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Bye Bye Blackbird
Songs like
Bye Bye Blackbird
by
Ray Henderson
Based on a tempo of (+/- 10%) and a similar genre
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Al Jolson
Henderson, Ray: Sonny Boy
80 bpm • A# Maj • 02:43 • -12.95db
0% Popularity • 30% Danceability • 23% Energy • 25% Liveness
1% Instrumentalness • 24% Positiveness
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Tommy Dorsey Orchestra
Sleepy Lagoon
80 bpm • G min • 02:12 • -15db
20% Popularity • 30% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
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Ray Henderson
Bye Bye Blackbird
80 bpm • F Maj • 05:00 • -12.75db
0% Popularity • 57% Danceability • 31% Energy • 8% Liveness
55% Instrumentalness • 55% Positiveness
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Roy Fox & His Band
Reaching for the Moon
80 bpm • F Maj • 03:19 • -20db
15% Popularity • 31% Danceability • 7% Energy • 37% Liveness
1% Instrumentalness • 12% Positiveness
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Stan Kenton
I Lost My Sugar in Salt Lake City
80 bpm • G# Maj • 02:25 • -12db
16% Popularity • 48% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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M. Curtis
My Dreams Are Getting Better
80 bpm • D# Maj • 03:16 • -15db
14% Popularity • 62% Danceability • 15% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Dinah Washington
A Slick Chick On The Mellow Side
80 bpm • A# Maj • 02:44 • -8.37db
31% Popularity • 64% Danceability • 32% Energy • 25% Liveness
22% Instrumentalness • 69% Positiveness
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Billy Murray
I'll See You in C-U-B-A
81 bpm • A min • 02:58 • -10.87db
12% Popularity • 72% Danceability • 19% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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Fanny Brice
Second Hand Rose
81 bpm • D Maj • 03:26 • -15.07db
11% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Artie Shaw and his Strings
Streamline - alternate take
79 bpm • D min • 02:29 • -12.51db
15% Popularity • 52% Danceability • 46% Energy • 27% Liveness
88% Instrumentalness • 88% Positiveness
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Freddy Martin & His Orchestra
I Saw Stars
79 bpm • C Maj • 03:07 • -10db
14% Popularity • 50% Danceability • 20% Energy • 26% Liveness
1% Instrumentalness • 56% Positiveness
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James P. Johnson
I'm Gonna Sit Right Down (And Write Myse...
81 bpm • C# Maj • 02:49 • -18db
28% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
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Glen Gray
If I Had My Way
81 bpm • D# Maj • 02:37 • -17.61db
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
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Billie Holiday
Ghost of Yesterday
81 bpm • F min • 02:37 • -11.41db
17% Popularity • 50% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Cab Calloway & His Orchestra
Are You All Reet?
79 bpm • C# Maj • 03:02 • -9.26db
8% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Buddy DeSylva
Button up your Overcoat
81 bpm • G Maj • 02:58 • -18.15db
6% Popularity • 50% Danceability • 15% Energy • 36% Liveness
2% Instrumentalness • 68% Positiveness
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Sophie Tucker
Some of These Days
81 bpm • A min • 02:21 • -11db
21% Popularity • 68% Danceability • 30% Energy • 20% Liveness
41% Instrumentalness • 74% Positiveness
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Isham Jones
In My Heart It's You
78 bpm • D# Maj • 03:03 • -10db
3% Popularity • 53% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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B G Jolson
Henderson, Ray: Little Pal
82 bpm • B Maj • 03:31 • -16.09db
0% Popularity • 26% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Glenn Miller & His Orchestra; Vocal by Smith Ballew
A Blues Serenade - 78rpm Version
82 bpm • G# Maj • 02:49 • -20db
21% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Tex Beneke
Give Me Five Minutes More
82 bpm • F Maj • 02:35 • -4db
28% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Hans Horwitz
Rachmanny Boy
82 bpm • C# Maj • 02:01 • -13.69db
2% Popularity • 56% Danceability • 23% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
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Maurice Winnick
Bei mir bist du schon - 1937
78 bpm • A Maj • 02:45 • -12.5db
9% Popularity • 54% Danceability • 21% Energy • 56% Liveness
63% Instrumentalness • 53% Positiveness
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Louisiana Sugar Babes
'Sippi
82 bpm • F min • 03:03 • -19.77db
