Songs like Byrd : Ave verum corpus by William Byrd
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Ave generosa
127 bpm • C# Maj • 02:21 • -39db
11% Popularity • 19% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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William Byrd
Byrd : Ave verum corpus
127 bpm • G min • 04:33 • -30db
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Samuel Barber
Reincarnations, Op. 16: III. The Coolin'
126 bpm • G min • 04:42 • -32db
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
29% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
129 bpm • G Maj • 02:51 • -20.71db
19% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Vivaldi: Laetatus Sum, RV 607
125 bpm • F Maj • 03:37 • -15.39db
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
Service in B-Flat Major (Z. 230): Nunc d...
129 bpm • B Maj • 02:05 • -23.44db
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Dolcissimi legami di parole amorose
129 bpm • G min • 03:06 • -18.33db
14% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Cyrillus Kreek
Taaveti laulud (Psalms of David): Onnis ...
125 bpm • A min • 03:25 • -24.74db
11% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
23% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Mag...
125 bpm • G# min • 04:00 • -26.14db
8% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Lasciate Mi Morire
125 bpm • A# Maj • 02:38 • -23.26db
9% Popularity • 20% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Edward Elgar
The Apostles, Op 49: The Spirit of the L...
130 bpm • G# Maj • 06:53 • -24.1db
13% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O virtus Sapientie (arr. S. Kammen for v...
130 bpm • A min • 02:55 • -24.49db
9% Popularity • 27% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
124 bpm • D Maj • 02:24 • -15.93db
13% Popularity • 45% Danceability • 29% Energy • 13% Liveness
82% Instrumentalness • 29% Positiveness
13% Popularity • 45% Danceability • 29% Energy • 13% Liveness
82% Instrumentalness • 29% Positiveness
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Claudio Monteverdi
Sfogava con le stelle un infermo d'amore...
129 bpm • D min • 03:06 • -21db
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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Charles Gounod
Ave Maria, CG89a
131 bpm • F Maj • 02:52 • -25.34db
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
131 bpm • C# Maj • 04:27 • -24.33db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Giovanni Pierluigi da Palestrina
Stabat Mater
123 bpm • G# Maj • 09:19 • -26.25db
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: IV. Sanctus - Ben...
122 bpm • D Maj • 04:13 • -21.14db
13% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Kiev Chamber Choir
To Thee We Sing - S.Rachmaninoff Version
132 bpm • D# Maj • 03:21 • -21.33db
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
► Preview
Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: No. 6, Bog...
121 bpm • F Maj • 03:28 • -27db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
► Preview
Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
► Preview
Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
IV. O virtus Sapientiae
120 bpm • A min • 01:34 • -9.56db
11% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Oxford Camerata
Mass A 4: Gloria
135 bpm • G# Maj • 06:01 • -23.45db
13% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
20% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Byrd: Mass for Five Voices - 06. Crucifi...
135 bpm • C# min • 01:53 • -21.4db
11% Popularity • 17% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Guillaume de Machaut
Qui es promesses
118 bpm • G Maj • 01:52 • -22.77db
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Byrd: The Great Service - 03. Te Deum: W...
136 bpm • D# Maj • 02:08 • -21.95db
6% Popularity • 19% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 19% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Officium Defunctorum - Ad Matutinum
137 bpm • D# Maj • 01:59 • -20.76db
16% Popularity • 15% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
