Songs like Bye-Ya by Thelonious Monk
Based on a tempo of (+/- 10%) and a similar genre
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Cedar Walton
Off Minor
100 bpm • D Maj • 09:01 • -19.33db
25% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
25% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
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Charlie Parker Quartet
Now's The Time
100 bpm • F Maj • 03:01 • -10db
52% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Hodges
On The Sunny Side Of The Street
100 bpm • C Maj • 02:56 • -16.07db
44% Popularity • 63% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
44% Popularity • 63% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
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Wayne Shorter
Night Dreamer - Remastered 2004 / Rudy V...
100 bpm • D# Maj • 07:15 • -9.63db
42% Popularity • 46% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
42% Popularity • 46% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
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Thelonious Monk
Bye-Ya
101 bpm • C# Maj • 05:22 • -10.52db
29% Popularity • 66% Danceability • 36% Energy • 10% Liveness
25% Instrumentalness • 75% Positiveness
29% Popularity • 66% Danceability • 36% Energy • 10% Liveness
25% Instrumentalness • 75% Positiveness
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John Coltrane Quartet
It's Easy To Remember - Take 11
100 bpm • F min • 02:37 • -13.3db
43% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ornette Coleman
Ramblin'
99 bpm • D Maj • 06:36 • -16db
23% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
23% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 6 / Master
101 bpm • G# Maj • 03:04 • -10.03db
38% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Chet Baker Quartet
Russ Job
99 bpm • C Maj • 02:55 • -12db
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
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Wayne Shorter
Witch Hunt - Remastered1998/Rudy Van Gel...
100 bpm • F min • 08:11 • -7.23db
40% Popularity • 42% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 42% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Raney
Pennies from Heaven
101 bpm • B min • 03:19 • -15.78db
29% Popularity • 65% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
29% Popularity • 65% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
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Jimmy Smith
Bluesette
99 bpm • G# Maj • 03:41 • -14.32db
31% Popularity • 64% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Elvin Jones
Shiny Stockings
101 bpm • F min • 05:10 • -15db
21% Popularity • 57% Danceability • 33% Energy • 23% Liveness
91% Instrumentalness • 50% Positiveness
21% Popularity • 57% Danceability • 33% Energy • 23% Liveness
91% Instrumentalness • 50% Positiveness
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Tommy Flanagan Trio
Delarna
101 bpm • D Maj • 04:43 • -14.83db
33% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
33% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
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Thad Jones
If Someone Had Told Me - 2007 Digital Re...
101 bpm • D# Maj • 05:51 • -11db
34% Popularity • 45% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
34% Popularity • 45% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Johnny Hartman
I Just Dropped By To Say Hello
101 bpm • F min • 04:05 • -23.07db
44% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
44% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
26% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
26% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Cannonball Adderley Sextet
The Work Song - Instrumental
99 bpm • F min • 09:06 • -13.92db
14% Popularity • 48% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 48% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Ike Quebec
Blue And Sentimental - Remastered 2007/R...
101 bpm • D# Maj • 07:28 • -10db
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Wayne Shorter
House Of Jade - Rudy Van Gelder 24 Bit M...
98 bpm • G min • 06:53 • -10db
33% Popularity • 43% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Stanley Turrentine
Journey Into The Melody
98 bpm • F Maj • 04:58 • -21db
40% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
40% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
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Horace Silver Quintet
Cool Eyes
102 bpm • D# Maj • 05:56 • -9.59db
10% Popularity • 53% Danceability • 44% Energy • 20% Liveness
16% Instrumentalness • 74% Positiveness
10% Popularity • 53% Danceability • 44% Energy • 20% Liveness
16% Instrumentalness • 74% Positiveness
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Ray Bryant
Bryant's Folly
98 bpm • C Maj • 04:48 • -13.45db
20% Popularity • 52% Danceability • 41% Energy • 22% Liveness
90% Instrumentalness • 61% Positiveness
20% Popularity • 52% Danceability • 41% Energy • 22% Liveness
90% Instrumentalness • 61% Positiveness
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Duke Pearson
Black Coffee
98 bpm • A# min • 04:31 • -14.14db
38% Popularity • 56% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
38% Popularity • 56% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
38% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Sonny Rollins
Where Are You - Remastered
102 bpm • F Maj • 05:10 • -23db
46% Popularity • 55% Danceability • 1% Energy • 16% Liveness
9% Instrumentalness • 13% Positiveness
46% Popularity • 55% Danceability • 1% Energy • 16% Liveness
9% Instrumentalness • 13% Positiveness
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Bud Powell Trio
You'd Be So Nice to Come Home To - 1990 ...