8% Popularity • 43% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 48% Positiveness
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Major Glenn Miller's AAF Overseas Orchestra conducted by Sgt. Jerry Gray - vocal: Sgt. Johnny Desmond
Homesick - That's All
82 bpm • D# Maj • 02:00 • -13db
9% Popularity • 35% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
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Jeanette MacDonald
Beyond The Blue Horizon
78 bpm • A# Maj • 02:14 • -16db
13% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
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Ella Mae Morse
Milkman Keep Those Bottles Quiet
83 bpm • C# Maj • 02:40 • -3.02db
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Henderson
Bye, Bye Blackbird
77 bpm • A Maj • 03:44 • -20.59db
2% Popularity • 44% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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The Delta Rhythm Boys
Ain't Gonna Worry 'Bout a Soul
83 bpm • A min • 02:37 • -12.28db
11% Popularity • 74% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Red McKenzie
Basin St Blues
77 bpm • F Maj • 01:56 • -15db
20% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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Dave Dreyer
Sonny Boy
77 bpm • D# Maj • 03:14 • -9.75db
0% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Adrian Rollini
Sugar
77 bpm • F Maj • 02:54 • -15.98db
16% Popularity • 63% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 78% Positiveness
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The Merry Macs
La Paloma
84 bpm • D Maj • 02:21 • -16db
31% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
23% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Whispering Jack Smith
Me & My Shadow
76 bpm • D Maj • 03:12 • -14db
16% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jack Buchanan
Who
84 bpm • A# min • 01:21 • -11db
28% Popularity • 46% Danceability • 26% Energy • 13% Liveness
36% Instrumentalness • 59% Positiveness
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Hoagy Carmichael
Ole Buttermilk Sky
84 bpm • D Maj • 02:12 • -12.69db
23% Popularity • 71% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Lew Brown
Together
84 bpm • C Maj • 03:11 • -13.97db
1% Popularity • 9% Danceability • 25% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Jimmie Lunceford
Margie
76 bpm • C min • 03:16 • -11.03db
8% Popularity • 39% Danceability • 38% Energy • 78% Liveness
88% Instrumentalness • 43% Positiveness
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Earl Hines
Ridin' and Jivin'
76 bpm • F min • 02:42 • -5.85db
9% Popularity • 70% Danceability • 35% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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Fanny Brice
Ain't We Got Fun
76 bpm • D# Maj • 03:00 • -14.42db
11% Popularity • 82% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Cab Calloway & His Orchestra
My Gal
86 bpm • G# Maj • 02:44 • -16.63db
2% Popularity • 42% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Margaret Whiting
You Do
85 bpm • F Maj • 02:49 • -15.73db
14% Popularity • 26% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 32% Positiveness
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Eddy Howard
To Each His Own
75 bpm • D# Maj • 03:05 • -13.63db
17% Popularity • 51% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Doris Day
You Won't Be Satisfied (Until You Break ...
74 bpm • F# min • 03:03 • -13db
20% Popularity • 58% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
20% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Fanny Brice
Toot, Toot, Tootsie (Goodbye)
75 bpm • E Maj • 02:29 • -12.19db
15% Popularity • 57% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 70% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
23% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Johnny Dodds
47Th Street Stomp
86 bpm • C Maj • 03:10 • -8.98db
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Roy Fox & His Band
Midnight, The Stars and You
86 bpm • F Maj • 02:53 • -16.18db
13% Popularity • 52% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 53% Positiveness
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Lee Morse
Old Fashioned Romance
73 bpm • F Maj • 02:59 • -14.68db
17% Popularity • 68% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
88 bpm • A# Maj • 03:07 • -16db
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
61% Instrumentalness • 81% Positiveness
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Ben Bernie
Sweet Georgia Brown
73 bpm • D Maj • 02:57 • -10db
21% Popularity • 72% Danceability • 43% Energy • 19% Liveness
90% Instrumentalness • 78% Positiveness
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Anonymous
George White's Scandals of 1926: Black B...
