Maj • 05:00 • -11.97db
8% Popularity • 36% Danceability • 23% Energy • 12% Liveness
39% Instrumentalness • 13% Positiveness
8% Popularity • 36% Danceability • 23% Energy • 12% Liveness
39% Instrumentalness • 13% Positiveness
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Sam Beam
Kiss Me Quick
117 bpm • C Maj • 02:44 • -13db
25% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Secret Sisters
Endless Running Out of Time
98 bpm • G# Maj • 03:58 • -12.44db
39% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ruth Moody
Life Is Long
117 bpm • D Maj • 05:37 • -15.5db
20% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Po' Girl
Corner Talk
118 bpm • C Maj • 03:17 • -14.01db
15% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Watkins
Tumbling Tumbleweeds
97 bpm • A# Maj • 02:42 • -11.44db
30% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Hem
Bird Song
117 bpm • E Maj • 01:35 • -13.16db
12% Popularity • 42% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
12% Popularity • 42% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Patty Larkin
Open Arms (Don't Explain)
97 bpm • D Maj • 04:25 • -11.32db
10% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Wainwright Roche
Seek and Hide
118 bpm • A# Maj • 04:09 • -5.28db
13% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lynn Miles
Fearless Heart
97 bpm • F Maj • 03:41 • -8.76db
17% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Caroline Herring
Tales Of The Islander
97 bpm • A Maj • 04:25 • -10.29db
25% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Courtney Marie Andrews
It Keeps Going
118 bpm • C Maj • 04:20 • -16.14db
8% Popularity • 46% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Hem
The Pills Stopped Working
97 bpm • G# Maj • 04:49 • -6.25db
14% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Patty Larkin
I Told Him That My Dog Wouldn't Run
118 bpm • D# Maj • 02:43 • -15.94db
18% Popularity • 48% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 48% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Mulvey
Charlie
97 bpm • G Maj • 03:09 • -10.78db
30% Popularity • 51% Danceability • 65% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
30% Popularity • 51% Danceability • 65% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