102 bpm • D min • 02:39 • -19.16db
41% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
41% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
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Cannonball Adderley Sextet
Scotch And Water
98 bpm • A# Maj • 05:55 • -12.8db
25% Popularity • 60% Danceability • 41% Energy • 87% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 60% Danceability • 41% Energy • 87% Liveness
0% Instrumentalness • 79% Positiveness
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Tommy Flanagan Trio
Dalarna
102 bpm • D Maj • 04:39 • -11.08db
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Wes Montgomery Trio
Ecaroh
98 bpm • C Maj • 02:56 • -19.55db
46% Popularity • 42% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 42% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Johnny Hodges
Don't Get Around Much Anymore
102 bpm • C# Maj • 03:00 • -9db
28% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sonny Rollins
God Bless the Child
102 bpm • D Maj • 07:27 • -18db
48% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
48% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
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Dave Brubeck Trio
Let's Fall In Love
97 bpm • C Maj • 02:41 • -19db
46% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
46% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Rahsaan Roland Kirk
Blues For Alice
97 bpm • C Maj • 04:08 • -12.75db
20% Popularity • 50% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 50% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Charlie Parker
Confirmation
103 bpm • A# Maj • 02:57 • -10db
40% Popularity • 52% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 52% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Bud Powell Trio
Embraceable You - 1990 Remaster
97 bpm • D min • 02:51 • -22db
33% Popularity • 56% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
33% Popularity • 56% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Duke Ellington
The Feeling Of Jazz
103 bpm • A# min • 05:29 • -10.63db
48% Popularity • 47% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 47% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Thelonious Monk
I Hadn't Anyone Till You
104 bpm • C# Maj • 03:18 • -9.84db
30% Popularity • 51% Danceability • 28% Energy • 16% Liveness
88% Instrumentalness • 12% Positiveness
30% Popularity • 51% Danceability • 28% Energy • 16% Liveness
88% Instrumentalness • 12% Positiveness
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Chet Baker Quartet
Long Ago (And Far Away) - 10" LP Take
104 bpm • A min • 02:15 • -13.91db
39% Popularity • 68% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
39% Popularity • 68% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
33% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
33% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Count Basie
Flight of the Foo Birds
96 bpm • C Maj • 03:24 • -8.82db
39% Popularity • 62% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 81% Positiveness
39% Popularity • 62% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 81% Positiveness
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Horace Silver Quintet
The Outlaw - Remastered
104 bpm • F Maj • 06:07 • -11.66db
12% Popularity • 55% Danceability • 49% Energy • 35% Liveness
33% Instrumentalness • 76% Positiveness
12% Popularity • 55% Danceability • 49% Energy • 35% Liveness
33% Instrumentalness • 76% Positiveness
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Thelonious Monk
Caravan
96 bpm • A# min • 05:56 • -20.39db
35% Popularity • 55% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
35% Popularity • 55% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Chet Baker Quartet
Maid In Mexico
96 bpm • D# Maj • 02:56 • -11.48db
41% Popularity • 58% Danceability • 28% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
41% Popularity • 58% Danceability • 28% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Charlie Parker Quartet
Chi Chi
96 bpm • G# Maj • 03:02 • -10db
46% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jutta Hipp
Almost Like Being In Love
96 bpm • G min • 06:16 • -11.54db
27% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Timmons Trio
They Didn't Believe Me
96 bpm • G# Maj • 06:47 • -25.93db
30% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
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Thelonious Monk
I'm Confessin' (That I Love You)
104 bpm • C# Maj • 02:37 • -9.46db
51% Popularity • 62% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
51% Popularity • 62% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Teddy Wilson
All Of Me
96 bpm • A Maj • 02:57 • -14.86db
41% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
41% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Ornette Coleman
Broad Way Blues
96 bpm • D# Maj • 08:43 • -18db
31% Popularity • 51% Danceability • 25% Energy • 12% Liveness
25% Instrumentalness • 58% Positiveness
31% Popularity • 51% Danceability • 25% Energy • 12% Liveness
25% Instrumentalness • 58% Positiveness
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John Coltrane Quartet
Softly As In A Morning Sunrise - Live At...
