Songs like By The Time I Get To Phoenix by Bobby Goldsboro
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Goldsboro
By The Time I Get To Phoenix
177 bpm • D Maj • 02:45 • -16.53db
40% Popularity • 24% Danceability • 21% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
40% Popularity • 24% Danceability • 21% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
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Mary MacGregor
It's Too Soon (To Let Our Love End)
179 bpm • D Maj • 02:45 • -10.31db
26% Popularity • 49% Danceability • 56% Energy • 11% Liveness
75% Instrumentalness • 76% Positiveness
26% Popularity • 49% Danceability • 56% Energy • 11% Liveness
75% Instrumentalness • 76% Positiveness
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Sue Thompson
Nine little teardrops
181 bpm • D Maj • 02:00 • -10.01db
21% Popularity • 40% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 40% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Four Aces
Chapel in the Moonlight
181 bpm • E min • 02:24 • -10.09db
25% Popularity • 29% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 29% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Brian Hyland
Poor Little Fool
181 bpm • C min • 02:14 • -11.17db
19% Popularity • 47% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 47% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Pat Boone
Bernardine
173 bpm • C Maj • 02:10 • -7.52db
26% Popularity • 53% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Bobby Goldsboro
What A Wonderful World
173 bpm • D Maj • 01:59 • -11db
42% Popularity • 23% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 23% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Chad & Jeremy
Everyone's Gone to the Moon
185 bpm • D Maj • 02:31 • -14db
30% Popularity • 29% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 29% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Leo Sayer
Raining in My Heart
185 bpm • C Maj • 03:13 • -7.77db
25% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Tony Orlando & Dawn
Carolina In My Mind
186 bpm • F Maj • 02:27 • -11.85db
22% Popularity • 37% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 37% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Gary Puckett & The Union Gap
I Just Don't Know What to Do With Myself
166 bpm • G Maj • 02:48 • -11.34db
29% Popularity • 36% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 36% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Pat Boone
Bernardine - Remastered
172 bpm • D Maj • 02:10 • -9.59db
21% Popularity • 40% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 40% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Goldsboro
Little Green Apples
184 bpm • D Maj • 03:22 • -18.63db
9% Popularity • 39% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 39% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Kathy Kirby
Dance On
166 bpm • F min • 02:30 • -7db
22% Popularity • 39% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 39% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Debby Boone
Everybody's Somebody's Fool
187 bpm • C# Maj • 02:26 • -9.72db
32% Popularity • 36% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 36% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Paul & Paula
We Two Forever Shall Be One
189 bpm • E Maj • 02:39 • -12.25db
23% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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David Houston
Forever My Darling (Pledging My Love)
165 bpm • D Maj • 02:33 • -14.18db
36% Popularity • 33% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
36% Popularity • 33% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Pat Boone
Bernadine - Re-Recorded In Stereo
173 bpm • C Maj • 02:12 • -12db
22% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Goldsboro
Ruby, Don't Take Your Love To Town
185 bpm • G Maj • 02:24 • -8.72db
14% Popularity • 39% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
14% Popularity • 39% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Sammi Smith
He's Everywhere
166 bpm • G Maj • 02:53 • -10.11db
15% Popularity • 37% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 37% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Mary MacGregor
Good Friend
190 bpm • F Maj • 02:42 • -6.35db
49% Popularity • 18% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 18% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 50% Positiveness
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Gilbert O'Sullivan
Why Oh Why Oh Why
163 bpm • G# Maj • 03:48 • -6.68db
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Tony Orlando & Dawn
Steppin' Out (I'm Gonna Boogie Tonight) ...
163 bpm • D Maj • 02:54 • -9.22db
21% Popularity • 63% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 63% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Mocedades
Touch The Wind (Eres Tu) - Remasterizado
161 bpm • D Maj • 03:46 • -3db
37% Popularity • 29% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 29% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Ed Ames
Bon Soir Dame
202 bpm • D Maj • 02:49 • -10db
29% Popularity • 29% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 29% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Ned Miller
From a Jack to a King (Alternate Take)
201 bpm • G# min • 02:10 • -7.81db
33% Popularity • 38% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 38% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Paul & Paula
Young Lovers
202 bpm • D Maj • 02:35 • -9.72db
35% Popularity • 37% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 37% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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The 5th Dimension
If I Could Reach You
154 bpm • A# Maj • 03:10 • -15.74db
35% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
35% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Bobby Goldsboro
Autumn of My Life
203 bpm • G Maj • 03:37 • -19.62db
22% Popularity • 22% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
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Sue Thompson
Have A Good Time
205 bpm • D Maj • 03:15 • -14.35db
33% Popularity • 36% Danceability • 19% Energy • 19% Liveness
2% Instrumentalness • 20% Positiveness
33% Popularity • 36% Danceability • 19% Energy • 19% Liveness
2% Instrumentalness • 20% Positiveness