88 bpm • C min • 02:35 • -21.41db
0% Popularity • 47% Danceability • 27% Energy • 14% Liveness
83% Instrumentalness • 82% Positiveness
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Billy Cotton
You Brought a New Kind of Love to Me
72 bpm • G# Maj • 03:21 • -17db
37% Popularity • 48% Danceability • 13% Energy • 17% Liveness
39% Instrumentalness • 58% Positiveness
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Margaret Whiting
Moonlight In Vermont - 1945 Version
72 bpm • D# Maj • 03:12 • -10.67db
26% Popularity • 35% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
27% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Primo Scala's Accordian Band
Serenade in the Night
72 bpm • G Maj • 03:04 • -18.38db
11% Popularity • 47% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 43% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Ray Henderson
So Blue
90 bpm • C Maj • 02:57 • -12.57db
0% Popularity • 35% Danceability • 32% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
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Una Mae Carlisle
Walkin' by the River
90 bpm • G Maj • 03:04 • -14.91db
13% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Freddy Martin & His Orchestra
What a Difference a Day Made
71 bpm • F min • 03:04 • -11.3db
18% Popularity • 43% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Earl Hines
Up jumped the devil
91 bpm • C# Maj • 02:48 • -12.4db
27% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
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Ray Henderson
Five Foot Two, Eyes of Blue
91 bpm • C Maj • 02:22 • -19.49db
1% Popularity • 50% Danceability • 32% Energy • 13% Liveness
84% Instrumentalness • 86% Positiveness
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Cab Calloway & His Orchestra
The Jumpin' Jive
91 bpm • G# Maj • 02:47 • -12.21db
15% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Loss & His Orchestra
Somewhere In France With You
91 bpm • F Maj • 02:56 • -16.76db
17% Popularity • 25% Danceability • 13% Energy • 17% Liveness
30% Instrumentalness • 29% Positiveness
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Buddy DeSylva
Follow Thru: Button Up Your Overcoat - P...
91 bpm • F Maj • 01:29 • -17.06db
0% Popularity • 65% Danceability • 16% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Les Brown And His Band Of Renown - vocal: Doris Day
Sentimental Journey
91 bpm • A Maj • 02:49 • -9.45db
12% Popularity • 42% Danceability • 19% Energy • 10% Liveness
19% Instrumentalness • 28% Positiveness
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Ray Henderson
Bye Bye Blackbird
91 bpm • G# Maj • 02:30 • -14.03db
0% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Four Vagabonds
Comin' In On A Wing And A Prayer
70 bpm • G Maj • 02:53 • -10.18db
21% Popularity • 59% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Buddy Clark
The Camera Doesn`t Lie
92 bpm • D# Maj • 03:03 • -12.59db
18% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
32% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Louis Prima
'Long About Midnight
92 bpm • D# Maj • 02:41 • -11.05db
18% Popularity • 78% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Ray Henderson
Bye Bye Blackbird (Arr. for Guitar)
92 bpm • D Maj • 01:56 • -21.45db
0% Popularity • 57% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Jean Goldkette
After I Say I`m Sorry
93 bpm • G Maj • 03:15 • -18.49db
17% Popularity • 59% Danceability • 11% Energy • 26% Liveness
21% Instrumentalness • 77% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Jimmie Noones Apex Club Orchestra
Let's Sow a Wild Oat
93 bpm • D Maj • 02:59 • -12.15db
9% Popularity • 78% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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The London West End Orchestra
Niagara
93 bpm • C Maj • 02:22 • -11db
14% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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Ray Henderson
Bye, bye, blackbird
93 bpm • D min • 02:20 • -22.73db
0% Popularity • 59% Danceability • 25% Energy • 27% Liveness
8% Instrumentalness • 58% Positiveness
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Tom Coakley And His Orchestra
Clean as a Whistle
93 bpm • A# Maj • 02:50 • -12.34db
14% Popularity • 73% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Monty Sunshine's Jazz Band
Yellow Dog Blues
69 bpm • D# Maj • 04:18 • -16.13db
8% Popularity • 42% Danceability • 17% Energy • 7% Liveness
31% Instrumentalness • 20% Positiveness
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Roger Wolfe Kahn & His Orchestra
Crazy Rhythm
93 bpm • G# Maj • 03:15 • -14.41db
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
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Lew Brown
It Won't Be Long Now
94 bpm • F min • 02:53 • -12.28db
1% Popularity • 60% Danceability • 27% Energy • 63% Liveness
17% Instrumentalness • 47% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
31% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Annette Hanshaw
You Wouldn't Fool Me, Would You?
94 bpm • C Maj • 02:43 • -16.03db
0% Popularity • 61% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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Louis Jordan
Ration Blues
94 bpm • F min • 03:09 • -10.1db
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Orlando & His Gleneagles Hotel Orchestra
Love Is Good for Anything That Ails You
95 bpm • E min • 02:31 • -16.48db
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
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Bye Bye Blackbird