105 bpm • C min • 06:37 • -12db
34% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Rollins
St. Thomas
105 bpm • C Maj • 06:46 • -8.44db
46% Popularity • 54% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
46% Popularity • 54% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
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Elvin Jones
Anthropology
95 bpm • G# Maj • 04:11 • -20.19db
29% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Thelonious Monk
Honeysuckle Rose
95 bpm • G min • 05:31 • -17.97db
25% Popularity • 48% Danceability • 28% Energy • 16% Liveness
13% Instrumentalness • 51% Positiveness
25% Popularity • 48% Danceability • 28% Energy • 16% Liveness
13% Instrumentalness • 51% Positiveness
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Thad Jones
Billie-Doo - 2007 Digital Remaster/Rudy ...
105 bpm • D# Maj • 07:30 • -10.17db
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Dizzy Gillespie
Groovin' High
95 bpm • F min • 02:43 • -13.89db
44% Popularity • 69% Danceability • 19% Energy • 16% Liveness
84% Instrumentalness • 69% Positiveness
44% Popularity • 69% Danceability • 19% Energy • 16% Liveness
84% Instrumentalness • 69% Positiveness
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Lennie Tristano
All the Things You Are
95 bpm • G# Maj • 06:11 • -15.68db
18% Popularity • 56% Danceability • 32% Energy • 72% Liveness
1% Instrumentalness • 73% Positiveness
18% Popularity • 56% Danceability • 32% Energy • 72% Liveness
1% Instrumentalness • 73% Positiveness
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Barney Kessel
On Green Dolphin Street
105 bpm • C# Maj • 04:01 • -27.49db
24% Popularity • 48% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
24% Popularity • 48% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
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Gerry Mulligan Quartet
Bernie's Tune
106 bpm • C min • 02:54 • -9.94db
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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Thelonious Monk
Body and Soul
105 bpm • C# Maj • 04:28 • -16.83db
38% Popularity • 51% Danceability • 29% Energy • 7% Liveness
89% Instrumentalness • 23% Positiveness
38% Popularity • 51% Danceability • 29% Energy • 7% Liveness
89% Instrumentalness • 23% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
43% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
43% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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Paul Bley
There Will Never Be Another You
106 bpm • F Maj • 05:48 • -10.95db
16% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
16% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
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Paul Chambers Quintet
Minor Run-Down - Rudy Van Gelder Edition...
94 bpm • A# min • 07:40 • -9db
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Shorter
Speak No Evil - Remastered1998/Rudy Van ...
106 bpm • F min • 08:23 • -7.15db
46% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Thelonious Monk
Thelonious - Rudy Van Gelder 24-Bit Mast...
106 bpm • A# Maj • 03:01 • -8.99db
26% Popularity • 71% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 71% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Miles Davis Quintet
It Could Happen To You
94 bpm • F min • 06:36 • -11db
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Bud Powell Trio
Off Minor - 1990 Remaster
94 bpm • D# Maj • 02:23 • -17db
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Oliver Nelson
Theme From Mr. Broadway
107 bpm • F min • 05:43 • -10.95db
22% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Wayne Shorter
Virgo - Remastered 2004 / Rudy Van Gelde...
107 bpm • D min • 07:06 • -14.4db
47% Popularity • 45% Danceability • 13% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
47% Popularity • 45% Danceability • 13% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
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Bobby Timmons Trio
So Tired
107 bpm • C# Maj • 06:24 • -21.01db
26% Popularity • 52% Danceability • 40% Energy • 88% Liveness
18% Instrumentalness • 80% Positiveness
26% Popularity • 52% Danceability • 40% Energy • 88% Liveness
18% Instrumentalness • 80% Positiveness
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Kenny Drew
Lion's Den - Rudy Van Gelder Edition/200...
107 bpm • F Maj • 04:53 • -7.8db
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Thelonious Monk
Straight, No Chaser
93 bpm • D# Maj • 11:28 • -13db
50% Popularity • 46% Danceability • 35% Energy • 14% Liveness
28% Instrumentalness • 62% Positiveness
50% Popularity • 46% Danceability • 35% Energy • 14% Liveness
28% Instrumentalness • 62% Positiveness
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Jackie McLean
Blues Function
107 bpm • D# Maj • 07:18 • -13.92db
14% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Hodges
Azure
93 bpm • D Maj • 02:33 • -17.28db
39% Popularity • 38% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
39% Popularity • 38% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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Wayne Shorter
Teru - Rudy Van Gelder Edition/2000 Digi...
107 bpm • G min • 06:12 • -20.73db
37% Popularity • 35% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
37% Popularity • 35% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Bobby Timmons Trio
From The Bottom
93 bpm • C# Maj • 04:59 • -13.54db
28% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
28% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
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Sonny Rollins Quartet
When Your Lover Has Gone
108 bpm • F min • 06:09 • -13.39db
31% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
31% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
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Ornette Coleman
Eventually
93 bpm • B Maj • 04:23 • -13db
30% Popularity • 54% Danceability • 39% Energy • 26% Liveness
2% Instrumentalness • 49% Positiveness
30% Popularity • 54% Danceability • 39% Energy • 26% Liveness
2% Instrumentalness • 49% Positiveness
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Johnny Hodges
Warm Valley
93 bpm • F Maj • 03:20 • -12db
46% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
46% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
53% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
53% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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John Coltrane Quartet
Lonnie's Lament
108 bpm • C min • 11:47 • -15.8db
37% Popularity • 50% Danceability • 23% Energy • 14% Liveness
11% Instrumentalness • 19% Positiveness
37% Popularity • 50% Danceability • 23% Energy • 14% Liveness
11% Instrumentalness • 19% Positiveness
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Kenny Drew
Four And Five
108 bpm • D Maj • 03:16 • -15.85db
40% Popularity • 52% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
40% Popularity • 52% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
34% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
34% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Ornette Coleman
When Will The Blues Leave?
92 bpm • A min • 05:00 • -14.76db
33% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
33% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Jimmy Giuffre
Two Kinds of Blues
109 bpm • G Maj • 05:17 • -26db
19% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
19% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Cannonball Adderley
One For Daddy-O
108 bpm • F min • 08:25 • -7.26db
48% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Charlie Parker
April In Paris
109 bpm • D min • 03:07 • -7.98db
45% Popularity • 42% Danceability • 38% Energy • 12% Liveness
28% Instrumentalness • 48% Positiveness
45% Popularity • 42% Danceability • 38% Energy • 12% Liveness
28% Instrumentalness • 48% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Elmo Hope
It's A Lovely Day Today
109 bpm • C Maj • 02:47 • -13db
36% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
36% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
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Gerry Mulligan Quartet
Frenesi
91 bpm • C min • 03:11 • -9.47db
32% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Sonny Criss
How High The Moon
110 bpm • C Maj • 03:06 • -6.56db
36% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
36% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
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Dave Brubeck Trio
I Didn't Know What Time It Was
91 bpm • G min • 02:32 • -14.31db
36% Popularity • 56% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
36% Popularity • 56% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
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McCoy Tyner Trio
Blues for Gwen - 2018 Digitally Remaster...
110 bpm • F min • 04:25 • -17.47db
22% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Denzel Best
Let's Cool One
110 bpm • G# Maj • 04:49 • -23.07db
3% Popularity • 69% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
3% Popularity • 69% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
